{"id":23864,"date":"2012-09-10T15:53:15","date_gmt":"2012-09-10T13:53:15","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=23864"},"modified":"2013-10-17T18:56:44","modified_gmt":"2013-10-17T16:56:44","slug":"assez-vu-il-fascino-discreto-della-locandina","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=23864","title":{"rendered":"Assez vu | Il fascino discreto della locandina"},"content":{"rendered":"

\"\"<\/p>\n


\nIl fascino discreto della locandina<\/font><\/p>\n

Assez vu<\/font><\/a> per Rapporto Confidenziale<\/font><\/p>\n

 <\/p>\n

 <\/p>\n


\n\"\"<\/font><\/p>\n\n\n
\n

Jerzy Flisak<\/b><\/font>
\n Locandina polacca del film Roman Holiday (Vacanze romane)<\/b> di William Wyler (USA\/1953)<\/font><\/td>\n<\/tr>\n<\/table>\n

\n

 <\/p>\n


\n\"\"<\/font><\/p>\n\n\n
\n

dall’originale francesce di Herv\u00e9 Morvan<\/b><\/font>
\n Locandina danese del film Ladri di biciclette<\/b> di Vittorio De Sica (Italia\/1948)<\/font><\/td>\n<\/tr>\n<\/table>\n

 <\/p>\n


\n\"\"<\/font><\/p>\n\n\n
\n

Locandina giapponese di Alphaville, une \u00e9trange aventure de Lemmy Caution (Alphaville)<\/b> di Jean-Luc Godard (Francia-Italia\/1965)<\/font><\/td>\n<\/tr>\n<\/table>\n

 <\/p>\n


\n\"\"<\/font><\/p>\n\n\n
\n

Locandina argentina del film Fant\u00f4mas<\/b> di Jean Sacha (Francia\/1946)<\/font><\/td>\n<\/tr>\n<\/table>\n

 <\/p>\n


\n\"\"<\/font><\/p>\n\n\n
\n

Dorothea Fischer-Nosbisch<\/font>
\n <\/b>Locandina tedesca del film Tystnaden (Il silenzio)<\/b> di Ingmar Bergman (Svezia\/1963)<\/font><\/td>\n<\/tr>\n<\/table>\n

 <\/p>\n


\n\"\"<\/font><\/p>\n\n\n
\n

Olga Pol\u00e1čkov\u00e1-Vyleťalov\u00e1<\/font>
\n <\/b>Locandina ceca di Une femme douce (Cos\u00ec bella, cos\u00ec dolce)<\/b> di Robert Bresson (Francia\/1969)<\/font><\/td>\n<\/tr>\n<\/table>\n

 <\/p>\n


\n\"\"<\/font><\/p>\n\n\n
\n Locandina giapponese di Play It Again, Sam (Provaci ancora, Sam)<\/b> di Woody Allen (USA\/1972)<\/font><\/td>\n<\/tr>\n<\/table>\n

 <\/p>\n


\n\"\"<\/font><\/p>\n\n\n
\n

Locandina giapponese del film Teorema<\/b> di Pier Paolo Pasolini (Italia\/1968)<\/font><\/td>\n<\/tr>\n<\/table>\n

 <\/p>\n


\n\"\"<\/font><\/p>\n\n\n
\n

Jean-Michel Folon<\/font>
\n <\/b>Locandina francese del film Сталкер (Stalker)<\/b> di Andrej Tarkovskij (URSS-Germania Est\/1979)<\/font><\/td>\n<\/tr>\n<\/table>\n

 <\/p>\n


\n\"\"<\/font><\/p>\n\n\n
\n

Milton Glaser<\/font>
\n <\/b>Locandina americana del film di Zabriskie Point<\/b> di Antonioni (USA\/1970)<\/font><\/td>\n<\/tr>\n<\/table>\n

 <\/p>\n


\n\"\"<\/font><\/p>\n\n\n
\n

Roman Cieślewicz<\/font>
\n <\/b>Locandina polacca del film Vertigo (La donna che visse due volte)<\/b> di Alfred Hitchcock (USA\/1958)<\/font><\/td>\n<\/tr>\n<\/table>\n

 <\/p>\n


\n\"\"<\/font><\/p>\n\n\n
\n

Waldemar Świerzy<\/font>
\n <\/b>Locandina polacca del film Sunset Blvd. (Viale del tramonto)<\/b> di Billy Wilder (USA\/1950)<\/font><\/td>\n<\/tr>\n<\/table>\n

 <\/p>\n


\n\"\"<\/font><\/p>\n\n\n
\n

Żebrowski Leszek<\/font>
\n <\/b>Locandina polacca del film Rosemary’s Baby<\/b> di Roman Polanski (USA\/1968)<\/font><\/td>\n<\/tr>\n<\/table>\n

 <\/p>\n

 <\/p>\n

___________<\/p>\n

Assez<\/font><\/font> vu<\/font><\/b><\/p>\n

Odd and inspiring pictures from the past times.<\/p>\n

Assez vu. \u201cI\u2019ve seen enough\u201d, Rimbaud would say. You might still have not seen enough though. \u201cAssez vu\u201d is a collection of visual memories: odd pictures and rare finds of ages that have gone by. Sometimes remembered, more often forgotten. Surely worth to be seen.<\/i><\/p>\n

assez-vu.com<\/font><\/a><\/p>\n

contact: info(at)assez-vu.com<\/font>
\nfollow on: facebook.com\/assez.vu<\/font><\/a><\/p>\n

a project by Livia Satriano<\/font><\/b><\/font><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Il fascino discreto della locandina Assez vu per Rapporto Confidenziale    <\/p>\n","protected":false},"author":99,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[2137],"tags":[13013,5045,12173,13014,11660],"class_list":["post-23864","post","type-post","status-publish","format-standard","hentry","category-immagini","tag-assez-vu","tag-image","tag-imago","tag-livia-satriano","tag-locandine"],"yoast_head":"\nAssez vu | Il fascino discreto della locandina | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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