{"id":12297,"date":"2011-03-24T15:17:06","date_gmt":"2011-03-24T14:17:06","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=12297"},"modified":"2011-03-24T15:17:06","modified_gmt":"2011-03-24T14:17:06","slug":"cinema-du-reel-2011","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=12297","title":{"rendered":"Cin\u00e9ma du r\u00e9el 2011"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2011\/03\/cinemadureel.jpg\" alt=\"\" title=\"cinemadureel\" width=\"620\" height=\"389\" class=\"aligncenter size-full wp-image-12298\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2011\/03\/cinemadureel.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2011\/03\/cinemadureel-436x274.jpg 436w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/p>\n<p><b><font face=\"Georgia\" size=\"5\">CIN\u00c9MA DU R\u00c9EL 2011<\/font><\/b><font size=\"4\" face=\"Georgia\"><br \/>\n<i>33E FESTIVAL INTERNATIONAL DE FILMS DOCUMENTAIRES<\/i><br \/>\n24 marzo &#8211; 5 aprile 2011<br \/>\n<a href=\"http:\/\/www.centrepompidou.fr\/Pompidou\/Manifs.nsf\/0\/F7F01E9B60E10223C12577E5003A3344?OpenDocument&#038;sessionM=2.1.1&#038;L=1&#038;form=Actualite\"><font color=\"#3399FF\"><span style=\"text-decoration: none\">www.centrepompidou.fr<\/span><\/font><\/a><\/font><font face=\"Arial\" size=\"2\"><\/p>\n<p>Si apre oggi la 33esima edizione di CIN\u00c9MA DU R\u00c9EL &#8211; FESTIVAL INTERNATIONAL DE FILMS DOCUMENTAIRES (24 marzo &#8211; 5 aprile 2011), presso il Centre Pompidou di Parigi, uno fra i pi\u00f9 prestigiosi festival dedicati al cinema documentario. L&#8217;edizione 2011 propone una nuova sezione competitiva dedicata ai cortometraggi che affiancher\u00e0 la competizione internazionale, le opere prime e la selezione francese.<br \/>\nLa 33esima edizione proporr\u00e0 un workshop condotto dal cineasta rumeno Andrei Ujic\u00e3, sdoganato al grande pubblico all&#8217;ultima edizione di Cannes con il bellissimo &quot;L&#8217;Autobiographie de Nicolae Ceausescu&quot; ed un incontro con Gianfranco Rosi. Il festival si compone pure delle sezioni &quot;News From&quot; e &quot;M\u00e9moire du r\u00e9el&quot;, proiezioni speciali e proposizione di opere inedite ed una giornata dedicata ai professionisti del settore.<\/p>\n<p>Segnaliamo nel folto programma due opere di cui abbiamo scritto e che abbiamo amato molto: <a target=\"_blank\" href=\"http:\/\/www.rapportoconfidenziale.org\/?p=8316\"><font color=\"#3399FF\"><span style=\"text-decoration: none\">&quot;Foreign Parts&quot;<\/span><\/font><\/a> di Verena Paravel e J.P. Sniadecki e <a target=\"_blank\" href=\"http:\/\/www.rapportoconfidenziale.org\/?p=8302\"><font color=\"#3399FF\"><span style=\"text-decoration: none\">&quot;Les Champs br\u00fblants&quot;<\/span><\/font><\/a> di Catherine Libert e Stefano Canapa.<\/p>\n<p>\n<\/font><font size=\"5\" face=\"Georgia\"><b>CIN\u00c9MA DU R\u00c9EL 2011<br \/>\nIL PROGRAMMA<\/b><\/font><font face=\"Arial\" size=\"2\"><\/p>\n<p>Jeudi 24 Mars 2011 \/ 15:15<br \/>\n<b>On the Waves of the Adriatic<\/b>, Brian McKenzie, 1990 couleur<br \/>\nLes errances de Graham, jeune d\u00e9soeuvr\u00e9 de 20 ans de la banlieue de Melbourne, et de ses deux comparses Stephen et Harold. Une vie de gang entre combines et ballades \u00e0 v\u00e9lo. Prix du Cin\u00e9ma du R\u00e9el 1991. <\/p>\n<p>Jeudi 24 Mars 2011 \/ 15:30<br \/>\n<b>Reprise des films d&#8217;ouverture <\/b><\/p>\n<p>Jeudi 24 Mars 2011 \/ 16:15<br \/>\n<b>America # 1 : Contre-information <\/b><br \/>\n<i>America is hard to see : Conscience d&#8217;une nation. 