{"id":14694,"date":"2011-09-07T22:58:45","date_gmt":"2011-09-07T20:58:45","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=14694"},"modified":"2011-09-08T17:37:41","modified_gmt":"2011-09-08T15:37:41","slug":"balaou-goncalo-tocha","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=14694","title":{"rendered":"Balaou > Gon\u00e7alo Tocha"},"content":{"rendered":"

\n

\"\"<\/p>\n

Non c\u2019\u00e8 alcun dubbio sul fatto che \u201c\u00c9 na terra n\u00e3o \u00e9 na lua\u201d (\u201cIt\u2019s the Earth Not the Moon\u201d), opera seconda di Gon\u00e7alo Tocha, \u00e8 stata in assoluto una tra le opere da me pi\u00f9 amate tra quelle presentate al 64. Festival internazionale del film Locarno<\/a>. E non solo da me, visto che il film ha ottenuto una menzione speciale dalla giuria. In attesa di poterne leggere sul numero speciale di RC dedicato a Locarno, siamo felici di potervi offrire attraverso Culture Unplugged<\/a>, il primo lungometraggio di Gon\u00e7alo Tocha, il non meno sorprendente \u201cBalaou\u201d, nella sua versione integrale.<\/span><\/p>\n

\u201cBalaou\u201d prende spunto dalla necessit\u00e0 di Tocha di elaborare il lutto della madre, scomparsa prematuramente pochi mesi prima. Da qui la decisione di intraprendere un viaggio sull’isola di S\u00e3o Miguel, luogo di origine della donna. Tra bambini che nascono e una prozia novantunenne che attende impazientemente di potersene andare, la vita chiede attenzione. Il difficile viaggio di ritorno verso Lisbona, sulla barca di una coppia francese, suggeller\u00e0, nelle difficolt\u00e0 dovute all’impetuosit\u00e0 della natura, un diverso ritorno alla vita.
\nOtto giorni di viaggio, otto capitoli per un’opera personale ma sempre universale che si trasforma da documentario a poema epico, da racconto sull’elaborazione della perdita a inno alla vita, la vita che non possiamo controllare, lasciando stupefatti.
\nUn’opera prima sorprendente che rivela uno sguardo peculiare, curioso e intimo, che verr\u00e0 confermato nell’opera successiva.<\/span><\/p>\n

There is no doubt about it: “\u00c9 na terra n\u00e3o \u00e9 na lua\u201d (“It’s the Earth Not the Moon “), Gon\u00e7alo Tocha’s second full-lenght film, is by far one of my absolute favorites among those presented at the 64th Locarno International Film Festival<\/a> last August. And I am not alone, since the film has obtained a special mention by the jury.
\nIn the Locarno special issue of Rapporto Confidenziale, you will find a long article about the film and an interview with the director. Now we are happy to offer you, through <\/span><\/span>Culture Unplugged<\/span><\/a><\/span>,\u00a0the first feature film by Gon\u00e7alo Tocha, the no less striking “Balaou”.<\/span><\/span><\/p>\n

“Balaou” was inspired by the need for Tocha to mourn his mother, who had died prematurely a few months before, in 2007. He made the decision to embark on a trip to the island of S\u00e3o Miguel, his mother’s family homeland. Among newborns and a ninety-one-years-old great aunt who impatiently waits for her time to part, life asks for attention. The difficult return trip to Lisbon, on a boat with a French couple, will seal a new return to life.
\nAn eight day journey, resulting in eight stunning chapters that are both personal and universal, this work switches between documentary and epic poem, from a narrative elaboration of loss to a hymn to life, the life that we cannot control.
\nHere is a work that reveals a surprisingly peculiar glance, both curious and intimate, which will be later confirmed in Tocha’s second film. <\/span><\/p>\n\n\n\n
\n

Balaou<\/span><\/p>\n


\n<\/strong><\/span><\/span><\/p>\n

(Portogallo\/Portugal,\u00a02007)<\/span><\/p>\n

\n

Regia\/Director: Gon\u00e7alo Tocha
\nProduzione\/Production: Gon\u00e7alo Tocha
\nCamera: Gon\u00e7alo Tocha
\nMusica\/Music: D\u00eddio Pestana
\nAudio: D\u00eddio Pestana,\u00a0Andr\u00e9 Neto
\nDisegni\/Drawings: S\u00e9rgio Bernardo
\nFormato di ripresa: DV
\n77′<\/span><\/p>\n

\n

Portoghese con sottotitoli in Inglese<\/span><\/span><\/p>\n

Portuguese with English subtitles<\/span><\/span><\/p>\n


\n<\/span><\/p>\n


\n<\/span><\/span><\/p>\n

\n<\/td>\n

\n

SINOSSI<\/span><\/p>\n

Gon\u00e7alo Tocha intraprende un viaggio per onorare la memoria di sua madre, scomparsa pochi mesi prima. Il punto di partenza \u00e8 un diario scritto dalla madre in occasione di un viaggio nelle isole delle Azzorre, sua terra di origine. L\u00ec incontra una coppia francese che si offre di riportare Tocha a Lisbona con la sua barca \u201cBalaou\u201d. Otto giorni di navigazione difficile che trasformano il viaggio in un’occasione di elaborazione e rivalutazione dell’esistenza e della perdita. <\/span><\/p>\n

