{"id":19408,"date":"2012-02-26T00:46:51","date_gmt":"2012-02-25T23:46:51","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=19408"},"modified":"2012-02-26T01:07:10","modified_gmt":"2012-02-26T00:07:10","slug":"independent-spirit-awards-2012-candidati-e-premiati","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=19408","title":{"rendered":"Independent Spirit Awards 2012 \/ Candidati e premiati"},"content":{"rendered":"<p style=\"text-align: center;\"><span style=\"font-family: Arial; font-size: 9pt; color: black;\"> <\/span><\/p>\n<p style=\"text-align: left;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-19413\" title=\"Independent Spirit Awards2012\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/02\/Independent-Spirit-Awards2012.jpg\" alt=\"\" width=\"620\" height=\"436\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/02\/Independent-Spirit-Awards2012.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/02\/Independent-Spirit-Awards2012-300x210.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/p>\n<p><strong><span style=\"font-family: Arial; font-size: 20pt; color: #800517;\">Independent Spirit Awards 2012<\/span><br \/>\n<span style=\"font-family: Arial; font-size: 13pt; color: #707070;\">Santa Monica, California, 25 febbraio 2012<strong><span style=\"font-family: Arial; font-size: 10pt; color: black;\"><span style=\"font-family: Arial; font-size: 13pt; color: #707070;\"> <\/span><\/span><\/strong><\/span><\/strong><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt; color: black;\">Fondato nel 1984, il premio era originariamente conosciuto con il nome di FINDIE (\u201cFriends of Independents\u201d). Nel 1986, il premio venne ridenominato come &#8220;Independent Spirit Awards&#8221;.<br \/>\nNel corso degli ultimi 25 anni, l&#8217;Independent\u2019s Spirit Awards si \u00e8 trasformato in un evento d&#8217;avanguardia per eccellenza. Organizzato in un tendone sulla spiaggia di Santa Monica, California, il premio riunisce la comunit\u00e0 del cinema per premiare il meglio del cinema indipendente.<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 20pt; color: #800517;\"><strong>Candidati e premiati<\/strong><br \/>\n<strong><span style=\"font-family: Arial; font-size: 11pt; color: #800517;\">(in neretto i premiati)<\/span><\/strong><\/span><\/p>\n<p style=\"font-weight: bold;\"><strong><span style=\"font-family: Arial; font-size: 12pt; color: #707070;\">Migliore attrice<\/span><\/strong><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt; color: black;\">Lauren Ambrose per &#8220;Think of Me&#8221; (2011)<br \/>\nRachael Harris per &#8220;Natural Selection&#8221; (2011)<br \/>\nAdepero Oduye per &#8220;Pariah&#8221; (2007)<br \/>\nElizabeth Olsen per &#8220;Martha Marcy May Marlene&#8221; (&#8220;La fuga di Martha&#8221;, 2011)<br \/>\n<span style=\"font-family: Arial; font-size: 11pt; color: black;\"><strong>Michelle Williams per &#8220;My Week with Marilyn&#8221; (2011)<\/strong><\/span><\/span><\/p>\n<p style=\"font-weight: bold;\"><strong><span style=\"font-family: Arial; font-size: 12pt; color: #707070;\">Migliore attore<\/span><\/strong><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt; color: black;\">Demi\u00e1n Bichir per &#8220;A Better Life&#8221; (2011)<br \/>\n<span style=\"font-family: Arial; font-size: 11pt; color: black;\"><strong>Jean Dujardin per &#8220;<a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=18129\" target=\"_self\">The Artist<\/a>&#8221; (2011)<\/strong><br \/>\n<span style=\"font-family: Arial; font-size: 10pt; color: black;\">Ryan Gosling per &#8220;Drive&#8221; (2011)<br \/>\nWoody Harrelson per &#8220;Rampart&#8221; (2011)<br \/>\nMichael Shannon per &#8220;Take Shelter&#8221; (2011)<\/span><\/span><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: Arial; font-size: 10pt; color: black;\"><strong> <\/strong><span style=\"font-family: Arial; font-size: 9pt; color: black;\"><a href=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2011\/12\/OC564309_P3001_150278.