{"id":1789,"date":"2009-07-02T13:46:53","date_gmt":"2009-07-02T12:46:53","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=1789"},"modified":"2009-07-02T19:36:12","modified_gmt":"2009-07-02T18:36:12","slug":"asian-film-festival-2009","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=1789","title":{"rendered":"Asian Film Festival 2009"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1790\" title=\"24-city\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2009\/07\/24-city.jpg\" alt=\"24-city\" width=\"620\" height=\"400\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2009\/07\/24-city.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2009\/07\/24-city-300x193.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial;\">Si apre il 4 giugno la settima edizione dell\u2019Asian Film Festival, ricca kermesse cinematografica che si svolger\u00e0 fino al giorno 11 presso il cinema Farnese di Roma [<a href=\"http:\/\/maps.google.it\/maps?f=q&amp;source=s_q&amp;hl=it&amp;geocode=&amp;q=Campo+de%27+Fiori+56,+roma&amp;sll=41.640078,12.392578&amp;sspn=15.884336,39.506836&amp;ie=UTF8&amp;ll=41.895282,12.472744&amp;spn=0.015461,0.038581&amp;t=h&amp;z=15\"><span style=\"text-decoration: none;\">map<\/span><\/a>]. Cinque giorni per scoprire opere provenienti dal Sud Est del continente asiatico, un\u2019area geografica entro la quale il linguaggio cinematografico ha saputo contaminarsi di ogni tipo di cultura lontana e che dimostra una ormai costante capacit\u00e0 di produrre opere in grado di raccontare la propria realt\u00e0, di relazionarsi con essa, vitale insomma. Ed un campione di questa concezione sociale del cinema, di stampo documentaristico, \u00e8 senz\u2019altro il pluri-premiato regista cinese Jia Zhang-Ke al quale \u00e8 dedicata una retrospettiva (il regista sar\u00e0 presente in carne ed ossa), un\u2019occasione preziosa per osservare il percorso filmico intrapreso dal suo cinema, ma \u00e8 bene contestare ai curatori della rassegna romana che non si pu\u00f2 comunicare come \u2018completa\u2019 una retrospettiva ricca, ma parziale: in-completa.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">\u00a0<span style=\"font-size: 9pt; font-family: Arial;\"><span style=\"font-family: Georgia;\">&gt;&gt;&gt;<\/span><strong>Rassegna Jia Zhangke <\/strong><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\">Xia Wu<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\"> (<em>Pickpocket<\/em>, Cina-Hong Kong\/1997)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\">Zhantai<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\"> (<em>Platform<\/em>, Cina-Hong Kong-Giappone-Francia\/2000)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\">Shijie<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\"> (<em>The World<\/em>, Cina-Giappone-Francia\/2004)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\">Sanxia haoren<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\"> (<em>Still Life<\/em>, Cina-Hong Kong\/2006)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\">Dong<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\"> (Cina-Hong Kong\/2006)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\" lang=\"EN-GB\">Wuyong<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\" lang=\"EN-GB\"> (<em>Useless<\/em>, Cina-Hong Kong\/2007)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\">Unknow Pleasures<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\"> (Cina-Corea del Sud-Giappone-Francia\/2007)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\">Er shi si cheng ji<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\"> (<em>24 City<\/em>, Cina\/2008)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">\u00a0<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial;\">Durante il festival saranno inoltre presenti il taiwanese-malese Tsai Ming Liang (<em>Visage<\/em>, il suo ultimo film, \u00e8 da poco passato a Cannes), Yeo Joon Han ed Erico Khoo, questi ultimi due con dei film in concorso. S\u00ec perch\u00e9 l&#8217;Asian Film Festival \u00e8 anche un concorso decisamente interessante che quest&#8217;anno registra una leggera contrazione numerica dei titoli proposti rispetto all\u2019edizione passata (sar\u00e0 la Crisi?), quindici per essere precisi (in rete, e sul sito della manifestazione, si parla di sedici ma in realt\u00e0 ne risultano quindici. Se avete notizie del film scomparso fatecelo sapere), ma mantiene intatto per intero il fascino d\u2019un cartellone assai interessante, con pellicole che quasi sicuramente sar\u00e0 impossibile vedere altrove. Se una delle funzioni dei festival \u00e8 quello di offrire al pubblico una selezione di opere altrimenti invisibili, allora la direzione artistica coordinata da Antonio Termenini ha davvero colto nel segno (forse il risultato \u00e8 stato raggiunto anche grazie alla presenza di Piero Marrazzo nel Comitato Scientifico).