{"id":15127,"date":"2011-09-30T01:18:17","date_gmt":"2011-09-29T23:18:17","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=15127"},"modified":"2011-09-30T01:27:00","modified_gmt":"2011-09-29T23:27:00","slug":"berlin-re-vision-italian-independent-cinema-%e2%80%93-october-16th","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=15127","title":{"rendered":"Berlin \/\/ Re-Vision. Italian Independent Cinema \u2013 October 16th"},"content":{"rendered":"

\"\"<\/p>\n

Re-Vision
\nItalian Independent Cinema<\/b><\/font>
\n<\/font>selected by Rapporto Confidenziale \/ Digital Magazine about Cinematic Culture
\nin collaboration with Dobia Lab \/ Creative and Artistic Labs<\/font><\/p>\n

<\/font>Sunday, October 16th, 2011<\/b>
\n@ SoWieKino<\/b> | Weisestrasse 24 (Neuk\u00f6lln) | Berlin<\/b><\/font>
\nwww.sowiekino.blogspot.com<\/a><\/p>\n

\nRe-Vision. Italian Independent Cinema<\/b> aims to show what we consider a fragment of the creativity in the realm of moving images that seethes in contemporary Italy.<\/p>\n

A rich and heterogeneous selection, polymorphic and polyphonic. A mishmash of stories made of contradictions and differences, images and suggestions. Eight different works, with different techniques and styles, but sharing the same indipendent attitude and the need to create moving images regardless of everything and everyone. From the breathtaking animations by Virgilio Villoresi<\/b>, to the \u201cscratches\u201d on film by Bennet Pimpinella<\/b>, through the visionary madness of Giacomo Nanni<\/b> and Gipi<\/b> (screened for the first time outside Italy) and the faces and stories taken from the streets by Istituto Micropunta<\/b>.<\/p>\n

A kaleidoscope of dystonic images which we believe contains a wealth of brilliant insights and evidence of how the future and the present of what we used to call the seventh art is constantly able to reinvent itself while never losing its power to fascinate us. Because cinema is alive, and keeps fighting with us.<\/p>\n

A part of this selection was shown at the X edition of DobiArtEventi 2011<\/a>, from August 23rd to September 4th 2011, in Dobbia\/Staranzano (Gorizia, Italy). <\/p>\n

For further information and interviews with the selected authors, please refer to the pages of Rapporto Confidenziale: www.rapportoconfidenziale.org<\/a>.<\/p>\n

Alessio Galbiati & Roberto Rippa<\/i>
\ncontact: info@rapportoconfidenziale.org<\/a><\/i><\/p>\n

 <\/p>\n

\nDOWNLOAD THE PROGRAM \/ PDF 1.8MB<\/a>
\nANTEPRIMA PDF<\/a><\/font><\/p>\n

<\/p>\n

<\/object><\/p>\n
<\/a><\/div>\n<\/div>\n

<\/font>\/\/\/ The selection<\/font><\/b>
\n <\/font><\/p>\n

Ricompensati (Rewarded)<\/b><\/font>
\nGiacomo Nanni + Gipi | 2011 | 1\u201934\u201d<\/p>\n

<\/font>Voglio comprarmi una persona (I Want To Buy a Person)<\/b><\/font>
\nGiacomo Nanni + Gipi | 2011 | 1\u201950\u201d<\/p>\n

<\/font>J<\/b><\/font>
\nVirgilio Villoresi | 2009 | 4\u201916\u201d<\/p>\n

<\/font>The Rain<\/b><\/font>
\nVirgilio Villoresi, Ericailcane | 2007 | Length: 3\u201927\u201d<\/p>\n

<\/font>Burning Emina<\/b><\/font>
\nBennet Pimpinella | 2009-2010 | 16\u201926\u201d <\/p>\n

<\/font>Studie No\u00b013 – Tu Ti Buchi<\/b><\/font>
\nBennet Pimpinella | 2005 | 3\u201942\u201d<\/p>\n

