{"id":35746,"date":"2016-01-13T10:53:33","date_gmt":"2016-01-13T09:53:33","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=35746"},"modified":"2016-01-13T10:53:33","modified_gmt":"2016-01-13T09:53:33","slug":"geneve-black-movie-2016-sezioni-e-film","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=35746","title":{"rendered":"Gen\u00e8ve > Black Movie 2016 &#8211; sezioni e film"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-35576\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2015\/11\/affiche_Black-Movie-2016.jpg\" alt=\"affiche_Black Movie 2016\" width=\"1300\" height=\"1838\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2015\/11\/affiche_Black-Movie-2016.jpg 1300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2015\/11\/affiche_Black-Movie-2016-212x300.jpg 212w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2015\/11\/affiche_Black-Movie-2016-724x1024.jpg 724w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2015\/11\/affiche_Black-Movie-2016-436x616.jpg 436w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2015\/11\/affiche_Black-Movie-2016-1112x1572.jpg 1112w\" sizes=\"auto, (max-width: 1300px) 100vw, 1300px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong>BLACK MOVIE<\/strong><br \/>\nFestival international de films ind\u00e9pendants<br \/>\nBlack Movie 17e edition<br \/>\nGen\u00e8ve, 22-31 janvier 2016<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>100% ADDICTIF:<br \/>\nBLACK MOVIE 2016, \u00c0 CONSOMMER SANS MOD\u00c9RATION<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Sortez fl\u00fbtes et chopes, d\u00e9bouchez canettes, fioles et carafes, sabrez magnums et amphores: qu\u2019importe le flacon, la 17\u00e8me \u00e9dition du Festival Black Movie s\u2019offre \u00e0 la d\u00e9gustation! Elixir, potion, nectar, m\u00e9dicament, ambroisie, voici le breuvage qui va \u00e9tancher la soif cin\u00e9phile de ce d\u00e9but d\u2019ann\u00e9e. 117 films tous formats confondus, dont 73 en\u00a0premi\u00e8re suisse, constituent ce bel assemblage. Fontaine, je ne ferai que boire de ton eau !<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Vers l\u2019autre rive, et au-del\u00e0<\/strong><\/p>\n<p>C\u2019est par l\u2019Europe de l\u2019Est, et plus pr\u00e9cis\u00e9ment la Roumanie, que Black Movie effectue un premier grand d\u00e9tour. En collaboration avec les Cin\u00e9mas du Gr\u00fctli et Le cin\u00e9ma roumain \u00e0 Gen\u00e8ve, le Festival propose la section sp\u00e9ciale 100% ROUMAIN, construite en deux temps. En vedette, une mini-r\u00e9trospective consacr\u00e9e \u00e0 <strong>Lucian Pintilie<\/strong> (<em>Le ch\u00eane<\/em>, <em>Terminus Paradis<\/em>, <em>Niki et Flo<\/em>), cin\u00e9aste rebelle qui a quasiment incarn\u00e9 \u00e0 lui seul le cin\u00e9ma de son pays pendant trois d\u00e9cennies. En regard, un choix de 5 films contemporains, en forme de coup de projecteur sur la g\u00e9n\u00e9ration de ses h\u00e9ritiers d\u00e9couverte au mitan des ann\u00e9es 2000: <em>Le tr\u00e9sor<\/em> de <strong>Corneliu Porumboiu<\/strong>, <em>L\u2019\u00e9tage du dessous<\/em> de <strong>Radu Muntean<\/strong>, <em>Box<\/em> de <strong>Florin Serban<\/strong>, <em>Why Me?<\/em> de <strong>Tudor Giurgiu<\/strong>, et <em>Back Home<\/em> de <strong>Andrei Cohn<\/strong>.<\/p>\n<p>Plus au sud, Black Movie revient \u00e0 ses amours premiers, et salue la figure de <strong>Ousmane Sembene<\/strong>, r\u00e9alisateur s\u00e9n\u00e9galais de l\u00e9gende, auteur de <em>La Noire de\u2026<\/em> (1966), premier film jamais r\u00e9alis\u00e9 par un cin\u00e9aste d\u2019Afrique noire. On (re)d\u00e9couvrira \u00e0 cette occasion trois piliers de sa filmographie et <em>Sembene!