{"id":23048,"date":"2012-07-13T23:01:50","date_gmt":"2012-07-13T21:01:50","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=23048"},"modified":"2014-11-02T02:28:01","modified_gmt":"2014-11-02T01:28:01","slug":"assez-vu-cantami-o-diva","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=23048","title":{"rendered":"Assez vu | Cantami, o Diva"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/cover.jpg\" alt=\"\" title=\"Brigitte Bardot\" width=\"620\" height=\"480\" class=\"aligncenter size-full wp-image-23049\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/cover.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/cover-300x232.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><br \/>\n<font face=\"Georgia\" size=\"3\">Assez vu<\/font><font face=\"Georgia\" size=\"2\"><br \/>\n<\/font><b><font face=\"Georgia\" size=\"5\">Cantami, o Diva<\/font><\/b><font face=\"Georgia\" size=\"2\"><\/p>\n<p><i>Assez vu per Rapporto Confidenziale<\/i><\/font><\/p>\n<p>&nbsp;<\/p>\n<p><font face=\"Georgia\" size=\"2\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/1.-Marie-Prevost-in-__The-Marriage-Circle__.jpg\" alt=\"\" title=\"1. Marie Prevost in &quot;The Marriage Circle&quot;\" width=\"620\" height=\"439\" class=\"aligncenter size-full wp-image-23050\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/1.-Marie-Prevost-in-__The-Marriage-Circle__.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/1.-Marie-Prevost-in-__The-Marriage-Circle__-300x212.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/font><\/p>\n<p align=\"center\"><font face=\"Georgia\" size=\"2\">Marie Prevost in <i>The Marriage Circle<\/i> di Ernst Lubitsch (USA\/1924)<\/font><\/p>\n<p align=\"center\">&nbsp;<\/p>\n<p align=\"center\"><font face=\"Georgia\" size=\"2\"><iframe loading=\"lazy\" width=\"620\" height=\"465\" src=\"http:\/\/www.youtube.com\/embed\/c3dTc4kyIOU\" frameborder=\"0\" allowfullscreen><\/iframe><\/font><\/p>\n<p>&nbsp;<\/p>\n<hr>\n<p><font face=\"Georgia\" size=\"2\"><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/2.-Louise-Brooks_Lul\u00f9-in-_Pandoras-Box_-1929-.jpg\" alt=\"\" title=\"Louise Brooks, Lul\u00f9 in &quot;Pandora&#039;s Box&quot; (1929)\" width=\"620\" height=\"470\" class=\"aligncenter size-full wp-image-23051\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/2.-Louise-Brooks_Lul\u00f9-in-_Pandoras-Box_-1929-.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/2.-Louise-Brooks_Lul\u00f9-in-_Pandoras-Box_-1929--300x227.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/font><\/p>\n<p align=\"center\"><font face=\"Georgia\" size=\"2\">Louise Brooks (Lulu) in <i>Die B\u00fcchse der Pandora<\/i> di Georg Wilhelm Pabst (Germania\/1929)<\/font><\/p>\n<p align=\"center\">&nbsp;<\/p>\n<p align=\"center\"><font face=\"Georgia\" size=\"2\"><iframe loading=\"lazy\" width=\"620\" height=\"465\" src=\"http:\/\/www.youtube.com\/embed\/xAYGTA1Hmm8\" frameborder=\"0\" allowfullscreen><\/iframe><\/font><\/p>\n<p>&nbsp;<\/p>\n<hr>\n<p><font face=\"Georgia\" size=\"2\"><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/3.-Marlene-Dietrich-in-__Angel__.jpg\" alt=\"\" title=\"Marlene Dietrich in &quot;The Blue Angel&quot;\" width=\"620\" height=\"491\" class=\"aligncenter size-full wp-image-23052\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/3.-Marlene-Dietrich-in-__Angel__.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/3.-Marlene-Dietrich-in-__Angel__-300x237.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/font><\/p>\n<p align=\"center\"><font face=\"Georgia\" size=\"2\">Marlene Dietrich in <i>Angel<\/i> di Ernst Lubitsch (USA\/1937)<\/font><\/p>\n<p>&nbsp;<\/p>\n<hr>\n<p><font face=\"Georgia\" size=\"2\"><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/4.