{"id":32031,"date":"2014-09-05T16:14:14","date_gmt":"2014-09-05T14:14:14","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=32031"},"modified":"2014-11-02T00:58:31","modified_gmt":"2014-11-01T23:58:31","slug":"treviso-sole-luna-doc-film-festival-2014","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=32031","title":{"rendered":"Treviso \/\/ Sole Luna Doc Film Festival 2014"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/09\/Soleluna201402.jpg\" alt=\"Soleluna201402\" width=\"1112\" height=\"700\" class=\"aligncenter size-full wp-image-32878\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/09\/Soleluna201402.jpg 1112w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/09\/Soleluna201402-300x188.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/09\/Soleluna201402-1024x644.jpg 1024w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/09\/Soleluna201402-436x274.jpg 436w\" sizes=\"auto, (max-width: 1112px) 100vw, 1112px\" \/><\/p>\n<p>&nbsp;<br \/>\n<iframe loading=\"lazy\" width=\"620\" height=\"360\" src=\"\/\/www.youtube.com\/embed\/n65LSBspUcI?list=UUsgscJDiAYyNmtBUAuFV1aQ\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><strong><span style=\"font-family: Georgia; font-size: 18pt;\">PROGRAMMA \/ PROGRAMME<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><strong><span style=\"font-family: Georgia; font-size: 10pt;\">Luned\u00ec\/Monday 15.9.2014<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-32016\" title=\"Locked Down01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/09\/Locked-Down01.jpg\" alt=\"\" width=\"620\" height=\"349\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/09\/Locked-Down01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/09\/Locked-Down01-300x168.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><span style=\"font-family: Georgia; font-size: 9pt;\"><em>Locked Down<\/em>, Liat Mer<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\">Chiostro Maggiore \u2013 Auditorium<br \/>\n20.00<br \/>\nSaluti inaugurali\/Opening greetings<br \/>\n21.00<br \/>\nProiezioni\/Projections<br \/>\n<em><strong>La Piccola Guerrigliera<\/strong> <\/em><br \/>\nGiancarlo Bocchi, Italia-Birmania\/Italy-Burma 2013, 42\u2019<br \/>\ninglese-birmano, sottotitoli in italiano\/ English-Burmese, Italian subtitles<br \/>\n<strong><em>La Grande Distribution<\/em><\/strong> (Anteprima italiana)<br \/>\nEmmanuelle Lacosse, Francia\/France 2012, 19\u2019<br \/>\nsenza dialoghi\/no dialogues<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\">Sala Clara Rosso Coletti<br \/>\n19.00 Drinks<br \/>\n21.00 Proiezioni\/Projections<br \/>\n<strong><em>Locked Down <\/em><\/strong> (Anteprima italiana)<br \/>\nLiat Mer, Israele\/Israel 2013, 56\u2019 ebraico<br \/>\nsottotitoli in italiano e inglese, Hebrew, Italian and English subtitles<br \/>\n<strong><em>Kosma<\/em><\/strong><br \/>\nSonja Blagojevi\u0107, Serbia\/Serbia 2013, 75\u2019<br \/>\nserbo, sottotitoli in inglese e italiano \/ Serbian, Italian and English subtitles<br \/>\n<strong><em>The Great Siberian Rivers. Lena<\/em> <\/strong>(Anteprima italiana)<br \/>\nPavel Fattakhutdinov, Russia\/Russia 2013, 31\u2019<br \/>\nrusso, sottotitoli in italiano, Russian, Italian subtitles<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><strong><span style=\"font-family: Georgia; font-size: 10pt;\">Marted\u00ec\/Tuesday 16.9.2014<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-32017\" title=\"The Lord of Darjeeling01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/09\/The-Lord-of-Darjeeling01.jpg\" alt=\"\" width=\"620\" height=\"349\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/09\/The-Lord-of-Darjeeling01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/09\/The-Lord-of-Darjeeling01-300x168.