{"id":38217,"date":"2017-01-07T23:23:30","date_gmt":"2017-01-07T22:23:30","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=38217"},"modified":"2017-01-07T23:30:06","modified_gmt":"2017-01-07T22:30:06","slug":"keiichi-matsuda-hyper-reality-2016","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=38217","title":{"rendered":"Keiichi Matsuda | Hyper-Reality (2016)"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-38219\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/hyper-reality_cover.jpg\" alt=\"\" width=\"1112\" height=\"741\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/hyper-reality_cover.jpg 1112w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/hyper-reality_cover-150x100.jpg 150w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/hyper-reality_cover-300x200.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/hyper-reality_cover-768x512.jpg 768w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/hyper-reality_cover-1024x682.jpg 1024w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/hyper-reality_cover-436x291.jpg 436w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/hyper-reality_cover-673x449.jpg 673w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/hyper-reality_cover-950x633.jpg 950w\" sizes=\"auto, (max-width: 1112px) 100vw, 1112px\" \/><\/p>\n<p><strong>Troppe informazioni!<\/strong><\/p>\n<p><em>Hyper-Reality<\/em> \u00e8 una breve opera concettuale ideata e realizzata dal regista e designer Keiichi Matsuda, dell&#8217;omonimo <a href=\"http:\/\/km.cx\/\" target=\"_blank\">studio di design<\/a> londinese in collaborazione con la colombiana <a href=\"http:\/\/www.universofractal.com\/\" target=\"_blank\">Fractal<\/a>. Nei sei minuti della sua durata viene presentato un futuro possibile e plausibile decisamente asfissiante, una specie di incubo prossimo venturo. Un&#8217;opera critica e densa di ironia circa le derive possibili di tecnologie quali la realt\u00e0 aumentata e virtuale. Juliana Restrepo, la donna quarantaduenne protagonista del corto, subisce la colonizzazione del proprio sistema cognitivo sotto il bombardamento dell&#8217;invasivit\u00e0 tecnologica. La realt\u00e0 aumentata cancella la realt\u00e0 concreta, in un cortocircuito sensoriale che dissolve ogni certezza. Realt\u00e0 fisica e virtuale sono gi\u00e0 oggi sempre pi\u00f9 intrecciate tra loro, ma nel futuro la cooperazione di realt\u00e0 <a href=\"https:\/\/it.wikipedia.org\/wiki\/Realt%C3%A0_virtuale\" target=\"_blank\">virtuale<\/a>, <a href=\"https:\/\/it.wikipedia.org\/wiki\/Realt%C3%A0_aumentata\" target=\"_blank\">aumentata<\/a>, <a href=\"https:\/\/it.wikipedia.org\/wiki\/Dispositivo_indossabile\" target=\"_blank\">tecnologie indossabili<\/a> e la presenza sempre pi\u00f9 pervasiva di internet creeranno una realt\u00e0 in cui la tecnologia avvolger\u00e0 ogni aspetto delle nostre esistenze ed ogni istante del nostro quotidiano. <em>Hyper-Reality<\/em> delinea quella che sar\u00e0 la bolla informazionale nella quale saremmo avvolti, producendo una distopia cinematica per le strade di Medellin.<\/p>\n<p><em>Hyper-Reality<\/em> \u00e8 stato prodotto con una riuscita campagna di crowdfunding su <a href=\"https:\/\/www.kickstarter.com\/projects\/723600195\/hyper-reality-a-new-vision-of-the-future\" target=\"_blank\">kickstarter<\/a> ed ed ha ottenuto il premio come Best Drama ai <a href=\"https:\/\/vimeo.com\/blog\/post\/the-top-videos-of-2016\" target=\"_blank\">Vimeo Top Videos of 2016<\/a>.<\/p>\n<p>Ed \u00e8 indubbiamente drammatica l&#8217;idea di un futuro cos\u00ec. [ag]<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-38220\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/heart.gif\" alt=\"\" width=\"360\" height=\"360\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong>HYPER-REALITY<\/strong><br \/>\n<strong>by<\/strong> Keiichi Matsuda \u2022\u00a0<strong>produced in<\/strong> Medell\u00edn <strong>by<\/strong> Fractal \u2022\u00a0<strong>executive producers:<\/strong> Wu Yu Zhou, Carlson Bull \u2022\u00a0<strong>associate producers:<\/strong> Ali Al-Assam, Eiichi Kono \u2022\u00a0<strong>camera:<\/strong> Vivi Trujillo \u2022\u00a0<strong>additional writing:<\/strong> Hern\u00e1n Ortiz \u2022\u00a0<strong>makeup:<\/strong> Juliana Bravo \u2022\u00a0<strong>production assistant:<\/strong> Daniel Jurado, Katie Baggs \u2022\u00a0<strong>sound + music:<\/strong> Skillbard \u2022\u00a0<strong>additional effects:<\/strong> Raymond Hugh Bray, Aleks Cicha \u2022\u00a0<strong>special thanks:<\/strong> Adriana Arbel\u00e1ez, Cootrasana, Bully, Knowledgeview \u2022\u00a0<strong>cast:<\/strong> Juliana (Natalia Tamayo), Juliana\u2019s voice (Catalina Villegas), Inspiration Guru (Wu Yu Zhou), Customer Support (Camilo Su\u00e1rez &amp; Juliana Ospina Henao), blogger (Juliana V\u00e9lez), Thief (Juanita Agudelo Arbel\u00e1ez), Biker (Jose Kerguelen) \u2022\u00a0<strong>country:<\/strong> Colombia \u2022\u00a0<strong>year:<\/strong> 2016 \u2022\u00a0<strong>runtime:<\/strong> 6&#8242;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>link<\/strong>\u00a0\/\/\/\u00a0<a href=\"http:\/\/km.cx\/\" target=\"_blank\">KEIICHI MATSUDA<\/a> \/ <a href=\"http:\/\/www.universofractal.com\/\" target=\"_blank\">FRACTAL<\/a> \/ <a href=\"http:\/\/hyper-reality.co\/\" target=\"_blank\">HYPER-REALITY.CO<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-38221\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/fox.png\" alt=\"\" width=\"302\" height=\"509\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/fox.png 302w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/fox-178x300.png 178w\" sizes=\"auto, (max-width: 302px) 100vw, 302px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Troppe informazioni! Hyper-Reality \u00e8 una breve opera concettuale ideata e realizzata dal regista e designer Keiichi Matsuda, dell&#8217;omonimo studio di design londinese in collaborazione con la colombiana Fractal. Nei sei minuti della sua durata viene presentato un futuro possibile e plausibile decisamente asfissiante, una specie di incubo prossimo venturo. Un&#8217;opera critica e densa di ironia circa le derive possibili di<\/p>\n","protected":false},"author":5,"featured_media":38219,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1710],"tags":[16909,17252,17514,17513],"class_list":["post-38217","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-cineteca","tag-16909","tag-cineteca","tag-hyper-reality","tag-keiichi-matsuda","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Keiichi Matsuda | Hyper-Reality (2016) | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rapportoconfidenziale.org\/?p=38217\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Keiichi Matsuda | Hyper-Reality (2016) | Rapporto Confidenziale\" \/>\n<meta property=\"og:description\" content=\"Troppe informazioni! Hyper-Reality \u00e8 una breve opera concettuale ideata e realizzata dal regista e designer Keiichi Matsuda, dell&#8217;omonimo studio di design londinese in collaborazione con la colombiana Fractal. Nei sei minuti della sua durata viene presentato un futuro possibile e plausibile decisamente asfissiante, una specie di incubo prossimo venturo. 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