{"id":37971,"date":"2016-12-13T13:30:01","date_gmt":"2016-12-13T12:30:01","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=37971"},"modified":"2016-12-13T13:30:53","modified_gmt":"2016-12-13T12:30:53","slug":"37971","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=37971","title":{"rendered":"Gen\u00e8ve \/\/ 18. Black Movie &#8211; le sezioni"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/12\/Black-MOVIE-2017.jpg\" alt=\"black-movie-2017\" width=\"1124\" height=\"535\" class=\"aligncenter size-full wp-image-37974\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/12\/Black-MOVIE-2017.jpg 1124w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/12\/Black-MOVIE-2017-300x143.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/12\/Black-MOVIE-2017-768x366.jpg 768w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/12\/Black-MOVIE-2017-1024x487.jpg 1024w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/12\/Black-MOVIE-2017-436x208.jpg 436w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/12\/Black-MOVIE-2017-1112x529.jpg 1112w\" sizes=\"auto, (max-width: 1124px) 100vw, 1124px\" \/><\/p>\n<p><strong>BLACK MOVIE<\/strong><br \/>\nfestival de films<br \/>\n<strong>GEN\u00c8VE<\/strong><br \/>\n20-29.01.2017<br \/>\n&nbsp;<\/p>\n<p><strong>Black Movie 2017: les sections de la 18\u00e8me \u00e9dition <\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Abracadabra ! Comme par magie, ce sont <strong>116 films<\/strong> tri\u00e9s sur le volet, dont pas moins de <strong>71 premi\u00e8res suisses<\/strong>, qui seront programm\u00e9s du 20 au 29 janvier, fruits juteux de notre prospection cin\u00e9matographique 2017. \u00c0 la fois sombres et lumineux, \u00e0 l\u2019image de notre affiche cr\u00e9pusculaire qui d\u00e9voile lorsqu\u2019on l\u2019\u00e9claire les palmiers d\u2019une myst\u00e9rieuse plage presque d\u00e9serte. Une d\u00e9ferlante d\u2019images et de sons qui entra\u00eenera les publics dans un tourbillon esth\u00e9tique, physique et psychique, 10 jours durant.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Comp\u00e9tition &amp; sections <\/strong><\/p>\n<p>La 18\u00e8me \u00e9dition de Black Movie, Festival International du Film Ind\u00e9pendant, proposera ainsi <strong>48 longs m\u00e9trages<\/strong> et <strong>68 courts m\u00e9trages<\/strong>: films de fiction, documentaires, projets exp\u00e9rimentaux, animations\u2026 Emissaires d\u2019une cin\u00e9philie engag\u00e9e et atypique, r\u00e9alisatrices et r\u00e9alisateurs d\u2019Asie, d\u2019Afrique, d\u2019Europe et d\u2019Am\u00e9rique latine se succ\u00e9deront dans les salles obscures par le truchement de th\u00e9matiques patiemment \u00e9labor\u00e9es.<\/p>\n<p>PRIX DE LA CRITIQUE<br \/>\nPour la sixi\u00e8me ann\u00e9e cons\u00e9cutive, le Jury International de la Critique d\u00e9partagera neuf longs m\u00e9trages en comp\u00e9tition, pour la plupart des premi\u00e8res r\u00e9alisations, toutes in\u00e9dites en Suisse.<\/p>\n<p>Ses membres seront:<br \/>\n&#8211; <strong>Catherine Bray<\/strong> (Film4, Variety)<br \/>\n&#8211; <strong>Daniela Catelli<\/strong> (ComingSoon)<br \/>\n&#8211; <strong>Francisco Ferreira<\/strong> (Expresso)<br \/>\n&#8211; <strong>Nigel Floyd <\/strong>(Time Out, Sight And Sound)<br \/>\n&#8211; <strong>Fr\u00e9d\u00e9rique Morin<\/strong> (RTBF)<\/p>\n<p><strong>ABUS DE POUVOIR<\/strong> <\/p>\n<p>Depuis que le monde est monde, le pouvoir tentateur fait tourner les t\u00eates. Appliquant le mot de Kundera, selon lequel la lutte de l\u2019homme contre le pouvoir, c\u2019est la lutte de la m\u00e9moire contre l\u2019oubli, les r\u00e9alisateurs de cette section en \u00e9pinglent les d\u00e9rives sous toutes leurs coutures: corruption g\u00e9n\u00e9ralis\u00e9e ou individuelle, prise de d\u00e9cision arbitraire, immigration mal encadr\u00e9e, trafic d\u2019influence m\u00e9diatique\u2026 Dans des genres aussi diff\u00e9rents que la com\u00e9die loufoque et la chronique dramatique. <\/p>\n<p><strong>BLACK POWER?