<\/em>, documentaire qui lui a \u00e9t\u00e9 r\u00e9cemment\u00a0consacr\u00e9 par son biographe officiel Samba Gadjigo. Le tout regroup\u00e9 dans la section <strong>50% CARTE BLANCHE, 50% CARTE NOIRE<\/strong>, esquiss\u00e9e en collaboration avec le fid\u00e8le Cin\u00e9 Guimbi de Bobo Dioulasso.<\/p>\n<p>S\u2019il est presque impossible d\u2019embrasser toute la carri\u00e8re du Japonais <strong>Sion Sono<\/strong>, cin\u00e9aste de tous les exc\u00e8s, le Festival montrera 6 de ses films (dont 3 in\u00e9dits en Suisse). Parmi eux, le classique <em>Suicide Club<\/em> qui a fait d\u00e9couvrir au monde son univers singulier, et son \u00e9tonnante pr\u00e9quelle Noriko\u2019s Dinner Table.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Un rem\u00e8de universel contre la morosit\u00e9<\/strong><\/p>\n<p>Attentif au lien entre public et films, Black Movie accueille 20 invit\u00e9s en provenance des quatre coins du globe, venus porter haut les couleurs de leurs productions. Le programme se pr\u00e9sente sous la forme de 10 sections, intitul\u00e9es selon les composants de notre boisson miracle: <strong>68% AMPH\u00c9TAMINE, 69% SPIRITUEUX, 72% APHRODISIAQUE, 80% HALLUCINOG\u00c8NE\u2026<\/strong><\/p>\n<p>La section <strong>\u00c0 SUIVRE\u2026<\/strong>, d\u00e9di\u00e9e aux chouchous du Festival, f\u00eate en 2016 ses 10 ans. Et la cuv\u00e9e, \u00e9tiquet\u00e9e 100% ADDICTIF, est \u00e0 la hauteur de l\u2019anniversaire: 9 films pour 8 r\u00e9alisateurs. Seront projet\u00e9es les derni\u00e8res oeuvres de <strong>Apichatpong Weerasethakul<\/strong> (<em>Cemetery of Splendour<\/em>, <em>Vapour<\/em>), <strong>Tsai Ming-liang<\/strong> (<em>Afternoon<\/em>), <strong>Yorgos Lanthimos<\/strong>\u00a0(<em>The Lobster<\/em>), <strong>Athina Rachel Tsangari<\/strong> (<em>Chevalier<\/em>), <strong>Hong Sang-soo<\/strong> (<em>Right Now, Wrong Then<\/em>), <strong>Kiyoshi Kurosawa<\/strong> (<em>Vers l\u2019autre rive<\/em>), <strong>Sergei Loznitsa<\/strong> (<em>The Event<\/em>), <strong>Chintis Lundgren<\/strong> (<em>Life With Herman H. Rott<\/em>).<\/p>\n<p>Entre premi\u00e8res r\u00e9alisations et talents confirm\u00e9s, la s\u00e9lection fait le grand \u00e9cart. On retrouvera un flic intransigeant exalt\u00e9 de justice dans <em>Veteran<\/em> (<strong>Ryoo Seung-wan<\/strong>), Tim Roth au chevet des accident\u00e9s de la vie dans <em>Chronic<\/em> (<strong>Michel Franco<\/strong>), l\u2019ombre d\u2019un serial killer sur les jeunes filles d\u00e9gourdies de <em>Mate-me por favor<\/em> (<strong>Anita Rocha de Silveira<\/strong>), et la premi\u00e8re actrice robot dans le Japon post-apocalyptique de <em>Say\u00f4nara<\/em> (<strong>K\u00f4ji Fukada<\/strong>).<\/p>\n<p>Les films les plus novateurs de la programmation seront pass\u00e9s au crible par le Jury de la Critique internationale, qui r\u00e9unit Paula Arantzazu Ruiz (AHORA), Natalie B\u00f6hler (filmbulletin), Claire Diao (Screen Africa), Jessica Kiang (The Playlist\/Indiewire) et Gloria Zerbinati (Cineforum).<\/p>\n<p>\u00c0 l\u2019intention des petits et des grands, LE PETIT BLACK MOVIE \u00e9gr\u00e8ne les films d\u2019animation du monde entier sous l\u2019appellation 65% \u00c9NERGISANT, et affiche pas moins de 48 courts m\u00e9trages. Un jury les d\u00e9partagera pour ladeuxi\u00e8me ann\u00e9e cons\u00e9cutive en remettant le prix RTS KIDS au meilleur d\u2019entre eux. Pour cette \u00e9dition, la s\u00e9lection est accompagn\u00e9e de 2 longs m\u00e9trages de fiction: 14+ (First Love) et La forteresse.