7 films courts<\/i><\/p>\n<p>Jeudi 24 Mars 2011 \/ 18:00<br \/>\n<b>Les Champs br\u00fblants<\/b>, Catherine Libert, Stefano Canapa, 2010 couleur (72&#8242;)<\/p>\n<p>Jeudi 24 Mars 2011 \/ 18:00<br \/>\n<b>Videogramme einer Revolution<\/b>, Harun Farocki, Andrei Ujic\u00e3, 1992 couleur<\/p>\n<p>Jeudi 24 Mars 2011 \/ 18:30<br \/>\n<b>Il Futuro del mondo passa da qui<\/b>, Andrea Deaglio, 2010 couleur<br \/>\n<i>Comp\u00e9tition internationale &#8211; Premiers Films<\/i><\/p>\n<p>Jeudi 24 Mars 2011 \/ 20:30<br \/>\n<b>Palazzo delle Aquile<\/b>, Stefano Savona, Alessia Porto, Ester Sparatore, 2011 couleur<\/p>\n<p>Jeudi 24 Mars 2011 \/ 20:45<br \/>\n<b>New Castle<\/b>, Guo Hengqi, 2010 couleur<\/p>\n<p>Jeudi 24 Mars 2011 \/ 21:00<br \/>\n<b>Po\u00e8me # 1 : Pierre Cl\u00e9menti, idylles <\/b><\/p>\n<p>Vendredi 25 Mars 2011 \/ 13:30<br \/>\n<b>America # 2 : La Cause <\/b><\/p>\n<p>Vendredi 25 Mars 2011 \/ 13:45<br \/>\n<b>New Castle<\/b>, Guo Hengqi, 2010 couleur<\/p>\n<p>Vendredi 25 Mars 2011 \/ 14:00<br \/>\n<b>Julien<\/b>, Ga\u00ebl L\u00e9pingle, 2010 couleur<\/p>\n<p>Vendredi 25 Mars 2011 \/ 16:00<br \/>\n<b>Palazzo delle Aquile<\/b>, Stefano Savona, Alessia Porto, Ester Sparatore, 2011 couleur<\/p>\n<p>Vendredi 25 Mars 2011 \/ 16:00<br \/>\n<b>Il Futuro del mondo passa da qui<\/b>, Andrea Deaglio, 2010 couleur<\/p>\n<p>Vendredi 25 Mars 2011 \/ 16:15<br \/>\n<b>Li K\u00e9 Terra<\/b>, Filipa Reis, Jo\u00e3o Miller Guerra, Nuno Baptista, 2010 couleur (65&#8242;) <\/p>\n<p>Vendredi 25 Mars 2011 \/ 18:30<br \/>\n<b>Out of the Present<\/b>, Andrei Ujicac , 1995 couleur<\/p>\n<p>Vendredi 25 Mars 2011 \/ 19:00<br \/>\n<b>Po\u00e8me # 2 : Rudy Burckhardt <\/b><\/p>\n<p>Vendredi 25 Mars 2011 \/ 20:45<br \/>\n<b>Robinson in Ruins<\/b>, Patrick Keiller, 2010 couleur<\/p>\n<p>Vendredi 25 Mars 2011 \/ 21:00<br \/>\n<b>Soir\u00e9e sp\u00e9ciale Richard Leacock <\/b><\/p>\n<p>Vendredi 25 Mars 2011 \/ 21:00<br \/>\n<b>La Mort de Danton<\/b>, Alice Diop, 2011 couleur<\/p>\n<p>Samedi 26 Mars 2011 \/ 12:00<br \/>\n<b>Po\u00e8me # 3 : Stan Brakhage<\/b>, Les Irradiations, Stan Brackhage, 1991 couleur<\/p>\n<p>Samedi 26 Mars 2011 \/ 12:30<br \/>\n<b>ScuolaMedia<\/b>, Marco Santarelli, 2010 couleur<\/p>\n<p>Samedi 26 Mars 2011 \/ 14:00<br \/>\n<b>Kinder<\/b>, Bettina B\u00fcttner, 2011 couleur<\/p>\n<p>Samedi 26 Mars 2011 \/ 14:00<br \/>\n<b>An Essay on Death : A Memorial to John F. Kennedy<\/b>, Leo Hurwitz, 1964 (77&#8242;)<\/p>\n<p>Samedi 26 Mars 2011 \/ 14:30<br \/>\n<b>Dom<\/b>, Olga Maurina, 2011 couleur<\/p>\n<p>Samedi 26 Mars 2011 \/ 16:00<br \/>\n<b>Distinguished Flying Cross<\/b>, Travis Wilkerson, 2011 couleur (61&#8242;)<\/p>\n<p>Samedi 26 Mars 2011 \/ 16:45<br \/>\n<b>Les Champs br\u00fblants<\/b>, Catherine Libert, Stefano Canapa, 2010 couleur (72&#8242;)<\/p>\n<p>Samedi 26 Mars 2011 \/ 16:45<br \/>\n<b>America # 3 : dans la ville biopolitique <\/b><\/p>\n<p>Samedi 26 Mars 2011 \/ 18:15<br \/>\n<b>Li K\u00e9 Terra<\/b>, Filipa Reis, Jo\u00e3o Miller Guerra, Nuno Baptista, 2010 couleur (65&#8242;) <\/p>\n<p>Samedi 