<\/font>rocky<\/b><\/font>
\nIstituto Micropunta | 2006 | 4\u2019<\/p>\n

<\/font>The World Famous Pontani Sisters<\/b><\/font>
\nIstituto Micropunta | 2006 | 4\u2019<\/font><\/p>\n

 <\/p>\n<\/p>\n


\n<\/font>\/\/\/ The directors & the movies<\/b><\/font><\/p>\n

\"\"
\n<\/font>GIACOMO NANNI + GIPI<\/b><\/font>
\n\u00abI am an admirer of Giacomo Nanni\u2019s work. I\u2019ve always believed, since the first time I met him in Ravenna, that he has a few pages of a story never told and seen before. In addition to comics, Giacomo has started not long ago to add some beautiful animations to the stories he regularly publish on the website Il Post.
\nI really don\u2019t remember who between him and me decided to work together in the first place, probably it was a decision made by both of us. One morning, at around five, I woke up with a few words in my mind. I jotted them down, transformed them in micromusic and then sent them to Giacomo.
\nHe would later create an animation with those words and music. I believe there was a tacit agreement between us that might have sounded something like this: \u201cI can write whatever I want, put whatever sound I want on it and you create the drawings and the animations. And none of us will say anything to the other. This is how it went. Since then, we spoke to each other just once. Today I received the completed animation. It\u2019s called \u201cRicompensati\u201d, meaning \u201cRewarded\u201d.
\nWe\u2019ll work together again.\u00bb<\/i>
\n– Gipi<\/p>\n

<\/font>Ricompensati (Rewarded)<\/font><\/b>
\nSomebody has a Department, Somebody has a ski pass.<\/i>
\nDirection, Animation: Giacomo Nanni | Sound, Voice, Music: Gipi | Year: 2011 | Length: 1\u201934\u201d
\nitaliano \/ subt. english<\/i><\/p>\n

<\/font>Voglio comprarmi una persona (I Want To Buy a Person)<\/b><\/font>
\nA fixed idea.<\/i>
\nDirection, Animation: Giacomo Nanni | Sound, Voice, Music: Gipi | Year: 2011 | Length: 1\u201950\u201d
\nitaliano \/ subt. english<\/p>\n

\"\"
\n<\/font>VIRGILIO VILLORESI<\/b><\/font>
\n\u00abI\u2019ve been studying cinema at DAMS (Disciplines of the Arts, Music and Spectacle) but this didn\u2019t help me at all in my work practice.
\nWhat I learnt, I learnt it myself by watching films. My real school was the domestic screeening of hundreds of films watched with the intention to learn from them. My mother was a dancer, my father was always absent because he was working in Germany.
\nI grew up with my grandmother because my mother toured all over Europe. Then she came back and started teaching ballet at our home. Since then I grew up watching dance shoes, listening to Satie and smelling cobbler\u2019s wax.
\nThere have been basically two currents of cinema since its birth: the Lumi\u00e8re\u2019s and the M\u00e9li\u00e8s\u2019. I feel, I am part of the M\u00e9li\u00e8s one. My distinctive tracts are a reality that doesn\u2019t exist, the objects that come alive on an earth (that\u2019s obviously spherical) which is fully covered in soap and slides, slides and slides.\u00bb<\/i>
\n– Virgilio Villoresi<\/p>\n

<\/font>J<\/font><\/b>
\nMetaphysical composition on the relationship between bi-dimensional and tri-dimensional animation.<\/i>
\nDirection: Virgilio Villoresi | Animation, Editing, Photography: V. Villoresi, Carlo Cossignani | Screenplay: Luca Ghedini | Set design: Viv\u00ec Ponti, Virgilio Villoresi | Actor: Giacomo Fava | Music: Andrea Martignoni | Distribution: Sassopasso | Year: 2009 | Length: 4\u201916\u201d<\/p>\n

