{"id":38306,"date":"2017-01-10T15:25:21","date_gmt":"2017-01-10T14:25:21","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=38306"},"modified":"2017-01-10T15:25:21","modified_gmt":"2017-01-10T14:25:21","slug":"geneve-black-movie-2017-sezioni-film","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=38306","title":{"rendered":"Gen\u00e8ve > Black Movie 2017 \u2013 sezioni e film"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-37974\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/12\/Black-MOVIE-2017.jpg\" alt=\"\" width=\"1124\" height=\"535\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/12\/Black-MOVIE-2017.jpg 1124w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/12\/Black-MOVIE-2017-300x143.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/12\/Black-MOVIE-2017-768x366.jpg 768w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/12\/Black-MOVIE-2017-1024x487.jpg 1024w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/12\/Black-MOVIE-2017-436x208.jpg 436w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2016\/12\/Black-MOVIE-2017-1112x529.jpg 1112w\" sizes=\"auto, (max-width: 1124px) 100vw, 1124px\" \/><\/p>\n<p><strong>18e Festival Black Movie<br \/>\nFestival international de films ind\u00e9pendants \u2013 Gen\u00e8ve<br \/>\n20\u201329 janvier 2017<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Le noir vous<br \/>\nva si bien<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Sous les palmiers, le cin\u00e9ma !<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Abracadabra, comme par magie, ce sont 116 films tri\u00e9s sur le volet qui vous sont propos\u00e9s,<br \/>\nfruits juteux de notre prospection cin\u00e9matographique 2017. A la fois sombres et lumineux,<br \/>\ncomme l\u2019illustre notre visuel cr\u00e9pusculaire qui d\u00e9voile lorsqu\u2019on l\u2019\u00e9claire des palmiers sur<br \/>\nune plage presque d\u00e9serte.<\/p>\n<p>Le th\u00e8me r\u00e9current que nous avons vu \u00e9merger film apr\u00e8s film est, quelle surprise ! <strong>L\u2019abus de pouvoir<\/strong> sous toutes ses formes\u2026 La corruption qui domine et contre laquelle, que ce soit en la d\u00e9crivant ou en s\u2019y opposant, les r\u00e9alisateurs ont engag\u00e9 la lutte (<strong>Black Power ?<\/strong>).<br \/>\nLa bonne nouvelle, c\u2019est que, paradoxalement, l\u2019humour est loin d\u2019\u00eatre aux abonn\u00e9s absents.<\/p>\n<p>On s\u2019int\u00e9ressera aussi \u00e0 la<strong> g\u00e9n\u00e9ration (d\u00e9)connect\u00e9e du troisi\u00e8me mill\u00e9naire<\/strong> ainsi qu\u2019\u00e0 la <strong>sexualit\u00e9<\/strong> d\u00e9clin\u00e9e au pluriel, on pourra suivre les r\u00e9alisateurs ch\u00e9ris du Festival et leurs nouveaux opus puissants et se rendre au <strong>Petit Black Movie<\/strong> pour d\u00e9couvrir ses courts m\u00e9trages merveilleux et ateliers in\u00e9dits (2 \u00e0 12 ans).<\/p>\n<p>Des collaborations sont \u00e9galement \u00e0 l\u2019affiche, que ce soit avec le <strong>Mapping Festival<\/strong> pour une r\u00e9flexion en deux temps sur l\u2019Internet, le <strong>Mus\u00e9e international de la Croix-Rouge et du Croissant Rouge<\/strong> pour un parcours humanitaire, le <strong>Conservatoire populaire de musique, danse et th\u00e9\u00e2tre<\/strong> pour un Cin\u00e9-concert exceptionnel ou encore le <strong>Festival International du Film de Rotterdam<\/strong> (IFFR LIVE) pour un raout num\u00e9rique avec 45 autres salles de cin\u00e9ma en Europe. <strong>Deux tables rondes<\/strong> permettront d\u2019approfondir encore les r\u00e9flexions d\u00e9clench\u00e9es dans les salles obscures. Et c\u2019est \u00e0 <strong>Blackingrad<\/strong>, territoire nocturne et festif, vo\u00efd obscur et \u00e9l\u00e9gant, que les noctambules seront happ\u00e9s vers de folles nuits avec concerts originaux et DJ d\u00e9cal\u00e9s.<\/p>\n<p>Cette \u00e9dition s\u2019ouvre sous le parrainage d\u2019un passeur de cin\u00e9ma hors pair, Rui Nogueira,<br \/>\nl\u2019homme au chapeau qui fut \u00e0 la t\u00eate du CAC-Voltaire pendant 33 ans et qui a inocul\u00e9 \u00e0 de<br \/>\nnombreux spectateurs le virus de la cin\u00e9philie.