{"id":16589,"date":"2011-11-29T10:00:00","date_gmt":"2011-11-29T09:00:00","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=16589"},"modified":"2011-11-29T13:11:05","modified_gmt":"2011-11-29T12:11:05","slug":"sleepless-nights-stories-jonas-mekas","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=16589","title":{"rendered":"Sleepless Nights Stories > Jonas Mekas"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2011\/11\/mekas_02.jpg\" alt=\"\" title=\"mekas_02\" width=\"620\" height=\"370\" class=\"aligncenter size-full wp-image-16590\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2011\/11\/mekas_02.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2011\/11\/mekas_02-300x179.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/p>\n<p><font face=\"Georgia\"><b>Sleepless Nights Stories<\/b><br \/>\n<font size=\"2\">Jonas Mekas | USA &#8211; 2011 &#8211; DigiBeta &#8211; colore &#8211; inglese &#8211; 114\u2019<br \/>\n<\/font><font style=\"font-size: 9pt\"><i><a target=\"_blank\" href=\"http:\/\/www.torinofilmfest.org\">29 Torino Film Festival<\/a> &#8211; <a target=\"_blank\" href=\"http:\/\/www.torinofilmfest.org\/?action=article&#038;id=151&#038;menu=1\">Onde<\/a><\/i><\/font><font size=\"2\"><br \/>\ndi Alessio Galbiati<\/font><\/font><font face=\"Arial\" size=\"2\"><\/p>\n<p><i>\u00ab \u201cSleepless Nights Stories\u201d nasce dalla mia lettura delle Mille una notte. Sebbene, a differenza delle fiabe arabe, le mie storie siano tutte tratte dalla vita reale, anch\u2019esse, a un certo punto, si inoltrano in territori che vanno ben oltre la quotidiana routine delle nostre vite. Nel film racconto circa venticinque vicende differenti, i cui protagonisti sono tutti miei buoni amici e delle quali io stesso faccio parte. Anche nel caso dei racconti arabi, del resto, il narratore ne \u00e8 spesso parte integrante. Riconoscerete alcune persone nel film, altre no. Non si tratta per\u00f2 di di un elemento rilevante: tutti in fondo riconosciamo John Wayne o Annette Bening, ma al cinema li identifichiamo come personaggi. I soggetti delle storie narrate coprono una vasta gamma di emozioni, geografie, angosce personali o aneddoti: non si tratta delle vicende importanti che siamo abituati a vedere sul grande schermo, ma sono tutte importanti storie personali&#8230; E s\u00ec, sono presenti anche alcune provocazioni&#8230; Ma quello sono io, uno dei tanti \u201cme\u201d. La stessa domanda su cosa sia una storia \u00e8 in fondo provocatoria\u00bb.<\/i><\/p>\n<p>Ode alla vita ed al cinema di uno degli immortali maestri dell\u2019avanguardia americana del secolo scorso che prosegue, incessante pure in questo nuovo secolo, il proprio di discorso di cinema\/vita concretizzandolo in un &#8216;diario di notti insonni&#8217; costellato di volti famosi, personalit\u00e0 di quella famiglia artistica della quale Mekas \u00e8 nonno eccentrico, nume tutelare. Marina Abramovic, Bj\u00f6rk, Louis Garrel, Ken Jacobs, Harmony Korine, Jean-Jacques Lebel, Diane Lewis, Jonas Lozoraitis, DoDo Jin Ming, Dalius Naujokaitis, Benn Northover, Hans Ulrich Obrist, Yoko Ono, Nathlie Provosty, Patti Smith, Lee Stringer (ma i nomi sono in realt\u00e0 molti di pi\u00f9). 25 momenti, attimi, frammenti narrati sulla falsa riga di una ipotetica &#8216;Mille e una notte&#8217;. Una riflessione sul fare arte, sui dubbi che assalgono ogni creativit\u00e0 \u2013 pure la pi\u00f9 affermata \u2013 rinfrancati dalla leggerezza di un uomo la cui esperienza si \u00e8 fatta enciclopedia open source in grado di dare speranza pure agli animi pi\u00f9 inquieti. \u201cSleepless Nights Stories\u201d \u00e8 pure un giro del mondo punteggiato da brindisi e bevute, un baccanale d\u2019artisti, una miniera di intuizioni e riflessioni \u2013 leggere e delicate come solo l\u2019essenziale \u00e8 in grado d\u2019essere. Un film al quale bisogna concedere l&#8217;opportunit\u00e0 di arrivare a compimento e che, una volta concluso, non potr\u00e0 che (ri)conciliare con la vita e farci amare un personaggio raro ed unico come il Maestro Jonas Mekas.