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><span style=\"font-family: Georgia; font-size: 9pt;\"><em>The Lord of Darjeeling<\/em>, Xavier de Lauzanne<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\">Chiostro Maggiore \u2013 Auditorium<br \/>\n20.00<br \/>\nProiezioni\/Projections<br \/>\n<strong><em>Gente del Po<\/em><\/strong><br \/>\nMichelangelo Antonioni, Italia\/Italy 1943, 9\u2019<br \/>\nitaliano\/Italian<br \/>\n<strong><em>Un metro sotto i pesci<\/em><\/strong><br \/>\nMichele Mellara, Alessandro Rossi, Italia\/Italy 2006, 58\u2019<br \/>\nitaliano\/Italian<br \/>\n<strong><em>The Lord of Darjeeling<\/em><\/strong> (Anteprima italiana)<br \/>\nXavier de Lauzanne, Francia\/France 2006, 52\u2019<br \/>\ninglese, sottotitoli in italiano \/ English, Italian subtitles<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\">Sala Clara Rosso Coletti<br \/>\n21.00<br \/>\nProiezioni\/Projections<br \/>\n<strong><em>Six Days <\/em><\/strong> (Anteprima italiana)<br \/>\nNikolina Gillgren, Svezia-Abkhazia-Liberia-Iraq\/Sweden-Abkhazia-Liberia-Irak 2013, 56\u2019<br \/>\ninglese, abkhazo, megreliano, curdo, sottotitoli in italiano e inglese\/English, Abkhazian, Megrelian, Kurdish, Italian and English subtitles<br \/>\n<em><strong>Vom H\u00f6ren Sagen<\/strong> <\/em> (Anteprima italiana)<br \/>\nEibe Maleen Krebs, Germania\/Germany 2013, 65\u2019<br \/>\ntedesco, sottotitoli in italiano e inglese \/ German, Italian and English subtitles<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><strong><span style=\"font-family: Georgia; font-size: 10pt;\">Mercoled\u00ec\/Wednesday 17.9.2014<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-32018\" title=\"Watershed01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/09\/Watershed01.jpg\" alt=\"\" width=\"620\" height=\"349\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/09\/Watershed01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/09\/Watershed01-300x168.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><span style=\"font-family: Georgia; font-size: 9pt;\"><em>Watershed<\/em>, Mark Decena<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\">Chiostro Maggiore \u2013 Auditorium<br \/>\n20.00<br \/>\nProiezioni\/Projections<br \/>\n<strong><em>V\u00e0 Pensiero<\/em><\/strong><br \/>\nDagmawi Yimer, Italia\/Italy 2012, 56\u2019<br \/>\nitaliano e woloof, sottotitoli in italiano \/ Italian and Woloof, Italian subtitles<br \/>\n<strong><em>Watershed Movie<\/em><\/strong><br \/>\nMark Decena, USA\/USA 2012, 52\u2019<br \/>\ninglese, sottotitoli in italiano \/ English, Italian subtitles<br \/>\n<strong><em>La Nature Des Choses<\/em><\/strong> (Anteprima italiana)<br \/>\nAudrey Espinasse, Francia\/France 2011, 15\u2019<br \/>\nsenza dialoghi\/no dialogues<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\">Sala Clara Rosso Coletti<br \/>\n21.00<br \/>\nProiezioni\/Projections<br \/>\n<strong><em>Le Th\u00e9 Ou L\u2019electricit\u00e9<\/em><\/strong><br \/>\nJ\u00e9r\u00f4me Le Maire, Belgio\/Belgium 2012, 93\u2019<br \/>\narabo, sottotitoli in italiano \/ Arabic, Italian subtitles<br \/>\n<strong><em>Sing Your Song<\/em> <\/strong>(Anteprima italiana)<br \/>\nOmar Falah, Iraq\/Irak 2011, 15\u2019<br \/>\narabo con sottotitoli in italiano e inglese \/ Arabic, Italian and English subtitles<br \/>\n<strong><em>Pole, Dancer, Movie<\/em><\/strong> (Anteprima italiana)<br \/>\nIsri Halpern, Israele\/Israel 2013, 55\u2019<br \/>\nebraico, sottotitoli in italiano e inglese \/ Hebrew, Italian and English subtitles<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><strong><span style=\"font-family: Georgia; font-size: 10pt;\">Gioved\u00ec\/Thursday 18.9.2014<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-32019\" title=\"Yusef Song01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/09\/Yusef-Song01.jpg\" alt=\"\" width=\"620\" height=\"349\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/09\/Yusef-Song01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/09\/Yusef-Song01-300x168.