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Les Films<\/strong><\/p>\n<p><strong>99% ADDICTIF (\u00c0 SUIVRE\u2026)<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-35753\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/01\/The-Lobster01.jpg\" alt=\"The Lobster01\" width=\"800\" height=\"480\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/01\/The-Lobster01.jpg 800w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/01\/The-Lobster01-300x180.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/01\/The-Lobster01-436x262.jpg 436w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/>THE LOBSTER, Yorgos Lanthimos<\/p>\n<p>&nbsp;<\/p>\n<p>AFTERNOON, Tsai Ming-liang, Ta\u00efwan, 2015<br \/>\nCHEVALIER, Athina Rachel Tsangari, Gr\u00e8ce, 2015<br \/>\nCEMETERY OF SPLENDOUR, Apichatpong Weerasethakul, Tha\u00eflande, 2015<br \/>\nVERS L\u2019AUTRE RIVE, Kiyoshi Kurosawa, Japon<br \/>\nRIGHT NOW, WRONG THEN, Hong Sang-soo, Cor\u00e9e du Sud, 2015<br \/>\nTHE EVENT, Sergei Loznitsa, Pays-Bas, Belgique, 2015<br \/>\nVAPOUR, Apichatpong Weerasethakul, Tha\u00eflande, 2015<br \/>\nLIFE WITH HERMAN H. ROTT, Chintis Lindgren, Estonie, Croatie, 2015<br \/>\nTHE LOBSTER, Yorgos Lanthimos, Gr\u00e8ce-Royaume-Uni, 2015<\/p>\n<p>&nbsp;<\/p>\n<p><strong>80% HALLUCINOG\u00c8NE<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-35754\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/01\/Abluka01.jpg\" alt=\"Abluka01\" width=\"800\" height=\"450\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/01\/Abluka01.jpg 800w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/01\/Abluka01-300x169.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/01\/Abluka01-436x245.jpg 436w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/>ABLUKA, Emin Alper<\/p>\n<p>&nbsp;<\/p>\n<p>ABLUKA, Emin Alper, Turquie, 2015<br \/>\nH., Rania Attieh, Daniel Garcia, Argentine-USA, 2015<br \/>\nOJUJU C.J., \u00ab Fiery \u00bb Obasi, Nigeria, 2014<br \/>\nPEACE TO US IN OUR DREAMS, Sharunas Bartas, Lituanie, 2015<br \/>\nSAY\u00d4NARA, K\u00f4ji Fukada, Japon, 2015<br \/>\nTHE BLUE HOUR, Anucha Boonyawatana, Tha\u00eflande, 2015<br \/>\nJERUZALEM, Yoav &amp; Doron Paz, Isra\u00ebl, 2015<br \/>\nLA MUJER DE LOS PERROS, L. Citarella, V. Llin\u00e1s, Argentine, 2015<\/p>\n<p>&nbsp;<\/p>\n<p><strong>72% APHRODISIAQUE<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-35755\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/01\/Motherland01.jpg\" alt=\"Motherland01\" width=\"800\" height=\"450\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/01\/Motherland01.jpg 800w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/01\/Motherland01-300x169.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/01\/Motherland01-436x245.jpg 436w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/>MOTHERLAND, Menem T\u00fczen<\/p>\n<p>&nbsp;<\/p>\n<p>NEON BULL, Gabriel Mascaro, Br\u00e9sil, Uruguay, 2015<br \/>\nKABUKICHO LOVE HOTEL, Ry\u016bichi Hiroki, Japon, 2014<br \/>\nLIVEFOREVER, Carlos Moreno, Colombie, Mexique, 2014<br \/>\nMOTHERLAND, Menem T\u00fczen, Turquie-Gr\u00e8ce, 2015<br \/>\nMATE-ME POR FAVOR, Anita Rocha da Silveira, Br\u00e9sil, 2015<br \/>\nBARASH, Michal Vinik, Isra\u00ebl, 2015<br \/>\nMEKONG STORIES, Phan Dang Di, Vietnam, 