<\/font><\/p>\n<p><i><font face=\"Arial\" size=\"2\">AG<\/font><\/i><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2011\/11\/mekas_01.jpg\" alt=\"\" title=\"mekas_01\" width=\"620\" height=\"384\" class=\"aligncenter size-full wp-image-16591\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2011\/11\/mekas_01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2011\/11\/mekas_01-300x185.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><font face=\"Arial\" size=\"2\"><\/p>\n<p><b>Sleepless Nights Stories<\/b><br \/>\nRegia, produttore: Jonas Mekas<br \/>\nMontaggio: Jonas Mekas, Elle Burchill<br \/>\nInterpreti: Benn Northover, Louis Garrel, Marina Abramovic, Harmony Korine, Sebastian Mekas, Dalius Naujo, Carolee Schneemann, Ken Jacobs, Florence Jacobs, Louise Bourgeois, Yoko Ono, Phong Bui, Raimund Abraham, Nathlie Provosty, Rachel Korine-Simon, Lefty Korine, Jean-Jacques Lebel, Hans Ulrich Obrist, Pip Chodorov, DoDo Jin Ming, Hopi Lebel, Kris Kucinskas, Thomas Boujut, Audrius Naujokaitis, Jonas Lozoraitis, Lee Stringer, Patti Smith, Diane Lewis, Simon Bryant, Adolfas Mekas, Oona Mekas, Bjork Gudmundsdottir<br \/>\nDistribuzione: Re:Voir Video<br \/>\nPaese: USA<br \/>\nAnno: 2011<br \/>\nDurata: 114&#8242;<\/font><\/p>\n<p><font face=\"Arial\" size=\"2\"><\/p>\n<p><b>Jonas Mekas<\/b> (Semeniskiai, Urss, 1922) si \u00e8 laureato all\u2019Universit\u00e0 di Tubinga, prima di trasferirsi a New York nel 1950 e fondare nel 1955 la rivista \u00abFilm Culture\u00bb. Ha realizzato il suo primo film sperimentale, \u201cGuns of the Trees\u201d, nel 1962, diventando quindi uno dei protagonisti della scena underground, con opere come \u201cThe Brig\u201d, premiato a Venezia, Walden, \u201cReminiscences of a Journey to Lithuania\u201d, \u201cLost Lost Lost\u201d, \u201cScenes from the Life of Andy Warhol\u201d, \u201cZefiro Torna or Scenes from the Life of George Maciunas\u201d, \u201cAs I Was Moving Ahead I Saw Brief Glimpses of Beauty\u201d e \u201c365 Day Project\u201d. <br \/>\n<a href=\"http:\/\/www.jonasmekasfilms.com\">www.jonasmekasfilms.com<\/a><\/font><\/p>\n<p><font face=\"Arial\" size=\"2\"><\/p>\n<p><b>filmografia<\/b><br \/>\nGuns of the Trees (1962), Film Magazine of the Arts (cm, 1963), The Brig (1964), Cassis (cm, 1966), The Italian Notebook (cm, 1967), Walden (1969), Reminiscences of a Journey to Lithuania (1971-1972), Lost Lost Lost (1976), Self-Portrait (cm, 1980), Street Songs (cm, 1966-1983), He Stands in a Desert Counting the Seconds of His Life (1969-1985), Scenes from the Life of Andy Warhol (mm, 1990), Zefiro Torna or Scenes from the Life of George Maciunas (mm, 1992), Cinema Is Not 100 Years Old (cm, 1996), Song of Avignon (cm, 1998), As I Was Moving Ahead I Saw Brief Glimpses of Beauty (2000), Notes on an American Film Director at Work: Martin Scorsese (2005), 365 Day Project (2007), Lithuania and the Collapse of the USSR (2008), I Leave Chelsea Hotel (cm, 2009), Sleepless Nights Stories (2011), My Paris Movie (2011).<br \/>\n&nbsp;<\/font><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sleepless Nights Stories Jonas Mekas | USA &#8211; 2011 &#8211; DigiBeta &#8211; colore &#8211; inglese &#8211; 114\u2019 29 Torino Film Festival &#8211; Onde di Alessio Galbiati \u00ab \u201cSleepless Nights Stories\u201d nasce dalla mia lettura delle Mille una notte. Sebbene, a differenza delle fiabe arabe, le mie storie siano tutte tratte dalla vita reale, anch\u2019esse, a un certo punto, si inoltrano<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[72],"tags":[11269,22,11263,11244,11271,11247,11246,11267,11259,11243,11248,11257,736,11260,11256,11264,11241,163,11261,11265,11255,6132,11249,9135,11253,11242,11270,11266,11251,11258,11254,11252,11272,11245,11268,11240,11262,2008,4566,497,11250],"class_list":["post-16589","post","type-post","status-publish","format-standard","hentry","category-critica","tag-adolfas-mekas","tag-alessio-galbiati","tag-audrius-naujokaitis","tag-benn-northover","tag-bjork-gudmundsdottir","tag-carolee-schneemann","tag-dalius-naujo","tag-diane-lewis","tag-dodo-jin-ming","tag-elle-burchill","tag-florence-jacobs","tag-hans-ulrich-obrist","tag-harmony-korine","tag-hopi-lebel","tag-jean-jacques-lebel","tag-jonas-lozoraitis","tag-jonas-mekas","tag-ken-jacobs","tag-kris-kucinskas","tag-lee-stringer","tag-lefty-korine","tag-louis-garrel","tag-louise-bourgeois","tag-marina-abramovic","tag-nathlie-provosty","tag-onde","tag-oona-mekas","tag-patti-smith","tag-phong-bui","tag-pip-chodorov","tag-rachel-korine-simon","tag-raimund-abraham","tag-revoir-video","tag-sebastian-mekas","tag-simon-bryant","tag-sleepless-nights-stories","tag-thomas-boujut","tag-torino","tag-torino-film-festival","tag-usa","tag-yoko-ono"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sleepless