<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><\/strong><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial;\"><span style=\"font-size: 9pt; font-family: Arial;\"><span style=\"font-family: Georgia;\">&gt;&gt;&gt;<\/span><\/span><strong>Film in concorso<\/strong><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\" lang=\"EN-GB\">All Around Us<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\" lang=\"EN-GB\"> di Hashiguchi Ryosuke (Giappone\/2008)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\" lang=\"EN-GB\">Dada&#8217;s dance<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\" lang=\"EN-GB\"> di Zhang Yuan. <\/span><span style=\"font-size: 9pt; font-family: Arial;\">(Cina\/2008)<span> <\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\">Er Dong<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\"> di Yang Jin (Cina\/2008)<span> <\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\" lang=\"EN-GB\">Good Cats<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\" lang=\"EN-GB\"> di Ying Liang (Cina\/2008)<span> <\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\">Hashi<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\"> di Sherman Ong (Singapore-Giappone-Malesia\/2008)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\">Here<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\"> di Ho Tzu Nyen (Singapore-Canada\/2009)<span> <\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\" lang=\"EN-GB\">Keeping Watch<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\" lang=\"EN-GB\"> di Cheng Fen-fen (Taiwan\/2007)<span> <\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\">Miao Miao<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\"> di Cheng Hsiao-tse (Taiwan\/Hong Kong-2008)<span> <\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\">My Magic<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\"> di Eric Khoo (Singapore\/2008)<span> <\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\">Pongso No Tao<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\"> di Wang Jingui (Taiwan\/2008)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\">River Peolpe<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\"> di He Jianjun (Cinea\/2008)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\" lang=\"EN-GB\">Sell Out!<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\" lang=\"EN-GB\"> di Yeo Joon Han (Malesia\/2008)<span> <\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\" lang=\"EN-GB\">Still Walking<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\" lang=\"EN-GB\"> di Koreeda Hirokazu (Giappone\/2008)<span> <\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\">The Shaft<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\"> di Zhang Chi (Cina\/2008)<span> <\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\" lang=\"EN-GB\">The Way We Are<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\" lang=\"EN-GB\"> di Ann Hui (Hong Kong\/2008)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">\u00a0<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial;\">La settima edizione dell\u2019Asian Film Festival si compone di altre tre micro-sezioni davvero imperdibili, che culmineranno con la proiezione del fantasmagorico film collettivo <em>Tokio!<\/em> diretto niente popo\u2019 di meno che da Michel Gondry, Leos Carax (vabb\u00e8) e Bong Joon-ho.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial;\" lang=\"EN-GB\"><span style=\"font-size: 9pt; font-family: Arial;\"><span style=\"font-family: Georgia;\">&gt;&gt;&gt;<\/span><\/span><strong>Focus Singapore<\/strong><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\" lang=\"EN-GB\">Kallang Roar<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\" lang=\"EN-GB\"> di Cheng Ding (Singapore\/2008)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial;\" lang=\"EN-GB\"><em><strong>Homeless FC<\/strong><\/em> di James Leong e Lynn Lee (Singapore\/2007)<span> <\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial;\" lang=\"EN-GB\"><strong><em>Dance of the dragon<\/em><\/strong> di Max Mannix e John Radel (Singapore\/2008)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><\/strong><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><span style=\"font-size: 9pt; font-family: Arial;\" lang=\"EN-GB\">Newcomers from Taiwan<\/span><\/strong><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\" lang=\"EN-GB\">The wall<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\" lang=\"EN-GB\"> di Lin Chih-ju (Taiwan\/2007)<span> <\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\" lang=\"EN-GB\">Candy Rain<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\" lang=\"EN-GB\"> di Chen Hung-i (Taiwan\/2008)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\" lang=\"EN-GB\">Sincerely Yours<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\" lang=\"EN-GB\"> di Rich Lee (Taiwan\/2008)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">\u00a0<span style=\"font-size: 9pt; font-family: Arial;\"><span style=\"font-family: Georgia;\">&gt;&gt;&gt;<\/span><\/span><strong><span style=\"font-size: 