<\/strong> <\/p>\n<p>Prolongeant le combat commenc\u00e9 il y a plus d\u2019un demi-si\u00e8cle contre le colonialisme et la pauvret\u00e9, les films de cette section entrent en r\u00e9sistance contre un pouvoir autoritaire en Alg\u00e9rie, d\u00e9noncent la corruption et la reproduction sociale dans les universit\u00e9s maliennes, s\u2019ensablent au Maroc ou s\u2019ensauvagent dans une for\u00eat touffue, documentent un mouvement citoyen au S\u00e9n\u00e9gal, travaillent contre l\u2019oubli en Ouganda et nous rappellent que la lutte du peuple africain n\u2019est jamais finie. <\/p>\n<p><strong>POST-MILLENNIALS <\/strong><\/p>\n<p>Aux antipodes des millennials, ces jeunes n\u00e9s entre 1980 et 2000 dans le bain num\u00e9rique et actifs sur les r\u00e9seaux sociaux, les adolescents d\u00e9peints dans les films de cette section se trouvent en pleine r\u00e9alit\u00e9 physique ! Sans interface technologique, ils cherchent \u00e0 se faire une place dans des soci\u00e9t\u00e9s qui semblent les avoir totalement oubli\u00e9s: Layla M. se radicalise, El Rato procrastine en jonglant, Zooler oublie tout dans la fum\u00e9e de ses joints, Laura ne sait comment g\u00e9rer son nouvel \u00e9tat, Allar ne voit d\u2019autre issue que celle de la d\u00e9linquance et les anges bless\u00e9s ne sont pas arm\u00e9s pour r\u00e9pondre aux attaques de la vie\u2026 <\/p>\n<p><strong>SEXUALIT\u00c9S, ETC.<\/strong> <\/p>\n<p>Les films de cette section gravitent autour du sexe et de ses possibles complications: un enfant perplexe au seuil de la pubert\u00e9, une serve multi-orgasmique condamn\u00e9e par la soci\u00e9t\u00e9, des jeunes femmes bern\u00e9es par leurs app\u00e2ts, un quadrag\u00e9naire victime de son d\u00e9sir ou des hommes qui chantent pour assumer leur sexualit\u00e9\u2026 Autant de personnages illustrant la libido au pluriel, d\u00e9brid\u00e9e, fatale ou graphique. <\/p>\n<p><strong>\u00c0 SUIVRE\u2026 <\/strong><\/p>\n<p>Notre section traditionnelle fera cette ann\u00e9e d\u00e9filer neuf films monstrueux ! Les derniers opus des r\u00e9alisateurs \u00e0 suivre absolument sont des splendeurs cin\u00e9matographiques qui vous explosent les neurones, sign\u00e9es Amat Escalante, Kiyoshi Kurosawa, Jo\u00e3o Pedro Rodrigues, Kim Ki-duk, Wang Bing\u2026 <\/p>\n<p><strong>LE PETIT BLACK MOVIE<\/strong> <\/p>\n<p>Tout, au Petit Black Movie, n\u2019est que charme et volupt\u00e9, plaisir des sens et de l\u2019esprit. Mais c\u2019est quoi, au juste ? Des films courts in\u00e9dits qui emporteront petits et grands dans un voyage \u00e0 la d\u00e9couverte des cin\u00e9matographies du monde; des projections scolaires; le Mini Black Movie, en partenariat avec la Maison de la Cr\u00e9ativit\u00e9; une Aventure humanitaire au Mus\u00e9e international de la Croix-Rouge et du Croissant-Rouge; et des ateliers pour enfants. <\/p>\n<p><strong>Et plus encore\u2026 <\/strong><\/p>\n<p>Le Conservatoire Populaire de Musique, Danse et Th\u00e9\u00e2tre et Black Movie vous convient \u00e0 un <strong>\u00abVoyage au Japon\u00bb<\/strong>, s\u00e9rie de cin\u00e9-concerts, fruit du travail de dix-huit \u00e9l\u00e8ves r\u00e9unis et guid\u00e9s par leurs enseignants. Trois courts m\u00e9trages pr\u00e9curseurs de l\u2019anime nippon seront projet\u00e9s et accompagn\u00e9s en direct, belle occasion de renouer avec une tradition aussi lointaine que le cin\u00e9matographe lui-m\u00eame. <\/p>\n<p>Une collaboration avec le <strong>Mapping Festival<\/strong> combinera table ronde et projections du documentaire de Werner Herzog <em>Lo and Behold: Reveries of the Connected World\u2026<\/em>. Le public sera invit\u00e9 comme en 2016 \u00e0 participer \u00e0 une session <strong>IFFR LIVE<\/strong> organis\u00e9e avec le Festival international du film de Rotterdam&#8230; Nous aurons des nouvelles du <strong>Cin\u00e9 Guimbi <\/strong>de Bobo-Dioulasso qui inaugurera sa premi\u00e8re salle en juin 2017\u2026 Et pour la premi\u00e8re fois, pendant 10 jours, ambiances et impressions de Black Movie seront diffus\u00e9es quotidiennement sur les cha\u00eenes <strong>Black.tv<\/strong> et <strong>Black.FM<\/strong>! Les amateurs