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><span style=\"font-family: Georgia; font-size: 9pt;\"><em>Yusef\u2019s Song<\/em>, Kostas Pliakos<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\">Chiostro Maggiore \u2013 Auditorium<br \/>\n20.00<br \/>\nProiezioni\/Projections<br \/>\n<em><strong>Buenos Aires<\/strong> <\/em><br \/>\nDaniel Gil Su\u00e1rez, Spagna\/Spain 2013, 12\u2019<br \/>\nsenza dialoghi\/no dialogues<br \/>\n<em><strong>London Afloat<\/strong> <\/em> (Anteprima mondiale)<br \/>\nGloria Aura Bortolini, Italia\/Italy 2014, 31\u2019<br \/>\ninglese, sottotitoli in italiano \/ English, Italian subtitles<br \/>\n<strong><em>Yusef\u2019s Song<\/em><\/strong> (Anteprima italiana)<br \/>\nKostas Pliakos,<br \/>\nGrecia-Libia\/Greece-Libya 2013, 75\u2019<br \/>\narabo, sottotitoli in italiano e inglese \/ Arabic, Italian and English subtitles<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\">Sala Clara Rosso Coletti<br \/>\n21.00<br \/>\nProiezioni\/Projections<br \/>\n<strong><em>Let Them Eat Cake<\/em> <\/strong>(Anteprima italiana)<br \/>\nAlexis Krasilovsky, USA\/USA 2013, 54\u2019<br \/>\nbengali, inglese, francese, guerze, giapponese, jicarilla apache, somali, spagnolo, telugu, turkana e turco, sottotitoli in italiano e inglese \/ Bengali, English, French, Guerze, Japanese, Jicarilla Apache, Somali, Spanish, Telugu, Turkana and Turkish, English and Italian subtitles<br \/>\n<strong><em>Sans Image <\/em><\/strong> (Anteprima italiana)<br \/>\nFanny Douarche, Franck Rosier, Francia\/France 2013, 76\u2019<br \/>\nfrancese, sottotitoli in italiano e inglese \/ French, Italian and English subtitles<br \/>\n<strong><em>Ghora <\/em> <\/strong>(Anteprima italiana)<br \/>\nAlessandro Cartosio e Irene Majo Garigliano, Italia\/Italy 2013, 38\u2019<br \/>\nhindi, sottotitoli in italiano\/Hindi, Italian subtitles<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><strong><span style=\"font-family: Georgia; font-size: 10pt;\">Venerd\u00ec\/Friday 19.9.2014<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-32020\" title=\"Senza trucco01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/09\/Senza-trucco01.jpg\" alt=\"\" width=\"620\" height=\"348\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/09\/Senza-trucco01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/09\/Senza-trucco01-300x168.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><span style=\"font-family: Georgia; font-size: 9pt;\"><em>Senza Trucco\u2013 Le donne del vino naturale<\/em>, Giulia Graglia<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\">Chiostro Maggiore \u2013 Auditorium<br \/>\n20.00<br \/>\nProiezioni\/Projections<br \/>\n<strong><em>Rumore Bianco<\/em><\/strong><br \/>\nAlberto Fasulo, Italia\/Italy 2008, 88\u2019<br \/>\nitaliano\/Italian<br \/>\n<strong><em>Little Heaven<\/em><\/strong><br \/>\nLieven Corthouts, Etiopia\/Ethiopia 2011, 69\u2019<br \/>\nenglish e amharic, sottotitoli in italiano e inglese\/English and Amharic, Italian and English subtitles<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\">Sala Clara Rosso Coletti<br \/>\n21.00<br \/>\nProiezioni\/Projections<br \/>\n<strong><em>Senza Trucco\u2013 Le donne del vino naturale<\/em><\/strong><br \/>\nGiulia Graglia, Italia\/Italy 2011, 72\u2019<br \/>\nitaliano\/Italian<br \/>\n<strong><em>Tzvetanka<\/em><\/strong><br \/>\nYoulian Tabakov, Bulgaria\/Bulgaria 2013, 66\u2019<br \/>\nbulgaro, sottotitoli in italiano e inglese \/ Bulgarian, Italian and English subtitles<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><strong><span style=\"font-family: Georgia; font-size: 10pt;\">Sabato\/Saturday 20.9.2014<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-32024\" title=\"Pianola01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/09\/Pianola01.jpg\" alt=\"\" width=\"620\" height=\"349\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/09\/Pianola01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/09\/Pianola01-300x168.