{"id":3021,"date":"2009-09-16T11:05:28","date_gmt":"2009-09-16T10:05:28","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=3021"},"modified":"2009-12-30T09:26:41","modified_gmt":"2009-12-30T08:26:41","slug":"flaming-creatures-jack-smith-usa1963","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=3021","title":{"rendered":"Flaming Creatures > Jack Smith (1963)"},"content":{"rendered":"

\"\"
\n<\/object><\/p>\n

\n\n\n\n
\n

Flaming Creatures<\/span><\/span><\/p>\n

directed by Jack Smith<\/span><\/p>\n

(USA\/1963)<\/span><\/span><\/p>\n

42<\/span> min<\/span><\/span><\/p>\n

English<\/span><\/span><\/p>\n

UBUWEB<\/span><\/a><\/span><\/p>\n

<\/span><\/span><\/p>\n

<\/span><\/span><\/p>\n

<\/span><\/span><\/p>\n

Regia: <\/span><\/span>Jack Smith<\/span><\/p>\n

Fotografia: Jack Smith<\/span><\/span><\/p>\n

Suono: Tony Conrad<\/span><\/span><\/p>\n

Formato di ripresa: 16mm<\/span><\/span><\/p>\n

Paese: USA<\/span><\/span><\/p>\n

Lingua: Inglese<\/span><\/span><\/p>\n

Anno: <\/span><\/span>1963<\/span><\/p>\n

Durata: 42\u2019<\/span><\/span><\/p>\n

<\/span><\/span><\/p>\n

interpreti: Francis Francine (Francis Francine), Sheila Bick (Delicious Dolores), Joel Markman (La donna del porto), Mario Montez (La donna spagnola), Arnold Rockwood (Arnold), Judith Malina (Donna affascinante), Marian Zazeela (Maria Zazeela).<\/span><\/span><\/p>\n<\/td>\n

\n

SINOSSI<\/span><\/span><\/p>\n

Un gruppo di individui dall’ambigua natura sessuale e dalla forte carica erotica danza ininterrottamente di fronte alla macchina da presa.<\/span><\/p>\n

\n

COMMENTO<\/span><\/span><\/p>\n

Celeberrimo film dell\u2019avanguardia americana, manifesto della destrutturazione cinematografica sia per quanto riguarda le scelte formali che di contenuto. Fiammeggiante inno alla libert\u00e0 individuale, girato in un solo giorno a New York, sul tetto di un palazzo del Lower East Side utilizzando lampi di genio e pellicola scaduta, il film rappresenta con una sconcertante anarchia visiva una baldoria collettiva dei bassifondi. Le immagini, spesso date da abbaglianti flash subliminali, sono contorte, imperfette e quasi terremotate dall\u2019interno e vengono accompagnate da atmosfere oniriche e allucinate che rievocano i film surrealisti degli anni Venti e Trenta. [Samuele Lanzarotti]<\/span><\/p>\n

\n

RISORSE<\/span><\/p>\n

Samuele Lanzarotti, su RC speciale Locarno 61: <\/span>rc.org<\/span><\/a><\/span><\/p>\n

RC speciale Locarno 61<\/span>: <\/span>www.rapportoconfidenziale.org\/?p=1727<\/span><\/a><\/span><\/p>\n

Ken Jacobs, cineasta avanguardista con il quale J.S. si avvi\u00f2 al cinema: <\/span>rc.org<\/span><\/a><\/span><\/p>\n

Jack Smith su wikipedia<\/span>: <\/span>wikipedia<\/span><\/a><\/span><\/p>\n

Jack Smith and the Decostruction of Atlantis:<\/span> <\/span>sito<\/span><\/a><\/span><\/p>\n

