{"id":29881,"date":"2013-10-14T23:22:01","date_gmt":"2013-10-14T21:22:01","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=29881"},"modified":"2013-10-14T23:22:01","modified_gmt":"2013-10-14T21:22:01","slug":"lisbona-doclisboa-13-24-ottobre-3-novembre","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=29881","title":{"rendered":"Lisbona \/\/ Doclisboa &#8217;13 (24 ottobre &#8211; 3 novembre)"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/10\/doclisboa2013.jpg\" alt=\"\" title=\"Doclisboa 2013\" width=\"620\" height=\"430\" class=\"aligncenter size-full wp-image-29882\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/10\/doclisboa2013.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/10\/doclisboa2013-300x208.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"4\"><b>Doclisboa &#8217;13<\/b><\/font><font face=\"Georgia\" size=\"2\"><br \/>\n11\u00aa edizione | 24 ottobre &#8211; 3 novembre 2013<br \/>\nLisbona, Portogallo<\/font><\/p>\n<p style=\"line-height: 150%\">&nbsp;<\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><i>Doclisboa<\/i> si propone di ripensare il Documentario nelle sue implicazioni e potenzialit\u00e0: il cinema \u00e8 qui presentato come una pratica che permette di incontrare nuovi modi di pensare e agire nel mondo, attingendo cos\u00ec una libert\u00e0 che presuppone un\u2019implicazione intima tra l\u2019artistico e il politico. Quello che ci proponiamo \u00e8 far conoscere film che possano aiutarci a comprendere e ad incontrare possibili forze di cambiamento nel mondo in cui viviamo. [Cristina Terzoni]<\/font><\/p>\n<p style=\"line-height: 150%\">&nbsp;<\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\">L&#8217;undicesima edizione del festival si articola, come sempre, in un gran numero di sezioni- qui sotto le principali:<\/font><\/p>\n<p style=\"line-height: 150%\">&nbsp;<\/p>\n<table border=\"0\" width=\"620\" id=\"table1\">\n<tr>\n<td width=\"202\" valign=\"top\" bgcolor=\"#75AADB\">\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b><span style=\"background-color: #FFFFFF\">International Competion<br \/>\n  Features<\/span><\/b><\/font><\/td>\n<td>&nbsp;<\/td>\n<td width=\"393\">\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>The Island of St. Matthews<\/b><br \/>\n  Kevin Jerome Everson | 70&#8242; \/ USA \/ 2013<\/font><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>Anita<\/b><br \/>\n  Luca Magi | 55&#8242; \/ Italy, United Kingdom \/ 2012<\/font><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>Sto Lyko \/ To the Wolf<\/b><br \/>\n  Aran Hughes, Christina Koutsospyrou | 74&#8242; \/ Greece, France, United Kingdom \/ 2012<br \/>\n  <a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=27555\">La recensione by RC<\/a><\/font><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>Nichnasti pa\u2019am Lagan \/ Once I entered a Garden<\/b><br \/>\n  Avi Mograbi | 97&#8242; \/ France, Israel, Switzerland \/ 2012<\/font><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>Feng Ai \/ \u2019Til Madness do Us Part<\/b><br \/>\n  Wang Bing | 227&#8242; \/ Hong Kong, France, Japan \/ 2013<\/font><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>E Agora? Lembra-me \/ What Now? Remind Me<\/b><br \/>\n  Joaquim Pinto | 164&#8242; \/ Portugal \/ 2013<\/font><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>Kelly<\/b><br \/>\n  St\u00e9phanie R\u00e9gnier | 67&#8242; \/ France \/ 2013<\/font><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>Sangue \/ Blood<\/b><br \/>\n  Pippo Delbono | 92&#8242; \/ Italy, Switzerland \/ 2013<\/font><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>Jai Bhim Comrade<\/b><br \/>\n  Anand Patwardhan | 172&#8242; \/ India \/ 2012<\/font><\/td>\n<\/tr>\n<tr>\n<td width=\"202\">\n<p style=\"line-height: 150%\">&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td width=\"393\">\n<p style=\"line-height: 150%\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td width=\"202\" valign=\"top\" bgcolor=\"#FFCC00\">\n<p style=\"line-height: 150%\"><b><font face=\"Georgia\" size=\"2\"><span