26 Mars 2011 \/ 19:00<br \/>\n<b>Doux amer<\/b>, Matthieu Chatellier, 2011 couleur<\/p>\n<p>Samedi 26 Mars 2011 \/ 19:00<br \/>\n<b>Autobiografia lui Nicolae Ceausescu<\/b>, Andrei Ujic\u00e3, 2010 couleur<\/p>\n<p>Samedi 26 Mars 2011 \/ 21:00<br \/>\n<b>The Ballad of Genesis and Lady Jaye<\/b>, Marie Losier, 2011 couleur<\/p>\n<p>Samedi 26 Mars 2011 \/ 21:00<br \/>\n<b>Native Land<\/b>, Leo Hurwitz, Paul Strand, 1941 (88&#8242;)<\/p>\n<p>Dimanche 27 Mars 2011 \/ 12:45<br \/>\n<b>ScuolaMedia<\/b>, Marco Santarelli, 2010 couleur<\/p>\n<p>Dimanche 27 Mars 2011 \/ 13:00<br \/>\n<b>Kinder<\/b>, Bettina B\u00fcttner, 2011 couleur<\/p>\n<p>Dimanche 27 Mars 2011 \/ 13:15<br \/>\n<b>Voir ce que devient l&#8217;ombre<\/b>, Matthieu Chatellier, 2010 couleur<\/p>\n<p>Dimanche 27 Mars 2011 \/ 14:45<br \/>\n<b>The Ballad of Genesis and Lady Jaye<\/b>, Marie Losier, 2011 couleur<\/p>\n<p>Dimanche 27 Mars 2011 \/ 15:00<br \/>\n<b>Atelier Andrei Ujic\u00e3 <\/b><\/p>\n<p>Dimanche 27 Mars 2011 15:45<br \/>\n<b>Slow Action<\/b>, Ben Rivers, 2010 couleur (45&#8242;)<\/p>\n<p>Dimanche 27 Mars 2011 \/ 16:45<br \/>\n<b>Distinguished Flying Cross<\/b>, Travis Wilkerson, 2011 couleur (61&#8242;)<\/p>\n<p>Dimanche 27 Mars 2011 \/ 18:15<br \/>\n<b>La Terre des \u00e2mes errrantes<\/b>, Rithy Panh, 1999 couleur<\/p>\n<p>Dimanche 27 Mars 2011 \/ 18:15<br \/>\n<b>Po\u00e8me # 4 : Rui Sim\u00f5es, le &quot;film-r\u00e9volution&quot; <\/b><\/p>\n<p>Dimanche 27 Mars 2011 \/ 18:30<br \/>\n<b>Fragments d&#8217;une r\u00e9volution<\/b>, Anonyme, 2011 couleur (57&#8242;)<\/p>\n<p>Dimanche 27 Mars 2011 \/ 20:45<br \/>\n<b>Eine ruhige Jacke<\/b>, Ram\u00f2n Giger, 2010 couleur<\/p>\n<p>Dimanche 27 Mars 2011 \/ 21:00<br \/>\n<b>Nous \u00e9tions communistes<\/b>, Maher Abi Samra, 2010 couleur<\/p>\n<p>Dimanche 27 Mars 2011 \/ 21:00<br \/>\n<b>Introduction to the Enemy<\/b>, Haskell Wexler, Jane Fonda, Thomas Hayden, Christine Burrill, Bill Yahraus, 1974 couleur (60&#8242;)<\/p>\n<p>Lundi 28 Mars 2011 \/ 12:00<br \/>\n<b>Fragments d&#8217;une r\u00e9volution<\/b>, Anonyme, 2011 couleur (57&#8242;)<\/p>\n<p>Lundi 28 Mars 2011 \/ 13:30<br \/>\n<b>New Castle<\/b>, Guo Hengqi, 2010 couleur<\/p>\n<p>Lundi 28 Mars 2011 \/ 14:00<br \/>\n<b>La Mort de Danton<\/b>, Alice Diop, 2011 couleur<\/p>\n<p>Lundi 28 Mars 2011 \/ 14:30<br \/>\n<b>Doux amer<\/b>, Matthieu Chatellier, 2011 couleur<\/p>\n<p>Lundi 28 Mars 2011 \/ 16:00<br \/>\n<b>Eine ruhige Jacke<\/b>, Ram\u00f2n Giger, 2010 couleur<\/p>\n<p>Lundi 28 Mars 2011 \/ 16:00<br \/>\n<b>Julien<\/b>, Ga\u00ebl L\u00e9pingle, 2010 couleur<\/p>\n<p>Lundi 28 Mars 2011 \/ 16:30<br \/>\n<b>Nous \u00e9tions communistes<\/b>, Maher Abi Samra, 2010 couleur<\/p>\n<p>Lundi 28 Mars 2011 \/ 18:15<br \/>\n<b>Po\u00e8me # 5 : Helga Fanderl, ha\u00efkus \u00e0 rebours <\/b><\/p>\n<p>Lundi 28 Mars 2011 \/ 18:30<br \/>\n<b>Voir ce que devient l&#8217;ombre<\/b>, Matthieu Chatellier, 2010 couleur<\/p>\n<p>Lundi 28 Mars 2011 \/ 18:30<br \/>\n<b>Dom<\/b>, Olga Maurina, 2011 couleur<\/p>\n<p>Lundi 28 Mars 2011 \/ 20:30<br \/>\n<b>Po\u00e8me # 6 : Ken Brown, cornucopia <\/b><\/p>\n<p>Lundi 28 Mars 2011 \/ 20:45<br \/>\n<b>America # 5 : L&#8217;Internationale <\/b><\/p>\n<p>Lundi 28 Mars 2011 \/ 21:00<br \/>\n<b>La Pluie et le beau temps<\/b>, Ariane Doublet, 2011 