\n

\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Flaming Creatures directed by Jack Smith (USA\/1963) 42 min English UBUWEB Regia: Jack Smith Fotografia: Jack Smith Suono: Tony Conrad Formato di ripresa: 16mm Paese: USA Lingua: Inglese Anno: 1963 Durata: 42\u2019 interpreti: Francis Francine (Francis Francine), Sheila Bick (Delicious Dolores), Joel Markman (La donna del porto), Mario Montez (La donna spagnola), Arnold Rockwood (Arnold), Judith Malina (Donna affascinante), Marian<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1710],"tags":[1732,102,956,156,163,267,1748,1731],"class_list":["post-3021","post","type-post","status-publish","format-standard","hentry","category-cineteca","tag-avant-garde","tag-flaming-creatures","tag-francis-francine","tag-jack-smith","tag-ken-jacobs","tag-samuele-lanzarotti","tag-streaming","tag-tony-conrad"],"yoast_head":"\nFlaming Creatures > Jack Smith (1963) | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rapportoconfidenziale.org\/?p=3021\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Flaming Creatures > Jack Smith (1963) | Rapporto Confidenziale\" \/>\n<meta property=\"og:description\" content=\"Flaming Creatures directed by Jack Smith (USA\/1963) 42 min English UBUWEB Regia: Jack Smith Fotografia: Jack Smith Suono: Tony Conrad Formato di ripresa: 16mm Paese: USA Lingua: Inglese Anno: 1963 Durata: 42\u2019 interpreti: Francis Francine (Francis Francine), Sheila Bick (Delicious Dolores), Joel Markman (La donna del porto), Mario Montez (La donna spagnola), Arnold Rockwood (Arnold), Judith Malina (Donna affascinante), Marian\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.rapportoconfidenziale.org\/?p=3021\" \/>\n<meta property=\"og:site_name\" content=\"Rapporto Confidenziale\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/rapportoconfidenziale\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/rapportoconfidenziale\" \/>\n<meta property=\"article:published_time\" content=\"2009-09-16T10:05:28+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2009-12-30T08:26:41+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2009\/09\/cineteca.jpg\" \/>\n<meta name=\"author\" content=\"Rapporto Confidenziale\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@RConfidenziale\" \/>\n<meta name=\"twitter:site\" content=\"@RConfidenziale\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Rapporto Confidenziale\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minuto\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=3021#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=3021\"},\"author\":{\"name\":\"Rapporto Confidenziale\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/person\\\/1bf60340eefe8f99b9cd50688202e9d3\"},\"headline\":\"Flaming Creatures > Jack Smith (1963)\",\"datePublished\":\"2009-09-16T10:05:28+00:00\",\"dateModified\":\"2009-12-30T08:26:41+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=3021\"},\"wordCount\":228,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=3021#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2009\\\/09\\\/cineteca.jpg\",\"keywords\":[\"avant-garde\",\"Flaming Creatures\",\"Francis Francine\",\"Jack Smith\",\"Ken Jacobs\",\"Samuele Lanzarotti\",\"streaming\",\"Tony Conrad\"],\"articleSection\":[\"CINETECA\"],\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=3021#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=3021\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=3021\",\"name\":\"Flaming Creatures > Jack Smith (1963) | Rapporto Confidenziale\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=3021#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=3021#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2009\\\/09\\\/cineteca.jpg\",\"datePublished\":\"2009-09-16T10:05:28+00:00\",\"dateModified\":\"2009-12-30T08:26:41+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=3021#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=3021\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=3021#primaryimage\",\"url\":\"http:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2009\\\/09\\\/cineteca.jpg\",\"contentUrl\":\"http:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2009\\\/09\\\/cineteca.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=3021#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Flaming Creatures > Jack Smith (1963)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#website\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/\",\"name\":\"Rapporto Confidenziale\",\"description\":\"rivista digitale di cultura cinematografica | digital magazine about cinematic culture\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#organization\",\"name\":\"Rapporto Confidenziale\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2017\\\/09\\\/RC_logo_1_nero.png\",\"contentUrl\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2017\\\/09\\\/RC_logo_1_nero.png\",\"width\":3508,\"height\":709,\"caption\":\"Rapporto Confidenziale\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/rapportoconfidenziale\",\"https:\\\/\\\/x.com\\\/RConfidenziale\",\"https:\\\/\\\/www.instagram.com\\\/icdpavlov\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/RConfidenziale\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/person\\\/1bf60340eefe8f99b9cd50688202e9d3\",\"name\":\"Rapporto Confidenziale\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g\",\"caption\":\"Rapporto Confidenziale\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/rapportoconfidenziale\"],\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?author=6\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Flaming