Nights Stories &gt; Jonas Mekas | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rapportoconfidenziale.org\/?p=16589\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sleepless Nights Stories &gt; Jonas Mekas | Rapporto Confidenziale\" \/>\n<meta property=\"og:description\" content=\"Sleepless Nights Stories Jonas Mekas | USA &#8211; 2011 &#8211; DigiBeta &#8211; colore &#8211; inglese &#8211; 114\u2019 29 Torino Film Festival &#8211; Onde di Alessio Galbiati \u00ab \u201cSleepless Nights Stories\u201d nasce dalla mia lettura delle Mille una notte. Sebbene, a differenza delle fiabe arabe, le mie storie siano tutte tratte dalla vita reale, anch\u2019esse, a un certo punto, si inoltrano\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.rapportoconfidenziale.org\/?p=16589\" \/>\n<meta property=\"og:site_name\" content=\"Rapporto Confidenziale\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/rapportoconfidenziale\" \/>\n<meta property=\"article:published_time\" content=\"2011-11-29T09:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2011-11-29T12:11:05+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2011\/11\/mekas_02.jpg\" \/>\n<meta name=\"author\" content=\"Alessio Galbiati\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@RConfidenziale\" \/>\n<meta name=\"twitter:site\" content=\"@RConfidenziale\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Alessio Galbiati\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=16589#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=16589\"},\"author\":{\"name\":\"Alessio Galbiati\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/person\\\/ff5d5dc89af101292a4c5874ff09548c\"},\"headline\":\"Sleepless Nights Stories > Jonas Mekas\",\"datePublished\":\"2011-11-29T09:00:00+00:00\",\"dateModified\":\"2011-11-29T12:11:05+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=16589\"},\"wordCount\":730,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=16589#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2011\\\/11\\\/mekas_02.jpg\",\"keywords\":[\"Adolfas Mekas\",\"Alessio Galbiati\",\"Audrius Naujokaitis\",\"Benn Northover\",\"Bjork Gudmundsdottir\",\"Carolee Schneemann\",\"Dalius Naujo\",\"Diane Lewis\",\"DoDo Jin Ming\",\"Elle Burchill\",\"Florence Jacobs\",\"Hans Ulrich Obrist\",\"Harmony Korine\",\"Hopi Lebel\",\"Jean-Jacques Lebel\",\"Jonas Lozoraitis\",\"Jonas Mekas\",\"Ken Jacobs\",\"Kris Kucinskas\",\"Lee Stringer\",\"Lefty Korine\",\"Louis Garrel\",\"Louise Bourgeois\",\"Marina Abramovic\",\"Nathlie Provosty\",\"Onde\",\"Oona Mekas\",\"Patti Smith\",\"Phong Bui\",\"Pip Chodorov\",\"Rachel Korine-Simon\",\"Raimund Abraham\",\"Re:Voir Video\",\"Sebastian Mekas\",\"Simon Bryant\",\"Sleepless Nights Stories\",\"Thomas Boujut\",\"Torino\",\"Torino Film Festival\",\"USA\",\"Yoko Ono\"],\"articleSection\":[\"CRITICA\"],\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=16589#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=16589\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=16589\",\"name\":\"Sleepless Nights Stories > Jonas Mekas | Rapporto Confidenziale\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=16589#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=16589#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2011\\\/11\\\/mekas_02.jpg\",\"datePublished\":\"2011-11-29T09:00:00+00:00\",\"dateModified\":\"2011-11-29T12:11:05+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=16589#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=16589\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=16589#primaryimage\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2011\\\/11\\\/mekas_02.jpg\",\"contentUrl\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2011\\\/11\\\/mekas_02.jpg\",\"width\":\"620\",\"height\":\"370\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=16589#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Sleepless