couleur<\/p>\n<p>Lundi 28 Mars 2011 \/ 21:00<br \/>\n<b>Los Abrazos del Rio<\/b>, Nicol\u00e1s Rinc\u00f3n Gille, 2010 couleur<\/p>\n<p>Mardi 29 Mars 2011 \/ 10:30<br \/>\n<b>Camera # 1 : Thierry Nouel, Marc-Antoine Roudil <\/b><\/p>\n<p>Mardi 29 Mars 2011 \/ 10:30<br \/>\n<b>La Cam\u00e9ra passe-partout<\/b>, Jane Weiner, Sebastian Eyherabide, 2011 couleur<\/p>\n<p>Mardi 29 Mars 2011 \/ 14:00<br \/>\n<b>Camera # 2 : Katell Djian, Nicolas Philibert. <\/b><\/p>\n<p>Mardi 29 Mars 2011 \/ 14:00<br \/>\n<b>Voir ce que devient l&#8217;ombre<\/b>, Matthieu Chatellier, 2010 couleur<\/p>\n<p>Mardi 29 Mars 2011 \/ 17:00<br \/>\n<b>Les Champs br\u00fblants<\/b>, Catherine Libert, Stefano Canapa, 2010 couleur (72&#8242;)<\/p>\n<p>Mercredi 30 Mars 2011 \/ 10:30 <br \/>\n<b>La Mort de Danton<\/b>, Alice Diop, 2011 couleur<\/p>\n<p>Mercredi 30 Mars 2011 \/ 11:30<br \/>\n<b>Kinder, Bettina B\u00fcttner<\/b>, 2011 couleur<\/p>\n<p>Mercredi 30 Mars 2011 \/ 12:30<br \/>\n<b>Distinguished Flying Cross<\/b>, Travis Wilkerson, 2011 couleur (61&#8242;)<\/p>\n<p>Mercredi 30 Mars 2011 \/ 13:15<br \/>\n<b>The Ballad of Genesis and Lady Jaye<\/b>, Marie Losier, 2011 couleur<\/p>\n<p>Mercredi 30 Mars 2011 \/ 14:00<br \/>\n<b>Koundi et le jeudi national<\/b>, Ariane Astrid Atodji, 2010 couleur<\/p>\n<p>Mercredi 30 Mars 2011 \/ 14:15<br \/>\n<b>Slow Action<\/b>, Ben Rivers, 2010 couleur (45&#8242;)<\/p>\n<p>Mercredi 30 Mars 2011 \/ 14:15<br \/>\n<b>Hors sc\u00e8ne # 1<\/b>, Fran\u00e7ois Girard, 1993 couleur<\/p>\n<p>Mercredi 30 Mars 2011 \/ 14:15<br \/>\n<b>Sem Companhia<\/b>, Jo\u00e3o Trabulo, 2010 couleur <\/p>\n<p>Mercredi 30 Mars 2011 \/ 15:15<br \/>\n<b>Po\u00e8me # 7 : Leighton Pierce, mouvements harmoniques <\/b><\/p>\n<p>Mercredi 30 Mars 2011 \/ 16:15<br \/>\n<b>La Pluie et le beau temps<\/b>, Ariane Doublet, 2011 couleur<\/p>\n<p>Mercredi 30 Mars 2011 \/ 16:15<br \/>\n<b>Out of the Present<\/b>, Andrei Ujicac , 1995 couleur<\/p>\n<p>Mercredi 30 Mars 2011 \/ 16:15<br \/>\n<b>America #6 : In the streets <\/b><\/p>\n<p>Mercredi 30 Mars 2011 \/ 17:00<br \/>\n<b>Nous \u00e9tions communistes<\/b>, Maher Abi Samra, 2010 couleur<\/p>\n<p>Mercredi 30 Mars 2011 \/ 17:15<br \/>\n<b>Boatman<\/b>, Gianfranco Rosi, 1993 couleur<\/p>\n<p>Mercredi 30 Mars 2011 \/ 18:15<br \/>\n<b>Madame Jean<\/b>, Sophie Bruneau, Marc-Antoine Roudil, 2011 couleur<\/p>\n<p>Mercredi 30 Mars 2011 \/ 18:30<br \/>\n<b>La Terre tremble<\/b>, Vania Aillon, 2011 couleur (40 &#8216;) <\/p>\n<p>Mercredi 30 Mars 2011 \/ 18:45<br \/>\n<b>Camera # 3 : Pierre Lhomme, Renato Berta <\/b><\/p>\n<p>Mercredi 30 Mars 2011 \/ 19:00<br \/>\n<b>Histoires autour de la folie<\/b>, Paule Muxel, Bertrand de Solliers, 1993 couleur <\/p>\n<p>Mercredi 30 Mars 2011 \/ 20:30<br \/>\n<b>Exercices de disparition<\/b>, Claudio Pazienza, 2011 couleur (50&#8242;)<\/p>\n<p>Mercredi 30 Mars 2011 \/ 20:45<br \/>\n<b>Le Joli Mai<\/b>, Chris Marker, Pierre Lhomme, 1963 version 2008<\/p>\n<p>Mercredi 30 Mars 2011 \/ 20:45<br \/>\n<b>The Last Buffalo Hunt<\/b>, Lee Anne Schmitt, 2011 couleur<\/p>\n<p>Jeudi 31 Mars 2011 \/ 10:30<br \/>\n<b>La Pluie et le beau temps<\/b>, Ariane Doublet, 2011 couleur<\/p>\n<p>Jeudi 31 Mars 2011 \/ 12:15<br \/>\n<b>Dom<\/b>, Olga Maurina, 2011 couleur<\/p>\n<p>Jeudi 31 Mars 2011 \/ 12:30<br \/>\n<b>Slow