{"id":30809,"date":"2014-01-08T10:27:11","date_gmt":"2014-01-08T09:27:11","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=30809"},"modified":"2014-01-08T10:27:35","modified_gmt":"2014-01-08T09:27:35","slug":"geneve-black-movie-film-festival-2014","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=30809","title":{"rendered":"Gen\u00e8ve \/\/ Black Movie Film Festival 2014"},"content":{"rendered":"<p style=\"line-height: 150%;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30798\" title=\"BlackMovie_2014\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/01\/BlackMovie_2014.jpg\" alt=\"\" width=\"620\" height=\"207\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/01\/BlackMovie_2014.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/01\/BlackMovie_2014-300x100.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 18pt;\"><strong>BLACK MOVIE, 15 ANS DE CINEMA INDEPENDANT<\/strong><br \/>\nGen\u00e8ve, 17-26 janvier 2014<br \/>\n<span style=\"font-family: Georgia; font-size: 12pt;\">125 films dont 63 premi\u00e8res suisse &amp; 13 premi\u00e8res europ\u00e9ennes<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><em><span style=\"font-family: Georgia; font-size: 10pt;\">15 ans, c\u2019est \u00e0 la vie, \u00e0 la mort, quinze ans pour toujours ! L\u2019\u00e9dito et l\u2019affiche annoncent la couleur menthe \u00e0 l\u2019eau d\u2019une \u00e9dition anniversaire faste et festive, rebelle et passionn\u00e9e : Black Movie arrache 125 films du brouillard, d\u00e9figurant au passage la blondeur format\u00e9e d\u2019Hollywood pour mieux vous servir son ind\u00e9pendance.<br \/>\nAu menu : R\u00e9tro rolls royce, flirts avec le fantastique, jeunes films en fleur, la Chine censur\u00e9e ou encore un Petit Black Movie\u2026 pour adultes !<\/span><\/em><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><strong><span style=\"font-family: Georgia; font-size: 10pt;\">SPECIAL ANNIVERSAIRE VU EN GRAND : RETRO &amp; CARTE BLANCHE<\/span><\/strong><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30800\" title=\"La mort de Dante Lazarescu 014\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/01\/La-mort-de-Dante-Lazarescu-014.jpg\" alt=\"\" width=\"620\" height=\"465\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/01\/La-mort-de-Dante-Lazarescu-014.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/01\/La-mort-de-Dante-Lazarescu-014-300x225.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><span style=\"font-family: Georgia; font-size: 9pt;\"><em>Moartea domnului Lazarescu<\/em><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\">A voir ou a revoir dans la section \u00ab HAPPY BIRTHDAY ! \u00bb : 15 chefs d\u2019oeuvres jalonnent 15 ann\u00e9es de travail prospectif minutieux, parfois les premiers pas de cin\u00e9astes aujourd\u2019hui encens\u00e9s tels qu\u2019<a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=29604\">Hong Sangsoo<\/a> (<em>La Vierge mise \u00e0 nu par ses pr\u00e9tendants<\/em>), <a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=6370\">Tsai Ming-Liang<\/a> <em>(La Saveur de la Past\u00e8que<\/em>) Cristi Puiu (<a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=5230\"><em>La Mort de Dante Lazarescu<\/em><\/a>) Carlos Reygadas (<em>Batalla en el cielo<\/em>) ou Bong Joon-ho (<em>Memories of Murder<\/em>).<br \/>\nCette r\u00e9trospective allstars est doubl\u00e9e d\u2019une carte blanche \u00e0 cinq ma\u00eetres du cin\u00e9ma : Pablo Stoll, Pen-ek Ratanaruang, Amat Escalante, Sourav Sarangi, Brillante Mendoza. Ils nous ont chacun confi\u00e9 le film d\u2019un r\u00e9alisateur auquel ils croient, dont les touchants White Shadow, de Noaz Deshe et Las flores de mi familia de Juan I. Fern\u00e1ndez Hoppe, \u00e0 d\u00e9couvrir dans la section <strong>LE CHOIX DES MAITRES<\/strong>.