{"id":10003,"date":"2008-01-03T17:28:01","date_gmt":"2008-01-03T16:28:01","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=10003"},"modified":"2012-01-22T11:51:58","modified_gmt":"2012-01-22T10:51:58","slug":"gedo-senki-goro-miyazaki","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=10003","title":{"rendered":"Gedo Senki > Goro Miyazaki"},"content":{"rendered":"<p style=\"text-align: center;\">\n<p class=\"MsoNormal\" style=\"text-align: justify;\">\n<p class=\"MsoNormal\" style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10006\" title=\"Gedo Senki01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2008\/01\/Gedo-Senki01.jpg\" alt=\"\" width=\"620\" height=\"465\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2008\/01\/Gedo-Senki01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2008\/01\/Gedo-Senki01-300x225.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt; color: black;\">Il talento per il cinema Goro Miyazaki deve averlo ereditato dalla madre.<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt; color: black;\"><strong>Gedo Senki<\/strong><br \/>\n(titolo italiano: &#8220;I racconti di Terramare&#8221;, Giappone, 2006)<br \/>\nRegia: Goro Miyazaki<br \/>\nSceneggiatura: Goro Miyazaki, Keiko Niwa<br \/>\nMusiche: Terashima Tamiya<br \/>\nScenografia: Takeshige Yoji<br \/>\nVoci: Oakada Junichi, Teshima Aoi, Tanaka Youko, Kagawa Teeruyuki, Fubuki Jun<br \/>\n35mm<br \/>\n115&#8242;<\/span><\/p>\n<p><iframe loading=\"lazy\" width=\"620\" height=\"360\" src=\"http:\/\/www.youtube.com\/embed\/5igcvnS9Hho\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Il talento per il cinema Goro Miyazaki deve averlo ereditato dalla madre. Gedo Senki (titolo italiano: &#8220;I racconti di Terramare&#8221;, Giappone, 2006) Regia: Goro Miyazaki Sceneggiatura: Goro Miyazaki, Keiko Niwa Musiche: Terashima Tamiya Scenografia: Takeshige Yoji Voci: Oakada Junichi, Teshima Aoi, Tanaka Youko, Kagawa Teeruyuki, Fubuki Jun 35mm 115&#8242;<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[72],"tags":[4380,6708,12154],"class_list":["post-10003","post","type-post","status-publish","format-standard","hentry","category-critica","tag-63-mostra-darte-cinematografica-di-venezia","tag-goro-miyazaki","tag-i-racconti-di-terramare"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Gedo Senki &gt; Goro Miyazaki | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rapportoconfidenziale.org\/?p=10003\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gedo Senki &gt; Goro Miyazaki | Rapporto Confidenziale\" \/>\n<meta property=\"og:description\" content=\"Il talento per il cinema Goro Miyazaki deve averlo ereditato dalla madre. Gedo Senki (titolo italiano: &#8220;I racconti di Terramare&#8221;, Giappone, 2006) Regia: Goro Miyazaki Sceneggiatura: Goro Miyazaki, Keiko Niwa Musiche: Terashima Tamiya Scenografia: Takeshige Yoji Voci: Oakada Junichi, Teshima Aoi, Tanaka Youko, Kagawa Teeruyuki, Fubuki Jun 35mm 115&#8242;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.rapportoconfidenziale.org\/?p=10003\" \/>\n<meta property=\"og:site_name\" content=\"Rapporto Confidenziale\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/rapportoconfidenziale\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/roberto.rippa\" \/>\n<meta property=\"article:published_time\" content=\"2008-01-03T16:28:01+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2012-01-22T10:51:58+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2008\/01\/Gedo-Senki01.jpg\" \/>\n<meta name=\"author\" content=\"Roberto Rippa\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@RConfidenziale\" \/>\n<meta name=\"twitter:site\" content=\"@RConfidenziale\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Roberto Rippa\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=10003#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=10003\"},\"author\":{\"name\":\"Roberto Rippa\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/person\\\/87102ac735cb60f06b89d46b9ab7bda4\"},\"headline\":\"Gedo Senki > Goro Miyazaki\",\"datePublished\":\"2008-01-03T16:28:01+00:00\",\"dateModified\":\"2012-01-22T10:51:58+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=10003\"},\"wordCount\":51,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=10003#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2008\\\/01\\\/Gedo-Senki01.jpg\",\"keywords\":[\"63. Mostra