Action<\/b>, Ben Rivers, 2010 couleur (45&#8242;)<\/p>\n<p>Jeudi 31 Mars 2011 \/ 13:15<br \/>\n<b>Li K\u00e9 Terra<\/b>, Filipa Reis, Jo\u00e3o Miller Guerra, Nuno Baptista, 2010 couleur (65&#8242;) <\/p>\n<p>Jeudi 31 Mars 2011 \/ 14:15<br \/>\n<b>Madame Jean<\/b>, Sophie Bruneau, Marc-Antoine Roudil, 2011 couleur<\/p>\n<p>Jeudi 31 Mars 2011 \/ 14:15<br \/>\n<b>Below Sea Level<\/b>, Gianfranco Rosi, 2008 <\/p>\n<p>Jeudi 31 Mars 2011 \/ 14:30<br \/>\n<b>Co\u00fbte que co\u00fbte<\/b>, Claire Simon, 1995 couleur<\/p>\n<p>Jeudi 31 Mars 2011 \/ 15:45<br \/>\n<b>Exercices de disparition<\/b>, Claudio Pazienza, 2011 couleur (50&#8242;)<\/p>\n<p>Jeudi 31 Mars 2011 \/ 16:30<br \/>\n<b>La Guerre est proche<\/b>, Claire Angelini, 2010 couleur<\/p>\n<p>Jeudi 31 Mars 2011 \/ 16:45<br \/>\n<b>La Terre tremble<\/b>, Vania Aillon, 2011 couleur (40 &#8216;) <\/p>\n<p>Jeudi 31 Mars 2011 \/ 17:00<br \/>\n<b>Appunti per un&#8217;Orestiade africana<\/b>, Pier Paolo Pasolini, 1970 couleur (71&#8242;) <\/p>\n<p>Jeudi 31 Mars 2011 \/ 17:00<br \/>\n<b>Doux amer<\/b>, Matthieu Chatellier, 2011 couleur<\/p>\n<p>Jeudi 31 Mars 2011 \/ 18:15<br \/>\n<b>La Croix et la banni\u00e8re<\/b>, J\u00fcrgen Ellinghaus, 2010 couleur (54&#8242;)<\/p>\n<p>Jeudi 31 Mars 2011 \/ 18:30<br \/>\n<b>La Place<\/b>, Marie Dumora, 2011 couleur<\/p>\n<p>Jeudi 31 Mars 2011 \/ 19:00<br \/>\n<b>Dialogue with a woman departed<\/b>, Leo Hurwitz, 1980 couleur<\/p>\n<p>Jeudi 31 Mars 2011 \/ 19:30<br \/>\n<b>El Tel\u00f3n de Az\u00facar<\/b>, Camila Guzm\u00e1n Urz\u00faa, 2006 couleur (80&#8242;) <\/p>\n<p>Jeudi 31 Mars 2011 \/ 21:00<br \/>\n<b>Sleepless Nights Stories<\/b>, Jonas Mekas, 2011 couleur<\/p>\n<p>Jeudi 31 Mars 2011 \/ 21:00<br \/>\n<b>American Passages<\/b>, Ruth Beckermann, 2011 couleur<\/p>\n<p>Jeudi 31 Mars 2011 \/ 22:00<br \/>\n<b>Soigne ta droite<\/b>, Jean-Luc Godard, 1987 couleur <\/p>\n<p>Vendredi 1 Avril 2011 \/ 10:30<br \/>\n<b>Palazzo delle Aquile<\/b>, Stefano Savona, Alessia Porto, Ester Sparatore, 2011 couleur<\/p>\n<p>Vendredi 1 Avril 2011 \/ 12:15<br \/>\n<b>Koundi et le jeudi national<\/b>, Ariane Astrid Atodji, 2010 couleur<\/p>\n<p>Vendredi 1 Avril 2011 \/ 12:15<br \/>\n<b>ScuolaMedia<\/b>, Marco Santarelli, 2010 couleur<\/p>\n<p>Vendredi 1 Avril 2011 \/ 13:00<br \/>\n<b>American Passages<\/b>, Ruth Beckermann, 2011 couleur<\/p>\n<p>Vendredi 1 Avril 2011 \/ 14:00<br \/>\n<b>Eine ruhige Jacke<\/b>, Ram\u00f2n Giger, 2010 couleur (74&#8242;)<\/p>\n<p>Vendredi 1 Avril 2011 \/ 14:15<br \/>\n<b>La Place<\/b>, Marie Dumora, 2011 couleur<\/p>\n<p>Vendredi 1 Avril 2011 \/ 14:45<br \/>\n<b>The Last Buffalo Hunt<\/b>, Lee Anne Schmitt, 2011 couleur<\/p>\n<p>Vendredi 1 Avril 2011 \/ 14:45<br \/>\n<b>le Convoi<\/b>, Patrice Chagnard, 1996 couleur<\/p>\n<p>Vendredi 1 Avril 2011 \/ 16:00<br \/>\n<b>Po\u00e8me # 8 : D\u00e9flagrations <\/b><\/p>\n<p>Vendredi 1 Avril 2011 \/ 16:45<br \/>\n<b>La Guerre est proche<\/b>, Claire Angelini, 2010 couleur<\/p>\n<p>Vendredi 1 Avril 2011 \/ 17:00<br \/>\n<b>Karaway<\/b> &#8211; 1\u00e8re partie, Xin Xu, 2010 couleur<\/p>\n<p>Vendredi 1 Avril 2011 \/ 17:00<br \/>\n<b>Madame Jean<\/b>, Sophie Bruneau, Marc-Antoine Roudil, 2011 couleur (73&#8242;)<\/p>\n<p>Vendredi 1 Avril 2011 \/ 17:00<br \/>\n<b>Sem Companhia<\/b>, Jo\u00e3o Trabulo, 2010 couleur <\/p>\n<p>Vendredi 1 Avril 2011 \/ 18:30<br \/>\n<b>Camera # 5 : Jean-Pierre Beauviala. Penser une cam\u00e9ra <\/b><\/p>\n<p>Vendredi 1 Avril 2011 \/ 18:45<br \/>\n<b>La Croix et la banni\u00e8re<\/b>, J\u00fcrgen Ellinghaus, 2010 couleur (54&#8242;)<\/p>\n<p>Vendredi 1 Avril 2011 \/ 20:30<br \/>\n<b>Lech Kowalski : Underground Rock Stars<\/b>, Lech Kowalski <\/p>\n<p>Vendredi 1 Avril 2011 \/ 20:30<br \/>\n<b>Karaway<\/b> &#8211; 2\u00e8me partie, Xin Xu, 2010 couleur<\/p>\n<p>Vendredi 1 Avril 2011 \/ 21:00<br \/>\n<b>El sicario, room 164<\/b>, Gianfranco Rosi, 2010 couleur<\/p>\n<p>Vendredi 1 Avril 2011 \/ 21:00<br \/>\n<b>Hors sc\u00e8ne # 4 <\/b><\/p>\n<p>Samedi 2 Avril 2011 \/ 10:30<br \/>\n<b>La Place<\/b>, Marie Dumora, 2011 couleur<\/p>\n<p>Samedi 2 Avril 2011 \/ 11:30<br \/>\n<b>The Last Buffalo Hunt<\/b>, Lee Anne Schmitt, 2011 couleur<\/p>\n<p>Samedi 2 Avril 2011 \/ 12:15<br \/>\nExercices de disparition, Claudio Pazienza, 2011 couleur (50&#8242;)<\/p>\n<p>Samedi 2 Avril 2011 \/ 13:30<br \/>\n<b>Koundi et le jeudi national<\/b>, Ariane Astrid Atodji, 2010 couleur (86&#8242;) <\/p>\n<p>Samedi 2 Avril 2011 \/ 13:30<br \/>\n<b>L&#8217;H\u00e9ritage de la chouette<\/b>, Chris Marker, 1989 couleur<\/p>\n<p>Samedi 2 Avril 2011 \/ 14:00<br \/>\n<b>La Guerre est proche<\/b>, Claire Angelini, 2010 couleur (80&#8242;) <\/p>\n<p>Samedi 2 Avril 2011 \/14:00<br \/>\n<b>Atelier Gianfranco Rosi <\/b><\/p>\n<p>Samedi 2 Avril 2011 \/ 14:15<br \/>\n<b>Sem Companhia<\/b>, Jo\u00e3o Trabulo, 2010 couleur <\/p>\n<p>Samedi 2 Avril 2011 \/ 15:15<br \/>\n<b>L&#8217;H\u00e9ritage de la chouette<\/b>, Chris Marker, 1989 couleur<\/p>\n<p>Samedi 2 Avril 2011 \/ 16:15<br \/>\n<b>Original Cast Album \u2013 Company<\/b>, D.A. Pennebecker, 1970 coueur (60&#8242;)<\/p>\n<p>Samedi 2 Avril 2011 \/ 16:30<br \/>\n<b>Julien<\/b>, Ga\u00ebl L\u00e9pingle, 2010 couleur<\/p>\n<p>Samedi 2 Avril 2011 \/ 16:30<br \/>\n<b>La Croix et la banni\u00e8re<\/b>, J\u00fcrgen Ellinghaus, 2010 couleur (54&#8242;)<\/p>\n<p>Samedi 2 Avril 2011 \/ 17:00<br \/>\n<b>American Passages<\/b>, Ruth Beckermann, 2011 couleur<\/p>\n<p>Samedi 2 Avril 2011 \/ 17:00<br \/>\n<b>Hors sc\u00e8ne # 6<\/b>, Phil Niblock, 1984-2010 couleur <\/p>\n<p>Samedi 2 Avril 2011 \/ 18:15<br \/>\n<b>Leo Hurwitz # 4<\/b>, Leo Hurwitz, 1948 noir et blanc (75&#8242;) <\/p>\n<p>Samedi 2 Avril 2011 \/ 18:30<br \/>\n<b>Palmar\u00e8s <\/b><\/p>\n<p>Samedi 2 Avril 2011 \/ 18:45<br \/>\n<b>Po\u00e8me # 9: Odes cin\u00e9tiques <\/b><\/p>\n<p>Samedi 2 Avril 2011 \/ 18:45<br \/>\n<b>Hors sc\u00e8ne # 7<\/b>, Chris Marker, 1974 couleur (62&#8242;)<\/p>\n<p>Samedi 2 Avril 2011 \/ 19:30<br \/>\n<b>Odessa &#8230; Odessa !<\/b>, Michale Boganim, 2004 couleur<\/p>\n<p>Samedi 2 Avril 2011 \/ 21:00<br \/>\n<b>Foreign Parts<\/b>, Verena Paravel, J.P. Sniadecki, 2010 couleur (80&#8242;)<\/p>\n<p>Samedi 2 Avril 2011 \/ 21:00<br \/>\n<b>Hors sc\u00e8ne # 8<\/b>, Chantal Akerman, 1983 couleur<\/p>\n<p>Samedi 2 Avril 2011 \/ 21:00<br \/>\n<b>Les 30 ans du Bilan du Film Ethnographique<\/b>, Jean Gaumy, 1984 couleur (35&#8242;)<\/p>\n<p>Samedi 2 Avril 2011 \/ 22:00<br \/>\n<b>Hors sc\u00e8ne # 9<\/b>, Li Hongqi, 2010 couleur (86&#8242;)<\/p>\n<p>Dimanche 3 Avril 2011 \/ 12:45<br \/>\n<b>Reprise des films prim\u00e9s <\/b><\/p>\n<p>Dimanche 3 Avril 2011 \/ 13:00<br \/>\n<b>Reprise des films prim\u00e9s <\/b><\/p>\n<p>Dimanche 3 Avril 2011 \/ 13:30<br \/>\n<b>Karaway<\/b> &#8211; 1\u00e8re et 2\u00e8me parties, Xin Xu, 2010 couleur<\/p>\n<p>Dimanche 3 Avril 2011 \/ 14:00<br \/>\n<b>L&#8217;H\u00e9ritage de la chouette<\/b>, Chris Marker, 1989 couleur<\/p>\n<p>Dimanche 3 Avril 2011 \/ 15:00<br \/>\n<b>Reprise des films prim\u00e9s <\/b><\/p>\n<p>Dimanche 3 Avril 2011 \/ 15:30<br \/>\n<b>Reprise des films prim\u00e9s <\/b><\/p>\n<p>Dimanche 3 Avril 2011 \/ 16:00<br \/>\n<b>L&#8217;H\u00e9ritage de la chouette<\/b>, Chris Marker, 1989 couleur<\/p>\n<p>Dimanche 3 Avril 2011 \/ 17:30<br \/>\n<b>Reprise des films prim\u00e9s <\/b><\/p>\n<p>Dimanche 3 Avril 2011 \/ 18:00<br \/>\n<b>Reprise des films prim\u00e9s <\/b><\/p>\n<p>Dimanche 3 Avril 2011 \/ 18:00<br \/>\n<b>Foreign Parts<\/b>, Verena Paravel, J.P. Sniadecki, 2010 couleur <\/p>\n<p>Dimanche 3 Avril 2011 \/ 20:00<br \/>\n<b>Reprise des films prim\u00e9s <\/b><\/p>\n<p>Dimanche 3 Avril 2011 \/ 20:30<br \/>\n<b>Reprise des films prim\u00e9s <\/b><\/p>\n<p>Dimanche 3 Avril 2011 \/ 20:45<br \/>\n<b>Hors sc\u00e8ne # 10<\/b>, Daniel Schmid, 1984 couleur (87&#8242;)<\/p>\n<p>Dimanche 3 Avril 2011 \/ 21:00<br \/>\n<b>Po\u00e8me # 10 <\/b><\/p>\n<p>Lundi 4 Avril 2011 \/ 13:45<br \/>\n<b>L&#8217;H\u00e9ritage de la chouette<\/b>, Chris Marker, 1989 couleur<\/p>\n<p>Lundi 4 Avril 2011 \/ 16:15<br \/>\n<b>L&#8217;H\u00e9ritage de la chouette<\/b>, Chris Marker, 1989 couleur<\/p>\n<p>Lundi 4 Avril 2011 \/ 18:15<br \/>\n<b>D\u00e9dicace Richard Leacock<\/b>, Val\u00e9rie Lalonde, Richard Leacock, 1991 couleur<\/p>\n<p>Lundi 4 Avril 2011 \/ 19:00<br \/>\n<b>Soir\u00e9e Vid\u00e9o et Apr\u00e8s \/ Cin\u00e9ma du r\u00e9el<\/b>, Clarisse Hahn, 2010 couleur<\/p>\n<p>Lundi 4 Avril 2011 \/ 20:15<br \/>\n<b>Soir\u00e9e Documentaire sur Grand Ecran \/ Cin\u00e9ma du r\u00e9el <\/b><\/p>\n<p>Mardi 5 Avril 2011 \/ 13:45<br \/>\n<b>Los Abrazos del Rio<\/b>, Nicol\u00e1s Rinc\u00f3n Gille, 2010 couleur<\/p>\n<p>Mardi 5 Avril 2011 \/ 15:45<br \/>\n<b>Hors sc\u00e8ne # 11 <\/b><\/p>\n<p>Mardi 5 Avril 2011 \/ 18:00<br \/>\n<b>Soir\u00e9e Vid\u00e9o et Apr\u00e8s \/ Cin\u00e9ma du r\u00e9el<\/b>, Clarisse Hahn, 2010 couleur<\/p>\n<p>Mardi 5 Avril 2011 \/ 20:30<br \/>\n<b>L&#8217;H\u00e9ritage de la chouette<\/b>, Chris Marker, 1989 couleur<\/p>\n<p>Mardi 5 Avril 2011 \/ 22:30<br \/>\n<b>L&#8217;H\u00e9ritage de la chouette<\/b>, Chris Marker, 1989 couleur<\/p>\n<p><\/font><b><font face=\"Georgia\" size=\"5\">CIN\u00c9MA DU R\u00c9EL 2011<\/font><\/b><font size=\"4\" face=\"Georgia\"><br \/>\n<i>33E FESTIVAL INTERNATIONAL DE FILMS DOCUMENTAIRES<\/i><br \/>\n24 marzo &#8211; 5 aprile 2011<br \/>\n<a href=\"http:\/\/www.centrepompidou.fr\/Pompidou\/Manifs.nsf\/0\/F7F01E9B60E10223C12577E5003A3344?OpenDocument&#038;sessionM=2.1.1&#038;L=1&#038;form=Actualite\"><font color=\"#3399FF\"><span style=\"text-decoration: none\">www.centrepompidou.fr<\/span><\/font><\/a><\/font><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2011\/03\/CIN-CINEREEL2011.jpg\" alt=\"\" title=\"CIN-CINEREEL2011\" width=\"620\" height=\"876\" class=\"aligncenter size-full wp-image-12299\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2011\/03\/CIN-CINEREEL2011.