{"id":18290,"date":"2012-01-24T16:20:35","date_gmt":"2012-01-24T15:20:35","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=18290"},"modified":"2012-01-24T20:52:30","modified_gmt":"2012-01-24T19:52:30","slug":"84th-academy-awards-le-candidature","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=18290","title":{"rendered":"84th Academy Awards – Le candidature"},"content":{"rendered":"

\"\"
\nLa premiazione cinematografica pi\u00f9 “mainstream” e pi\u00f9 nota al mondo (non un sinonimo di giustizia, ovviamente) avr\u00e0 luogo il prossimo 26 febbraio. Oggi sono state rese note le candidature nelle varie categorie. Ve le presentiamo senza commento alcuno.<\/span><\/p>\n

Best Motion Picture of the Year \/ Miglior film<\/strong><\/span><\/p>\n

The Artist<\/a> (2011): Thomas Langmann
\nThe Descendants (Paradiso amaro) (2011): Jim Burke, Alexander Payne, Jim Taylor
\nExtremely Loud and Incredibly Close (Molto forte, incredibilmente vicino) (2011): Scott Rudin
\nThe Help (2011): Brunson Green, Chris Columbus, Michael Barnathan
\nHugo (Hugo Cabret) (2011): Graham King, Martin Scorsese
\nMidnight in Paris<\/a> (2011): Letty Aronson, Stephen Tenenbaum
\nMoneyball (2011): Michael De Luca, Rachael Horovitz, Brad Pitt
\nThe Tree of Life<\/a> (2011): Nominees to be determined
\nWar Horse (2011): Steven Spielberg, Kathleen Kennedy<\/span><\/p>\n

Best Performance by an Actor in a Leading Role \/ Migliore attore protagonista<\/strong><\/span><\/p>\n

Demi\u00e1n Bichir for A Better Life (2011)
\nGeorge Clooney per The Descendants (Paradiso amaro) (2011)
\nJean Dujardin per The Artist (2011)
\nGary Oldman per Tinker Tailor Soldier Spy (La talpa) (2011)
\nBrad Pitt per Moneyball (2011)<\/span><\/p>\n

Best Performance by an Actress in a Leading Role \/ Migliore attrice protagonista<\/strong><\/span><\/p>\n

Glenn Close per Albert Nobbs (2011)
\nViola Davis per The Help (2011)
\nRooney Mara per The Girl with the Dragon Tattoo (Millennium – Uomini che odiano le donne)<\/a> (2011)
\nMeryl Streep per The Iron Lady (2011)
\nMichelle Williams per My Week with Marilyn (2011)<\/span><\/p>\n

Best Performance by an Actor in a Supporting Role \/ Migliore attore non protagonista<\/strong><\/span><\/p>\n

Kenneth Branagh per My Week with Marilyn (2011)
\nJonah Hill per Moneyball (2011)
\nNick Nolte per Warrior (2011)
\nChristopher Plummer per Beginners (2010)
\nMax von Sydow per Extremely Loud and Incredibly Close (Molto forte, incredibilmente vicino) (2011)<\/span><\/p>\n

Best Performance by an Actress in a Supporting Role \/ Migliore attrice non protagonista<\/strong><\/span><\/p>\n

B\u00e9r\u00e9nice Bejo per The Artist (2011)
\nJessica Chastain per The Help (2011)
\nMelissa McCarthy per Bridesmaids (Le amiche della sposa ) (2011)
\nJanet McTeer per Albert Nobbs (2011)
\nOctavia Spencer per The Help (2011)<\/span><\/p>\n

Best Achievement in Directing \/ Migliore regia<\/strong><\/span><\/p>\n

Woody Allen per Midnight in Paris (2011)
\nMichel Hazanavicius per The Artist (2011)
\nTerrence Malick per The Tree of Life (2011)
\nAlexander Payne per The Descendants (Paradiso amaro) (2011)
\nMartin Scorsese per Hugo (Hugo Cabret) (2011)<\/span><\/p>\n

Best Writing, Screenplay Written Directly for the Screen \/ Migliore sceneggiatura originale<\/strong><\/span><\/p>\n