<\/font>The Rain<\/b><\/font>
\nTo fly, to love, to fall – frame by frame.<\/i>
\nDirection: Virgilio Villoresi, Ericailcane | Music: Lou Rhodes (Lamb) | Year: 2007 | Length: 3\u201927\u201d <\/p>\n

\"\"
\n<\/font>BENNET PIMPINELLA<\/b><\/font>
\n\u00abWorking with film has disrupted my life. It took me two and a half months to accomplish \u201cRomborama\u201d. Two and a half months means that in one single night I could do a hundred frames and to do that I need not to have interferences coming from the outside world. To follow a logical order, a sign, I need to be concentrated. I work at night because then nobody can stop me. I work from 3 in the afternoon until 6 in the morning when I do this kind of work on film. I want to continue to make handicraft works to be different from other people.\u00bb<\/i>
\n– Bennet Pimpinella<\/p>\n

<\/font>Burning Emina<\/b><\/font>
\nCross, performance, erotism, madness, scratch running into the vital space of people that you meet in the street.<\/i>
\nDirection, Scratched and Performed: Bennet Pimpinella | In collaboration with: Alessandro Chiodo | Soundtrack: Sir Bob Cornelius Rifo (The Bloody Beetroots) | Photo: Eleonora Deidda | Film format: Shot in Film Super 8 – Telecine HD | Year: 2009-2010 | Length: 16\u201926\u201d<\/p>\n

<\/font>Studie No\u00b013 – Tu Ti Buchi<\/b><\/font>
\nScratched abstractionism in 8mm.<\/i>
\nDirection, Scratched: Bennet Pimpinella | Music: Khonnor | Song: Screen Love | Album: Handwriting | Film format: Super8 | Year: 2005 | Length: 3\u201942\u201d<\/p>\n

\"\"
\n<\/font>ISTITUTO MICROPUNTA<\/b><\/font>
\n\u00abWe could say that we both spontaneously share a special interest towards the so-called ordinary people who nevertheless possess peculiar qualities that stand outside the norm. Ours is a street culture: it\u2019s there that we catch the characters and the faces for our stories. People both common and extraordinary like all of us could be if we didn\u2019t live in a muffled way.\u00bb<\/i>
\n– Fabrizio Vegliona (Istituto Micropunta)<\/p>\n

<\/font>rocky<\/b><\/font>
\nThe most famous spleen sandwiches\u2019 seller in Palermo.<\/i>
\nDirection, Story, Screenplay, Shooting, Editing: Istituto Micropunta | Year: 2006 | Length: 4\u2019
\nitaliano \/ subt. english<\/i><\/p>\n

<\/font>The World Famous Pontani Sisters<\/b><\/font>
\nThe Pontani Sisters, American Queens of burlesque, engaged in an hilarious lesson in style.<\/i>
\nDirection, Story, Screenplay, Shooting, Editing: Istituto Micropunta | Year: 2006 | Length: 4\u2019
\nitaliano \/ subt. english<\/i>
\n <\/font><\/p>\n

\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/<\/font><\/p>\n


\n
\n<\/font>\/\/\/ BIO<\/font><\/b><\/p>\n

\n<\/font>
\nGIACOMO NANNI<\/b><\/font>
\nGiacomo Nanni was born in Rimini in 1971. As a comic books illustrator he has worked with Mano, Saldapress, Lo straniero, Hamelin, Glomp (Finland), Sai comics (Korea), Black (Italy and France), Internazionale, Slow Food, Canicola, Rolling Stone, Cornelius (France), ilPost.it and many other.
\nHe has published books such as \u201c Storia di uno che and\u00f2 in cerca della paura \u201c, \u201cCronachette\u201d, \u201cCronachette 2\u201d, \u201cCronachette 3\u201d with Coconino Press, \u201cChroniquettes\u201d in France with publisher Cornelius. In 2005 he won the Prize for Best Short Story in Lucca Comics with the story \u201cLa pi\u00f9 bella cosa \u201c. In 2006 he was awarded with the Prize \u201cNuove strade\u201d at the Napoli Comicon and in 2008 with the ANAFI Prize. He has participated in a few collective exhibitions. Among the latest ones in Rome, Modena and Pamplona. He has not a degree in mathematics.
\nwww.giacomonanni.blogspot.com<\/a><\/p>\n

