{"id":33518,"date":"2015-01-07T14:44:01","date_gmt":"2015-01-07T13:44:01","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=33518"},"modified":"2015-01-08T15:31:43","modified_gmt":"2015-01-08T14:31:43","slug":"33518","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=33518","title":{"rendered":"Gen\u00e8ve \/\/ Black Movie 2015"},"content":{"rendered":"

\"AHard Day<\/em>, Kim Seong-hoon<\/p>\n

 <\/p>\n

\u00c0 CORPS PERDU: BLACK MOVIE CONTRE VENTS ET MAR\u00c9ES<\/b>
\n16-25 janvier 2015<\/b><\/p>\n

 <\/p>\n

Elle rugit, elle d\u00e9ferle, elle s\u2019abat, implacablement, la vague noire de la 16\u00e8me \u00e9dition de Black Movie. Elle macule l\u2019affiche du festival, elle se fracasse sur les \u00e9crans, elle s\u2019infiltre dans les esprits engourdis. Elle charrie avec elle 112 films <\/b>rescap\u00e9s des eaux troubles du cin\u00e9ma ind\u00e9pendant international, dont 51 en premi\u00e8re suisse <\/b> et 12 en premi\u00e8re europ\u00e9enne<\/b>. Autant d\u2019\u00e9coutilles ouvertes sur des soci\u00e9t\u00e9s en pleine schizophr\u00e9nie, qui tanguent entre espoir et chaos, entre salut et naufrage.<\/p>\n

 <\/p>\n

Regards du pr\u00e9sent, cin\u00e9astes de demain<\/b><\/p>\n

 <\/p>\n

Avec pas moins de 22 r\u00e9alisateurs convi\u00e9s<\/b>, Black Movie est le trait d\u2019union id\u00e9al entre public et auteurs du monde entier. Invit\u00e9 d\u2019honneur, Wang Bing <\/b>est le t\u00e9moin sans concession de la Chine des oubli\u00e9s, r\u00e9compens\u00e9 dans de nombreux festivals. Il nous gratifiera d\u2019une master class et pr\u00e9sentera dans la section \u00c0 MAINS NUES une r\u00e9trospective s\u00e9lective de sa filmographie, dont \u00c0 l\u2019ouest des rails<\/em> (projet\u00e9 dans son int\u00e9gralit\u00e9 au Mus\u00e9e d\u2019Ethnographie de Gen\u00e8ve), L\u2019argent du charbon<\/em>, L\u2019homme sans nom<\/em>, ‘Til Madness Do Us Part<\/em>, et Traces<\/em>.<\/p>\n

Ils sont certainement moins c\u00e9l\u00e8bres mais pr\u00e9figurent le cin\u00e9ma de demain : 13 cin\u00e9astes se d\u00e9placeront pour pr\u00e9senter leur premier long m\u00e9trage, dont Davi Pretto <\/b>(Castanha<\/em>), Zhou Hao <\/b> (The Night<\/em>), Lee Yong-seung <\/b>(10 Minutes<\/em>), Jamshid Mahmoudi <\/b>(A Few Cubic Meters of Love<\/em>), Jorge Yacoman <\/b>(La comodidad en la distancia), Chika Anadu <\/b>(B For Boy<\/em>), Kanu Behl <\/b>(Titli<\/em>), Dwein Balthazar <\/b>(Mamay Umeng<\/em>) et Egome Amah <\/b>(Les Hustlers<\/em>).<\/p>\n

Les favoris du festival ne sont \u00e9videmment pas en reste, et on retrouve dans la traditionnelle section \u00c0 SUIVRE\u2026\u00a0(exceptionnellement rebaptis\u00e9e AVOIR DU NEZ) les nouveaux films de Hong Sangsoo <\/b>(Hill of Freedom<\/em>), du toujours d\u00e9coiffant Takashi Miike <\/b>(Over Your Dead Body<\/em>), de Rehad Desai <\/b>(Miners Shot Down)<\/em>, de Park Jungbum <\/b>(Alive<\/em>) et de Dieudo Hamadi<\/b>, laur\u00e9at du Prix des Jeunes Black Movie 2014, qui nous revient avec le documentaire Examen d\u2019Etat<\/em>.<\/p>\n