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-16894\" title=\"Without03\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2011\/12\/OC564309_P3001_150278.jpg\" alt=\"\" width=\"620\" height=\"413\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2011\/12\/OC564309_P3001_150278.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2011\/12\/OC564309_P3001_150278-300x199.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a>&#8220;Without&#8221;, Mark Jackson<\/span><\/span><\/p>\n<p style=\"font-weight: bold;\"><strong><span style=\"font-family: Arial; font-size: 12pt; color: #707070;\">Migliore attrice non protagonista&#8221;<\/span><\/strong><\/p>\n<p style=\"font-weight: bold;\"><strong> <\/strong><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt; color: black;\">Jessica Chastain per &#8220;Take Shelter&#8221; (2011)<br \/>\nAnjelica Huston per\u00a0&#8220;<a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=17025\" target=\"_self\">50\/50<\/a>&#8221; (2011)<br \/>\nJanet McTeer per\u00a0&#8220;Albert Nobbs&#8221; (2011)<br \/>\nHarmony Santana per\u00a0&#8220;Gun Hill Road&#8221; (2011)<br \/>\n<span style=\"font-family: Arial; font-size: 11pt; color: black;\"><strong>Shailene Woodley per &#8220;The Descendants&#8221; (&#8220;Paradiso amaro&#8221; 2011)<\/strong><\/span><\/span><\/p>\n<p style=\"font-weight: bold;\"><strong><span style=\"font-family: Arial; font-size: 12pt; color: #707070;\">Migliore attore non protagonista<\/span><\/strong><\/p>\n<p style=\"font-weight: bold;\"><strong> <\/strong><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt; color: black;\">Albert Brooks per\u00a0&#8220;Drive&#8221; (2011)<br \/>\nJohn Hawkes per &#8220;Martha Marcy May Marlene&#8221; (&#8220;La fuga di Martha&#8221;, 2011)<br \/>\n<span style=\"font-family: Arial; font-size: 11pt; color: black;\"><strong>Christopher Plummer per &#8220;Beginners&#8221; (2010)<\/strong><br \/>\n<span style=\"font-family: Arial; font-size: 10pt; color: black;\">John C. Reilly per &#8220;Cedar Rapids&#8221; (&#8220;Benvenuti a Cedar Rapids&#8221;, 2011)<br \/>\nCorey Stoll per &#8220;<a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=16766\" target=\"_self\">Midnight in Paris<\/a>&#8221; (2011)<\/span><\/span><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: Arial; font-size: 9pt; color: black;\"><span style=\"font-family: Arial; font-size: 9pt; color: black;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-19416\" title=\"Take Shelter01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/02\/Take-Shelter01.jpg\" alt=\"\" width=\"620\" height=\"413\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/02\/Take-Shelter01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/02\/Take-Shelter01-300x199.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>&#8220;Take Shelter&#8221;, Jeff Nichols<br \/>\n<\/span><\/span><\/p>\n<p style=\"font-weight: bold;\"><strong><strong><span style=\"font-family: Arial; font-size: 12pt; color: #707070;\"><strong>Migliore sceneggiatura originale<\/strong><\/span><\/strong><\/strong><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt; color: black;\">&#8220;<a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=18129\" target=\"_self\">The Artist<\/a>&#8221; (2011): Michel Hazanavicius<br \/>\n&#8220;Beginners&#8221; (2010): Mike Mills<br \/>\n<span style=\"font-family: Arial; font-size: 11pt; color: black;\"><strong>&#8220;The Descendants&#8221; (&#8220;Paradiso amaro&#8221;, 2011): Alexander Payne, Nat Faxon, Jim Rash<\/strong><br \/>\n<span style=\"font-family: Arial; font-size: 10pt; color: black;\">&#8220;Hearat Shulayim&#8221; (2011): Joseph Cedar<br \/>\n&#8220;Win Win&#8221; (&#8220;Mosse vincenti&#8221;, 2011): Thomas McCarthy<\/span><strong> <\/strong><\/span><\/span><\/p>\n<p style=\"font-weight: bold;\"><span style=\"font-family: Arial; font-size: 12pt; color: #707070;\"><strong>Migliore prima sceneggiatura<\/strong><\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt; color: black;\">&#8220;Another Earth&#8221; (2011): Mike Cahill, Brit Marling<br \/>\n&#8220;Cedar Rapids&#8221; (&#8220;Benvenuti a Cedar Rapids&#8221;, 2011): Phil Johnston<br \/>\n<span