9pt; font-family: Arial;\">Fuori Concorso<\/span><\/strong><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">\n<p class=\"MsoNormal\" style=\"text-align: justify;\">\n<p class=\"MsoNormal\" style=\"text-align: justify;\">\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\">Ashes of Time Redux<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\"> di Wong Kar-wai (Hong Kong-Cina-Taiwan\/2008)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\">Yuki &amp; Nina<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\"> di Suwa Nobuhiro e Hippolyte Girardot (Francia-Giappone\/2009)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\">Tokio Gore Police<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\"> di Nishimura Yoshihiro (Giappone-Usa\/2008)<span> <\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><em><span style=\"font-size: 9pt; font-family: Arial;\">Tokyo!<\/span><\/em><\/strong><span style=\"font-size: 9pt; font-family: Arial;\"> di Michel Gondry, Leos Carax, Bong Joon-ho (Francia-Giappone-Corea del Sud-Germania\/2008)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">\u00a0<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">\u00a0<\/p>\n<p class=\"MsoNormal\"><strong><span style=\"font-size: 10pt; font-family: Arial;\">ASIAN FILM FESTIVAL 2009<\/span><\/strong><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left;\">\n<p class=\"MsoNormal\" style=\"text-align: justify;\">\n<p class=\"MsoNormal\"><span style=\"font-size: 9pt; font-family: Arial;\">VII edizione 4-11 luglio, cinema Farnese &#8211; Roma<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left;\"><span style=\"font-size: 9pt; font-family: Arial;\"><a href=\"http:\/\/www.asianfilmfestival.eu\/\">www.asianfilmfestival.eu<\/a><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial;\"><br \/>\n<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Si apre il 4 giugno la settima edizione dell\u2019Asian Film Festival, ricca kermesse cinematografica che si svolger\u00e0 fino al giorno 11 presso il cinema Farnese di Roma [map]. Cinque giorni per scoprire opere provenienti dal Sud Est del continente asiatico, un\u2019area geografica entro la quale il linguaggio cinematografico ha saputo contaminarsi di ogni tipo di cultura lontana e che dimostra<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[7],"tags":[1006,1022,1007,989,1040,1029,1023,1014,1015,990,1001,1005,1016,1008,1018,1034,1013,1024,992,991,1027,1020,1039,1028,1025,1026,1038,1036,994,996,1030,648,999,1012,997,1000,1033,998,1035,1037,1004,1003,1017,1031,1002,993,1010,1019,1011,1032,1021,1009,995],"class_list":["post-1789","post","type-post","status-publish","format-standard","hentry","category-festival","tag-24-city","tag-ann-hui","tag-antonio-termenini","tag-asian-film-festival","tag-bong-joon-ho","tag-chen-hung-i","tag-cheng-ding","tag-cheng-fen-fen","tag-cheng-hsiao-tse","tag-cinema-farnese","tag-dong","tag-er-shi-si-cheng-ji","tag-eric-khoo","tag-hashiguchi-ryosuke","tag-he-jianjun","tag-hippolyte-girardot","tag-ho-tzu-nyen","tag-james-leong","tag-jia-zhang-ke","tag-jia-zhangke","tag-john-radel","tag-koreeda-hirokazu","tag-leos-carax","tag-lin-chih-ju","tag-lynn-lee","tag-max-mannix","tag-michel-gondry","tag-nishimura-yoshihiro","tag-pickpocket","tag-platform","tag-rich-lee","tag-roma","tag-sanxia-haoren","tag-sherman-ong","tag-shijie","tag-still-life","tag-suwa-nobuhiro","tag-the-world","tag-tokio-gore-police","tag-tokyo","tag-unknow-pleasures","tag-useless","tag-wang-jingui","tag-wong-kar-wai","tag-wuyong","tag-xia-wu","tag-yang-jin","tag-yeo-joon-han","tag-ying-liang","tag-yuki-nina","tag-zhang-chi","tag-zhang-yuan","tag-zhantai"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Asian Film Festival 2009 | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rapportoconfidenziale.org\/?p=1789\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Asian Film Festival 2009 | Rapporto Confidenziale\" \/>\n<meta property=\"og:description\" content=\"Si apre il 4 giugno la settima edizione dell\u2019Asian Film Festival, ricca kermesse cinematografica che si svolger\u00e0 fino al giorno 11 presso il cinema Farnese di Roma [map]. Cinque giorni per scoprire opere provenienti dal Sud Est del continente asiatico, un\u2019area geografica entro la quale il linguaggio cinematografico ha saputo contaminarsi di ogni tipo di cultura lontana e che dimostra\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.rapportoconfidenziale.org\/?p=1789\" \/>\n<meta property=\"og:site_name\" content=\"Rapporto Confidenziale\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/rapportoconfidenziale\" \/>\n<meta property=\"article:published_time\" content=\"2009-07-02T12:46:53+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2009-07-02T18:36:12+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2009\/07\/24-city.jpg\" \/>\n<meta name=\"author\" content=\"Alessio Galbiati\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@RConfidenziale\" \/>\n<meta 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