{"id":33023,"date":"2014-11-12T15:35:45","date_gmt":"2014-11-12T14:35:45","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=33023"},"modified":"2014-11-12T15:35:45","modified_gmt":"2014-11-12T14:35:45","slug":"film-comment-digital-anthology-jean-luc-godard","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=33023","title":{"rendered":"Film Comment | Digital Anthology &#8211; Jean-Luc Godard"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-33024\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/11\/Jean-Luc-Godard.jpg\" alt=\"Jean-Luc Godard\" width=\"1112\" height=\"741\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/11\/Jean-Luc-Godard.jpg 1112w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/11\/Jean-Luc-Godard-150x100.jpg 150w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/11\/Jean-Luc-Godard-300x199.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/11\/Jean-Luc-Godard-1024x682.jpg 1024w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/11\/Jean-Luc-Godard-436x290.jpg 436w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/11\/Jean-Luc-Godard-673x449.jpg 673w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/11\/Jean-Luc-Godard-950x633.jpg 950w\" sizes=\"auto, (max-width: 1112px) 100vw, 1112px\" \/><br \/>\nLa serie <a href=\"http:\/\/filmsociety.myshopify.com\/search?q=Digital+Anthology\" target=\"_blank\">Digital Anthology<\/a> della rivista statunitense <a href=\"http:\/\/filmsociety.myshopify.com\/\" target=\"_blank\">Film Comment<\/a> raccoglie tutti gli articoli su un tema o un autore gi\u00e0 pubblicati sul periodico. La pubblicazione dedicata a Jean-Luc Godard (ottobre 2014) parte da un pezzo di Frederick Wellington del 1965 e si conclude con un&#8217;analisi di <em>Film Socialisme\u00a0<\/em>datata 2010 a cura Amy Taubin. Nel mezzo testi di Robin Wood, Jonathan Rosenbaum, Gilbert Adair, Raymond Durgnat, Kent Jones, <em>and many more<\/em>.<\/p>\n<p>Il tutto in digitale, alla modica cifra di $4.99.<br \/>\n<a href=\"http:\/\/filmsociety.myshopify.com\/products\/digital-anthology-jean-luc-godard\" target=\"_blank\">Compra online<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-33025\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/11\/Digital-Anthology-Godard.jpg\" alt=\"Digital-Anthology Godard\" width=\"353\" height=\"450\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/11\/Digital-Anthology-Godard.jpg 353w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/11\/Digital-Anthology-Godard-235x300.jpg 235w\" sizes=\"auto, (max-width: 353px) 100vw, 353px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Sommario<\/strong><\/p>\n<p>\u2022 From Summer 1965: three films from Paris, including Une Femme Mari\u00e9e by Frederick Wellington<\/p>\n<p>\u2022 From Fall 1971: Wind From the East by Joan Mellen<\/p>\n<p>\u2022 From March\/April 1973: Jerry Lewis and Frank Tashlin&#8217;s influence on Godard by Jonathan Rosenbaum<\/p>\n<p>\u2022 From May\/June 1974: Tout Va Bien by Steven Simmons<\/p>\n<p>\u2022 From July\/August 1975: Robin Wood on the Vertov Group<\/p>\n<p>\u2022 From May\/June 1977: Godard\u2019s Num\u00e9ro Deux and fellow Cahiers du Cin\u00e9ma critic Jean-Louis Camolli\u2019s La Cecilia by Robin Wood<\/p>\n<p>\u2022 From May\/June 1981: Six Times Two\/On and Under Communication and France\/Tour\/Detour\/Two\/Children by Gilbert Adair<\/p>\n<p>\u2022 From November\/December 1987: Godard&#8217;s jeans commercials for Girbaud by H.A. Rodchenko<\/p>\n<p>\u2022 From May\/June 1988: on the omnibus opera film, Aria by Michael Walsh<\/p>\n<p>\u2022 From March\/April 1995: after declining to accept a Special Award from the New York Film Critics Circle, Godard provides a short-list of grievances against the film industry<\/p>\n<p>\u2022 From March\/April 1996: Nouvelle Vague, H\u00e9las pour moi, JLG\/JLG, and Histoire(s) du cin\u00e9ma by Armond White<\/p>\n<p>\u2022 From March\/April 1996: an extensive interview with Godard by Gavin Smith<\/p>\n<p>\u2022 From September\/October 1998: interview with Godard on his Nineties works and concerns by Jonathan Rosenbaum<\/p>\n<p>\u2022 From September\/October 2000: on the audio track release of Histoire(s) du cin\u00e9ma by Kent Jones<\/p>\n<p>\u2022 From November\/December 2001: on the cacophony of images and sounds in Godard\u2019s In Praise of Love by Chris Norris<\/p>\n<p>\u2022 From January\/February 2002: review of In Praise of Love by Amy Taubin<\/p>\n<p>\u2022 From January\/February 2002: In Praise of Love-era interview with Godard by Jean-Yves Gaillac, Tissy Morgue, and Jean-Philippe Guerand<\/p>\n<p>\u2022 From January\/February 2002: analysis of Godard as visual stylist and philosopher by Kent Jones<\/p>\n<p>\u2022 From July\/August 2002: Godard\u2019s return to the freeze-frame and theories on montage by Serge Daney<\/p>\n<p>\u2022 From September\/October 2003: on Godard\u2019s mixed-media video essay Liberty and Homeland by Fr\u00e9d\u00e9ric Bonnaud<\/p>\n<p>\u2022 From January\/February 2004: review of Colin McCabe\u2019s biography of Godard by J. Hoberman<\/p>\n<p>\u2022 From January\/February 2005: on the art of reading Godard analytically by Richard Combs and Raymond Durgnat<\/p>\n<p>\u2022 From January\/February 2005: a behind-the-scenes portrait of Godard on the set of Notre musique by Fr\u00e9d\u00e9ric Bonnaud<\/p>\n<p>\u2022 From July\/August 2006: on Godard\u2019s installation for the Pompidou Center by Amy Taubin<\/p>\n<p>\u2022 From May\/June 2010: tracing Breathless back to its origins by Geoffrey O\u2019Brien<\/p>\n<p>\u2022 