style=\"font-family: Arial; font-size: 11pt; color: black;\"><strong>&#8220;<a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=17025\" target=\"_self\">50\/50<\/a>&#8221; (2011): Will Reiser<\/strong><br \/>\n<span style=\"font-family: Arial; font-size: 10pt; color: black;\">&#8220;Margin Call&#8221; (2011): J.C. Chandor<br \/>\n&#8220;<a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=17036\" target=\"_self\">Terri<\/a>&#8221; (2011): Patrick Dewitt<\/span><\/span><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: Arial; font-size: 10pt; color: black;\"><strong> <\/strong><span style=\"font-family: Arial; font-size: 9pt; color: black;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-17048\" title=\"505002\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2011\/12\/5003.jpg\" alt=\"\" width=\"620\" height=\"412\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2011\/12\/5003.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2011\/12\/5003-300x199.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>&#8220;50\/50&#8221;, Jonathan Levine<br \/>\n<\/span><\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 12pt; color: #707070;\"><strong>Migliore fotografia<\/strong><\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 11pt; color: black;\"><strong>&#8220;<a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=18129\" target=\"_self\">The Artist<\/a>&#8221; (2011): Guillaume Schiffman<\/strong><br \/>\n<span style=\"font-family: Arial; font-size: 10pt; color: black;\">&#8220;Bellflower&#8221; (2011): Joel Hodge<br \/>\n&#8220;The Dynamiter&#8221; (2011): Jeffrey Waldron<br \/>\n&#8220;<a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=16766\" target=\"_self\">Midnight in Paris<\/a>&#8221; (2011): Darius Khondji<br \/>\n&#8220;The Off Hours&#8221; (2011): Benjamin Kasulke<\/span><\/span><\/p>\n<p style=\"font-weight: bold;\"><strong><span style=\"font-family: Arial; font-size: 12pt; color: #707070;\">Migliore opera prima<\/span><\/strong><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt; color: black;\">&#8220;Another Earth&#8221; (2011)<br \/>\n&#8220;In the Family&#8221; (2011)<br \/>\n<span style=\"font-family: Arial; font-size: 11pt; color: black;\"><strong>&#8220;Margin Call&#8221; (2011)<\/strong><br \/>\n<span style=\"font-family: Arial; font-size: 10pt; color: black;\">&#8220;Martha Marcy May Marlene&#8221; (&#8220;La fuga di Martha&#8221;, 2011)<br \/>\n&#8220;Natural Selection&#8221; (2011)<\/span><\/span><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: Arial; font-size: 10pt; color: black;\"><span style=\"font-family: Arial; font-size: 11pt; color: black;\"><span style=\"font-family: Arial; font-size: 9pt; color: black;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-19414\" title=\"Beginners01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/02\/Beginners01.jpg\" alt=\"\" width=\"620\" height=\"349\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/02\/Beginners01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/02\/Beginners01-300x168.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>&#8220;Beginners&#8221;, Mike Mills<br \/>\n<\/span><\/span><\/span><\/p>\n<p style=\"font-weight: bold;\"><strong><strong><span style=\"font-family: Arial; font-size: 12pt; color: #707070;\">Migliore regista<\/span><\/strong><\/strong><\/p>\n<p style=\"font-weight: bold;\"><strong><strong> <\/strong><\/strong><\/p>\n<p><span style=\"font-family: Arial; font-size: 11pt; color: black;\"><strong>Michel Hazanavicius per &#8220;<a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=18129\" target=\"_self\">The Artist<\/a>&#8221; (2011)<\/strong><br \/>\n<span style=\"font-family: Arial; font-size: 10pt; color: black;\">Mike Mills per &#8220;Beginners&#8221; (2010)<br \/>\nJeff Nichols per &#8220;Take Shelter&#8221; (2011)<br \/>\nAlexander Payne per &#8220;The Descendants&#8221; (&#8220;Paradiso amaro&#8221;, 2011)<br \/>\nNicolas Winding Refn per &#8220;Drive&#8221; (2011)<\/span><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: Arial; font-size: 10pt; color: black;\"><span style=\"font-family: Arial; font-size: 9pt; color: black;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-19415\" title=\"Drive01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/02\/Drive01.jpg\" alt=\"\" width=\"620\" height=\"412\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/02\/Drive01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/02\/Drive01-300x199.