The Artist (2011): Michel Hazanavicius
\nBridesmaids (Le amiche della sposa ) (2011): Kristen Wiig, Annie Mumolo
\nMargin Call (2011): J.C. Chandor
\nMidnight in Paris (2011): Woody Allen
\nJodaeiye Nader az Simin (A Separation)<\/a> (2011): Asghar Farhadi<\/a><\/span><\/p>\n

Best Writing, Screenplay Based on Material Previously Produced or Published \/ <\/strong><\/span><\/p>\n

Migliore sceneggiatura da soggetto non originale<\/strong><\/span><\/p>\n

The Descendants (Paradiso amaro) (2011): Alexander Payne, Nat Faxon, Jim Rash
\nHugo (Hugo Cabret) (2011): John Logan
\nThe Ides of March (Le idi di marzo) (2011): George Clooney, Grant Heslov, Beau Willimon
\nMoneyball (2011): Steven Zaillian, Aaron Sorkin, Stan Chervin
\nTinker Tailor Soldier Spy (La talpa) (2011): Bridget O’Connor, Peter Straughan<\/span><\/p>\n

Best Animated Feature Film of the Year \/ Migliore film di animazione<\/strong><\/span><\/p>\n

Une vie de chat (2010): Alain Gagnol, Jean-Loup Felicioli
\nChico & Rita (2010): Fernando Trueba, Javier Mariscal
\nKung Fu Panda 2 (2011): Jennifer Yuh
\nPuss in Boots (Il gatto con gli stivali) (2011): Chris Miller
\nRango (2011): Gore Verbinski<\/span><\/p>\n

Best Foreign Language Film of the Year \/ Migliore film straniero<\/strong><\/span><\/p>\n

Rundskop (2011): Michael R. Roskam (Belgium)
\nHearat Shulayim (2011): Joseph Cedar (Israel)
\nIn Darkness (2011): Agnieszka Holland (Poland)
\nMonsieur Lazhar<\/a> (2011): Philippe Falardeau (Canada)
\nJodaeiye Nader az Simin (A Separation) (2011): Asghar Farhadi (Iran)<\/span><\/p>\n

Best Achievement in Cinematography \/ Migliore fotografia<\/strong><\/span><\/p>\n

The Artist (2011): Guillaume Schiffman
\nThe Girl with the Dragon Tattoo (Millennium – Uomini che odiano le donne) (2011): Jeff Cronenweth
\nHugo (Hugo Cabret) (2011): Robert Richardson
\nThe Tree of Life (2011): Emmanuel Lubezki
\nWar Horse (2011): Janusz Kaminski<\/span><\/p>\n

Best Achievement in Editing \/ Migliore montaggio<\/strong><\/span><\/p>\n

The Artist (2011): Anne-Sophie Bion, Michel Hazanavicius
\nThe Descendants (Paradiso amaro) (2011): Kevin Tent
\nThe Girl with the Dragon Tattoo (Millennium – Uomini che odiano le donne) (2011): Angus Wall, Kirk Baxter
\nHugo (Hugo Cabret) (2011): Thelma Schoonmaker
\nMoneyball (2011): Christopher Tellefsen<\/span><\/p>\n

Best Achievement in Art Direction \/ Migliore scenografia<\/strong><\/span><\/p>\n

The Artist (2011): Laurence Bennett, Robert Gould
\nHarry Potter and the Deathly Hallows: Part 2 (Harry Potter e i doni della morte: Parte 2)(2011): Stuart Craig, Stephenie McMillan
\nHugo (Hugo Cabret) (2011): Dante Ferretti, Francesca Lo Schiavo
\nMidnight in Paris (2011): Anne Seibel, H\u00e9l\u00e8ne Dubreuil
\nWar Horse (2011): Rick Carter, Lee Sandales<\/span><\/p>\n

Best Achievement in Costume Design \/ Migliori costumi<\/strong><\/span><\/p>\n

Anonymous (2011): Lisy Christl
\nThe Artist (2011): Mark Bridges
\nHugo (2011): Sandy Powell
\nJane Eyre (2011): Michael O’Connor
\nEdward e Wallis: Il mio regno per una donna (2011): Arianne Phillips<\/span><\/p>\n