 <\/p>\n

\"UnaUna noche sin luna<\/em>, German Tejeira<\/p>\n

 <\/p>\n

Le corps dans tous ses \u00e9tats<\/b><\/p>\n

 <\/p>\n

Black Movie diss\u00e8que sa programmation pour mieux la recomposer en sections th\u00e9matiques, instaurant un dialogue in\u00e9dit et anatomique entre films \u00e0 forme et fond comparables.
\nDans \u00c0 COEUR OUVERT, l\u2019amour est au centre de chor\u00e9graphies mortelles et de chass\u00e9s-crois\u00e9s temporels.
\nL\u2019actrice Yana Novikova <\/b>viendra pr\u00e9senter The Tribe<\/em> de Myroslav Slaboshpytskiy<\/b>, film ukrainien enti\u00e8rement tourn\u00e9 en langage des signes, qui d\u00e9peint l\u2019ascension d\u2019un adolescent dans le cercle mafieux r\u00e9gnant sur une institution pour sourds et malentendants. \u00c2mes sensibles s\u2019abstenir\u2026 Cupidon fait mouche dans l\u2019univers foutraque de Hentai Kamen<\/em> (Y\u00fbichi Fukuda<\/b>), et durant la nuit du r\u00e9veillon de Una noche sin luna<\/em> (German Tejeira<\/b>), mais rate sa cible dans le Moscou d\u00e9senchant\u00e9 de Another Year<\/em> (Oxana Bychkova<\/b>).<\/p>\n

Impossible de rester de marbre devant la s\u00e9lection de LA PEUR AU VENTRE, qui prend aux tripes et met \u00e0 l\u2019\u00e9preuve les esprits les plus endurcis. Course contre la montre effr\u00e9n\u00e9e dans Hard Day<\/em> (Kim Seong-hoon<\/b>), trip moyen\u00e2geux hallucin\u00e9 dans Hard to be a God<\/em> (Aleksei German<\/b>), conflit sans gloire dans Fires on the Plain<\/em> (de Shinya Tsukamoto<\/b>, le papa de Tetsuo<\/em>), et injustice terrible dans Los a\u00f1os de Fierro<\/em> (Santiago Esteinou<\/b>). Autour de ce dernier, une table ronde sera organis\u00e9e en pr\u00e9sence du r\u00e9alisateur et d\u2019un repr\u00e9sentant d\u2019Amnesty International.<\/p>\n

On retrouve dans LA PRUNELLE DE NOS YEUX les films soumis au regard aiguis\u00e9 de notre Jury de la Critique, compos\u00e9 cette ann\u00e9e de Arthur Dreyfus <\/b>(Vogue, Holiday), \u00d8ystein Egge <\/b>(Z Filmtidsskrift), Laurent Guido <\/b>(Universit\u00e9 Lille Nord de France), Roberto Rippa <\/b>(Rapporto Confidenziale) et Virginie S\u00e9lavy <\/b>(Electric Sheep).<\/p>\n

MICROBE: LE PETIT BLACK MOVIE, section incontournable consacr\u00e9e au meilleur de l\u2019animation mondiale, propose 56 films pour les enfants, scrut\u00e9 par un jury de trois professionnels qui remettra pour la premi\u00e8re fois le prix RTS KIDS. Une attention particuli\u00e8re est donn\u00e9e cette ann\u00e9e au Br\u00e9sil, notamment repr\u00e9sent\u00e9 par deux films : \u00d4 menino et \u00f4 mundo<\/em> de Al\u00ea Abreu <\/b>(prim\u00e9 au dernier Festival d\u2019Annecy), et Sinfonia Amaz\u00f4nica<\/em> de Anielo Latini<\/b>, premier long m\u00e9trage d\u2019animation br\u00e9silien produit en 1953. Les plus grands ne seront pas en reste avec les films de VIRUS: LE PETIT BLACK MOVIE POUR ADULTE, aux accents d\u00e9cal\u00e9s et doux-amers.<\/p>\n