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\"><strong>DERNIERS OPUS DE GRANDS NOMS &amp; NOMBRE DE NOUVELLES RECRUES<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30801\" title=\"MILLE SOLEILS 02\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/01\/MILLE-SOLEILS-02.jpg\" alt=\"\" width=\"620\" height=\"337\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/01\/MILLE-SOLEILS-02.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/01\/MILLE-SOLEILS-02-300x163.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><span style=\"font-family: Georgia; font-size: 9pt;\"><em>Milles soleils<\/em><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\">Jia Zhangke (<em>A Touch of Sin<\/em>, Prix de la Mise en Sc\u00e8ne \u00e0 Cannes, censur\u00e9 en Chine et en Avant-Premi\u00e8re suisse \u00e0 Black Movie),Takashi Miike (<em>Shield of Straw<\/em>), Johnnie To (<em>Drug War<\/em>), <a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=17240\">Sono Sion<\/a> (<em>Why Don\u2019t You Play In Hell<\/em>), Hitoshi Matsumoto (<em>R100<\/em>), Tsai Ming-Liang (<em>Stray Dogs<\/em>), Masahiro Kobayashi (<em>Strangers When We Meet<\/em>) Brillante Mendoza (<em>Sapi<\/em>) Hong Sangsoo (<em>Nobody\u2019s Daughter Haewon<\/em> + <em>Our Sunhi<\/em>) traversent avec fracas les diff\u00e9rentes sections, dont <strong>A<\/strong><br \/>\n<strong> SUIVRE\u2026<\/strong> qui rassemble ces cin\u00e9astes que le Festival v\u00e9n\u00e8re depuis ses premiers \u00e9mois.<br \/>\nEt la rel\u00e8ve dans tout \u00e7a? Voici quelques d\u00e9couvertes qui nous ont \u00e9poustouffl\u00e9 : l\u2019iranienne Anahita Ghazvinizadeh, benjamine de cette \u00e9dition, subjugue avec ses deux court-m\u00e9trages <em>When The Kid Was A Kid<\/em> et <em>Needle<\/em> (Prix de la Cin\u00e9fondation \u00e0 Cannes 2013). La fran\u00e7aise Mati Diop illumine la programmation d\u2019un bijou, <a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=30455\"><em>Mille Soleils<\/em><\/a>, en concours pour le <strong>PRIX DE LA CRITIQUE<\/strong>, et Dieudo Hamadi scrute avec les tripes et dans l\u2019urgence les \u00e9lections congolaises dans Atalaku.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><strong><span style=\"font-family: Georgia; font-size: 10pt;\">DES THEMATIQUES SOLIDES\u2026<\/span><\/strong><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30802\" title=\"Rigor mortis 011\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/01\/Rigor-mortis-011.jpg\" alt=\"\" width=\"620\" height=\"413\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/01\/Rigor-mortis-011.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/01\/Rigor-mortis-011-300x199.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><span style=\"font-family: Georgia; font-size: 9pt;\"><em>Rigor mortis<\/em><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\">Les films de la section FLIRTS AVEC LE FANTASTIQUE jouent avec les attributs de ce genre aim\u00e9 des cin\u00e9philes, entre tension, angoisses, SM et surtout sans d\u00e9tour, comme dans <em>El Resquicio<\/em> (Alfonso Acosta) ou <em>Rigor Mortis<\/em> (Juno Mak).<br \/>\nDans NOUVELLES CINEMATOGRAPHIQUES, deux poign\u00e9es de films saisissants exp\u00e9rimentent l\u2019esquisse et n\u2019ont de petit que leur dur\u00e9e: on y retrouve avec joie et en nombre les repr\u00e9sentants d\u2019un cin\u00e9ma portugais en crise c\u00e9l\u00e9br\u00e9 l\u2019an pass\u00e9, dont trois r\u00e9alisateurs \u00e9taient venus en personne. Ils s\u2019amusent cette fois-ci \u00e0 brouiller les pistes dans deux films parmi les meilleurs de cette \u00e9dition : <em>Mahjong<\/em> de Joao Pedro Rodrigues\/ Joao Rui Guerra da Mata et Redemption de Miguel<br \/>\nGomes, ainsi qu\u2019un tout nouveau venu, Tiago Rosa Rosso, cr\u00e9ateur d\u2019un drame en 23 minutes (<em>De\u00fas Dara<\/em>).