d'arte cinematografica di Venezia\",\"Goro Miyazaki\",\"I racconti di Terramare\"],\"articleSection\":[\"CRITICA\"],\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=10003#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=10003\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=10003\",\"name\":\"Gedo Senki > Goro Miyazaki | Rapporto Confidenziale\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=10003#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=10003#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2008\\\/01\\\/Gedo-Senki01.jpg\",\"datePublished\":\"2008-01-03T16:28:01+00:00\",\"dateModified\":\"2012-01-22T10:51:58+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=10003#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=10003\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=10003#primaryimage\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2008\\\/01\\\/Gedo-Senki01.jpg\",\"contentUrl\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2008\\\/01\\\/Gedo-Senki01.jpg\",\"width\":\"620\",\"height\":\"465\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=10003#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Gedo Senki > Goro Miyazaki\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#website\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/\",\"name\":\"Rapporto Confidenziale\",\"description\":\"rivista digitale di cultura cinematografica | digital magazine about cinematic culture\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#organization\",\"name\":\"Rapporto Confidenziale\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2017\\\/09\\\/RC_logo_1_nero.png\",\"contentUrl\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2017\\\/09\\\/RC_logo_1_nero.png\",\"width\":3508,\"height\":709,\"caption\":\"Rapporto Confidenziale\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/rapportoconfidenziale\",\"https:\\\/\\\/x.com\\\/RConfidenziale\",\"https:\\\/\\\/www.instagram.com\\\/icdpavlov\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/RConfidenziale\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/person\\\/87102ac735cb60f06b89d46b9ab7bda4\",\"name\":\"Roberto Rippa\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/898fcbd499ddcb9e2ea7aefd6fbf4b037b6c5a4825c8bfeabe4b37228db4a42a?s=96&d=identicon&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/898fcbd499ddcb9e2ea7aefd6fbf4b037b6c5a4825c8bfeabe4b37228db4a42a?s=96&d=identicon&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/898fcbd499ddcb9e2ea7aefd6fbf4b037b6c5a4825c8bfeabe4b37228db4a42a?s=96&d=identicon&r=g\",\"caption\":\"Roberto Rippa\"},\"sameAs\":[\"http:\\\/\\\/www.rapportoconfidenziale.org\",\"https:\\\/\\\/www.facebook.com\\\/roberto.rippa\",\"https:\\\/\\\/x.com\\\/RConfidenziale\"],\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?author=4\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Gedo Senki > Goro Miyazaki | Rapporto Confidenziale","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.rapportoconfidenziale.org\/?p=10003","og_locale":"it_IT","og_type":"article","og_title":"Gedo Senki > Goro Miyazaki | Rapporto Confidenziale","og_description":"Il talento per il cinema Goro Miyazaki deve averlo ereditato dalla madre. Gedo Senki (titolo italiano: &#8220;I racconti di Terramare&#8221;, Giappone, 2006) Regia: Goro Miyazaki Sceneggiatura: Goro Miyazaki, Keiko Niwa Musiche: Terashima Tamiya Scenografia: Takeshige Yoji Voci: Oakada Junichi, Teshima Aoi, Tanaka Youko, Kagawa Teeruyuki, Fubuki Jun 35mm 115&#8242;","og_url":"https:\/\/www.rapportoconfidenziale.org\/?p=10003","og_site_name":"Rapporto Confidenziale","article_publisher":"https:\/\/www.facebook.com\/rapportoconfidenziale","article_author":"https:\/\/www.facebook.com\/roberto.rippa","article_published_time":"2008-01-03T16:28:01+00:00","article_modified_time":"2012-01-22T10:51:58+00:00","og_image":[{"url":"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2008\/01\/Gedo-Senki01.jpg","type":"","width":"","height":""}],"author":"Roberto Rippa","twitter_card":"summary_large_image","twitter_creator":"@RConfidenziale","twitter_site":"@RConfidenziale","twitter_misc":{"Scritto da":"Roberto Rippa"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=10003#article","isPartOf":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=10003"},"author":{"name":"Roberto