Best Achievement in Makeup \/ Migliore trucco<\/strong><\/span><\/p>\n

Albert Nobbs (2011): Martial Corneville, Lynn Johnson, Matthew W. Mungle
\nHarry Potter and the Deathly Hallows: Part 2 (Harry Potter e i doni della morte: Parte 2)(2011): Nick Dudman, Amanda Knight, Lisa Tomblin
\nThe Iron Lady (2011): Mark Coulier, J. Roy Helland<\/span><\/p>\n

Best Achievement in Music Written for Motion Pictures, Original Score \/
\nMigliore colonna sonora originale<\/strong><\/span><\/p>\n

The Adventures of Tintin (2011): John Williams <\/strong>
\nThe Artist (2011): Ludovic Bource
\nHugo (Hugo Cabret) (2011): Howard Shore
\nTinker Tailor Soldier Spy (La talpa) (2011): Alberto Iglesias
\nWar Horse (2011): John Williams<\/span><\/p>\n

Best Achievement in Music Written for Motion Pictures, Original Song \/
\nMigliore canzone originale<\/strong><\/span><\/p>\n

I Muppet (2011): Bret McKenzie (“Man or Muppet”)
\nRio (2011): Sergio Mendes, Carlinhos Brown, Siedah Garrett (“Real in Rio”)<\/span><\/p>\n

Best Achievement in Visual Effects \/ Migliori effetti speciali<\/strong><\/span><\/p>\n

Harry Potter e i doni della morte: Parte 2 (2011): Tim Burke, David Vickery, Greg Butler, John Richardson
\nHugo (Hugo Cabret) (2011): Robert Legato, Joss Williams, Ben Grossmann, Alex Henning
\nReal Steel (2011): Erik Nash, John Rosengrant, Danny Gordon Taylor, Swen Gillberg
\nRise of the Planet of the Apes (2011): Joe Letteri, Dan Lemmon, R. Christopher White, Daniel Barrett
\nTransformers 3 (2011): Scott Farrar, Scott Benza, Matthew E. Butler, John Frazier<\/span><\/p>\n

Best Documentary, Features \/ Migliori lungometraggi documentari<\/strong><\/span><\/p>\n

Hell and Back Again (2011): Danfung Dennis, Mike Lerner
\nIf a Tree Falls: A Story of the Earth Liberation Front (2011): Marshall Curry, Sam Cullman
\nParadise Lost 3: Purgatory (2011): Joe Berlinger, Bruce Sinofsky
\nPina (2011): Wim Wenders, Gian-Piero Ringel
\nUndefeated (2011): Daniel Lindsay, T.J. Martin, Rich Middlemas<\/span><\/p>\n

Best Documentary, Short Subjects \/ Migliori cortometraggi documentari<\/strong><\/span><\/p>\n

The Barber of Birmingham: Foot Soldier of the Civil Rights Movement (2011): Robin Fryday, Gail Dolgin
\nGod Is the Bigger Elvis: Rebecca Cammisa, Julie Anderson
\nIncident in New Baghdad (2011): James Spione
\nSaving Face (2011): Daniel Junge, Sharmeen Obaid-Chinoy
\nThe Tsunami and the Cherry Blossom (2011): Lucy Walker, Kira Carstensen<\/span><\/p>\n

Best Short Film, Animated \/ Migliore cortometraggio di animazione<\/strong><\/span><\/p>\n

Dimanche (2011): Patrick Doyon
\nThe Fantastic Flying Books of Mr. Morris Lessmore (2011): William Joyce, Brandon Oldenburg
\nLa Luna (2011): Enrico Casarosa
\nA Morning Stroll (2011): Grant Orchard, Sue Goffe
\nWild Life (2011): Amanda Forbis, Wendy Tilby<\/span><\/p>\n

Best Short Film, Live Action \/ Migliore cortometraggio<\/strong><\/span><\/p>\n

Pentecost (2011): Peter McDonald
\nRaju (2011): Max Z\u00e4hle, Stefan Gieren
\nThe Shore: Terry George, Oorlagh George
\nTime Freak (2011): Andrew Bowler, Gigi Causey
\nTuba Atlantic (2010): Hallvar Witz\u00f8<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