<br \/>\nPlus politique encore, le volet <strong>SANS FOI NI LOI<\/strong> compte 5 documentaires enrag\u00e9s d\u2019Ouganda en Ha\u00efti.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\"><strong>LE PRIX DE LA CRITIQUE<\/strong> est devenu section \u00e0 part enti\u00e8re : il sera d\u00e9cern\u00e9 par cinq jur\u00e9s critiques internationaux de haut vol (Hugues Dayez (RTBF), Leslie Felperin (The Hollywood Reporter), Xavier Leherpeur (Le Cercle, Canal+), Mario Kozina (Filmonaut) et Jay Weissberg (Variety).<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30803\" title=\"mahjong 02\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/01\/mahjong-02.jpg\" alt=\"\" width=\"620\" height=\"349\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/01\/mahjong-02.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/01\/mahjong-02-300x168.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><span style=\"font-family: Georgia; font-size: 9pt;\"><em>Mahjong<\/em><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\"><br \/>\n<strong>LE PETIT BLACK MOVIE<\/strong>, section phare d\u2019animation pour les petits, affiche 43 films du monde entier. Au cours de son processus de programmation, quelques oeuvres transgressives, dr\u00f4lesques ou tragiques nous ont tellement marqu\u00e9 qu\u2019il fallait les montrer. Les amateurs de courtsm\u00e9trages d\u2019animation ont donc cette ann\u00e9e leur PETIT BLACK MOVIE POUR ADULTE car ces oeuvres l\u00e0\u2026 ne sont clairement pas pour les enfants !<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><strong><span style=\"font-family: Georgia; font-size: 10pt;\">\u2026 ET SOLIDAIRES.<\/span><\/strong><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30804\" title=\"Son of Adam 04\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/01\/Son-of-Adam-04.jpg\" alt=\"\" width=\"620\" height=\"372\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/01\/Son-of-Adam-04.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/01\/Son-of-Adam-04-300x180.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><span style=\"font-family: Georgia; font-size: 9pt;\"><em>Son of Adam<\/em><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\">Anniversaire d\u2019accord, mais s\u2019il s\u2019agit de c\u00e9l\u00e9brer le cin\u00e9ma ind\u00e9pendant, c\u2019est pr\u00e9cis\u00e9ment parce qu\u2019il est en danger ailleurs. La CARTE BLANCHE AU BEIJING INDEPENDENT FILM FESTIVAL (BIFF) s\u2019affiche en soutien direct \u00e0 ces r\u00e9alisateurs qui risquent leurs films et parfois m\u00eame leurs vies sous la menace de la censure. Cinq films \u00e0 voir sur cet \u00e9cran solidaire dont <em>Ping\u2019an Ueqing<\/em> de Ai Weiwei et <em>The Son of Adam<\/em> de Chen Changqing. La table ronde Chinese Whispers (23 janvier) poursuivra la r\u00e9flexion avec des r\u00e9alisateurs chinois pr\u00e9sents et des repr\u00e9sentants du BIFF. La<br \/>\nChine est fortement repr\u00e9sent\u00e9e dans d\u2019autres sections &#8211; et ce par des r\u00e9alisatrices de talent \u2013 qu\u2019il s\u2019agisse du pamphlet anticapitaliste de la nouvelle repr\u00e9sentante de la diaspora chinoise londonienne Xiaolu Guo (<em>Late at Night<\/em>, <em>Voices of Ordinary Madness<\/em>) ou Ver\u00f3nica Chen, qui sublime les enjeux de la mixit\u00e9 sino-argentine dans l\u2019Objet Filmique Non-Identifi\u00e9 <em>Mujer Conejo<\/em>. Enfin, le r\u00eaveur des fronti\u00e8res sino-cor\u00e9enne Zhang Lu, sera en personne au festival pour pr\u00e9senter <em>Scenery<\/em> en course pour le <strong>PRIX DE LA CRITIQUE<\/strong>.