{"id":12686,"date":"2011-04-14T16:50:22","date_gmt":"2011-04-14T14:50:22","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=12686"},"modified":"2011-04-14T16:50:22","modified_gmt":"2011-04-14T14:50:22","slug":"festival-de-cannes-2011","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=12686","title":{"rendered":"Festival de Cannes 2011"},"content":{"rendered":"

\"\"<\/p>\n

Gilles Jacob e Thierry Fr\u00e9maux, rispettivamente Presidente e Direttore del Festival di Cannes<\/font><\/a> (11-22 maggio), hanno annunciato i 19 titoli del concorso internazionale, selezionate fra 1715 opere pervenute da 44 paesi. Per la prima volta 4 le cineaste in concorso ed al solito un livello altissimo.<\/font><\/p>\n

\n

 <\/p>\n

Pedro Almod\u00f3var | The Skin I Inhabit<\/b><\/font><\/p>\n

Bertrand Bonello | L’Apollonide: Souvenirs de la maison close <\/b>(House of Tolerance)<\/i><\/font><\/p>\n

Alain Cavalier | Pater<\/b><\/font><\/p>\n

Joseph Cedar | Footnote<\/b><\/font><\/p>\n

Nuri Bilge Ceylan | Once Upon a Time in Anatolia<\/b><\/font><\/p>\n

Jean-Pierre e Luc Dardenne | Le gamin au v\u00e9lo <\/b>(The Kid with a Bike)<\/i><\/font><\/p>\n

Aki Kaurism\u00e4ki | Le Havre<\/b><\/font><\/p>\n

Naomi Kawase | Hanezu no Tsuki<\/b><\/font><\/p>\n

Julie Leigh | Sleeping Beaut<\/b><\/font><\/p>\n

Ma\u00efwenn | Polisse<\/b><\/font><\/p>\n

Terrence Malick | The Tree of Life<\/b><\/font><\/p>\n

Radu Mihaileanu | La source des femmes <\/b>(The Source)<\/i><\/font><\/p>\n

Takashi Miike | Ishimei <\/b>(Hari-Kiri: Death of a Samurai)<\/i><\/font><\/p>\n

Nanni Moretti | Habemus Papam <\/b>(We Have a Pope)<\/i><\/font><\/p>\n

Lynn Ramsey | We Need to Talk About Kevin<\/b><\/font><\/p>\n

Nicolas Winding Refn | Drive<\/b><\/font><\/p>\n

Markus Schleinzer | Michael<\/b><\/font><\/p>\n

Paolo Sorrentino | This Must Be the Place<\/b><\/font><\/p>\n

Lars von Trier | Melancholia<\/b><\/font><\/p>\n<\/blockquote>\n

<\/p>\n

La sezione Un Certain Regard<\/i> proporr\u00e0, come film d’apertura Restless<\/b>, il nuovo film di Gus Van Sant.<\/font><\/p>\n

<\/p>\n

<\/font>* * *<\/font><\/p>\n

<\/font><\/p>\n

Segnaliamo un interessante omaggio alla settima arte presente sul sito del festival: "An illustrated history of cinema around the world"<\/font><\/a>.
\nUn elenco per parole, immagini ed estratti compilato da specialisti del settore dedicato alle cinematografie nazionali dei principali paesi che hanno fatto la Storia del cinema.<\/p>\n

Ad oggi l’elenco si compone, ma verr\u00e0 aggiornato ogni notte, delle seguente voci:<\/p>\n

KOREA<\/font><\/a> di Lee Chang Dong
\nBRAZIL<\/font><\/a> di Paulo Paranagua, including a personal account by Carlos Diegues
\nITALY 1\/3 (1946-1959)<\/font><\/a> – 2\/3 (1960-1999)<\/font><\/a> e 3\/3 (2000-2010)<\/font><\/a> di Lorenzo Codelli
\nRUSSIA<\/font><\/a> di Jo\u00ebl Chapron
\nCHINA<\/font><\/a> di Charles Tesson
\nJAPAN<\/font><\/a> di Yokichi Nakagawa with contributions from Takeshi Kitano and Koji Yakusho
\nEGYPT<\/font><\/a> di Samir Farid
\nSPAIN<\/font><\/a> di Diego Gal\u00e1n with contribution from Victor Erice
\nFRANCE<\/font><\/a> di No\u00ebl Herpe
\nUSA<\/font><\/a> di Scott Foundas
\nUNITED KINGDOM<\/font><\/a> di Colin MacCabe
\nMEXICO<\/font><\/a> di Paulo Paranagua<\/font><\/p>\n

* * *<\/font><\/p>\n


\nPer tutto il resto vi rimandiamo al sito del Festival de Cannes.
\nwww.festival-cannes.fr<\/font><\/a><\/font><\/p>\n

 <\/p>\n

\"\"<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Gilles Jacob e Thierry Fr\u00e9maux, rispettivamente Presidente e Direttore del Festival di Cannes (11-22 maggio), hanno annunciato i 19 titoli del concorso internazionale, selezionate fra 1715 opere pervenute da 44 paesi. Per la prima volta 4 le cineaste in concorso ed al solito un livello altissimo.   Pedro Almod\u00f3var | The Skin I Inhabit Bertrand Bonello | L’Apollonide: Souvenirs de<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[7],"tags":[9764,9755,9788,9752,47,9782,9789,9750,9758,9748,128,9777,9767,9776,9754,9775,9761,9757,9768,9753,9773,7886,9762,9765,9779,9770,9783,9785,5436,3120,9766,9781,9759,9760,242,9756,2389,9771,3884,9787,9769,7677,2471,9763,9751,9774,9772,9749,9784,9786,9778,9780],"class_list":["post-12686","post","type-post","status-publish","format-standard","hentry","category-festival","tag-aki-kaurismaki","tag-alain-cavalier","tag-an-illustrated-history-of-cinema-around-the-world","tag-bertrand-bonello","tag-cannes","tag-drive","tag-festival-de-cannes","tag-festival-di-cannes","tag-footnote","tag-gilles-jacob","tag-gus-van-sant","tag-habemus-papam","tag-hanezu-no-tsuki","tag-hari-kiri-death-of-a-samurai","tag-house-of-tolerance","tag-ishimei","tag-jean-pierre-e-luc-dardenne","tag-joseph-cedar","tag-julie-leigh","tag-lapollonide-souvenirs-de-la-maison-close","tag-la-source-des-femmes","tag-lars-von-trier","tag-le-gamin-au-velo","tag-le-havre","tag-lynn-ramsey","tag-maiwenn","tag-markus-schleinzer","tag-melancholia","tag-michael","tag-nanni-moretti","tag-naomi-kawase","tag-nicolas-winding-refn","tag-nuri-bilge-ceylan","tag-once-upon-a-time-in-anatolia","tag-paolo-sorrentino","tag-pater","tag-pedro-almodovar","tag-polisse","tag-radu-mihaileanu","tag-restless","tag-sleeping-beaut","tag-takashi-miike","tag-terrence-malick","tag-the-kid-with-a-bike","tag-the-skin-i-inhabit","tag-the-source","tag-the-tree-of-life","tag-thierry-fremaux","tag-this-must-be-the-place","tag-un-certain-regard","tag-we-have-a-pope","tag-we-need-to-talk-about-kevin"],"yoast_head":"\nFestival 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