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>&#8220;Drive&#8221;, Nicolas Winding Refn<br \/>\n<\/span><\/span><\/p>\n<p style=\"font-weight: bold;\"><strong><strong><span style=\"font-family: Arial; font-size: 12pt; color: #707070;\">Migliore documentario<\/span><\/strong><\/strong><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt; color: black;\">&#8220;An African Election&#8221; (2011)<br \/>\n&#8220;Bill Cunningham New York&#8221; (2010)<br \/>\n<span style=\"font-family: Arial; font-size: 11pt; color: black;\"><strong> &#8220;The Interrupters&#8221; (2011)<\/strong><br \/>\n<span style=\"font-family: Arial; font-size: 10pt; color: black;\">&#8220;The Redemption of General Butt Naked&#8221; (2011)<br \/>\n&#8220;We Were Here&#8221; (2011)<\/span><\/span><\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 12pt; color: #707070;\"><strong>Premio John Cassavetes<\/strong><\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt; color: black;\">&#8220;Bellflower&#8221; (2011)<br \/>\n&#8220;Circumstance&#8221; (2011)<br \/>\nThe Dynamiter (2011)<br \/>\n&#8220;Hello Lonesome&#8221; (2010)<br \/>\n<span style=\"font-family: Arial; font-size: 11pt; color: black;\"><strong>&#8220;Pariah&#8221; (2007)<\/strong><\/span><\/span><\/p>\n<p><strong><span style=\"font-family: Arial; font-size: 12pt; color: #707070;\">Premio &#8220;Truer than Fiction&#8221;<\/span><\/strong><\/p>\n<p><span style=\"font-family: Arial; font-size: 11pt; color: black;\"><strong>&#8220;Where Soldiers Come From&#8221; (2011): Heather Courtney<\/strong><br \/>\n<span style=\"font-family: Arial; font-size: 10pt; color: black;\">&#8220;Bombay Beach&#8221; (2011): Alma Har&#8217;el<br \/>\n&#8220;Hell and Back Again&#8221; (2011): Danfung Dennis<\/span><\/span><\/p>\n<p><strong> <\/strong><\/p>\n<p style=\"font-weight: bold;\"><strong><strong><span style=\"font-family: Arial; font-size: 12pt; color: #707070;\">Premio &#8220;Someone to Watch&#8221;<\/span><\/strong><\/strong><\/p>\n<p><span style=\"font-family: Arial; font-size: 11pt; color: black;\"><strong>Mark Jackson per &#8220;<a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=16891\" target=\"_self\">Without<\/a>&#8221; (2011)<\/strong><br \/>\n<span style=\"font-family: Arial; font-size: 10pt; color: black;\">Simon Arthur per &#8220;Silver Tongues&#8221; (2011)<br \/>\nNicholas Ozeki per &#8220;Mamitas&#8221; (2007)<\/span><\/span><\/p>\n<p style=\"font-weight: bold;\"><span style=\"font-family: Arial; font-size: 12pt; color: #707070;\"><strong>Premio Robert Altman<\/strong><\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 11pt; color: black;\"><strong>&#8220;Margin Call&#8221; (2011)<\/strong><\/span><\/p>\n<p style=\"font-weight: bold;\"><strong><span style=\"font-family: Arial; font-size: 12pt; color: #707070;\">Migliore film straniero<\/span><\/strong><\/p>\n<p><span style=\"font-family: Arial; font-size: 10pt; color: black;\">&#8220;Le gamin au v\u00e9lo&#8221; (&#8220;Il ragazzo con la bicicletta&#8221;, 2011)<br \/>\n&#8220;Melancholia&#8221; (2011)<br \/>\n<span style=\"font-family: Arial; font-size: 11pt; color: black;\"><strong> &#8220;<a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=15563\" target=\"_self\">Jodaeiye Nader az Simin<\/a>&#8221; (&#8220;Una separazione&#8221;, 2011)<\/strong><br \/>\n<span style=\"font-family: Arial; font-size: 10pt; color: black;\">&#8220;<a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=18302\" target=\"_self\">Shame<\/a>&#8221; (2011)<br \/>\n&#8220;Tyrannosaur&#8221; (2011)<\/span><\/span><\/span><\/p>\n<p style=\"font-weight: bold;\"><span style=\"font-family: Arial; font-size: 12pt; color: #707070;\"><strong>Miglior film<\/strong><\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 