style=\"background-color: #FFFFFF\">International Competition<br \/>\n  Short Films<\/span><\/font><\/b><\/td>\n<td>&nbsp;<\/td>\n<td width=\"393\">\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>Natpwe, le Festin des Esprits \/ Natpwe, the Feast of the Spirits<\/b><br \/>\n  Tiane Doan na Champassak, Jean Dubrel | 31&#8242; \/ France \/ 2012<\/font><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>Let Us persevere in what We have resolved before We forget<\/b><br \/>\n  Ben Russell | 20&#8242; \/ USA, France \/ 2013<\/font><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>Jardin des Deux Rives \/ Garden of Both River Banks<\/b><br \/>\n  Amel El Kamel | 20&#8242; \/ France \/ 2013<\/font><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>&#8216;A Iucata \/ The Bet<\/b><br \/>\n  Michele Pennetta | 38&#8242; \/ Switzerland \/ 2013<\/font><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>Ein Neues Produkt \/ A New Product<\/b><br \/>\n  Harun Farocki | 36&#8242; \/ Germany \/ 2012<\/font><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>La Huella \/ The Imprint<\/b><br \/>\n  Tatiana Fuentes Sadowski | 18&#8242; \/ France \/ 2012<\/font><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>A&#351;ura \/ Ashura<\/b><br \/>\n  K\u00f6ken Ergun | 24&#8242; \/ Turkey \/ 2012<\/font><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>Cha Fang \/ The Questioning<\/b><br \/>\n  Zhu Rikun | 21&#8242; \/ China \/ 2013<\/font><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>Mauro em Caiena \/ Mauro in Cayenne<\/b><br \/>\n  Leonardo Mouramateus | 18&#8242; \/ Brazil \/ 2012<\/font><\/td>\n<\/tr>\n<tr>\n<td width=\"202\">\n<p style=\"line-height: 150%\">&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td width=\"393\">\n<p style=\"line-height: 150%\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td width=\"202\" valign=\"top\" bgcolor=\"#FF3399\">\n<p style=\"line-height: 150%\"><b><font face=\"Georgia\" size=\"2\"><span style=\"background-color: #FFFFFF\">Portuguese Competition<br \/>\n  Features<\/span><\/font><\/b><\/td>\n<td>&nbsp;<\/td>\n<td width=\"393\">\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>A M\u00e3e e o Mar \/ The Mother and the Sea<\/b><br \/>\n  Gon\u00e7alo Tocha | 97&#8242; \/ Portugal \/ 2013<br \/>\n  <a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=16113\">Intervista a <\/a><\/font><a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=16113\"><font face=\"Georgia\" size=\"2\">Gon\u00e7alo Tocha by RC<\/font><\/a><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>A Campanha do Creoula \/ The Quest of the Schooner Creoula<\/b><br \/>\n  Andr\u00e9 Valentim Almeida | 87&#8242; \/ Portugal \/ 2013<\/font><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>Os Caminhos de Jorge \/ Jorge\u2019s Paths<\/b><br \/>\n  Miguel Moraes Cabral | 63&#8242; \/ Portugal, Belgium, France \/ 2013<\/font><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>Vida Activa \/ Active Life<\/b><br \/>\n  Susana Nobre | 100&#8242; \/ Portugal \/ 2013<\/font><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>Twenty-One-Twelve The Day the World didn&#8217;t end<\/b><br \/>\n  Marco Martins | 126&#8242; \/ Portugal \/ 2013<\/font><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>Cara a Cara \/ Face to Face<\/b><br \/>\n  Margarida Leit\u00e3o | 69&#8242; \/ Portugal, Mexico \/ 2013<\/font><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>Os Dias com Ele \/ The Days with Him<\/b><br \/>\n  Maria Clara Escobar | 107&#8242; \/ Portugal, Brazil \/ 2013<\/font><\/td>\n<\/tr>\n<tr>\n<td width=\"202\">\n<p style=\"line-height: 150%\">&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td width=\"393\">\n<p style=\"line-height: 150%\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td width=\"202\" valign=\"top\" bgcolor=\"#66FF33\">\n<p style=\"line-height: 150%\"><b><font face=\"Georgia\" size=\"2\"><span style=\"background-color: #FFFFFF\">Portuguese Competition<br \/>\n  Short Films<\/span><\/font><\/b><\/td>\n<td>&nbsp;<\/td>\n<td