2015<\/p>\n<p>&nbsp;<\/p>\n<p><strong>69% SPIRITUEUX<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-35045\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2015\/08\/get.do_.jpeg\" alt=\"Tikkun05\" width=\"800\" height=\"440\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2015\/08\/get.do_.jpeg 800w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2015\/08\/get.do_-300x165.jpeg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2015\/08\/get.do_-436x240.jpeg 436w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/>TIKKUN, Avishai Sivan<\/p>\n<p>&nbsp;<\/p>\n<p>ANOTHER WAY, Cho Chang-ho, Cor\u00e9e du Sud, 2015<br \/>\nCOMING OF AGE, Teboho Edkins, Afrique du Sud, 2015<br \/>\nFREE IN DEED, Jake Mahaffy Nlle, Z\u00e9lande-USA, 2015<br \/>\nNECKTIE YOUTH, Sibs Shongwe-La Mer, Afrique du Sud, 2015<br \/>\nCHRONIC, Michel Franco, Mexique, France, 2015<br \/>\nPATHS OF THE SOULS, Zhang Yang, Chine, 2015<br \/>\nTHARLO, Peme Tseden, Chine, 2015<br \/>\nTIKKUN, Avishai Sivan, Isra\u00ebl, 2015<\/p>\n<p>&nbsp;<\/p>\n<p><strong>68% AMPH\u00c9TAMINE<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-35756\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/01\/Clever01.jpg\" alt=\"Clever01\" width=\"800\" height=\"450\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/01\/Clever01.jpg 800w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/01\/Clever01-300x169.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/01\/Clever01-436x245.jpg 436w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/>CLEVER, Federico Borgia, Guillermo Madeira<\/p>\n<p>&nbsp;<\/p>\n<p>CLEVER, Federico Borgia, Guillermo Madeiro, Uruguay, 2015<br \/>\nVETERAN, Ryoo Seung-wan, Cor\u00e9e du Sud, 2014<\/p>\n<p>&nbsp;<\/p>\n<p><strong>65% \u00c9NERGISANT (LE PETIT BLACK MOVIE)<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-35757\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/01\/La-forteresse_BM01.jpg\" alt=\"La forteresse_BM01\" width=\"800\" height=\"450\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/01\/La-forteresse_BM01.jpg 800w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/01\/La-forteresse_BM01-300x169.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/01\/La-forteresse_BM01-436x245.jpg 436w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/>LA FORTERESSE, Avinash Arun<\/p>\n<p>&nbsp;<\/p>\n<p>LA FORTERESSE, Avinash Arun, Inde, 2014<br \/>\n14+ (FIRST LOVE), Andrey Zaytsev, Russie, 2015<\/p>\n<p>MINI BLACK MOVIE jusqu\u2019\u00e0 6 ans<\/p>\n<p>L\u2019HIVER F\u00c9ERIQUE d\u00e8s 3 ans<br \/>\nDANS LA FOR\u00caT d\u00e8s 4 ans<br \/>\nTOUR DU MONDE d\u00e8s 6 ans<br \/>\nMARINS D\u2019EAU DOUCE d\u00e8s 6 ans<br \/>\nESP\u00c8CES D\u2019ESPACES d\u00e8s 8 ans<br \/>\nMAIN DANS LA MAIN d\u00e8s 10 ans<\/p>\n<p>&nbsp;<\/p>\n<p><strong>100% Adr\u00e9naline (IFFRLive)<\/strong><br \/>\nEn collaboration avec le IFFR \u2013 International Film Festival Rotterdam pour une s\u00e9ance live europ\u00e9enne !<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Ap\u00e9ritifs et pousse-caf\u00e9s<\/strong><\/p>\n<p>Black Movie entame en 2016 une collaboration avec le Festival International du Film de Rotterdam, \u00e0 l\u2019occasion d\u2019une s\u00e9ance IFFRLive digne de l\u2019Eurovision. Dimanche 31 janvier, le public pourra d\u00e9couvrir en premi\u00e8re suisse le film The Garbage Helicopter (Jonas Selberg Augusts\u00e9n), en simultan\u00e9 avec plus de 40 salles europ\u00e9ennes.<\/p>\n<p>\u00c0 l\u2019issue de la projection, un Q&amp;A se tiendra en direct avec l\u2019\u00e9quipe du film qui se trouvera physiquement \u00e0 Rotterdam.