{"id":23199,"date":"2012-07-19T14:33:40","date_gmt":"2012-07-19T12:33:40","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=23199"},"modified":"2012-07-19T16:08:02","modified_gmt":"2012-07-19T14:08:02","slug":"baci-da-cinema-1941-1950","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=23199","title":{"rendered":"Baci da cinema \/ 1941-1950"},"content":{"rendered":"<p style=\"text-align: center;\"><span style=\"font-family: Arial; font-size: 9pt; color: black;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-23200\" title=\"Lady Eve01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Lady-Eve01.jpg\" alt=\"\" width=\"620\" height=\"465\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Lady-Eve01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Lady-Eve01-300x225.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>Lady Eve (1941), Preston Sturges <\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: Arial; font-size: 9pt; color: black;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-23201\" title=\"Casablanca01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Casablanca01.jpg\" alt=\"\" width=\"620\" height=\"523\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Casablanca01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Casablanca01-300x253.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>Casablanca (1942), Michael Curtiz <\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: Arial; font-size: 9pt; color: black;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-23202\" title=\"Woman of the Year01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Woman-of-the-Year01.jpg\" alt=\"\" width=\"620\" height=\"771\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Woman-of-the-Year01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Woman-of-the-Year01-241x300.jpg 241w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>Woman of the Year (1942), George Stevens<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: Arial; font-size: 9pt; color: black;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-23212\" title=\"Double Indemnity01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Double-Indemnity01.jpg\" alt=\"\" width=\"620\" height=\"372\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Double-Indemnity01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Double-Indemnity01-300x180.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>Double Indemnity (1944), Billy Wilder<br \/>\n<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: Arial; font-size: 9pt; color: black;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-23203\" title=\"Meet Me in St Louis01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Meet-Me-in-St-Louis01.jpg\" alt=\"\" width=\"620\" height=\"466\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Meet-Me-in-St-Louis01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Meet-Me-in-St-Louis01-300x225.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>Meet Me in St. Louis (1944), Vincente Minnelli<br \/>\n<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: Arial; font-size: 9pt; color: black;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-23204\" title=\"Brief Encounter01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Brief-Encounter01.jpg\" alt=\"\" width=\"620\" height=\"349\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Brief-Encounter01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Brief-Encounter01-300x168.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>Brief Encounter (1945), David Lean<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: Arial; font-size: 9pt; color: black;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-23205\" title=\"Its a Wonderful Life01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Its-a-Wonderful-Life01.jpg\" alt=\"\" width=\"620\" height=\"868\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Its-a-Wonderful-Life01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Its-a-Wonderful-Life01-214x300.jpg 214w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>It&#8217;s a Wonderful Life (1946), Frank Capra<br \/>\n<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: Arial; font-size: 9pt; color: black;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-23206\" title=\"Notorious01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Notorious01.jpg\" alt=\"\" width=\"620\" height=\"467\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Notorious01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Notorious01-300x225.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>Notorious (1946), Alfred Hitchcock<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: Arial; font-size: 9pt; color: black;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-23207\" title=\"Postman Always01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Postman-Always01.jpg\" alt=\"\" width=\"620\" height=\"773\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Postman-Always01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Postman-Always01-240x300.jpg 240w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>The Postman Always Rings Twice (1946), Tay Garnett<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: Arial; font-size: 9pt; color: black;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-23208\" title=\"The Big Sleep01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/The-Big-Sleep01.jpg\" alt=\"\" width=\"620\" height=\"467\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/The-Big-Sleep01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/The-Big-Sleep01-300x225.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>The Big Sleep (1946), Howard Hawks<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: Arial; font-size: 9pt; color: black;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-23209\" title=\"Unfaithfully Yours01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Unfaithfully-Yours01.jpg\" alt=\"\" width=\"620\" height=\"451\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Unfaithfully-Yours01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Unfaithfully-Yours01-300x218.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>Unfaithfully Yours (1948), Preston Sturges<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: Arial; font-size: 9pt; color: black;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-23211\" title=\"Sunset Blvd01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Sunset-Blvd011.jpg\" alt=\"\" width=\"620\" height=\"490\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Sunset-Blvd011.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/07\/Sunset-Blvd011-300x237.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/>Sunset Blvd. (1950), Billy Wilder<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lady Eve (1941), Preston Sturges Casablanca (1942), Michael Curtiz Woman of the Year (1942), George Stevens Double Indemnity (1944), Billy Wilder Meet Me in St. Louis (1944), Vincente Minnelli Brief Encounter (1945), David Lean It&#8217;s a Wonderful Life (1946), Frank Capra Notorious (1946), Alfred Hitchcock The Postman Always Rings Twice (1946), Tay Garnett The Big Sleep (1946), Howard Hawks Unfaithfully<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[2137],"tags":[],"class_list":["post-23199","post","type-post","status-publish","format-standard","hentry","category-immagini"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Baci da cinema \/ 1941-1950 | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" content=\"index, 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