<br \/>\nQue commence l\u2019orgie d\u2019images et de sons qui va vous entra\u00eener dans un tourbillon esth\u00e9tique, physique et intellectuel pendant 10 jours ! Vive le cin\u00e9ma !<\/p>\n<p>Kate Reidy &amp; Maria Watzlawick<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Highlights 2017<\/strong><\/p>\n<p>18e \u00e9dition<br \/>\n116 films<br \/>\n48 longs m\u00e9trages<br \/>\n68 courts m\u00e9trages<br \/>\n71 premi\u00e8res suisses<br \/>\n3 premi\u00e8res europ\u00e9ennes<br \/>\n20 r\u00e9alisateurs pr\u00e9sents<br \/>\n5 prix<br \/>\n10 jours<br \/>\n10 soir\u00e9es<br \/>\n5 salles de projection<br \/>\n150 b\u00e9n\u00e9voles<\/p>\n<p>Kalvingrad se transforme en Blackingrad pour 10 nuits blanches Premi\u00e8re visite de Amat Escalante au Festival Black Movie Jo\u00e3o Pedro Rodrigues \u00e0 l\u2019honneur avec <em>L\u2019ornithologue <\/em><br \/>\nCollaboration avec le Mapping Festival pour un film de Werner Herzog<br \/>\nPetit Black Movie pour adulte #4<br \/>\nLe retour de IFFR LIVE<br \/>\nLes in\u00e9dits de la Cin\u00e9math\u00e8que Robert-Lynen de Paris en 16mm<br \/>\nCollaboration avec le Conservatoire populaire de musique, danse et th\u00e9\u00e2tre<br \/>\nTables rondes<br \/>\nLes nouveaux films de Hong Sangsoo, Wang Bing, Kiyoshi Kurosawa, Kim Ki-duk, Na Hong Jin, Midi Z, Joseph Israel Laban, etc.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>LISTE DES FILMS<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>ABUS DE POUVOIR<\/strong><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-38313\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/Albumdefamille01.jpg\" alt=\"\" width=\"782\" height=\"428\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/Albumdefamille01.jpg 782w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/Albumdefamille01-300x164.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/Albumdefamille01-768x420.jpg 768w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/Albumdefamille01-436x239.jpg 436w\" sizes=\"auto, (max-width: 782px) 100vw, 782px\" \/><em>Album de famille<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>AMERIKA SQUARE Yannis Sakaridis (Gr\u00e8ce, Royaume-Uni, Allemagne, 2016)<br \/>\nALBUM DE FAMILLE Mehmet Can Merto\u011flu (Turquie, France, Roumanie, 2016)<br \/>\nAN INSIGNIFICANT MAN Khushboo Ranka &amp; Vinay Shukla (Inde, Pays-Bas, 2016)<br \/>\nBLESSED BENEFIT Mahmoud al Massal (Allemagne, Jordanie, Pays-Bas, 2016)<br \/>\nCURUMIM Marcos Prado (Br\u00e9sil, 2016)<br \/>\nCOLLECTIVE INVENTION Kwon Oh-kwang (Cor\u00e9e du Sud, 2015)<br \/>\nGLORY Kristina Grozeva &amp; Petar Valchanov (Bulgarie, Gr\u00e8ce, 2016)<br \/>\nHOUSTON, WE HAVE A PROBLEM! \u017diga Virc (Slov\u00e9nie, Croatie, Allemagne, R\u00e9p. Tch\u00e8que, Qatar, 2016)<br \/>\nKAPATIRAN Pepe Diokno (Philippines, 2016)<br \/>\nMY LAND Fan Jian (Chine, 2015)<br \/>\nRADIO DREAMS Babak Jalali (Iran, Etats-Unis, 2016)<br \/>\nSEOUL STATION Yeon Sangho (Cor\u00e9e du Sud, 2016)<br \/>\nTHE DONOR Zang Qiwu (Chine, 2016)<br \/>\nLES NUITS BLANCHES DU FACTEUR Andrei Konchalovsky (Russie, 2014)<br \/>\nTHE TEACHER Jan Hrebejk (R\u00e9publique Tch\u00e8que, Slovaquie, 2016)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>BLACK POWER ?<\/strong><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-38314\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/ContrePuvoirs01.jpg\" alt=\"\" width=\"782\" height=\"429\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/ContrePuvoirs01.jpg 782w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/ContrePuvoirs01-300x165.