width=\"393\">\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>Tabat\u00f4<\/b><br \/>\n  Jo\u00e3o Viana | 13&#8242; \/ Portugal \/ 2013<br \/>\n  <a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=27415\">La recensione by RC<\/a><\/font><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>Untitled<\/b><br \/>\n  Jorge Romariz | 7&#8242; \/ Portugal \/ 2013<\/font><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>Ao Lugar de Herbais \/ To Herbais Hamlet<\/b><br \/>\n  Daniel Ribeiro Duarte | 31&#8242; \/ Portugal \/ 2012<\/font><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>Flor e Eclipse \/ Flower and Eclipse<\/b><br \/>\n  Marcelo Felix | 21&#8242; \/ Portugal \/ 2013<\/font><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>Where to sit at the Dinner Table?<\/b><br \/>\n  Pedro Neves Marques | 29&#8242; \/ Portugal \/ 2013<\/font><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>Theatrum Orbis Terrarum<\/b><br \/>\n  Salom\u00e9 Lamas | 23&#8242; \/ Portugal \/ 2013<\/font><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><b>Karukinka. Historias de Mu\u00f1ecos \/ Karukinka. Puppet Stories<\/b><br \/>\n  M\u00e1rio Gomes, Elisa Balmaceda | 14&#8242; \/ Chile, Germany \/ 2013<\/font><\/td>\n<\/tr>\n<\/table>\n<p style=\"line-height: 150%\">&nbsp;<\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\">Per il programma completo vi rimandiamo al <a target=\"_blank\" href=\"http:\/\/www.doclisboa.org\/2013\/\">sito<\/a> del festival (vedi anche: <a target=\"_blank\" href=\"https:\/\/www.facebook.com\/doclisboa\">facebook<\/a> &amp; <a target=\"_blank\" href=\"http:\/\/twitter.com\/doclisboa\">twitter<\/a>).<\/font><\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\"><a target=\"_blank\" href=\"http:\/\/www.doclisboa.org\/2013\/contents\/globalconfig\/13815914201876.pdf\">DOWNLOAD &#8211; Programma completo (PDF)<\/a><\/font><\/p>\n<p style=\"line-height: 150%\">&nbsp;<\/p>\n<p style=\"line-height: 150%\"><iframe loading=\"lazy\" width=\"620\" height=\"465\" src=\"\/\/www.youtube.com\/embed\/2s1nW_MvhGI\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p style=\"line-height: 150%\"><i>Susana Sousa Dias (comitato di direzione) about Doclisboa &#8217;13<\/i><\/p>\n<p style=\"line-height: 150%\">&nbsp;<\/p>\n<p style=\"line-height: 150%\"><font face=\"Georgia\" size=\"2\">Lunga vita a Doclisboa !<\/font><\/p>\n<p style=\"line-height: 150%\">&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Doclisboa &#8217;13 11\u00aa edizione | 24 ottobre &#8211; 3 novembre 2013 Lisbona, Portogallo &nbsp; Doclisboa si propone di ripensare il Documentario nelle sue implicazioni e potenzialit\u00e0: il cinema \u00e8 qui presentato come una pratica che permette di incontrare nuovi modi di pensare e agire nel mondo, attingendo cos\u00ec una libert\u00e0 che presuppone un\u2019implicazione intima tra l\u2019artistico e il politico. Quello<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[7],"tags":[15454,311,17249,15455,11150,7123],"class_list":["post-29881","post","type-post","status-publish","format-standard","hentry","category-festival","tag-doclisboa","tag-documentario","tag-festival","tag-lisboa","tag-lisbona","tag-portogallo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Lisbona \/\/ Doclisboa &#039;13 (24 ottobre - 3 novembre) | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rapportoconfidenziale.org\/?p=29881\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lisbona \/\/ Doclisboa &#039;13 (24 ottobre - 3 novembre) | Rapporto Confidenziale\" \/>\n<meta property=\"og:description\" content=\"Doclisboa &#8217;13 11\u00aa edizione | 24 ottobre &#8211; 3 novembre 2013 Lisbona, Portogallo &nbsp; Doclisboa si propone di ripensare il Documentario nelle sue implicazioni e potenzialit\u00e0: il cinema \u00e8 qui presentato come una pratica che permette di incontrare nuovi modi di pensare e agire nel mondo, attingendo cos\u00ec una libert\u00e0 che presuppone un\u2019implicazione intima tra l\u2019artistico e il politico. 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