La premiazione cinematografica pi\u00f9 “mainstream” e pi\u00f9 nota al mondo (non un sinonimo di giustizia, ovviamente) avr\u00e0 luogo il prossimo 26 febbraio. Oggi sono state rese note le candidature nelle varie categorie. Ve le presentiamo senza commento alcuno. Best Motion Picture of the Year \/ Miglior film The Artist (2011): Thomas Langmann The Descendants (Paradiso amaro) (2011): Jim Burke, Alexander<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[316],"tags":[12176,12177,10932],"class_list":["post-18290","post","type-post","status-publish","format-standard","hentry","category-notizie","tag-12176","tag-academy-awards","tag-oscar"],"yoast_head":"\n84th Academy Awards - Le candidature | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rapportoconfidenziale.org\/?p=18290\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"84th Academy Awards - Le candidature | Rapporto Confidenziale\" \/>\n<meta property=\"og:description\" content=\"La premiazione cinematografica pi\u00f9 “mainstream” e pi\u00f9 nota al mondo (non un sinonimo di giustizia, ovviamente) avr\u00e0 luogo il prossimo 26 febbraio. Oggi sono state rese note le candidature nelle varie categorie. Ve le presentiamo senza commento alcuno. Best Motion Picture of the Year \/ Miglior film The Artist (2011): Thomas Langmann The Descendants (Paradiso amaro) (2011): Jim Burke, Alexander\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.rapportoconfidenziale.org\/?p=18290\" \/>\n<meta property=\"og:site_name\" content=\"Rapporto Confidenziale\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/rapportoconfidenziale\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/rapportoconfidenziale\" \/>\n<meta property=\"article:published_time\" content=\"2012-01-24T15:20:35+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2012-01-24T19:52:30+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/01\/Oscar01.jpg\" \/>\n<meta name=\"author\" content=\"Rapporto Confidenziale\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@RConfidenziale\" \/>\n<meta name=\"twitter:site\" content=\"@RConfidenziale\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Rapporto Confidenziale\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=18290#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=18290\"},\"author\":{\"name\":\"Rapporto Confidenziale\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/person\\\/1bf60340eefe8f99b9cd50688202e9d3\"},\"headline\":\"84th Academy Awards – Le candidature\",\"datePublished\":\"2012-01-24T15:20:35+00:00\",\"dateModified\":\"2012-01-24T19:52:30+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=18290\"},\"wordCount\":1060,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=18290#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2012\\\/01\\\/Oscar01.jpg\",\"keywords\":[\"2012\",\"Academy Awards\",\"Oscar\"],\"articleSection\":[\"NOTIZIE\"],\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=18290#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=18290\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=18290\",\"name\":\"84th Academy Awards - Le candidature | Rapporto Confidenziale\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=18290#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=18290#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2012\\\/01\\\/Oscar01.jpg\",\"datePublished\":\"2012-01-24T15:20:35+00:00\",\"dateModified\":\"2012-01-24T19:52:30+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=18290#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=18290\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=18290#primaryimage\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2012\\\/01\\\/Oscar01.jpg\",\"contentUrl\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2012\\\/01\\\/Oscar01.jpg\",\"width\":\"620\",\"height\":\"389\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=18290#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"84th Academy Awards – Le candidature\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#website\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/\",\"name\":\"Rapporto Confidenziale\",\"description\":\"rivista digitale di cultura cinematografica | digital magazine about cinematic culture\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#organization\",\"name\":\"Rapporto Confidenziale\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2017\\\/09\\\/RC_logo_1_nero.png\",\"contentUrl\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2017\\\/09\\\/RC_logo_1_nero.png\",\"width\":3508,\"height\":709,\"caption\":\"Rapporto Confidenziale\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/rapportoconfidenziale\",\"https:\\\/\\\/x.com\\\/RConfidenziale\",\"https:\\\/\\\/www.instagram.com\\\/icdpavlov\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/RConfidenziale\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/person\\\/1bf60340eefe8f99b9cd50688202e9d3\",\"name\":\"Rapporto Confidenziale\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g\",\"caption\":\"Rapporto Confidenziale\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/rapportoconfidenziale\"],\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?author=6\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"84th Academy Awards - Le candidature | Rapporto