11pt; color: black;\"><strong>&#8220;<a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=18129\" target=\"_self\">The Artist<\/a>&#8221; (2011)<\/strong><br \/>\n<span style=\"font-family: Arial; font-size: 10pt; color: black;\">&#8220;<a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=17025\" target=\"_self\">50\/50<\/a>&#8221; (2011)<br \/>\n&#8220;Beginners&#8221; (2010)<br \/>\n&#8220;Drive&#8221; (2011)<br \/>\n&#8220;Take Shelter&#8221; (2011)<\/span><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: Arial; font-size: 10pt; color: black;\"><strong> <\/strong><span style=\"font-family: Arial; font-size: 9pt; color: black;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-18131\" title=\"The Artist01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/01\/The-Artist01.jpg\" alt=\"\" width=\"620\" height=\"413\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/01\/The-Artist01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/01\/The-Artist01-300x199.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>&#8220;The Artist&#8221;, Michel Hazanavicius<\/span><\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: 11pt; color: black;\"><a href=\"http:\/\/www.spiritawards.com\/\" target=\"_blank\">Independent Spirit Awards<\/a><\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/player.vimeo.com\/video\/35390284?title=0&amp;byline=0&amp;portrait=0\" width=\"620\" height=\"349\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe><\/p>\n<p><a href=\"http:\/\/vimeo.com\/35390284\"><\/p>\n<p><iframe loading=\"lazy\" width=\"620\" height=\"360\" src=\"http:\/\/www.youtube.com\/embed\/u2xIi3uAhQY\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" width=\"620\" height=\"360\" src=\"http:\/\/www.youtube.com\/embed\/eE_t7IcFfYE\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" width=\"620\" height=\"360\" src=\"http:\/\/www.youtube.com\/embed\/9WORXAGUITQ\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/player.vimeo.com\/video\/36987361?title=0&amp;byline=0&amp;portrait=0\" width=\"620\" height=\"465\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe><\/p>\n<p><a href=\"http:\/\/vimeo.com\/36987361\"><\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/player.vimeo.com\/video\/35392278?title=0&amp;byline=0&amp;portrait=0\" width=\"620\" height=\"349\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe><\/p>\n<p><a href=\"http:\/\/vimeo.com\/35392278\"><\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/player.vimeo.com\/video\/35391071?title=0&amp;byline=0&amp;portrait=0\" width=\"620\" height=\"349\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe><\/p>\n<p><a href=\"http:\/\/vimeo.com\/35391071\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Independent Spirit Awards 2012 Santa Monica, California, 25 febbraio 2012 Fondato nel 1984, il premio era originariamente conosciuto con il nome di FINDIE (\u201cFriends of Independents\u201d). Nel 1986, il premio venne ridenominato come &#8220;Independent Spirit Awards&#8221;. Nel corso degli ultimi 25 anni, l&#8217;Independent\u2019s Spirit Awards si \u00e8 trasformato in un evento d&#8217;avanguardia per eccellenza. Organizzato in un tendone sulla spiaggia<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[316],"tags":[12176,6775,497],"class_list":["post-19408","post","type-post","status-publish","format-standard","hentry","category-notizie","tag-12176","tag-independent-spirit-award","tag-usa"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Independent Spirit Awards 2012 \/ Candidati e premiati | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rapportoconfidenziale.org\/?p=19408\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Independent Spirit Awards 2012 \/ Candidati e premiati | Rapporto Confidenziale\" \/>\n<meta property=\"og:description\" content=\"Independent Spirit Awards 2012 Santa Monica, California, 25 febbraio 2012 Fondato nel 1984, il premio era originariamente conosciuto con il nome di FINDIE (\u201cFriends of Independents\u201d). 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