Nights Stories > Jonas Mekas\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#website\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/\",\"name\":\"Rapporto Confidenziale\",\"description\":\"rivista digitale di cultura cinematografica | digital magazine about cinematic culture\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#organization\",\"name\":\"Rapporto Confidenziale\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2017\\\/09\\\/RC_logo_1_nero.png\",\"contentUrl\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2017\\\/09\\\/RC_logo_1_nero.png\",\"width\":3508,\"height\":709,\"caption\":\"Rapporto Confidenziale\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/rapportoconfidenziale\",\"https:\\\/\\\/x.com\\\/RConfidenziale\",\"https:\\\/\\\/www.instagram.com\\\/icdpavlov\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/RConfidenziale\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/person\\\/ff5d5dc89af101292a4c5874ff09548c\",\"name\":\"Alessio Galbiati\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e45f785b47739f5e3fda1734d001ea698f0e1760a1fa02f81026eb2d8e6fbccb?s=96&d=identicon&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e45f785b47739f5e3fda1734d001ea698f0e1760a1fa02f81026eb2d8e6fbccb?s=96&d=identicon&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e45f785b47739f5e3fda1734d001ea698f0e1760a1fa02f81026eb2d8e6fbccb?s=96&d=identicon&r=g\",\"caption\":\"Alessio Galbiati\"},\"sameAs\":[\"http:\\\/\\\/www.rapportoconfidenziale.org\",\"https:\\\/\\\/x.com\\\/RConfidenziale\"],\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?author=5\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Sleepless Nights Stories > Jonas Mekas | Rapporto Confidenziale","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.rapportoconfidenziale.org\/?p=16589","og_locale":"it_IT","og_type":"article","og_title":"Sleepless Nights Stories > Jonas Mekas | Rapporto Confidenziale","og_description":"Sleepless Nights Stories Jonas Mekas | USA &#8211; 2011 &#8211; DigiBeta &#8211; colore &#8211; inglese &#8211; 114\u2019 29 Torino Film Festival &#8211; Onde di Alessio Galbiati \u00ab \u201cSleepless Nights Stories\u201d nasce dalla mia lettura delle Mille una notte. Sebbene, a differenza delle fiabe arabe, le mie storie siano tutte tratte dalla vita reale, anch\u2019esse, a un certo punto, si inoltrano","og_url":"https:\/\/www.rapportoconfidenziale.org\/?p=16589","og_site_name":"Rapporto Confidenziale","article_publisher":"https:\/\/www.facebook.com\/rapportoconfidenziale","article_published_time":"2011-11-29T09:00:00+00:00","article_modified_time":"2011-11-29T12:11:05+00:00","og_image":[{"url":"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2011\/11\/mekas_02.jpg","type":"","width":"","height":""}],"author":"Alessio Galbiati","twitter_card":"summary_large_image","twitter_creator":"@RConfidenziale","twitter_site":"@RConfidenziale","twitter_misc":{"Scritto da":"Alessio Galbiati","Tempo di lettura stimato":"4 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=16589#article","isPartOf":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=16589"},"author":{"name":"Alessio Galbiati","@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/person\/ff5d5dc89af101292a4c5874ff09548c"},"headline":"Sleepless Nights Stories > Jonas Mekas","datePublished":"2011-11-29T09:00:00+00:00","dateModified":"2011-11-29T12:11:05+00:00","mainEntityOfPage":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=16589"},"wordCount":730,"commentCount":0,"publisher":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#organization"},"image":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=16589#primaryimage"},"thumbnailUrl":"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2011\/11\/mekas_02.jpg","keywords":["Adolfas Mekas","Alessio Galbiati","Audrius Naujokaitis","Benn Northover","Bjork Gudmundsdottir","Carolee Schneemann","Dalius