 <\/p>\n

\"Castanha09\"Castanha<\/em>, Davi Pretto<\/p>\n

 <\/p>\n

\u00c0 voir et \u00e0 penser<\/b><\/p>\n

 <\/p>\n

Des films, mais pas seulement. Thuy-An Hoang et Xavier Erni, \u00e9diteurs de Poster Tribune<\/em>, en collaboration avec le National film Center de Tokyo, proposent \u00e0 la Halle Nord une exposition de 40 affiches de films de l\u2019Art Theatre Guild<\/b>, maison de production underground qui a donn\u00e9 naissance \u00e0 la nouvelle vague japonaise des ann\u00e9es soixante. Une conf\u00e9rence et une visite guid\u00e9e seront organis\u00e9es \u00e0 cette occasion par Hidenori Okada, conservateur, tandis que trois films embl\u00e9matiques de cette p\u00e9riode seront projet\u00e9s, en 35mm, dans la section SEXTIES: Les fun\u00e9railles des roses<\/em> (Toshio Matsumoto<\/b>), Mujo<\/em> (Akio Jissoji<\/b>), Premier amour, version infernale<\/em> (Susumu Hani<\/b>).<\/p>\n

Malgr\u00e9 les \u00e9v\u00e9nements qui ont r\u00e9cemment secou\u00e9 le Burkina Faso, le projet de r\u00e9habilitation du Cin\u00e9 Guimbi<\/b>, soutenu d\u00e8s ses d\u00e9buts par Black Movie, est toujours en cours, et une conf\u00e9rence sp\u00e9ciale pr\u00e9sentera l\u2019\u00e9volution incroyable du chantier.<\/p>\n

 <\/p>\n

Loges rouge et noire<\/b><\/p>\n

 <\/p>\n

Le Festival vibrera une nouvelle fois en compagnie du Boreal Coffee Shop<\/b>, sponsor du Prix du Public, qui prend ses quartiers \u00e0 l\u2019entr\u00e9e des Cin\u00e9mas du Gr\u00fctli, et ouvre une donuterie au 3\u00e8me \u00e9tage de la Maison des arts du Gr\u00fctli. La collaboration se poursuit avec le Kino Kabaret<\/b>, qui invite artistes et techniciens \u00e0 participer \u00e0 un v\u00e9ritable laboratoire de cr\u00e9ation: pendant trois jours, ils r\u00e9aliseront une s\u00e9rie de courts m\u00e9trages pr\u00e9sent\u00e9s ensuite au public.<\/p>\n

Le coeur de Black Movie bat avec tous les cin\u00e9mas, tout comme celui de l\u2019artiste Cetusss<\/b>, qui d\u00e9core trois espaces en hommage \u00e0 la mystique et mythique s\u00e9rie Twin Peaks<\/em>.
\nLe Gr\u00fctli accueille en son sein la tr\u00e8s onirique Black Lodge <\/b>et le Great Northern Hotel<\/b>, salle de cin\u00e9ma sur mesure. Le bar adjacent au Spoutnik devient le Gunbalow<\/b>, th\u00e9\u00e2tre des nuits blanches indissociables du Festival.<\/p>\n

 <\/p>\n

 <\/p>\n

PAINT IT BLACK!<\/b><\/p>\n

Black Movie: 112 films sur dix jours du 16 au 25 janvier 2015<\/b><\/p>\n

Le festival \u00e0 port\u00e9e de clic sur www.blackmovie.ch<\/b><\/span><\/span><\/a><\/p>\n

\"Black<\/p>\n","protected":false},"excerpt":{"rendered":"