Rippa","@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/person\/87102ac735cb60f06b89d46b9ab7bda4"},"headline":"Gedo Senki > Goro Miyazaki","datePublished":"2008-01-03T16:28:01+00:00","dateModified":"2012-01-22T10:51:58+00:00","mainEntityOfPage":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=10003"},"wordCount":51,"commentCount":0,"publisher":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#organization"},"image":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=10003#primaryimage"},"thumbnailUrl":"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2008\/01\/Gedo-Senki01.jpg","keywords":["63. Mostra d'arte cinematografica di Venezia","Goro Miyazaki","I racconti di Terramare"],"articleSection":["CRITICA"],"inLanguage":"it-IT","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.rapportoconfidenziale.org\/?p=10003#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=10003","url":"https:\/\/www.rapportoconfidenziale.org\/?p=10003","name":"Gedo Senki > Goro Miyazaki | Rapporto Confidenziale","isPartOf":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=10003#primaryimage"},"image":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=10003#primaryimage"},"thumbnailUrl":"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2008\/01\/Gedo-Senki01.jpg","datePublished":"2008-01-03T16:28:01+00:00","dateModified":"2012-01-22T10:51:58+00:00","breadcrumb":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=10003#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.rapportoconfidenziale.org\/?p=10003"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=10003#primaryimage","url":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2008\/01\/Gedo-Senki01.jpg","contentUrl":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2008\/01\/Gedo-Senki01.jpg","width":"620","height":"465"},{"@type":"BreadcrumbList","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=10003#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.rapportoconfidenziale.org\/"},{"@type":"ListItem","position":2,"name":"Gedo Senki > Goro Miyazaki"}]},{"@type":"WebSite","@id":"https:\/\/www.rapportoconfidenziale.org\/#website","url":"https:\/\/www.rapportoconfidenziale.org\/","name":"Rapporto Confidenziale","description":"rivista digitale di cultura cinematografica | digital magazine about cinematic culture","publisher":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.rapportoconfidenziale.org\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.rapportoconfidenziale.org\/#organization","name":"Rapporto Confidenziale","url":"https:\/\/www.rapportoconfidenziale.org\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/logo\/image\/","url":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/09\/RC_logo_1_nero.png","contentUrl":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/09\/RC_logo_1_nero.png","width":3508,"height":709,"caption":"Rapporto Confidenziale"},"image":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/rapportoconfidenziale","https:\/\/x.com\/RConfidenziale","https:\/\/www.instagram.com\/icdpavlov\/","https:\/\/www.youtube.com\/user\/RConfidenziale"]},{"@type":"Person","@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/person\/87102ac735cb60f06b89d46b9ab7bda4","name":"Roberto Rippa","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/898fcbd499ddcb9e2ea7aefd6fbf4b037b6c5a4825c8bfeabe4b37228db4a42a?s=96&d=identicon&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/898fcbd499ddcb9e2ea7aefd6fbf4b037b6c5a4825c8bfeabe4b37228db4a42a?s=96&d=identicon&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/898fcbd499ddcb9e2ea7aefd6fbf4b037b6c5a4825c8bfeabe4b37228db4a42a?s=96&d=identicon&r=g","caption":"Roberto Rippa"},"sameAs":["http:\/\/www.rapportoconfidenziale.org","https:\/\/www.facebook.com\/roberto.rippa","https:\/\/x.com\/RConfidenziale"],"url":"https:\/\/www.rapportoconfidenziale.org\/?author=4"}]}},"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/posts\/10003","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10003"}],"version-history":[{"count":0,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/posts\/10003\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10003"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10003"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10003"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}