Naujo","Diane Lewis","DoDo Jin Ming","Elle Burchill","Florence Jacobs","Hans Ulrich Obrist","Harmony Korine","Hopi Lebel","Jean-Jacques Lebel","Jonas Lozoraitis","Jonas Mekas","Ken Jacobs","Kris Kucinskas","Lee Stringer","Lefty Korine","Louis Garrel","Louise Bourgeois","Marina Abramovic","Nathlie Provosty","Onde","Oona Mekas","Patti Smith","Phong Bui","Pip Chodorov","Rachel Korine-Simon","Raimund Abraham","Re:Voir Video","Sebastian Mekas","Simon Bryant","Sleepless Nights Stories","Thomas Boujut","Torino","Torino Film Festival","USA","Yoko Ono"],"articleSection":["CRITICA"],"inLanguage":"it-IT","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.rapportoconfidenziale.org\/?p=16589#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=16589","url":"https:\/\/www.rapportoconfidenziale.org\/?p=16589","name":"Sleepless Nights Stories > Jonas Mekas | Rapporto Confidenziale","isPartOf":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=16589#primaryimage"},"image":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=16589#primaryimage"},"thumbnailUrl":"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2011\/11\/mekas_02.jpg","datePublished":"2011-11-29T09:00:00+00:00","dateModified":"2011-11-29T12:11:05+00:00","breadcrumb":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=16589#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.rapportoconfidenziale.org\/?p=16589"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=16589#primaryimage","url":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2011\/11\/mekas_02.jpg","contentUrl":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2011\/11\/mekas_02.jpg","width":"620","height":"370"},{"@type":"BreadcrumbList","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=16589#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.rapportoconfidenziale.org\/"},{"@type":"ListItem","position":2,"name":"Sleepless Nights Stories > Jonas Mekas"}]},{"@type":"WebSite","@id":"https:\/\/www.rapportoconfidenziale.org\/#website","url":"https:\/\/www.rapportoconfidenziale.org\/","name":"Rapporto Confidenziale","description":"rivista digitale di cultura cinematografica | digital magazine about cinematic culture","publisher":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.rapportoconfidenziale.org\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.rapportoconfidenziale.org\/#organization","name":"Rapporto Confidenziale","url":"https:\/\/www.rapportoconfidenziale.org\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/logo\/image\/","url":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/09\/RC_logo_1_nero.png","contentUrl":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/09\/RC_logo_1_nero.png","width":3508,"height":709,"caption":"Rapporto Confidenziale"},"image":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/rapportoconfidenziale","https:\/\/x.com\/RConfidenziale","https:\/\/www.instagram.com\/icdpavlov\/","https:\/\/www.youtube.com\/user\/RConfidenziale"]},{"@type":"Person","@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/person\/ff5d5dc89af101292a4c5874ff09548c","name":"Alessio Galbiati","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/e45f785b47739f5e3fda1734d001ea698f0e1760a1fa02f81026eb2d8e6fbccb?s=96&d=identicon&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/e45f785b47739f5e3fda1734d001ea698f0e1760a1fa02f81026eb2d8e6fbccb?s=96&d=identicon&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/e45f785b47739f5e3fda1734d001ea698f0e1760a1fa02f81026eb2d8e6fbccb?s=96&d=identicon&r=g","caption":"Alessio Galbiati"},"sameAs":["http:\/\/www.rapportoconfidenziale.org","https:\/\/x.com\/RConfidenziale"],"url":"https:\/\/www.rapportoconfidenziale.org\/?author=5"}]}},"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/posts\/16589","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=16589"}],"version-history":[{"count":0,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/posts\/16589\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=16589"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=16589"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=16589"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}