Hard Day, Kim Seong-hoon   \u00c0 CORPS PERDU: BLACK MOVIE CONTRE VENTS ET MAR\u00c9ES 16-25 janvier 2015   Elle rugit, elle d\u00e9ferle, elle s\u2019abat, implacablement, la vague noire de la 16\u00e8me \u00e9dition de Black Movie. Elle macule l\u2019affiche du festival, elle se fracasse sur les \u00e9crans, elle s\u2019infiltre dans les esprits engourdis. Elle charrie avec elle 112 films rescap\u00e9s des<\/p>\n","protected":false},"author":6,"featured_media":33519,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[7],"tags":[16522,14083,14080],"class_list":["post-33518","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festival","tag-16522","tag-black-movie-festival-de-films","tag-geneve"],"yoast_head":"\nGen\u00e8ve \/\/ Black Movie 2015 | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rapportoconfidenziale.org\/?p=33518\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gen\u00e8ve \/\/ Black Movie 2015 | Rapporto Confidenziale\" \/>\n<meta property=\"og:description\" content=\"Hard Day, Kim Seong-hoon   \u00c0 CORPS PERDU: BLACK MOVIE CONTRE VENTS ET MAR\u00c9ES 16-25 janvier 2015   Elle rugit, elle d\u00e9ferle, elle s\u2019abat, implacablement, la vague noire de la 16\u00e8me \u00e9dition de Black Movie. Elle macule l\u2019affiche du festival, elle se fracasse sur les \u00e9crans, elle s\u2019infiltre dans les esprits engourdis. Elle charrie avec elle 112 films rescap\u00e9s des\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.rapportoconfidenziale.org\/?p=33518\" \/>\n<meta property=\"og:site_name\" content=\"Rapporto Confidenziale\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/rapportoconfidenziale\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/rapportoconfidenziale\" \/>\n<meta property=\"article:published_time\" content=\"2015-01-07T13:44:01+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-01-08T14:31:43+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2015\/01\/A-Hard-Day01.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1124\" \/>\n\t<meta property=\"og:image:height\" content=\"805\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Rapporto Confidenziale\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@RConfidenziale\" \/>\n<meta name=\"twitter:site\" content=\"@RConfidenziale\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Rapporto Confidenziale\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=33518#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=33518\"},\"author\":{\"name\":\"Rapporto Confidenziale\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/person\\\/1bf60340eefe8f99b9cd50688202e9d3\"},\"headline\":\"Gen\u00e8ve \\\/\\\/ Black Movie 2015\",\"datePublished\":\"2015-01-07T13:44:01+00:00\",\"dateModified\":\"2015-01-08T14:31:43+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=33518\"},\"wordCount\":1126,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=33518#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2015\\\/01\\\/A-Hard-Day01.jpg\",\"keywords\":[\"2015\",\"Black Movie Festival de films\",\"Gen\u00e8ve\"],\"articleSection\":[\"FESTIVAL\"],\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=33518#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=33518\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=33518\",\"name\":\"Gen\u00e8ve \\\/\\\/ Black Movie 2015 | Rapporto Confidenziale\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=33518#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=33518#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2015\\\/01\\\/A-Hard-Day01.jpg\",\"datePublished\":\"2015-01-07T13:44:01+00:00\",\"dateModified\":\"2015-01-08T14:31:43+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=33518#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=33518\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=33518#primaryimage\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2015\\\/01\\\/A-Hard-Day01.jpg\",\"contentUrl\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2015\\\/01\\\/A-Hard-Day01.jpg\",\"width\":1124,\"height\":805},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=33518#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Gen\u00e8ve \\\/\\\/ Black Movie 2015\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#website\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/\",\"name\":\"Rapporto Confidenziale\",\"description\":\"rivista digitale di cultura cinematografica | digital magazine about cinematic culture\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#organization\",\"name\":\"Rapporto Confidenziale\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2017\\\/09\\\/RC_logo_1_nero.png\",\"contentUrl\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2017\\\/09\\\/RC_logo_1_nero.png\",\"width\":3508,\"height\":709,\"caption\":\"Rapporto Confidenziale\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/rapportoconfidenziale\",\"https:\\\/\\\/x.com\\\/RConfidenziale\",\"https:\\\/\\\/www.instagram.com\\\/icdpavlov\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/RConfidenziale\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/person\\\/1bf60340eefe8f99b9cd50688202e9d3\",\"name\":\"Rapporto Confidenziale\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g\",\"caption\":\"Rapporto Confidenziale\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/rapportoconfidenziale\"],\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?author=6\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Gen\u00e8ve \/\/ Black Movie 2015 | Rapporto