-Marisa-Allasio-in-__Poveri-ma-Belli__.jpg\" alt=\"\" title=\"Marisa Allasio in &quot;Poveri ma Belli&quot;\" width=\"620\" height=\"470\" class=\"aligncenter size-full wp-image-23053\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/4.-Marisa-Allasio-in-__Poveri-ma-Belli__.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/4.-Marisa-Allasio-in-__Poveri-ma-Belli__-300x227.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/font><\/p>\n<p align=\"center\"><font face=\"Georgia\" size=\"2\">Marisa Allasio in <i>Poveri ma belli<\/i> di Dino Risi (Italia-Francia\/1957)<\/font><\/p>\n<p align=\"center\">&nbsp;<\/p>\n<p align=\"center\"><font face=\"Georgia\" size=\"2\">&nbsp;<iframe loading=\"lazy\" width=\"620\" height=\"465\" src=\"http:\/\/www.youtube.com\/embed\/iuqfe5fNd2g\" frameborder=\"0\" allowfullscreen><\/iframe><\/font><\/p>\n<p>&nbsp;<\/p>\n<hr>\n<p><font face=\"Georgia\" size=\"2\"><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/5.-Brigitte-Bardot-in-_La-V\u00e9rit\u00e9_-1960.jpg\" alt=\"\" title=\"Brigitte Bardot in &quot;La V\u00e9rit\u00e9&quot; (1960)\" width=\"620\" height=\"460\" class=\"aligncenter size-full wp-image-23054\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/5.-Brigitte-Bardot-in-_La-V\u00e9rit\u00e9_-1960.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/5.-Brigitte-Bardot-in-_La-V\u00e9rit\u00e9_-1960-300x222.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/font><\/p>\n<p align=\"center\"><font face=\"Georgia\" size=\"2\">Brigitte Bardot in <i>La ve&#769;rit\u00e9<\/i>&#769; di Henri-Georges Clouzot (Francia-Italia\/1960)<\/font><\/p>\n<p align=\"center\">&nbsp;<\/p>\n<p align=\"center\"><font face=\"Georgia\" size=\"2\">&nbsp;<iframe loading=\"lazy\" width=\"620\" height=\"465\" src=\"http:\/\/www.youtube.com\/embed\/NuZklVrHspM\" frameborder=\"0\" allowfullscreen><\/iframe><\/font><\/p>\n<p>&nbsp;<\/p>\n<hr>\n<p><font face=\"Georgia\" size=\"2\"><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/6.-Sophia-Loren-in-__Matrimonio-allItaliana__.jpg\" alt=\"\" title=\"Sophia Loren in &quot;Matrimonio all&#039;Italiana&quot;\" width=\"620\" height=\"482\" class=\"aligncenter size-full wp-image-23055\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/6.-Sophia-Loren-in-__Matrimonio-allItaliana__.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/6.-Sophia-Loren-in-__Matrimonio-allItaliana__-300x233.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/font><\/p>\n<p align=\"center\"><font face=\"Georgia\" size=\"2\">Sophia Loren in <i>Matrimonio all&#8217;Italiana<\/i> di Vittorio De Sica (Italia\/1964)<\/font><\/p>\n<p align=\"center\">&nbsp;<\/p>\n<p align=\"center\"><font face=\"Georgia\" size=\"2\">&nbsp;<iframe loading=\"lazy\" width=\"620\" height=\"465\" src=\"http:\/\/www.youtube.com\/embed\/U5oPHjulzpI\" frameborder=\"0\" allowfullscreen><\/iframe><\/font><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Assez vu Cantami, o Diva Assez vu per Rapporto Confidenziale &nbsp; Marie Prevost in The Marriage Circle di Ernst Lubitsch (USA\/1924) &nbsp; &nbsp; Louise Brooks (Lulu) in Die B\u00fcchse der Pandora di Georg Wilhelm Pabst (Germania\/1929) &nbsp; &nbsp; Marlene Dietrich in Angel di Ernst Lubitsch (USA\/1937) &nbsp; Marisa Allasio in Poveri ma belli di Dino Risi (Italia-Francia\/1957) &nbsp; &nbsp; &nbsp;<\/p>\n","protected":false},"author":99,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[2137],"tags":[13013,13653,13652,5045],"class_list":["post-23048","post","type-post","status-publish","format-standard","hentry","category-immagini","tag-assez-vu","tag-diva","tag-dive","tag-image"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Assez vu | Cantami, o Diva | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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