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><span style=\"font-family: Georgia; font-size: 9pt;\"><em>Pianola<\/em>, Rosa Izquierdo, Guillermo Roqu\u00e9s<br \/>\n<\/span><\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\">Chiostro Maggiore \u2013 Auditorium<br \/>\n20.00<br \/>\n<\/span><span style=\"font-family: Georgia; font-size: 10pt;\"> Proiezioni\/Projections<\/span><strong><span style=\"font-family: Georgia; font-size: 10pt;\"><br \/>\n<strong><em>Pianola<\/em><\/strong><\/span><\/strong><span style=\"font-family: Georgia; font-size: 10pt;\"> (Anteprima italiana)<\/span><span style=\"font-family: Georgia; font-size: 10pt;\"><br \/>\nRosa Izquierdo, Guillermo Roqu\u00e9s, Spagna\/Spain 2011, 20\u2019<br \/>\n<\/span><span style=\"font-family: Georgia; font-size: 10pt;\"> catalano, sottotitoli in italiano e inglese \/ Catalan, Italian and English subtitles<\/span><strong><span style=\"font-family: Georgia; font-size: 10pt;\"><br \/>\n<strong><em>La Mia Classe<\/em><\/strong><\/span><\/strong><span style=\"font-family: Georgia; font-size: 10pt;\"><br \/>\n<\/span><span style=\"font-family: Georgia; font-size: 10pt;\"> Daniele Gaglianone, Italia\/Italy 2013, 93\u2019<br \/>\n<\/span><span style=\"font-family: Georgia; font-size: 10pt;\"> italiano, sottotitoli in inglese \/ Italian, English subtitles<\/span><strong><span style=\"font-family: Georgia; font-size: 10pt;\"><br \/>\n<strong><em>Mustafa\u2019s Sweet Dreams<\/em><\/strong><\/span><\/strong><span style=\"font-family: Georgia; font-size: 10pt;\"> (Anteprima italiana)<\/span><span style=\"font-family: Georgia; font-size: 10pt;\"><br \/>\nAngelos Abazoglou, Grecia\/Greece 2011, 79\u2019<br \/>\nturco, sottotitoli in italiano e inglese \/ Turkish, Italian and English subtitles<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\">Sala Clara Rosso Coletti<br \/>\n21.00<br \/>\nProiezioni\/Projections<br \/>\n<strong><em>Kijima Stories<\/em><\/strong> (Anteprima italiana)<br \/>\nLa\u00ebtitia Mikles, Francia-Giappone \/ France-Japan 2013, 30\u2019<br \/>\ngiapponese e francese, sottotitoli in italiano e inglese\/Japanese and French, Italian and English subtitles<br \/>\n<strong><em>The Fading Valley<\/em><\/strong><br \/>\nIrit Gal, Israele\/Israel 2013, 54\u2019<br \/>\nebraico, arabo, sottotitoli in italiano e inglese \/ Hebrew and Arabic, Italian and English subtitles<br \/>\n<em>Le Acque Segrete di Palermo<\/em><br \/>\nStefania Casini, Italia\/Italy 2014, 52\u2019<br \/>\nitaliano\/Italian<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><strong><span style=\"font-family: Georgia; font-size: 10pt;\">Domenica\/Sunday 21.9.2014<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><span style=\"font-family: Georgia; font-size: 10pt;\">Piazza dei Signori<br \/>\nIn caso di pioggia \/ In case of rain Chiesa di Santa Caterina<br \/>\n19.30<br \/>\nSerata di Premiazione \/ Award Cerimony<br \/>\n21.00<br \/>\nConcerto\/Concert<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: 150%;\"><strong><span style=\"font-family: Georgia; font-size: 12pt;\"><a href=\"http:\/\/solelunaunpontetraleculture.com\/portal\/index.php\/festival-2014\/treviso\/\" target=\"_blank\">SoleLuna, un ponte tra le culture<\/a><\/span><\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-32022\" title=\"Soleluna201401\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/09\/Soleluna201401.jpg\" alt=\"\" width=\"620\" height=\"503\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/09\/Soleluna201401.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/09\/Soleluna201401-300x243.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; PROGRAMMA \/ PROGRAMME &nbsp; Luned\u00ec\/Monday 15.9.2014 &nbsp; Locked Down, Liat Mer &nbsp; Chiostro Maggiore \u2013 Auditorium 20.00 Saluti inaugurali\/Opening greetings 21.00 Proiezioni\/Projections La Piccola Guerrigliera Giancarlo Bocchi, Italia-Birmania\/Italy-Burma 2013, 42\u2019 inglese-birmano, sottotitoli in italiano\/ English-Burmese, Italian subtitles La Grande Distribution (Anteprima italiana) Emmanuelle Lacosse, Francia\/France 2012, 19\u2019 senza dialoghi\/no dialogues &nbsp; Sala Clara Rosso Coletti 19.00 Drinks 21.00<\/p>\n","protected":false},"author":6,"featured_media":32878,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[7],"tags":[311,17249,16128,16129,16130],"class_list":["post-32031","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festival","tag-documentario","tag-festival","tag-sole-luna","tag-sole-luna-un-ponte-tra-le-culture","tag-treviso"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Treviso \/\/ Sole Luna Doc Film Festival 2014 | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" 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