{"id":38347,"date":"2017-01-12T16:14:41","date_gmt":"2017-01-12T15:14:41","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=38347"},"modified":"2017-01-12T16:15:46","modified_gmt":"2017-01-12T15:15:46","slug":"alessandro-novelli-the-guardian-2015","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=38347","title":{"rendered":"Alessandro Novelli | The Guardian (2015)"},"content":{"rendered":"

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The Guardian<\/em>\u00a0\u00e8 una libera interpretazione della parabola Davanti alla Legge<\/em> contenuta ne Il processo<\/em> di Franz Kafka. Un uomo\u00a0dopo aver viaggiato per il mondo arriva di fronte a un cancello controllato da un temibile guardiano. L’uomo\u00a0cerca di attraversarlo, ma il guardiano gli nega l’accesso.\u00a0L’uomo e il guardiano sono l’essenza di un unico personaggio: l’uomo, come ognuno di noi, \u00e8 di fronte alla sua stessa paura del cambiamento e il guardiano, personificazione delle sue stesse paure, \u00e8 un qualcosa di informe che limita e controlla ogni possibile cambiamento.
\nLa porta\/cancello sono le possibilit\u00e0 che incontriamo durante la nostra vita.<\/p>\n

LEGGI L’INTERVISTA AD ALESSANDRO NOVELLI<\/strong><\/a><\/p>\n

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THE GUARDIAN
\n<\/strong>Production:<\/strong> N9ve \u2022\u00a0Direction:<\/strong> Alessandro Novelli<\/a> \u2022\u00a0Animation:<\/strong> Alessandro Novelli, Victor Perez, Andrea Gendusa \u2022\u00a0Illustration and Design:<\/strong> Alessandro Novelli, Karolina Pospischil, Andrea Gendusa \u2022\u00a03D:\u00a0<\/strong>Victor Perez (Character Animator, 3D Modeling),\u00a0Alessandro Novelli (3D modeling, 3D animation),\u00a0Gabriele Maiocco<\/a> (3D heads modeling and Zbrush),\u00a0Andrea Gendusa (3D modeling, 3D animation) \u2022\u00a0Original Music:\u00a0<\/strong>Simon Smith<\/a> (Bcnsound<\/a>),\u00a0Sasha Agranov<\/a>\u00a0\u2022\u00a0Voice Over:\u00a0<\/strong>Luis De Velasco \u2022\u00a0Musicians:\u00a0<\/strong>Sasha Agranov<\/a>\u00a0\u2022\u00a0Music Recording and Mixing:\u00a0<\/strong>Eric Nagel at Bcnsound<\/a>\u00a0\u2022\u00a0Voice Over recording:\u00a0<\/strong>Juan Jos\u00e9 Rodriguez at Abuela Records (MX) \u2022\u00a0Mastering:\u00a0<\/strong>Yves Roussel \u2022\u00a0Many thanks to:\u00a0<\/strong>Leandra Boj<\/a>,\u00a0Rafael Mayani<\/a>,\u00a0Xavier Sanchez<\/a>\u00a0and Karolina Pospischil<\/a>\u00a0for their posters \u2022\u00a0Special Thanks to:\u00a0<\/strong>Simon, Sasha and BCNsound (Bcnsound<\/a>) , Laura Sans Gass\u00f3, Ana Isabella Byrne Bellor\u00edn, Mariana Perfeito, Luis De Velasco \u2022\u00a0Language:<\/strong> english \u2022\u00a0Coutry:<\/strong> Spain \u2022\u00a0Year:<\/strong> 2015 \u2022\u00a0Runtime:<\/strong> 5′<\/p>\n

Alessandro Novelli on VIMEO<\/a><\/p>\n

Festival & Awards<\/strong>
\nAnnecy International Film Festival 2015 – Official Selection \u2022 Arizona Film Festival 2015 – Official Selection \u2022 CIFF 2015 – Royal Reel Award – 2015 \u2022 River Film Festival 2015 – Official Selection \u2022 SPARK Animation 2015 – Official Selection \u2022 Animac Lleida – 2016 Official Selection \u2022 Mecal 2016 Official Selection.
\nMusic+Sound Awards 2016: Best Original Composition: Short Film Score – Composer: Simon Smith + Sasha Agranov<\/p>\n

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Il Making Of<\/strong><\/em><\/p>\n