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/ContrePuvoirs01-768x421.jpg 768w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/ContrePuvoirs01-436x239.jpg 436w\" sizes=\"auto, (max-width: 782px) 100vw, 782px\" \/><em>Contre-pouvoirs<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>CONTRE-POUVOIRS Malek Bensma\u00efl (Alg\u00e9rie, France, 2015)<br \/>\nLES HERITIERS DE LA COLLINE Ousmane Samass\u00e9kou (Mali, France, 2015)<br \/>\nSAMIR DANS LA POUSSIERE Mohamed Ouzine (France, Alg\u00e9rie, Qatar, 2015)<br \/>\nLES SAUTEURS A. B. Sidib\u00e9, M. Siebert, E. Wagner (Danemark, 2016)<br \/>\n\u0085THE LAST OF US Ala Eddine Slim (Tunisie, 2016)<br \/>\nTHE REVOLUTION WON\u2019T BE TELEVISED Rama Thiaw (S\u00e9n\u00e9gal, 2016)<br \/>\nWRONG ELEMENTS Jonathan Littell (France, Belgique, Allemagne, 2016)<br \/>\nL\u2019AFRICAIN QUI VOULAIT VOLER Samantha Biffot (France, Gabon, Belgique, 2015)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>POST-MILLENNIALS<\/strong><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-38315\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/Angeblesse01.jpg\" alt=\"\" width=\"782\" height=\"460\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/Angeblesse01.jpg 782w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/Angeblesse01-300x176.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/Angeblesse01-768x452.jpg 768w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/Angeblesse01-436x256.jpg 436w\" sizes=\"auto, (max-width: 782px) 100vw, 782px\" \/><em>L&#8217;ange bless\u00e9<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>L\u2019ANGE BLESSE Emir Baigazin (Kazakhstan, Allemagne, France, 2016)<br \/>\nLAYLA M. Mijke de Jong (Pays-Bas, 2016)<br \/>\nLOS NADIE Juan Sebasti\u00e1n Mesa (Colombie, 2016)<br \/>\nSUAVE EL ALIENTO Augusto C\u00e9sar Sandino (Colombie, 2015)<br \/>\nTHE DAYS THAT CONFUSED Triin Ruumet (Estonie, 2016)<br \/>\nUNE SEMAINE ET UN JOUR Asaph Polonsky (Isra\u00ebl, 2016)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>SEXUALITES, ETC.<\/strong><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-38316\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/BabyBump.jpg\" alt=\"\" width=\"782\" height=\"521\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/BabyBump.jpg 782w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/BabyBump-150x100.jpg 150w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/BabyBump-300x200.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/BabyBump-768x512.jpg 768w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/BabyBump-436x290.jpg 436w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/BabyBump-673x449.jpg 673w\" sizes=\"auto, (max-width: 782px) 100vw, 782px\" \/><em>Baby Bump<\/em><\/p>\n<p>\u0085<br \/>\nBABY BUMP Kuba Czekaj (Pologne, 2015)<br \/>\nLA BELLADONE DE LA TRISTESSE Eiichi Yamamoto (Japon, 1973)<br \/>\nKARAOKE CRAZIES Kim Sang-Chan (Cor\u00e9e du Sud, 2016)<br \/>\nSUNTAN Argyris Papadimitropoulos (Gr\u00e8ce, Allemagne, 2016)<br \/>\nWEEKENDS Lee Dong-ha (Cor\u00e9e du Sud, 2016)<\/p>\n<p><strong><br \/>\nA SUIVRE<\/strong><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-38317\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/Creepy01.jpg\" alt=\"\" width=\"782\" height=\"521\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/Creepy01.jpg 782w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/Creepy01-150x100.jpg 150w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/Creepy01-300x200.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/Creepy01-768x512.jpg 768w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/Creepy01-436x290.jpg 436w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/Creepy01-673x449.jpg 673w\" sizes=\"auto, (max-width: 782px) 100vw, 782px\" \/><em>Creepy<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>CREEPY Kiyoshi Kurosawa (Japon, 2016)<br \/>\nLA REGION SALVAJE Amat Escalante (Mex., Dan., Fr., All., Nor., Sui., 2016)<br \/>\nL\u2019ORNITHOLOGUE Jo\u00e3o Pedro Rodrigues (Portugal, France, Br\u00e9sil, 2016)<br \/>\nTA\u2019ANG Wang Bing (Hong Kong, France, 2016)<br \/>\nTHE NET Kim Ki-duk (Cor\u00e9e du Sud, 2016)<br \/>\nTHE ROAD TO MANDALAY Midi Z (Taiwan, Myanmar, France, Allemagne, 2016)<br \/>\nTHE SISTER Joseph Israel Laban (Philippines, 2016)<br \/>\nTHE STRANGERS Na Hong Jin (Cor\u00e9e du Sud, USA, 2016)<br \/>\nYOURSELF AND YOURS Hong Sangsoo (Cor\u00e9e du Sud, 2016)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>LE PETIT BLACK