<\/p>\n<p>Deux conf\u00e9rences et une table ronde encadreront les th\u00e9matiques de cette \u00e9dition: le critique Fabien Schneider d\u00e9cortiquera l\u2019oeuvre foisonnante de Sion Sono; Michel Amarger, sp\u00e9cialiste du cin\u00e9ma africain, \u00e9voquera le parcours d\u2019Ousmane Sembene en pr\u00e9sence notamment du fils du cin\u00e9aste; enfin, une rencontre entre les r\u00e9alisateurs roumains Andrei Cohn et Tudor Giurgiu anim\u00e9e par Miruna Coca-Cozma (RTS) reviendra sur l\u2019h\u00e9ritage de l\u2019ic\u00f4ne Lucian Pintilie.<\/p>\n<p><strong>Rasades en cascades<\/strong><\/p>\n<p>Boreal Coffee Shop, sponsor du Prix du Public, accueillera les spectateurs des Cin\u00e9mas du Gr\u00fctli 10 jours durant, avec leurs d\u00e9licieux caf\u00e9s et gourmandises. Le design des troph\u00e9es a \u00e9t\u00e9 confi\u00e9 au bouillonnant artiste Cetusss, inspir\u00e9 par la canette fi\u00e8rement exhib\u00e9e par Ken Black, mod\u00e8le de l\u2019affiche officielle.<br \/>\nOutre le Gr\u00fctli, le Festival investit pour ses s\u00e9ances le Spoutnik, le Cin\u00e9lux et l\u2019Alhambra. Quant \u00e0 ses nuits blanches, elle se d\u00e9rouleront dans divers lieux partenaires sp\u00e9cialement am\u00e9nag\u00e9s pour l\u2019occasion: le Cercle des Bains, la Gravi\u00e8re, l\u2019Ecurie.<br \/>\nBien que dans une formule all\u00e9g\u00e9e de 10% de ses liquidit\u00e9s, le cocktail Black Movie conserve le meilleur de ses ingr\u00e9dients et promet de faire d\u00e9border plus d\u2019un vase et tourner plus d\u2019une t\u00eate!<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>WHATEVER!<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Black Movie: 117 films sur 10 jours du 22 au 31 janvier 2016<br \/>\nLe Festival se savoure sur <a href=\"http:\/\/www.blackmovie.ch\" target=\"_blank\">www.blackmovie.ch<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; BLACK MOVIE Festival international de films ind\u00e9pendants Black Movie 17e edition Gen\u00e8ve, 22-31 janvier 2016 &nbsp; 100% ADDICTIF: BLACK MOVIE 2016, \u00c0 CONSOMMER SANS MOD\u00c9RATION &nbsp; Sortez fl\u00fbtes et chopes, d\u00e9bouchez canettes, fioles et carafes, sabrez magnums et amphores: qu\u2019importe le flacon, la 17\u00e8me \u00e9dition du Festival Black Movie s\u2019offre \u00e0 la d\u00e9gustation! Elixir, potion, nectar, m\u00e9dicament, ambroisie, voici<\/p>\n","protected":false},"author":6,"featured_media":35576,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[7],"tags":[16522,16462,14080],"class_list":["post-35746","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festival","tag-16522","tag-black-movie","tag-geneve"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Gen\u00e8ve &gt; Black Movie 2016 - sezioni e film | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rapportoconfidenziale.org\/?p=35746\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gen\u00e8ve &gt; Black Movie 2016 - sezioni e film | Rapporto Confidenziale\" \/>\n<meta property=\"og:description\" content=\"&nbsp; BLACK MOVIE Festival international de films ind\u00e9pendants Black Movie 17e edition Gen\u00e8ve, 22-31 janvier 2016 &nbsp; 100% ADDICTIF: BLACK MOVIE 2016, \u00c0 CONSOMMER SANS MOD\u00c9RATION &nbsp; Sortez fl\u00fbtes et chopes, d\u00e9bouchez canettes, fioles et carafes, sabrez magnums et amphores: qu\u2019importe le flacon, la 17\u00e8me \u00e9dition du Festival Black Movie s\u2019offre \u00e0 la d\u00e9gustation! 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