\n<\/font>
\nGIPI<\/b><\/font>
\nGian Alfonso Pacinotti (Pisa, 1963), a.k.a. Gipi, is an Italian cartoonist and a filmmaker. He began illustrating stories and comics in 1992 and his works have been published in Cuore, Blue, Il Clandestino, Boxer, Il Manifesto and Lo Straniero. His works also appear in the newspaper La Repubblica and the magazine Internazionale. His graphic novel \u201cAppunti per una Storia di Guerra\u201d (\u201cNotes pour une histoire de guerre\u201d, \u201cNotes for a War Story\u201d), published by Coconino Press, appeared in France and was published in the United States by First Second Books, and won the 2005 Goscinny Prize for Best Script and was proclaimed Best Book at Angoul\u00eame in 2006.
\nGipi has created \u201cGli Innocenti\u201d (\u201cThe Innocents\u201d) for the Ignatz Series and in 2006 this work earned him an Eisner Award nomination and a Max & Moritz Prize.
\nIn 2000, he founded Santa Maria Video. He is editor of the Esterno Notte anthology and a teacher at the Academy for fine arts. His debut as a film director, \u201cL\u2019ultimo terreste\u201d (\u201cThe Last Earthling\u201d) premiered at the 68th Venice International Film Festival.
\nwww.giannigipi.blogspot.com<\/a><\/p>\n

\n<\/font>VIRGILIO VILLORESI<\/b><\/font>
\nVirgilio Villoresi (Fiesole, 1979) is a genius in the animation field, there\u2019s no doubt about this. It\u2019s enough to take a quick look at his works to realize how extraordinary, out of time and far from us they are. What\u2019s difficult to get is how such things were made.
\nHe learnt alchemical synthesis from Harry Smith, structural ontology from Jonas Mekas, how to make art of garbage from Jack Smith, ritual magic from Kenneth Anger.
\nHis early inspirations include Polish animators (Jan Lenica, Zbigniew Rybczyński, Walerian Borowczyk, Daniel Schezcura,Jerzy Ziztmann) the European experimenters cinema (Patrick Bokanowski, Chris Marker, Straub and Huillet), american underground (Maya Deren, Stan Brakhage, Brothers Kuchar) european avant-garde (Jean Cocteau, Luis Bunuel, Man Ray, Oscar Fischinger) Italian experimental (Paolo Gioli, Alberto Grifi) as well as avant-garde theater, art and literature.
\nLives and works in Milan.
\nwww.virgiliovilloresi.com<\/a><\/p>\n

\n<\/font>BENNET PIMPINELLA<\/b><\/font>
\nBennet Pimpinella is a brilliant artist. Born in 1977, he studied cinema at the Academy of L\u2019Aquila and since then he\u2019s been steadily working in cinema and TV. Among his many experiences, he worked as an assistant to Vittorio Storaro. Bennet is an eccentric experimenter in moving pictures. His cinema, entirely visible from its site, is pure joy for both eyes and spirit. In perfect balance between analog and digital paradigm, is a perfect example of the possibilities provided by the web for the expression of one\u2019s creative talent.
\nHe lives and works in Rome.
\nwww.bennetpimpinella.com<\/a><\/p>\n