SYNOPSIS<\/span><\/span><\/p>\n

Gon\u00e7alo Tocha embarks on a journey to honor the memory of his mother. The starting point is a diary written by her during a trip to the islands of the Azores, her homeland. There Gon\u00e7alo meets a French couple who offers to transport Tocha back to Lisbon in their boat “Balaou”. The film spans eight days of his travels, through many difficulties, during which time he discovers new meanings of both life and loss. <\/span><\/p>\n

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\n<\/em><\/strong><\/span><\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\n

\n

\n

\n

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<\/object><\/p>\n

Guarda il film a schermo intero su Culture Unplugged<\/a> \/ Watch the film fullscreen at Culture Unplugged<\/a><\/span><\/p>\n

\n

\"\"<\/strong><\/p>\n

Gon\u00e7alo Tocha<\/strong><\/span><\/p>\n

\u00c8 nato a LIsbona, Portogallo, nel 1979.
\nDivide la sua carriera tra cinema e musica, in qualit\u00e0 di regista\/cameraman e cantante\/compositore. Laureato in cultura e lingua portoghese presso la Facolt\u00e0 di scienze umanistiche di Lisbona (2003). Alla sua entrata all\u2019universit\u00e0 nel 1999, ha fondato il cineclub NuCiVo, di cui \u00e8 stato responsabile della programmazione, produzione e regia nel campo del videoattivismo documentario. Ha diretto il suo primo cortometraggio, “Bye bye my blackbird” (2006), nell\u2019ambito del Mediawave Festival in Ungheria. \u201cBalaou\u201d (2007), un omaggio alla madre scomparsa, ha rappresentato il suo debutto nel lungometraggio. Premiato due volte al festival Indielisboa 07, \u00e8 stato incluso da Variety tra i 20 migliori film europei non distribuiti negli Stati Uniti. \u00c8 stato presentato al Vancouver Film Festival, alla Viennale, al Bafici, e al New Zealand Film Festivals. \u00c8 stato trasmesso dalla rete televisiva ARTE.<\/span><\/p>\n

\u201c\u00c9 na terra n\u00e3o \u00e9 na lua\u201d (\u201cIt\u2019s the Earth Not the Moon\u201d, 2011), suo secondo lungometraggio, ha avuto la sua prima al 64. Festival internazionale del film Locarno dove ha ottenuto una menzione speciale della giuria nella sezione Concorso cineasti del presente.
\n<\/span><\/p>\n

Born in Lisbon, Portugal, in 1979.
\nDivides his career between cinema and music, being a director\/cameraman and a singer\/ composer. Graduated in Portuguese Language and Culture in the Faculty Of Humanities Lisboa(2003). Upon entering University (1999) he founded the cine-club NuCiVo where he was responsible for programming, production, and directing within the genre of video-activism (documentary).
\nMade his first short film, “Bye bye my blackbird” (2006) in the framework of Mediawave Festival in Hungary. \u201cBalaou\u201d (2007), an homage to his mother, was his debut feature film, winning two awards in the Indielisboa 07 festival and was considered by Variety one of the 20 best European films not released in the USA. It was screened at the Vancouver Film Festival, Viennale, Bafici, New Zealand Film Festivals, and on the channel ARTE.<\/span><\/p>\n

\u201cIT\u00b4S THE EARTH NOT THE MOON\u201d, his second feature film, premiered at the 64th Internation Film Festival Locarno, where it got a special mention from the jury (Competition filmmakers of the present).
\n<\/span><\/p>\n

\n

\"\" <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Non c\u2019\u00e8 alcun dubbio sul fatto che \u201c\u00c9 na terra n\u00e3o \u00e9 na lua\u201d (\u201cIt\u2019s the Earth Not the Moon\u201d), opera seconda di Gon\u00e7alo Tocha, \u00e8 stata in assoluto una tra le opere da me pi\u00f9 amate tra quelle presentate al 64. Festival internazionale del film Locarno. E non solo da me, visto che il film ha ottenuto una menzione<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1710],"tags":[1103,10689,10691,10692,10690,10585,10586,10693,7123],"class_list":["post-14694","post","type-post","status-publish","format-standard","hentry","category-cineteca","tag-1103","tag-balaou","tag-bye-bye-my-blackbird","tag-culture-unplugged","tag-didio-pestana","tag-e-na-terra-nao-e-na-lua","tag-goncalo-tocha","tag-its-the-earth-not-the-moon","tag-portogallo"],"yoast_head":"\nBalaou > Gon\u00e7alo Tocha | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rapportoconfidenziale.org\/?p=14694\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Balaou > Gon\u00e7alo Tocha | Rapporto Confidenziale\" \/>\n<meta property=\"og:description\" content=\"Non c\u2019\u00e8 alcun dubbio sul fatto che \u201c\u00c9 na terra n\u00e3o \u00e9 na lua\u201d (\u201cIt\u2019s the Earth Not the Moon\u201d), opera seconda di Gon\u00e7alo Tocha, \u00e8 stata in assoluto una tra le opere da me pi\u00f9 amate tra quelle presentate al 64. 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