{"id":25768,"date":"2013-01-09T15:14:52","date_gmt":"2013-01-09T14:14:52","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=25768"},"modified":"2013-01-09T15:18:47","modified_gmt":"2013-01-09T14:18:47","slug":"geneve-black-movie-film-festival-2013-gli-ospiti","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=25768","title":{"rendered":"Gen\u00e8ve \/\/ Black Movie Film Festival 2013 &#8211; Gli ospiti"},"content":{"rendered":"<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-25765\" title=\"Rodrigues_Guerra daMata\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/01\/Rodrigues_Guerra-daMata.jpg\" alt=\"\" width=\"620\" height=\"347\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/01\/Rodrigues_Guerra-daMata.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/01\/Rodrigues_Guerra-daMata-300x167.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><span style=\"color: black; font-family: Georgia; font-size: 9pt; text-align: center;\">Jo\u00e3o Pedro Rodrigues &amp; Jo\u00e3o Rui Guerra da Mata<br \/>\n(still dalla videointervista realizzata per Rapporto Confidenziale da Emanuele Dainotti)<\/span><\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt; color: black;\">Uno tra i festival pi\u00f9 interessanti, il <strong>Black Movie Film Festival<\/strong> di Ginevra offre 10 giorni da cinevori con particolare attenzione ai talenti emergenti e a opere non distribuite in Svizzera.<br \/>\nFieramente opposto agli standard del cinema contemporaneo, Black Movie \u00e8 saldamente ancorato al mondo di oggi, di cui offre un riflesso dei suoi movimenti estetici e sociali attraverso un approccio tematico in 6 sezioni.<br \/>\nLa sua prossima edizione si terr\u00e0 <strong>dal 18 al 27 gennaio 2013<\/strong>.<br \/>\nNon mancheranno delle super master class con Carlos Reygadas, Hong Sangsoo et Kim Kyung-mook. Numerosi registi accompagneranno le loro opere nei giorni del festival.<\/span><\/p>\n<p><span style=\"color: black; font-family: Georgia; font-size: 20pt; line-height: 150%;\">La balade sauvage<\/span><\/p>\n<p style=\"line-height: 150%;\"><strong><span style=\"font-family: Georgia; font-size: 48pt; color: black;\">Black Movie 2013<\/span><\/strong><\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 20pt; color: black;\">10 jours cin\u00e9voraces<\/span><\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt; color: black;\">Du 18 au 27 janvier prochain, Black Movie s\u2019entiche d\u2019une m\u00e9duse pour batifoler dans les eaux fra\u00eeches du cin\u00e9ma d\u2019auteur international. Le festival ouvre la saison culturelle 2013 fa\u00e7on p\u00eache miraculeuse : dans ses filets grouillent opus rares et films mutants.<\/span><\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 18pt; color: black;\"><strong>35 mm d\u2019hybridations &amp; un banc d\u2019invit\u00e9s prestigieux<\/strong><\/span><\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt; color: black;\">Le festival ouvre la saison culturelle 2013 fa\u00e7on p\u00eache miraculeuse : dans ses filets grouillent 101 films mutants, fictions corrosives, documentaires planants, ou les deux! D\u00e9nicheur n\u00e9, Black Movie affiche cette ann\u00e9e 40 films en premi\u00e8re suisse ou europ\u00e9enne.