{"id":30226,"date":"2013-11-06T16:56:44","date_gmt":"2013-11-06T15:56:44","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=30226"},"modified":"2013-11-06T17:42:35","modified_gmt":"2013-11-06T16:42:35","slug":"mubi-dialogue-of-cultures-international-film-festival","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=30226","title":{"rendered":"MUBI \/\/ Dialogue Of Cultures International Film Festival"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30213\" title=\"DoCIFF2013\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/DoCIFF2013.jpg\" alt=\"\" width=\"620\" height=\"350\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/DoCIFF2013.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/DoCIFF2013-300x169.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\"><strong>Dialogue Of Cultures International Film Festival<\/strong> \u00e8 il primo festival cinematografico dedicato al fenomeno mondiale relativo alla ricerca della propria identit\u00e0 in un&#8217;era di migrazione di massa e globalizzazione. Il suo obiettivo \u00e8 quello di dare impulso a un dialogo tra culture attraverso il linguaggio universale del cinema.<br \/>\nIl programma del festival include film da tutto il mondo che danno voce ai molteplici punti di vista sui temi dell&#8217;identit\u00e0 e della cultura. Al fine di creare un dialogo e promuovere una maggiore comprensione tra culture diverse, alcuni cineasti hanno accettato di rendere disponibili online i loro film gratuitamente.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\">MUBI e DCIFF sono orgogliosi di portare al pubblico di tutto il mondo queste opere vitali e necessarie. Sulla pagina di MUBI dedicata ai film, si potr\u00e0 votare il proprio titolo preferito. Il film che otterr\u00e0 il maggior numero di voti verr\u00e0 insignito del \u00a0premio del pubblico e premiato con $5&#8217;000.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\">Il festival chiede anche il tuo impegno nella creazione di un dialogo tra culture attraverso la partecipazione al concorso dedicato ai cortometraggi. A disposizione, un premio pari a $3000 che andranno al film che maggiormente catturer\u00e0 i temi del festival in modo vibrante e creativo. Per leggere e caricare il proprio film: <a href=\"http:\/\/mubi.com\/garage\/projects\/43\" target=\"_blank\">mubi.com<\/a><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\"><a href=\"http:\/\/mubi.com\/programs\/dialogue-of-cultures-international-film-festival\/\" target=\"_blank\">Dialogue Of Cultures International Film Festival<\/a>: 1-14 novembre 2013<br \/>\n<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 17pt;\"><strong>I FILM DISPONIBILI IN STREAMING GRATUITO<\/strong><\/span><\/p>\n<p>&nbsp;<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30214\" title=\"Vous etes tous capitains01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/Vous-etes-tous-capitains01.jpg\" alt=\"\" width=\"620\" height=\"465\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/Vous-etes-tous-capitains01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/Vous-etes-tous-capitains01-300x225.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\"><strong>Vous \u00eates tous des capitaines<\/strong><br \/>\nMarocco, 2010<br \/>\n78 Min<br \/>\ndi Oliver Laxe<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\"><strong><br \/>\n\u00c9 na terra n\u00e3o \u00e9 na lua <\/strong>&#8211;<strong> It&#8217;s the Earth Not the Moon<\/strong><br \/>\nPortogallo, 2011<br \/>\n180 Min<br \/>\ndi Gon\u00e7alo Tocha<\/span><\/p>\n<p style=\"line-height: 150%;\">Leggi la <a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=16121\" target=\"_blank\">recensione<\/a> di RC<\/p>\n<p>&nbsp;<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30215\" title=\"Papirosen01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/Papirosen01.jpg\" alt=\"\" width=\"620\" height=\"343\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/Papirosen01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/Papirosen01-300x165.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\"><strong>PAPIROSEN<\/strong><br \/>\nArgentina, 2011<br \/>\n74 Min<br \/>\ndi Gast\u00f3n Solnicki<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\"><strong>Century of Birthing &#8211; Part One<\/strong><br \/>\nFilippine, 2011<br \/>\n68 Min<br \/>\ndi Lav Diaz<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\"><strong>Correspondence: Jonas Mekas &#8211; JL Guer\u00edn<\/strong><br \/>\nSpagna, 2011<br \/>\n99 Min<br \/>\ndi Jos\u00e9 Luis Guer\u00edn &amp; Jonas Mekas<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\"><strong>L&#8217;anabase de May et Fusako Shigenobu, Masao Adachi et 27 ann\u00e9es sans images<\/strong><br \/>\nFrancia, 2011<br \/>\n66 Min<br \/>\ndi Eric Baudelaire<\/span><\/p>\n<p>&nbsp;<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30216\" title=\"Dress Rehersal01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/Dress-Rehersal01.jpg\" alt=\"\" width=\"620\" height=\"349\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/Dress-Rehersal01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/Dress-Rehersal01-300x168.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\"><strong>Dress Rehearsal for Utopia<\/strong><br \/>\nSpagna, 2012<br \/>\n75 Min<br \/>\ndi Andr\u00e9s Duque<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\"><strong>Perret in France and Algeria<\/strong><br \/>\nGermania, 2012<br \/>\n110 Min<br \/>\ndi Heinz Emigholz<\/span><\/p>\n<p>&nbsp;<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30217\" title=\"A world not Ours01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/A-world-not-Ours01.jpg\" alt=\"\" width=\"620\" height=\"425\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/A-world-not-Ours01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/A-world-not-Ours01-300x205.