\n<\/font>ISTITUTO MICROPUNTA<\/b><\/font>
\nFabrizio Vegliona and Monica Carrozzoni, aka Istituto Micropunta, come from an unorthodox and atypical background that they define as \u201cfrom the art and the streets\u201d where they get suggestions and styles and above all an extraordinary attitude for a direct language.
\nThey\u2019ve been living and working for several years in London, Paris and Berlin where they developed a very broad view of contemporary styles while working in several areas: from fashion to arts, from drawing to videos. One of their latest projects – \u201cPower to the Sisters\u201d – is tightly tied to the world of prostitution and strictly bound to the novel \u201cPer Dio e l\u2019Impero\u201d, published in 1999 under the name Stickyboy.
\nThey currently live in Milan, but they are always ready to head anywhere there is a story that needs to be told.
\nwww.micropunta.it<\/a><\/p>\n

\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/<\/p>\n

\n<\/font>RAPPORTO CONFIDENZIALE
\nDigital Magazine about Cinematic Culture<\/b><\/font><\/p>\n

Rapporto Confidenziale \/ Digital Magazine about Cinematic Culture<\/i><\/b> was born in November 2007 from a need of editors Alessio Galbiati and Roberto Rippa. We mean, the need to write about cinema with absolute freedom, released from commercial diktats, from the obligation of a weekly release, from the boredom of the multiplex theatres. In one word: emancipation, from cinema treated as a commodity, as mere entertainment. Since its birth, RC deals with \u201cinvisible\u201d cinema, undistributed in Italy, underground and independent cinema. But also with the undeservedly forgotten classics or authors. Rapporto Confidenziale is a nonprofit project and the magazine is free and published under a Creative Commons license. This is a political choice that supports the free circulation of kwnoledge. The economical support of the project is up to the readers who can choose whether to make a donation or not. The donations are used to cover various expenses (including graphic works, video production, organization of RC magazine\u2019s events).<\/p>\n

\u2022 Rapporto Confidenziale numero0 was published in December 2007. Since then, the magazine has been published on a monthly basis.
\n\u2022 RC is available on PDF (Portable Document Format) files that can be read with Adobe Acrobat, Adobe Reader and a long list of other free softwares. The magazine was designed for color printing in A4-format and can be bound.
\n\u2022 RC is a website accessible with any computer and the latest generation of eBook Reader, PDA (personal digital assistants) and mobile multimedia.<\/p>\n

Rapporto Confidenziale is published and owned by Arkadin Associazione culturale P.O. Box 4559 | 6904 Lugano, Switzerland
\nISSN: 2235-1329<\/p>\n

www.rapportoconfidenziale.org<\/a> | info@rapportoconfidenziale.org<\/a><\/p>\n

 <\/p>\n

\n<\/font>DOBIALAB
\nCreative and Artistic Labs<\/b><\/font><\/p>\n

Dobia Lab \/ Creative and Artistic Labs<\/i><\/b> is an heterogeneous reality founded on the experimentation and contamination of languages and creative expressions, a space in which the dynamic vitality of the artistic and human paths generates a mixture of sounds, noises, words, motions and images to enrich the human culture against the cultural barbarism and the intrusiveness of the mass media.
\nIn over ten years of experience, Dobialab helped the growth of numerous jazz, improvisation and electronics musical projects, theater and multimedia performances, live painting and installations, magazines and video productions.
\nThis reality can be defined also the \u201csecond home\u201d for artists, ideas and projects, looking for the same goals and new paths to share.
\nEach summer many artists from all over the world come to Dobialab to animate the week of DobiaArtEvents festival liven up the spaces with art exhibitions, installations, music, cinema and video art combining electronic expression and bodily interaction.<\/p>\n

www.dobialab.net<\/a> | in@dobialab.net<\/a><\/font><\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Re-Vision Italian Independent Cinema selected by Rapporto Confidenziale \/ Digital Magazine about Cinematic Culture in collaboration with Dobia Lab \/ Creative and Artistic Labs Sunday, October 16th, 2011 @ SoWieKino | Weisestrasse 24 (Neuk\u00f6lln) | Berlin www.sowiekino.blogspot.com Re-Vision. 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