From September\/October 2010: Godard takes on digital media in Film Socialisme by Amy Taubin<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La serie Digital Anthology della rivista statunitense Film Comment raccoglie tutti gli articoli su un tema o un autore gi\u00e0 pubblicati sul periodico. La pubblicazione dedicata a Jean-Luc Godard (ottobre 2014) parte da un pezzo di Frederick Wellington del 1965 e si conclude con un&#8217;analisi di Film Socialisme\u00a0datata 2010 a cura Amy Taubin. Nel mezzo testi di Robin Wood, Jonathan<\/p>\n","protected":false},"author":6,"featured_media":33024,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[2306],"tags":[16372,1269],"class_list":["post-33023","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-libri","tag-film-comment","tag-jean-luc-godard"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Film Comment | Digital Anthology - Jean-Luc Godard | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rapportoconfidenziale.org\/?p=33023\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Film Comment | Digital Anthology - Jean-Luc Godard | Rapporto Confidenziale\" \/>\n<meta property=\"og:description\" content=\"La serie Digital Anthology della rivista statunitense Film Comment raccoglie tutti gli articoli su un tema o un autore gi\u00e0 pubblicati sul periodico. La pubblicazione dedicata a Jean-Luc Godard (ottobre 2014) parte da un pezzo di Frederick Wellington del 1965 e si conclude con un&#8217;analisi di Film Socialisme\u00a0datata 2010 a cura Amy Taubin. Nel mezzo testi di Robin Wood, Jonathan\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.rapportoconfidenziale.org\/?p=33023\" \/>\n<meta property=\"og:site_name\" content=\"Rapporto Confidenziale\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/rapportoconfidenziale\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/rapportoconfidenziale\" \/>\n<meta property=\"article:published_time\" content=\"2014-11-12T14:35:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/11\/Jean-Luc-Godard.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1112\" \/>\n\t<meta property=\"og:image:height\" content=\"741\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Rapporto Confidenziale\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@RConfidenziale\" \/>\n<meta name=\"twitter:site\" content=\"@RConfidenziale\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Rapporto Confidenziale\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=33023#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=33023\"},\"author\":{\"name\":\"Rapporto Confidenziale\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/person\\\/1bf60340eefe8f99b9cd50688202e9d3\"},\"headline\":\"Film Comment | Digital Anthology &#8211; Jean-Luc Godard\",\"datePublished\":\"2014-11-12T14:35:45+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=33023\"},\"wordCount\":490,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=33023#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2014\\\/11\\\/Jean-Luc-Godard.jpg\",\"keywords\":[\"Film Comment\",\"Jean-Luc Godard\"],\"articleSection\":[\"LIBRI\"],\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=33023#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=33023\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=33023\",\"name\":\"Film Comment | Digital Anthology - Jean-Luc Godard | Rapporto Confidenziale\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=33023#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=33023#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2014\\\/11\\\/Jean-Luc-Godard.jpg\",\"datePublished\":\"2014-11-12T14:35:45+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=33023#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=33023\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=33023#primaryimage\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2014\\\/11\\\/Jean-Luc-Godard.jpg\",\"contentUrl\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2014\\\/11\\\/Jean-Luc-Godard.jpg\",\"width\":1112,\"height\":741},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=33023#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Film Comment | Digital Anthology &#8211; Jean-Luc Godard\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#website\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/\",\"name\":\"Rapporto Confidenziale\",\"description\":\"rivista digitale di cultura cinematografica | digital magazine about cinematic culture\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#organization\",\"name\":\"Rapporto Confidenziale\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2017\\\/09\\\/RC_logo_1_nero.png\",\"contentUrl\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2017\\\/09\\\/RC_logo_1_nero.png\",\"width\":3508,\"height\":709,\"caption\":\"Rapporto Confidenziale\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/rapportoconfidenziale\",\"https:\\\/\\\/x.com\\\/RConfidenziale\",\"https:\\\/\\\/www.instagram.com\\\/icdpavlov\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/RConfidenziale\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/person\\\/1bf60340eefe8f99b9cd50688202e9d3\",\"name\":\"Rapporto Confidenziale\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g\",\"caption\":\"Rapporto Confidenziale\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/rapportoconfidenziale\"],\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?author=6\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Film Comment | Digital Anthology - Jean-Luc Godard | Rapporto Confidenziale","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.rapportoconfidenziale.org\/?p=33023","og_locale":"it_IT","og_type":"article","og_title":"Film Comment | Digital Anthology - Jean-Luc Godard | Rapporto Confidenziale","og_description":"La serie Digital Anthology della rivista statunitense Film Comment raccoglie tutti gli articoli su un tema o un autore gi\u00e0 pubblicati sul periodico. La pubblicazione dedicata a Jean-Luc Godard (ottobre 2014) parte da un pezzo di Frederick Wellington del 1965 e si conclude con un&#8217;analisi di Film Socialisme\u00a0datata 2010 a cura Amy Taubin. Nel mezzo testi di Robin Wood, Jonathan","og_url":"https:\/\/www.rapportoconfidenziale.org\/?p=33023","og_site_name":"Rapporto Confidenziale","article_publisher":"https:\/\/www.facebook.com\/rapportoconfidenziale","article_author":"https:\/\/www.facebook.com\/rapportoconfidenziale","article_published_time":"2014-11-12T14:35:45+00:00","og_image":[{"width":1112,"height":741,"url":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/11\/Jean-Luc-Godard.jpg","type":"image\/jpeg"}],"author":"Rapporto Confidenziale","twitter_card":"summary_large_image","twitter_creator":"@RConfidenziale","twitter_site":"@RConfidenziale","twitter_misc":{"Scritto da":"Rapporto Confidenziale","Tempo di lettura stimato":"2 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=33023#article","isPartOf":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=33023"},"author":{"name":"Rapporto Confidenziale","@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/person\/1bf60340eefe8f99b9cd50688202e9d3"},"headline":"Film Comment | Digital Anthology &#8211; Jean-Luc Godard","datePublished":"2014-11-12T14:35:45+00:00","mainEntityOfPage":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=33023"},"wordCount":490,"commentCount":0,"publisher":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#organization"},"image":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=33023#primaryimage"},"thumbnailUrl":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/11\/Jean-Luc-Godard.jpg","keywords":["Film Comment","Jean-Luc Godard"],"articleSection":["LIBRI"],"inLanguage":"it-IT","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.rapportoconfidenziale.org\/?p=33023#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=33023","url":"https:\/\/www.rapportoconfidenziale.org\/?p=33023","name":"Film Comment | Digital Anthology - Jean-Luc Godard | Rapporto Confidenziale","isPartOf":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=33023#primaryimage"},"image":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=33023#primaryimage"},"thumbnailUrl":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/11\/Jean-Luc-Godard.jpg","datePublished":"2014-11-12T14:35:45+00:00","breadcrumb":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=33023#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.rapportoconfidenziale.org\/?p=33023"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=33023#primaryimage","url":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/11\/Jean-Luc-Godard.jpg","contentUrl":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/11\/Jean-Luc-Godard.jpg","width":1112,"height":741},{"@type":"BreadcrumbList","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=33023#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.rapportoconfidenziale.org\/"},{"@type":"ListItem","position":2,"name":"Film Comment | Digital Anthology &#8211; Jean-Luc Godard"}]},{"@type":"WebSite","@id":"https:\/\/www.rapportoconfidenziale.org\/#website","url":"https:\/\/www.rapportoconfidenziale.org\/","name":"Rapporto Confidenziale","description":"rivista digitale di cultura cinematografica | digital magazine about cinematic culture","publisher":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.rapportoconfidenziale.org\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.rapportoconfidenziale.org\/#organization","name":"Rapporto Confidenziale","url":"https:\/\/www.rapportoconfidenziale.org\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/logo\/image\/","url":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/09\/RC_logo_1_nero.png","contentUrl":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/09\/RC_logo_1_nero.png","width":3508,"height":709,"caption":"Rapporto Confidenziale"},"image":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/rapportoconfidenziale","https:\/\/x.com\/RConfidenziale","https:\/\/www.instagram.com\/icdpavlov\/","https:\/\/www.youtube.com\/user\/RConfidenziale"]},{"@type":"Person","@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/person\/1bf60340eefe8f99b9cd50688202e9d3","name":"Rapporto Confidenziale","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g","caption":"Rapporto Confidenziale"},"sameAs":["https:\/\/www.facebook.com\/rapportoconfidenziale"],"url":"https:\/\/www.rapportoconfidenziale.org\/?author=6"}]}},"jetpack_featured_media_url":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2014\/11\/Jean-Luc-Godard.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/posts\/33023","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=33023"}],"version-history":[{"count":0,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/posts\/33023\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/media\/33024"}],"wp:attachment":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=33023"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=33023"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=33023"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}