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><strong><span style=\"font-family: Georgia; font-size: 10pt;\">BLACK MOVIE DEVELOPPE DE NOUVELLES COLLABORATIONS<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\">Adolescent en pleine croissance, Black Movie grandit tout en gardant son lien si particulier \u00e0 la proximit\u00e9 et investit comme nouvelle salle \u00e9ph\u00e9m\u00e8re de cin\u00e9ma le Th\u00e9\u00e2tre de l\u2019Usine. Un \u00e9tage plus haut, les nuits blanches si courues du Festival batteront leur plein au charmant Belinda B.<br \/>\nLes joyeux agitateurs de la galerie alternative Forde occuperont trois soirs le 3\u00e8me \u00e9tage du Gr\u00fctli pour le projet interactif Forde is Watching You, pendant qu\u2019un dialogue infernal en r\u00e9sonnance avec les films d\u2019animation pour adultes aura lieu chaque jour gratuitement au FMAC.<br \/>\nEt pour cette sp\u00e9ciale anniversaire, Black Movie propose aux plus joueurs une course aux tr\u00e9sors filmiques ludique et d\u00e9lur\u00e9e en parcourant de mani\u00e8re in\u00e9dite la programmation et les lieux du Festival !<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%; text-align: center;\"><span style=\"font-family: Georgia; font-size: 12pt;\"><strong>FOREVER YOUNG !<\/strong><br \/>\n<strong> Black Movie ce sont 125 films du 17 au 26 janvier 2014<\/strong><br \/>\n<strong> Prenez vos marques sur <a href=\"http:\/\/www.blackmovie.ch\" target=\"_blank\">www.blackmovie.ch<\/a><\/strong><br \/>\n<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>BLACK MOVIE, 15 ANS DE CINEMA INDEPENDANT Gen\u00e8ve, 17-26 janvier 2014 125 films dont 63 premi\u00e8res suisse &amp; 13 premi\u00e8res europ\u00e9ennes &nbsp; 15 ans, c\u2019est \u00e0 la vie, \u00e0 la mort, quinze ans pour toujours ! L\u2019\u00e9dito et l\u2019affiche annoncent la couleur menthe \u00e0 l\u2019eau d\u2019une \u00e9dition anniversaire faste et festive, rebelle et passionn\u00e9e : Black Movie arrache 125 films<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[7],"tags":[15742,14080,14081],"class_list":["post-30809","post","type-post","status-publish","format-standard","hentry","category-festival","tag-15742","tag-geneve","tag-ginevra"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Gen\u00e8ve \/\/ Black Movie Film Festival 2014 | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rapportoconfidenziale.org\/?p=30809\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gen\u00e8ve \/\/ Black Movie Film Festival 2014 | Rapporto Confidenziale\" \/>\n<meta property=\"og:description\" content=\"BLACK MOVIE, 15 ANS DE CINEMA INDEPENDANT Gen\u00e8ve, 17-26 janvier 2014 125 films dont 63 premi\u00e8res suisse &amp; 13 premi\u00e8res europ\u00e9ennes &nbsp; 15 ans, c\u2019est \u00e0 la vie, \u00e0 la mort, quinze ans pour toujours ! L\u2019\u00e9dito et l\u2019affiche annoncent la couleur menthe \u00e0 l\u2019eau d\u2019une \u00e9dition anniversaire faste et festive, rebelle et passionn\u00e9e : Black Movie arrache 125 films\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.rapportoconfidenziale.org\/?p=30809\" \/>\n<meta property=\"og:site_name\" content=\"Rapporto Confidenziale\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/rapportoconfidenziale\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/rapportoconfidenziale\" \/>\n<meta property=\"article:published_time\" content=\"2014-01-08T09:27:11+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-01-08T09:27:35+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/01\/BlackMovie_2014.jpg\" \/>\n<meta name=\"author\" content=\"Rapporto Confidenziale\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" 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