Creatures > Jack Smith (1963) | Rapporto Confidenziale","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.rapportoconfidenziale.org\/?p=3021","og_locale":"it_IT","og_type":"article","og_title":"Flaming Creatures > Jack Smith (1963) | Rapporto Confidenziale","og_description":"Flaming Creatures directed by Jack Smith (USA\/1963) 42 min English UBUWEB Regia: Jack Smith Fotografia: Jack Smith Suono: Tony Conrad Formato di ripresa: 16mm Paese: USA Lingua: Inglese Anno: 1963 Durata: 42\u2019 interpreti: Francis Francine (Francis Francine), Sheila Bick (Delicious Dolores), Joel Markman (La donna del porto), Mario Montez (La donna spagnola), Arnold Rockwood (Arnold), Judith Malina (Donna affascinante), Marian","og_url":"https:\/\/www.rapportoconfidenziale.org\/?p=3021","og_site_name":"Rapporto Confidenziale","article_publisher":"https:\/\/www.facebook.com\/rapportoconfidenziale","article_author":"https:\/\/www.facebook.com\/rapportoconfidenziale","article_published_time":"2009-09-16T10:05:28+00:00","article_modified_time":"2009-12-30T08:26:41+00:00","og_image":[{"url":"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2009\/09\/cineteca.jpg","type":"","width":"","height":""}],"author":"Rapporto Confidenziale","twitter_card":"summary_large_image","twitter_creator":"@RConfidenziale","twitter_site":"@RConfidenziale","twitter_misc":{"Scritto da":"Rapporto Confidenziale","Tempo di lettura stimato":"1 minuto"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=3021#article","isPartOf":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=3021"},"author":{"name":"Rapporto Confidenziale","@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/person\/1bf60340eefe8f99b9cd50688202e9d3"},"headline":"Flaming Creatures > Jack Smith (1963)","datePublished":"2009-09-16T10:05:28+00:00","dateModified":"2009-12-30T08:26:41+00:00","mainEntityOfPage":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=3021"},"wordCount":228,"commentCount":0,"publisher":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#organization"},"image":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=3021#primaryimage"},"thumbnailUrl":"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2009\/09\/cineteca.jpg","keywords":["avant-garde","Flaming Creatures","Francis Francine","Jack Smith","Ken Jacobs","Samuele Lanzarotti","streaming","Tony Conrad"],"articleSection":["CINETECA"],"inLanguage":"it-IT","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.rapportoconfidenziale.org\/?p=3021#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=3021","url":"https:\/\/www.rapportoconfidenziale.org\/?p=3021","name":"Flaming Creatures > Jack Smith (1963) | Rapporto Confidenziale","isPartOf":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=3021#primaryimage"},"image":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=3021#primaryimage"},"thumbnailUrl":"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2009\/09\/cineteca.jpg","datePublished":"2009-09-16T10:05:28+00:00","dateModified":"2009-12-30T08:26:41+00:00","breadcrumb":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=3021#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.rapportoconfidenziale.org\/?p=3021"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=3021#primaryimage","url":"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2009\/09\/cineteca.jpg","contentUrl":"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2009\/09\/cineteca.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=3021#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.rapportoconfidenziale.org\/"},{"@type":"ListItem","position":2,"name":"Flaming Creatures > Jack Smith (1963)"}]},{"@type":"WebSite","@id":"https:\/\/www.rapportoconfidenziale.org\/#website","url":"https:\/\/www.rapportoconfidenziale.org\/","name":"Rapporto Confidenziale","description":"rivista digitale di cultura cinematografica | digital magazine about cinematic culture","publisher":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.rapportoconfidenziale.org\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.rapportoconfidenziale.org\/#organization","name":"Rapporto Confidenziale","url":"https:\/\/www.rapportoconfidenziale.org\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/logo\/image\/","url":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/09\/RC_logo_1_nero.png","contentUrl":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/09\/RC_logo_1_nero.png","width":3508,"height":709,"caption":"Rapporto Confidenziale"},"image":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/rapportoconfidenziale","https:\/\/x.com\/RConfidenziale","https:\/\/www.instagram.com\/icdpavlov\/","https:\/\/www.youtube.com\/user\/RConfidenziale"]},{"@type":"Person","@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/person\/1bf60340eefe8f99b9cd50688202e9d3","name":"Rapporto Confidenziale","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g","caption":"Rapporto Confidenziale"},"sameAs":["https:\/\/www.facebook.com\/rapportoconfidenziale"],"url":"https:\/\/www.rapportoconfidenziale.org\/?author=6"}]}},"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/posts\/3021","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3021"}],"version-history":[{"count":0,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/posts\/3021\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3021"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3021"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3021"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}