<\/span><\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt; color: black;\">Au zoo bizarre de Black Movie, les cin\u00e9astes sont rois. 24 d\u2019entres eux seront pr\u00e9sents en personne : de\u00a0grands noms tels que le mexicain <strong>Carlos Reygadas<\/strong> (<em>Post Tenebras Lux<\/em> en Avant-Premi\u00e8re), les portugais\u00a0<strong>Miguel Gomes<\/strong> (<em>Tabu<\/em> en AvantPremi\u00e8re), <strong>Jo\u00e3o Pedro Rodrigues<\/strong> (<em>O Fantasma<\/em>) &amp; <strong>Jo\u00e3o Rui Guerra da\u00a0Mata<\/strong>, ou encore un ma\u00eetre du cin\u00e9ma nippon <strong>Masahiro Kobayashi<\/strong> (<em>Japan\u2019s Tragedy<\/em>). Avec eux, quelques\u00a0jeunes r\u00e9alisateurs prometteurs \u00e0 observer de pr\u00e8s : \u00e0 commencer par une section enti\u00e8re sur le nouveau\u00a0prodige du cin\u00e9ma ind\u00e9pendant cor\u00e9en <strong>Kim Kyung-mook<\/strong>, deux courts-m\u00e9trages du repr\u00e9sentant de la\u00a0nouvelle garde du cin\u00e9ma portugais <strong>Jo\u00e3o Salaviza<\/strong> (Ours d\u2019Or du Meilleur Court M\u00e9trage \u00e0 Berlin), la\u00a0mexicaine <strong>Yulene Olaizola<\/strong> (<em>Fogo<\/em>, Quinzaine des r\u00e9alisateurs) ou encore <strong>David Tosh Gitonga<\/strong> (<em>Nairobi Half\u00a0Life<\/em>) en course pour l\u2019Oscar du Meilleur Film Etranger. Et en exclusivit\u00e9, la pr\u00e9sence lumineuse de <strong>Saul\u00a0Williams<\/strong>, musicien, slammeur de l\u00e9gende, pour son r\u00f4le dans le film <em>Aujourd\u2019hui<\/em> d\u2019<strong>Alain Gomis<\/strong> (\u00e9galement\u00a0pr\u00e9sent) fera l\u2019honneur d\u2019un cin\u00e9-concert in\u00e9dit \u00e0 l\u2019Usine en fin de festival. Tout cela sous l\u2019oeil avis\u00e9 du\u00a0prestigieux Jury de la Critique compos\u00e9 de 5 journalistes et critiques de la blogosph\u00e8re.<\/span><\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 18pt; color: black;\"><strong>Entre Portugal et Russie \u00e0 la loupe, les nouveaut\u00e9s asiatiques pullulent<\/strong><\/span><\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt; color: black;\">Apr\u00e8s un fil grec tir\u00e9 l\u2019an pass\u00e9, Black Movie zoome cette ann\u00e9e sur la rel\u00e8ve du cin\u00e9ma portugais dans un\u00a0contexte de crise inqui\u00e9tante pour le 7\u00e8me art lusophone (section <em><strong>Tous les Gar\u00e7ons s\u2019appellent Jo\u00e3o<\/strong><\/em>). La section\u00a0<em><strong>Bons baisers de Russie<\/strong><\/em> propose un tour arros\u00e9 et gla\u00e7ant, pour d\u00e9couvrir certaines raret\u00e9s du cin\u00e9ma\u00a0ind\u00e9pendant contemporain. Quelques perles burkinab\u00e9s ou congolaises agitent le programme <strong><em>Prends l\u2019Oseille et\u00a0tire-toi<\/em><\/strong>, dont un hommage des plus actuels et bien mont\u00e9 \u00e0 Capitaine Thomas Sankara par le genevois\u00a0<strong>Christophe Cupelin<\/strong>. Volet prestige pour grand vertige : A Suivre\u2026le retour d\u2019un programme de taille avec les\u00a0derniers opus de <strong>Hong Sangsoo<\/strong> (<em>In Another Country<\/em>), <strong>Im Sang-soo<\/strong> (<em>The Taste of Money<\/em>),\u00a0<strong>Tsai Ming-Liang<\/strong>\u00a0(<em>Walker<\/em>), <strong>Wang Bing<\/strong> (<em>Alone<\/em>), <strong>Kim Ki-duk<\/strong> (<em>Pieta<\/em>) ou <strong>Takeshi Kitano<\/strong> (<em>Outrage Beyond<\/em>).