Confidenziale","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.rapportoconfidenziale.org\/?p=33518","og_locale":"it_IT","og_type":"article","og_title":"Gen\u00e8ve \/\/ Black Movie 2015 | Rapporto Confidenziale","og_description":"Hard Day, Kim Seong-hoon   \u00c0 CORPS PERDU: BLACK MOVIE CONTRE VENTS ET MAR\u00c9ES 16-25 janvier 2015   Elle rugit, elle d\u00e9ferle, elle s\u2019abat, implacablement, la vague noire de la 16\u00e8me \u00e9dition de Black Movie. Elle macule l\u2019affiche du festival, elle se fracasse sur les \u00e9crans, elle s\u2019infiltre dans les esprits engourdis. Elle charrie avec elle 112 films rescap\u00e9s des","og_url":"https:\/\/www.rapportoconfidenziale.org\/?p=33518","og_site_name":"Rapporto Confidenziale","article_publisher":"https:\/\/www.facebook.com\/rapportoconfidenziale","article_author":"https:\/\/www.facebook.com\/rapportoconfidenziale","article_published_time":"2015-01-07T13:44:01+00:00","article_modified_time":"2015-01-08T14:31:43+00:00","og_image":[{"width":1124,"height":805,"url":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2015\/01\/A-Hard-Day01.jpg","type":"image\/jpeg"}],"author":"Rapporto Confidenziale","twitter_card":"summary_large_image","twitter_creator":"@RConfidenziale","twitter_site":"@RConfidenziale","twitter_misc":{"Scritto da":"Rapporto Confidenziale","Tempo di lettura stimato":"6 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=33518#article","isPartOf":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=33518"},"author":{"name":"Rapporto Confidenziale","@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/person\/1bf60340eefe8f99b9cd50688202e9d3"},"headline":"Gen\u00e8ve \/\/ Black Movie 2015","datePublished":"2015-01-07T13:44:01+00:00","dateModified":"2015-01-08T14:31:43+00:00","mainEntityOfPage":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=33518"},"wordCount":1126,"commentCount":0,"publisher":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#organization"},"image":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=33518#primaryimage"},"thumbnailUrl":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2015\/01\/A-Hard-Day01.jpg","keywords":["2015","Black Movie Festival de films","Gen\u00e8ve"],"articleSection":["FESTIVAL"],"inLanguage":"it-IT","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.rapportoconfidenziale.org\/?p=33518#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=33518","url":"https:\/\/www.rapportoconfidenziale.org\/?p=33518","name":"Gen\u00e8ve \/\/ Black Movie 2015 | Rapporto Confidenziale","isPartOf":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=33518#primaryimage"},"image":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=33518#primaryimage"},"thumbnailUrl":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2015\/01\/A-Hard-Day01.jpg","datePublished":"2015-01-07T13:44:01+00:00","dateModified":"2015-01-08T14:31:43+00:00","breadcrumb":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=33518#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.rapportoconfidenziale.org\/?p=33518"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=33518#primaryimage","url":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2015\/01\/A-Hard-Day01.jpg","contentUrl":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2015\/01\/A-Hard-Day01.jpg","width":1124,"height":805},{"@type":"BreadcrumbList","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=33518#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.rapportoconfidenziale.org\/"},{"@type":"ListItem","position":2,"name":"Gen\u00e8ve \/\/ Black Movie 2015"}]},{"@type":"WebSite","@id":"https:\/\/www.rapportoconfidenziale.org\/#website","url":"https:\/\/www.rapportoconfidenziale.org\/","name":"Rapporto Confidenziale","description":"rivista digitale di cultura cinematografica | digital magazine about cinematic culture","publisher":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.rapportoconfidenziale.org\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.rapportoconfidenziale.org\/#organization","name":"Rapporto Confidenziale","url":"https:\/\/www.rapportoconfidenziale.org\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/logo\/image\/","url":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/09\/RC_logo_1_nero.png","contentUrl":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/09\/RC_logo_1_nero.png","width":3508,"height":709,"caption":"Rapporto Confidenziale"},"image":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/rapportoconfidenziale","https:\/\/x.com\/RConfidenziale","https:\/\/www.instagram.com\/icdpavlov\/","https:\/\/www.youtube.com\/user\/RConfidenziale"]},{"@type":"Person","@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/person\/1bf60340eefe8f99b9cd50688202e9d3","name":"Rapporto Confidenziale","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g","caption":"Rapporto Confidenziale"},"sameAs":["https:\/\/www.facebook.com\/rapportoconfidenziale"],"url":"https:\/\/www.rapportoconfidenziale.org\/?author=6"}]}},"jetpack_featured_media_url":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2015\/01\/A-Hard-Day01.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/posts\/33518","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=33518"}],"version-history":[{"count":0,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/posts\/33518\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/media\/33519"}],"wp:attachment":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=33518"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=33518"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=33518"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}