de Nuits Blanches seront servis avec l\u2019installation du lieu central Blackingrad au Rez de l\u2019Usine. L\u2019occasion r\u00eav\u00e9e de danser entre cin\u00e9philes et en compagnie des 22 r\u00e9alisateurs et acteurs pr\u00e9sents! <\/p>\n<p><strong>Programme complet d\u00e9voil\u00e9 le 10 janvier 2017 sur <a href=\"http:\/\/www.blackmovie.ch\" target=\"_blank\">www.blackmovie.ch<\/a><\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/12\/Black-Movie-2017b.jpeg\" alt=\"black-movie-2017b\" width=\"540\" height=\"764\" class=\"aligncenter size-full wp-image-37975\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/12\/Black-Movie-2017b.jpeg 540w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/12\/Black-Movie-2017b-212x300.jpeg 212w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/12\/Black-Movie-2017b-436x617.jpeg 436w\" sizes=\"auto, (max-width: 540px) 100vw, 540px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>BLACK MOVIE festival de films GEN\u00c8VE 20-29.01.2017 &nbsp; Black Movie 2017: les sections de la 18\u00e8me \u00e9dition &nbsp; Abracadabra ! Comme par magie, ce sont 116 films tri\u00e9s sur le volet, dont pas moins de 71 premi\u00e8res suisses, qui seront programm\u00e9s du 20 au 29 janvier, fruits juteux de notre prospection cin\u00e9matographique 2017. \u00c0 la fois sombres et lumineux, \u00e0<\/p>\n","protected":false},"author":6,"featured_media":37974,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[7],"tags":[14083],"class_list":["post-37971","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festival","tag-black-movie-festival-de-films"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Gen\u00e8ve \/\/ 18. Black Movie - le sezioni | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rapportoconfidenziale.org\/?p=37971\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gen\u00e8ve \/\/ 18. Black Movie - le sezioni | Rapporto Confidenziale\" \/>\n<meta property=\"og:description\" content=\"BLACK MOVIE festival de films GEN\u00c8VE 20-29.01.2017 &nbsp; Black Movie 2017: les sections de la 18\u00e8me \u00e9dition &nbsp; Abracadabra ! Comme par magie, ce sont 116 films tri\u00e9s sur le volet, dont pas moins de 71 premi\u00e8res suisses, qui seront programm\u00e9s du 20 au 29 janvier, fruits juteux de notre prospection cin\u00e9matographique 2017. \u00c0 la fois sombres et lumineux, \u00e0\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.rapportoconfidenziale.org\/?p=37971\" \/>\n<meta property=\"og:site_name\" content=\"Rapporto Confidenziale\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/rapportoconfidenziale\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/rapportoconfidenziale\" \/>\n<meta property=\"article:published_time\" content=\"2016-12-13T12:30:01+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-12-13T12:30:53+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/12\/Black-MOVIE-2017.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1124\" \/>\n\t<meta property=\"og:image:height\" content=\"535\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Rapporto Confidenziale\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@RConfidenziale\" \/>\n<meta name=\"twitter:site\" content=\"@RConfidenziale\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Rapporto Confidenziale\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=37971#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=37971\"},\"author\":{\"name\":\"Rapporto Confidenziale\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/person\\\/1bf60340eefe8f99b9cd50688202e9d3\"},\"headline\":\"Gen\u00e8ve \\\/\\\/ 18. Black Movie &#8211; le sezioni\",\"datePublished\":\"2016-12-13T12:30:01+00:00\",\"dateModified\":\"2016-12-13T12:30:53+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=37971\"},\"wordCount\":970,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=37971#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2016\\\/12\\\/Black-MOVIE-2017.jpg\",\"keywords\":[\"Black Movie Festival de