Confidenziale","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.rapportoconfidenziale.org\/?p=18290","og_locale":"it_IT","og_type":"article","og_title":"84th Academy Awards - Le candidature | Rapporto Confidenziale","og_description":"La premiazione cinematografica pi\u00f9 “mainstream” e pi\u00f9 nota al mondo (non un sinonimo di giustizia, ovviamente) avr\u00e0 luogo il prossimo 26 febbraio. Oggi sono state rese note le candidature nelle varie categorie. Ve le presentiamo senza commento alcuno. Best Motion Picture of the Year \/ Miglior film The Artist (2011): Thomas Langmann The Descendants (Paradiso amaro) (2011): Jim Burke, Alexander","og_url":"https:\/\/www.rapportoconfidenziale.org\/?p=18290","og_site_name":"Rapporto Confidenziale","article_publisher":"https:\/\/www.facebook.com\/rapportoconfidenziale","article_author":"https:\/\/www.facebook.com\/rapportoconfidenziale","article_published_time":"2012-01-24T15:20:35+00:00","article_modified_time":"2012-01-24T19:52:30+00:00","og_image":[{"url":"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/01\/Oscar01.jpg","type":"","width":"","height":""}],"author":"Rapporto Confidenziale","twitter_card":"summary_large_image","twitter_creator":"@RConfidenziale","twitter_site":"@RConfidenziale","twitter_misc":{"Scritto da":"Rapporto Confidenziale","Tempo di lettura stimato":"5 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=18290#article","isPartOf":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=18290"},"author":{"name":"Rapporto Confidenziale","@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/person\/1bf60340eefe8f99b9cd50688202e9d3"},"headline":"84th Academy Awards – Le candidature","datePublished":"2012-01-24T15:20:35+00:00","dateModified":"2012-01-24T19:52:30+00:00","mainEntityOfPage":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=18290"},"wordCount":1060,"commentCount":0,"publisher":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#organization"},"image":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=18290#primaryimage"},"thumbnailUrl":"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/01\/Oscar01.jpg","keywords":["2012","Academy Awards","Oscar"],"articleSection":["NOTIZIE"],"inLanguage":"it-IT","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.rapportoconfidenziale.org\/?p=18290#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=18290","url":"https:\/\/www.rapportoconfidenziale.org\/?p=18290","name":"84th Academy Awards - Le candidature | Rapporto Confidenziale","isPartOf":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=18290#primaryimage"},"image":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=18290#primaryimage"},"thumbnailUrl":"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/01\/Oscar01.jpg","datePublished":"2012-01-24T15:20:35+00:00","dateModified":"2012-01-24T19:52:30+00:00","breadcrumb":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=18290#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.rapportoconfidenziale.org\/?p=18290"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=18290#primaryimage","url":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/01\/Oscar01.jpg","contentUrl":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/01\/Oscar01.jpg","width":"620","height":"389"},{"@type":"BreadcrumbList","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=18290#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.rapportoconfidenziale.org\/"},{"@type":"ListItem","position":2,"name":"84th Academy Awards – Le candidature"}]},{"@type":"WebSite","@id":"https:\/\/www.rapportoconfidenziale.org\/#website","url":"https:\/\/www.rapportoconfidenziale.org\/","name":"Rapporto Confidenziale","description":"rivista digitale di cultura cinematografica | digital magazine about cinematic culture","publisher":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.rapportoconfidenziale.org\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.rapportoconfidenziale.org\/#organization","name":"Rapporto Confidenziale","url":"https:\/\/www.rapportoconfidenziale.org\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/logo\/image\/","url":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/09\/RC_logo_1_nero.png","contentUrl":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/09\/RC_logo_1_nero.png","width":3508,"height":709,"caption":"Rapporto Confidenziale"},"image":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/rapportoconfidenziale","https:\/\/x.com\/RConfidenziale","https:\/\/www.instagram.com\/icdpavlov\/","https:\/\/www.youtube.com\/user\/RConfidenziale"]},{"@type":"Person","@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/person\/1bf60340eefe8f99b9cd50688202e9d3","name":"Rapporto Confidenziale","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g","caption":"Rapporto Confidenziale"},"sameAs":["https:\/\/www.facebook.com\/rapportoconfidenziale"],"url":"https:\/\/www.rapportoconfidenziale.org\/?author=6"}]}},"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/posts\/18290","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=18290"}],"version-history":[{"count":0,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/posts\/18290\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=18290"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=18290"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=18290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}