{"id":33877,"date":"2015-02-24T20:14:57","date_gmt":"2015-02-24T19:14:57","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=33877"},"modified":"2015-02-24T20:14:57","modified_gmt":"2015-02-24T19:14:57","slug":"alice-rohrwacher-de-djess","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=33877","title":{"rendered":"Alice Rohrwacher | De Djess"},"content":{"rendered":"
\"Miu

Miu Miu Women’s Tales 9 – “DE DJESS” – Backstage images – Photos by Brigitte Lacombe<\/p><\/div>\n

Alice Rohrwacher torna dietro alla macchina da presa, dopo il Grand Prix di Cannes, con un cortometraggio surreale commissionato da Miu Miu. Nono elemento di una serie tutta al femminile – Women’s Tales – inaugurata da Zoe Cassavetes e proseguita con i corti di Lucrecia Martel, Giada Colagrande, Massy Tadjedin, Ava DuVernay, Hiam Abbas, So Yong Kim, Miranda July. Il committente in questione, vedi alla voce Prada, pare lasci completa libert\u00e0 creativa e Rohrwacher prende la palla al balzo, uscendo dallo stile dei suoi due fortunatissimi lungometraggi (Le meraviglie<\/a> e Corpo celeste<\/em>), regalandosi un viaggio visionario che strizza l’occhio al glamour e al citazionismo cinematografico. De Djess<\/em> \u00e8 una sofisticata favola ambientata nei malinconici volumi del Grand Hotel Excelsior del Lido di Venezia, tessuta da\u00a0H\u00e9l\u00e8ne Louvart, ottimamente confezionata (come sempre) dall’abile Marco Spoletini e impreziosita dalle animazioni a passo uno di Michelangelo Fornaro. [AG]<\/em><\/p>\n

 <\/p>\n

+ + +<\/p>\n

 <\/p>\n

DE DJESS<\/strong>
\nRegia, sceneggiatura: Alice Rohrwacher \u2022 Fotografia: H\u00e9l\u00e8ne Louvart \u2022 Montaggio: Marco Spoletini \u2022 Stop motion: Michelangelo Fornaro \u2022 Set designer: Giulia Paolucci \u2022 Acting coach: Tatiana Lepore \u2022 Costume designer: Loredana Buscemi \u2022 Costumi: Miu Miu \u2022 Acconciature: Daniela Tartari \u2022 Trucco: Paola Gattabrusi \u2022 Musiche: Cleaning Women \u2022 Line producer: Giorgio Gasparini \u2022 Suono: Marta Billingsley, Fabio Pagotto, Joonas Turner \u2022 Postproduction manager: Enrico Barone \u2022 Sound design: Studio 16 sound \u2022 Digital postproduction: Grande Mela \u2022 Colorist: Red \u2022 Foto di scena: Brigitte Lacombe \u2022 Produttori: Carlo Cresto-Dina, Max Brun \u2022 Interpreti: Janet Mojica, Alba Rohrwacher, Cristina Bugatti, Chiara Pauluzzi, Katiuscia Bonato, Claudia Graziadei, Bianca Maffucci, Cristina Scapol, Asako Watanabe, Federica Rosellini, Irene Petris, Giulia Pagnacco, Alessandro Genovesi, Monica Milanesi, Tatiana Lepore, Anita Crucitti \u2022 Produzione: Miu Miu, Tempesta, Hi Production \u2022 Paese: italia \u2022 Anno: 2015 \u2022 Durata: 14’33”<\/p>\n

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+ + +<\/p>\n

\n

\/ extra \\<\/strong>
\n\u2022 intervista ad Alice Rohrwacher<\/a>\u00a0\u2022
\n\u2022 intervista ad Alba Rohrwacher<\/a>\u00a0\u2022
\n\u2022 intervista a Cristina Bugatti<\/a>\u00a0\u2022
\n\u2022 intervista a Michelangelo Fornaro<\/a>\u00a0\u2022
\n\u2022 intervista a Yanet Mojica<\/a>\u00a0\u2022
\n\u2022\u00a0Behind the Scenes<\/a>\u00a0\u2022<\/p>\n

\n

+ + +<\/p>\n

\n

\u00a0\"desdjess\"<\/p>\n

 <\/p>\n

+ + +<\/p>\n

\n

Miu Miu\u00a0\u2022\u00a0Women’s Tales<\/em><\/h2>\n

\n

No. 1
\nThe Powder Room<\/strong>
\nby Zoe Cassavetes
\n\/ play<\/a>\u00a0\\<\/p>\n

\n

No. 2
\nMuta<\/strong>
\nby Lucrecia Martel
\n\/ play<\/a>\u00a0\\<\/p>\n

\n

No. 3
\nThe Woman Dress<\/strong>
\nby Giada Colagrande
\n\/ play<\/a>\u00a0\\<\/p>\n

\n

No. 4
\nIt’ Getting Late<\/strong>
\nby Massy Tadjedin
\n\/ play<\/a>\u00a0\\<\/p>\n

\n

No. 5
\nThe Door<\/strong>
\nby Ava DuVernay
\n\/ play<\/a>\u00a0\\<\/p>\n

\n

No. 6
\nLe Donne della Vucciria<\/strong>
\nby Hiam Abbas
\n\/ play<\/a>\u00a0\\<\/p>\n

\n

No. 7
\nSpark and Light<\/strong>
\nby So Yong Kim
\n\/ play<\/a>\u00a0\\<\/p>\n

\n

No. 8
\nSomebody<\/strong>
\nby Miranda July
\n\/ play<\/a>\u00a0\\<\/p>\n

\n

No. 9
\nDe Djess<\/strong>
\nby Alice Rohrwacher
\n\/ play<\/a>\u00a0\\<\/p>\n

\n

Miu Miu \u2022 Women’s Tales<\/a><\/p>\n

 <\/p>\n

\"desdjess_02\"<\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Alice Rohrwacher torna dietro alla macchina da presa, dopo il Grand Prix di Cannes, con un cortometraggio surreale commissionato da Miu Miu. Nono elemento di una serie tutta al femminile – Women’s Tales – inaugurata da Zoe Cassavetes e proseguita con i corti di Lucrecia Martel, Giada Colagrande, Massy Tadjedin, Ava DuVernay, Hiam Abbas, So Yong Kim, Miranda July. Il<\/p>\n","protected":false},"author":6,"featured_media":33878,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1710],"tags":[3835,15959,15960,17252,68,16612,16607,16613,6273,16611,16608,16609,16610,15961],"class_list":["post-33877","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-cineteca","tag-alba-rohrwacher","tag-alice-rohrwacher","tag-carlo-cresto-dina","tag-cineteca","tag-cortometraggio","tag-cristina-bugatti","tag-des-djess","tag-giulia-paolucci","tag-helene-louvart","tag-janet-mojica","tag-marco-spoletini","tag-michelangelo-fornaro","tag-miu-miu","tag-tempesta","post_format-post-format-video"],"yoast_head":"\nAlice Rohrwacher | De Djess | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rapportoconfidenziale.org\/?p=33877\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Alice Rohrwacher | De Djess | Rapporto Confidenziale\" \/>\n<meta property=\"og:description\" content=\"Alice Rohrwacher torna dietro alla macchina da presa, dopo il Grand Prix di Cannes, con un cortometraggio surreale commissionato da Miu Miu. 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