films\"],\"articleSection\":[\"FESTIVAL\"],\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=37971#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=37971\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=37971\",\"name\":\"Gen\u00e8ve \\\/\\\/ 18. Black Movie - le sezioni | Rapporto Confidenziale\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=37971#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=37971#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2016\\\/12\\\/Black-MOVIE-2017.jpg\",\"datePublished\":\"2016-12-13T12:30:01+00:00\",\"dateModified\":\"2016-12-13T12:30:53+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=37971#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=37971\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=37971#primaryimage\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2016\\\/12\\\/Black-MOVIE-2017.jpg\",\"contentUrl\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2016\\\/12\\\/Black-MOVIE-2017.jpg\",\"width\":1124,\"height\":535},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=37971#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Gen\u00e8ve \\\/\\\/ 18. Black Movie &#8211; le sezioni\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#website\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/\",\"name\":\"Rapporto Confidenziale\",\"description\":\"rivista digitale di cultura cinematografica | digital magazine about cinematic culture\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#organization\",\"name\":\"Rapporto Confidenziale\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2017\\\/09\\\/RC_logo_1_nero.png\",\"contentUrl\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2017\\\/09\\\/RC_logo_1_nero.png\",\"width\":3508,\"height\":709,\"caption\":\"Rapporto Confidenziale\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/rapportoconfidenziale\",\"https:\\\/\\\/x.com\\\/RConfidenziale\",\"https:\\\/\\\/www.instagram.com\\\/icdpavlov\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/RConfidenziale\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/person\\\/1bf60340eefe8f99b9cd50688202e9d3\",\"name\":\"Rapporto Confidenziale\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g\",\"caption\":\"Rapporto Confidenziale\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/rapportoconfidenziale\"],\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?author=6\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Gen\u00e8ve \/\/ 18. Black Movie - le sezioni | Rapporto Confidenziale","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.rapportoconfidenziale.org\/?p=37971","og_locale":"it_IT","og_type":"article","og_title":"Gen\u00e8ve \/\/ 18. Black Movie - le sezioni | Rapporto Confidenziale","og_description":"BLACK MOVIE festival de films GEN\u00c8VE 20-29.01.2017 &nbsp; Black Movie 2017: les sections de la 18\u00e8me \u00e9dition &nbsp; Abracadabra ! Comme par magie, ce sont 116 films tri\u00e9s sur le volet, dont pas moins de 71 premi\u00e8res suisses, qui seront programm\u00e9s du 20 au 29 janvier, fruits juteux de notre prospection cin\u00e9matographique 2017. \u00c0 la fois sombres et lumineux, \u00e0","og_url":"https:\/\/www.rapportoconfidenziale.org\/?p=37971","og_site_name":"Rapporto Confidenziale","article_publisher":"https:\/\/www.facebook.com\/rapportoconfidenziale","article_author":"https:\/\/www.facebook.com\/rapportoconfidenziale","article_published_time":"2016-12-13T12:30:01+00:00","article_modified_time":"2016-12-13T12:30:53+00:00","og_image":[{"width":1124,"height":535,"url":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/12\/Black-MOVIE-2017.jpg","type":"image\/jpeg"}],"author":"Rapporto Confidenziale","twitter_card":"summary_large_image","twitter_creator":"@RConfidenziale","twitter_site":"@RConfidenziale","twitter_misc":{"Scritto da":"Rapporto Confidenziale","Tempo di lettura stimato":"5 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=37971#article","isPartOf":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=37971"},"author":{"name":"Rapporto Confidenziale","@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/person\/1bf60340eefe8f99b9cd50688202e9d3"},"headline":"Gen\u00e8ve \/\/ 18. Black Movie &#8211; le sezioni","datePublished":"2016-12-13T12:30:01+00:00","dateModified":"2016-12-13T12:30:53+00:00","mainEntityOfPage":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=37971"},"wordCount":970,"commentCount":0,"publisher":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#organization"},"image":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=37971#primaryimage"},"thumbnailUrl":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/12\/Black-MOVIE-2017.jpg","keywords":["Black Movie Festival de films"],"articleSection":["FESTIVAL"],"inLanguage":"it-IT","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.rapportoconfidenziale.org\/?p=37971#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=37971","url":"https:\/\/www.rapportoconfidenziale.org\/?p=37971","name":"Gen\u00e8ve \/\/ 18. Black Movie - le sezioni | Rapporto Confidenziale","isPartOf":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=37971#primaryimage"},"image":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=37971#primaryimage"},"thumbnailUrl":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/12\/Black-MOVIE-2017.jpg","datePublished":"2016-12-13T12:30:01+00:00","dateModified":"2016-12-13T12:30:53+00:00","breadcrumb":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=37971#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.rapportoconfidenziale.org\/?p=37971"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=37971#primaryimage","url":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/12\/Black-MOVIE-2017.jpg","contentUrl":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/12\/Black-MOVIE-2017.jpg","width":1124,"height":535},{"@type":"BreadcrumbList","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=37971#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.rapportoconfidenziale.org\/"},{"@type":"ListItem","position":2,"name":"Gen\u00e8ve \/\/ 18. Black Movie &#8211; le sezioni"}]},{"@type":"WebSite","@id":"https:\/\/www.rapportoconfidenziale.org\/#website","url":"https:\/\/www.rapportoconfidenziale.org\/","name":"Rapporto Confidenziale","description":"rivista digitale di cultura cinematografica | digital magazine about cinematic culture","publisher":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.rapportoconfidenziale.org\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.rapportoconfidenziale.org\/#organization","name":"Rapporto Confidenziale","url":"https:\/\/www.rapportoconfidenziale.org\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/logo\/image\/","url":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/09\/RC_logo_1_nero.png","contentUrl":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/09\/RC_logo_1_nero.png","width":3508,"height":709,"caption":"Rapporto Confidenziale"},"image":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/rapportoconfidenziale","https:\/\/x.com\/RConfidenziale","https:\/\/www.instagram.com\/icdpavlov\/","https:\/\/www.youtube.com\/user\/RConfidenziale"]},{"@type":"Person","@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/person\/1bf60340eefe8f99b9cd50688202e9d3","name":"Rapporto Confidenziale","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g","caption":"Rapporto Confidenziale"},"sameAs":["https:\/\/www.facebook.com\/rapportoconfidenziale"],"url":"https:\/\/www.rapportoconfidenziale.org\/?author=6"}]}},"jetpack_featured_media_url":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/12\/Black-MOVIE-2017.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/posts\/37971","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=37971"}],"version-history":[{"count":0,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/posts\/37971\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/media\/37974"}],"wp:attachment":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=37971"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=37971"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=37971"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}