<\/span><\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 18pt; color: black;\"><strong>Bouillon d\u2019entractes, de lieux f\u00e9roces et de nuits bien huil\u00e9es\u2026<\/strong><\/span><\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt; color: black;\">Entre deux films, Gogodaily, la webtv du festival, s\u00e9vira quotidiennement au 3\u00e8me \u00e9tage du Gr\u00fctli, lequel\u00a0B\u00e2timent des Arts aura rev\u00eati ses plus beaux atours de m\u00e9duse fa\u00e7on s\u00e9rie B gr\u00e2ce \u00e0 l\u2019installation de l\u2019artiste\u00a0<strong>Cetusss<\/strong> (<em>The Deadly Spawn<\/em>). Partenaire caf\u00e9ine n\u00e9cessaire, Bor\u00e9al Coffee, non content de doter le prestigieux\u00a0Prix Bor\u00e9al de la Critique 2013 fera d\u00e9guster ses d\u00e9coctions dans un coffee shop \u00e9ph\u00e9m\u00e8re au sous-sol. Quand\u00a0les mirettes n\u2019en pourront plus, c\u2019est au Macau, bar du festival adjacent au Cin\u00e9ma Spoutnik, que les nuits\u00a0fougueuses du festival s\u2019encha\u00eeneront \u00e0 un rythme tout aussi sauvage&#8230;<\/span><\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt; color: black;\">En guise de voeux 2013, Black Movie applique un prix superstitieux de <strong>13 CHF<\/strong> pour chaque s\u00e9ance (<strong>6 CHF<\/strong> en\u00a0r\u00e9duit). En somme, ne soyez pas des poules mouill\u00e9es, aff\u00fbtez vos yeux de lynx et venez trancher entre l\u2019art et le\u00a0cochon du 18 au 27 janvier prochain.<\/span><\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 14pt; color: black;\"><strong><a href=\"http:\/\/www.blackmovie.ch\" target=\"_blank\">www.blackmovie.ch<\/a><\/strong><\/span><\/p>\n<p style=\"line-height: 150%;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-25438\" title=\"Black Movie_logo\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/12\/Black-Movie_logo.gif\" alt=\"\" width=\"400\" height=\"99\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/12\/Black-Movie_logo.gif 400w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2012\/12\/Black-Movie_logo-300x74.gif 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jo\u00e3o Pedro Rodrigues &amp; Jo\u00e3o Rui Guerra da Mata (still dalla videointervista realizzata per Rapporto Confidenziale da Emanuele Dainotti) Uno tra i festival pi\u00f9 interessanti, il Black Movie Film Festival di Ginevra offre 10 giorni da cinevori con particolare attenzione ai talenti emergenti e a opere non distribuite in Svizzera. Fieramente opposto agli standard del cinema contemporaneo, Black Movie \u00e8<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[7],"tags":[14083,14082,14080,14081],"class_list":["post-25768","post","type-post","status-publish","format-standard","hentry","category-festival","tag-black-movie-festival-de-films","tag-black-movie-film-festival","tag-geneve","tag-ginevra"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Gen\u00e8ve \/\/ Black Movie Film Festival 2013 - Gli ospiti | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rapportoconfidenziale.org\/?p=25768\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gen\u00e8ve \/\/ Black Movie Film Festival 2013 - Gli ospiti | Rapporto Confidenziale\" \/>\n<meta property=\"og:description\" content=\"Jo\u00e3o Pedro Rodrigues &amp; Jo\u00e3o Rui Guerra da Mata (still dalla videointervista realizzata per Rapporto Confidenziale da Emanuele Dainotti) Uno tra i festival pi\u00f9 interessanti, il Black Movie Film Festival di Ginevra offre 10 giorni da cinevori con particolare attenzione ai talenti emergenti e a opere non distribuite in Svizzera. 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