MOVIE<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>MIRU LA LOUTRE, LE DAGUET MELOMANE ET LES ANIMAUX FARFELUS D\u00e8s 4 ans p. 48<br \/>\nMINI BLACK MOVIE Jusqu\u2019\u00e0 6 ans p. 48<br \/>\nALICE COMEDIES D\u00e8s 4 ans p. 48<br \/>\nTOUR DU MONDE D\u00e8s 6 ans p. 49<br \/>\nTONKO HOUSE D\u00e8s 6 ans p. 49<br \/>\nIL SERA UNE FOIS\u2026 D\u00e8s 8 ans p. 50<br \/>\nDE LA GUERRE D\u00e8s 10 ans p. 50<br \/>\nOURS ET OURSONS D\u00e8s 4 ans p. 51<br \/>\nOISEAUX DU MONDE D\u00e8s 6 ans p. 51<br \/>\nBALLADE PARISIENNE D\u00e8s 8 ans p. 51<\/p>\n<p>&nbsp;<\/p>\n<p><strong>CINEMA ET PLUS SI ENTENTE<\/strong><br \/>\nPETIT BLACK MOVIE POUR ADULTE<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-38318\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/LoandBehold01.jpg\" alt=\"\" width=\"782\" height=\"439\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/LoandBehold01.jpg 782w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/LoandBehold01-300x168.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/LoandBehold01-768x431.jpg 768w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/LoandBehold01-436x245.jpg 436w\" sizes=\"auto, (max-width: 782px) 100vw, 782px\" \/><em>Lo and Behold<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>MISTER UNIVERSO Tizza Covi &amp; Rainer Frimmel (Autriche, Italie, 2016) p. 56<br \/>\nLO AND BEHOLD Werner Herzog (USA, 2016) p. 57<br \/>\nHER LOVE BOILS BATHWATER Ry\u00f4ta Nakano (Japon, 2016) p. 57<br \/>\nMT. KACHIKACHI Kon Ichikawa (Japon, 1933) \u2013 Cin\u00e9-concert p. 58<br \/>\nNINJA BOY FIREBALL Yoshi Tanaka (Japon, 1935) \u2013 Cin\u00e9-concert p. 58<br \/>\nTHE TALE OF CRAB TEMPLE H. Okuda, T. Uchida, H. Kimura (Japon, 1924) \u2013 Cin\u00e9-concert p. 58<\/p>\n<p>&nbsp;<\/p>\n<p>Programme complet, programmes de courts m\u00e9trages, tables rondes: <a href=\"http:\/\/www.blackmovie.ch\" target=\"_blank\">www.blackmovie.ch<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-38320\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/BM_affiche20172.jpg\" alt=\"\" width=\"782\" height=\"1106\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/BM_affiche20172.jpg 782w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/BM_affiche20172-212x300.jpg 212w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/BM_affiche20172-768x1086.jpg 768w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/BM_affiche20172-724x1024.jpg 724w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/01\/BM_affiche20172-436x617.jpg 436w\" sizes=\"auto, (max-width: 782px) 100vw, 782px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>18e Festival Black Movie Festival international de films ind\u00e9pendants \u2013 Gen\u00e8ve 20\u201329 janvier 2017 &nbsp; Le noir vous va si bien &nbsp; Sous les palmiers, le cin\u00e9ma ! &nbsp; Abracadabra, comme par magie, ce sont 116 films tri\u00e9s sur le volet qui vous sont propos\u00e9s, fruits juteux de notre prospection cin\u00e9matographique 2017. A la fois sombres et lumineux, comme l\u2019illustre<\/p>\n","protected":false},"author":6,"featured_media":37974,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[7],"tags":[17521,16462,14080],"class_list":["post-38306","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festival","tag-17521","tag-black-movie","tag-geneve"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Gen\u00e8ve &gt; Black Movie 2017 \u2013 sezioni e film | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rapportoconfidenziale.org\/?p=38306\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gen\u00e8ve &gt; Black Movie 2017 \u2013 sezioni e film | Rapporto Confidenziale\" \/>\n<meta property=\"og:description\" content=\"18e Festival Black Movie Festival international de films ind\u00e9pendants \u2013 Gen\u00e8ve 20\u201329 janvier 2017 &nbsp; Le noir vous va si bien &nbsp; Sous les palmiers, le cin\u00e9ma ! &nbsp; Abracadabra, comme par magie, ce sont 116 films tri\u00e9s sur le volet qui vous sont propos\u00e9s, fruits juteux de notre prospection cin\u00e9matographique 2017. 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