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\"><strong>A World Not Ours<\/strong><br \/>\nGran Bretagna, 2012<br \/>\n93 Min<br \/>\ndi Mahdi Fleifel<\/span><\/p>\n<p>&nbsp;<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30218\" title=\"Kinshasa Kids01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/Kinshasa-Kids01.jpg\" alt=\"\" width=\"620\" height=\"413\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/Kinshasa-Kids01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/Kinshasa-Kids01-300x199.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\"><strong>Kinshasa Kids<\/strong><br \/>\nBelgio, 2012<br \/>\n85 Min<br \/>\ndi Marc-Henri Wajnberg<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\"><strong>Vers Madrid &#8211; The Burning Bright<\/strong><br \/>\nFrancia, 2013<br \/>\n132 Min<br \/>\ndi Sylvain George<\/span><\/p>\n<p>&nbsp;<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30219\" title=\"Railway Redenption01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/Railway-Redemption01.jpg\" alt=\"\" width=\"620\" height=\"349\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/Railway-Redemption01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/Railway-Redemption01-300x168.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\"><strong>Railway Redemption<\/strong><br \/>\nGran Bretagna, 2012<br \/>\n35 Min<br \/>\ndi Santiago Posada<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\"><strong>Mapa<\/strong><br \/>\nSpagna, 2012<br \/>\n85 Min<br \/>\ndi Le\u00f3n Siminiani<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\"><strong>Le vieux est le nouveau<\/strong><br \/>\nSvizzera, 2012<br \/>\n84 Min<br \/>\ndi Dario Bischofberger &amp; Mirko Bischofberger<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\"><strong>Rose and Jasmine<\/strong><br \/>\nAustria, 2011<br \/>\n106 Min<br \/>\ndi Michael Pilz<\/span><\/p>\n<p>&nbsp;<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30220\" title=\"The Gift to Stalin01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/The-Gift-to-Stalin01.jpg\" alt=\"\" width=\"620\" height=\"341\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/The-Gift-to-Stalin01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/The-Gift-to-Stalin01-300x165.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\"><strong>The Gift to Stalin<\/strong><br \/>\nKazakistan, 2008<br \/>\n97 Min<br \/>\ndi Rustem Abdrashitov<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\"><strong>Century of Birthing &#8211; Part Two<\/strong><br \/>\nFilippine, 2011<br \/>\n64 Min<br \/>\ndi Lav Diaz<\/span><\/p>\n<p>&nbsp;<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30221\" title=\"Century of Birthing01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/Century-of-Birthing01.jpg\" alt=\"\" width=\"620\" height=\"349\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/Century-of-Birthing01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/Century-of-Birthing01-300x168.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\"><strong>Century of Birthing &#8211; Part Three<\/strong><br \/>\nFilippine, 2011<br \/>\n107 Min<br \/>\ndi Lav Diaz<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\"><strong>Century of Birthing &#8211; Part Four<\/strong><br \/>\nFilippine, 2011<br \/>\n57 Min<br \/>\ndi Lav Diaz<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\"><strong>Century of Birthing &#8211; Part Five<\/strong><br \/>\nFilippine, 2011<br \/>\n59 Min<br \/>\ndi Lav Diaz<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30213\" title=\"DoCIFF2013\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/DoCIFF2013.jpg\" alt=\"\" width=\"620\" height=\"350\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/DoCIFF2013.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2013\/11\/DoCIFF2013-300x169.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dialogue Of Cultures International Film Festival \u00e8 il primo festival cinematografico dedicato al fenomeno mondiale relativo alla ricerca della propria identit\u00e0 in un&#8217;era di migrazione di massa e globalizzazione. Il suo obiettivo \u00e8 quello di dare impulso a un dialogo tra culture attraverso il linguaggio universale del cinema. Il programma del festival include film da tutto il mondo che danno<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[7],"tags":[14267,15517,9149],"class_list":["post-30226","post","type-post","status-publish","format-standard","hentry","category-festival","tag-14267","tag-dialogue-of-cultures-international-film-festival","tag-mubi"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>MUBI \/\/ Dialogue Of Cultures International Film Festival | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rapportoconfidenziale.org\/?p=30226\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MUBI \/\/ Dialogue Of Cultures International Film Festival | Rapporto Confidenziale\" \/>\n<meta property=\"og:description\" content=\"Dialogue Of Cultures International Film Festival \u00e8 il primo festival cinematografico dedicato al fenomeno mondiale relativo alla ricerca della propria identit\u00e0 in un&#8217;era di migrazione di massa e globalizzazione. Il suo obiettivo \u00e8 quello di dare impulso a un dialogo tra culture attraverso il linguaggio universale del cinema. 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