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2011\/03\/CIN-CINEREEL2011-436x616.jpg 436w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>CIN\u00c9MA DU R\u00c9EL 2011 33E FESTIVAL INTERNATIONAL DE FILMS DOCUMENTAIRES 24 marzo &#8211; 5 aprile 2011 www.centrepompidou.fr Si apre oggi la 33esima edizione di CIN\u00c9MA DU R\u00c9EL &#8211; FESTIVAL INTERNATIONAL DE FILMS DOCUMENTAIRES (24 marzo &#8211; 5 aprile 2011), presso il Centre Pompidou di Parigi, uno fra i pi\u00f9 prestigiosi festival dedicati al cinema documentario. L&#8217;edizione 2011 propone una nuova<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[7],"tags":[9554,6198,9150,9553,311,6143,8216,6219,9555,6224,9557,9556,3974,6199,6144],"class_list":["post-12297","post","type-post","status-publish","format-standard","hentry","category-festival","tag-andrei-ujica","tag-catherine-libert","tag-centre-pompidou","tag-cinema-du-reel","tag-documentario","tag-foreign-parts","tag-gianfranco-rosi","tag-j-p-sniadecki","tag-lautobiographie-de-nicolae-ceausescu","tag-les-champs-brulants","tag-memoire-du-reel","tag-news-from","tag-parigi","tag-stefano-canapa","tag-verena-paravel"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cin\u00e9ma du r\u00e9el 2011 | Rapporto Confidenziale<\/title>\n<meta name=\"description\" content=\"CIN\u00c9MA DU R\u00c9EL 2011 33E FESTIVAL INTERNATIONAL DE FILMS DOCUMENTAIRES 24 marzo - 5 aprile 2011 www.centrepompidou.fr Si apre oggi la 33esima edizione di\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rapportoconfidenziale.org\/?p=12297\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cin\u00e9ma du r\u00e9el 2011 | Rapporto Confidenziale\" \/>\n<meta property=\"og:description\" content=\"CIN\u00c9MA DU R\u00c9EL 2011 33E FESTIVAL INTERNATIONAL DE FILMS DOCUMENTAIRES 24 marzo - 5 aprile 2011 www.centrepompidou.fr Si apre oggi la 33esima edizione di\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.rapportoconfidenziale.org\/?p=12297\" \/>\n<meta property=\"og:site_name\" content=\"Rapporto Confidenziale\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/rapportoconfidenziale\" \/>\n<meta property=\"article:published_time\" content=\"2011-03-24T14:17:06+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2011\/03\/cinemadureel.jpg\" \/>\n<meta name=\"author\" content=\"Alessio Galbiati\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@RConfidenziale\" \/>\n<meta name=\"twitter:site\" content=\"@RConfidenziale\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Alessio Galbiati\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=12297#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=12297\"},\"author\":{\"name\":\"Alessio Galbiati\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/person\\\/3d6ec95723b77d922213e18c75a22d06\"},\"headline\":\"Cin\u00e9ma du r\u00e9el 2011\",\"datePublished\":\"2011-03-24T14:17:06+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=12297\"},\"wordCount\":1811,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=12297#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2011\\\/03\\\/cinemadureel.jpg\",\"keywords\":[\"Andrei Ujic\u00e3\",\"Catherine Libert\",\"Centre Pompidou\",\"CIN\u00c9MA DU R\u00c9EL\",\"Documentario\",\"Foreign Parts\",\"Gianfranco Rosi\",\"J.P. 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