{"id":39036,"date":"2017-06-06T15:01:11","date_gmt":"2017-06-06T13:01:11","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=39036"},"modified":"2017-06-06T15:03:32","modified_gmt":"2017-06-06T13:03:32","slug":"makoto-nagahisa-and-so-we-put-goldfish-the-pool","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=39036","title":{"rendered":"Makoto Nagahisa | And So We Put Goldfish In The Pool"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-39037\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/06\/And-So-We-Put-Goldfish-In-The-Pool-cover.jpg\" alt=\"\" width=\"1112\" height=\"741\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/06\/And-So-We-Put-Goldfish-In-The-Pool-cover.jpg 1112w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/06\/And-So-We-Put-Goldfish-In-The-Pool-cover-150x100.jpg 150w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/06\/And-So-We-Put-Goldfish-In-The-Pool-cover-300x200.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/06\/And-So-We-Put-Goldfish-In-The-Pool-cover-768x512.jpg 768w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/06\/And-So-We-Put-Goldfish-In-The-Pool-cover-1024x682.jpg 1024w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/06\/And-So-We-Put-Goldfish-In-The-Pool-cover-436x291.jpg 436w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/06\/And-So-We-Put-Goldfish-In-The-Pool-cover-673x449.jpg 673w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/06\/And-So-We-Put-Goldfish-In-The-Pool-cover-950x633.jpg 950w\" sizes=\"auto, (max-width: 1112px) 100vw, 1112px\" \/><\/p>\n<p>Gran Premio della Giuria al Sundance 2017 e gi\u00e0 disponibile online gratuitamente (prendere nota please) il cortometraggio di Makoto Nagahisa \u00e8 una interessante follia nipponica che ricorda i teen movie di Sion Sono.<br \/>\nTratto dalla storia (vera), avvenuta nel 2012 nella provincia di Saitama, di quattro ragazze che per gioco &#8211; e per vedere l&#8217;effetto che fa &#8211; liberarono in una piscina d&#8217;una junior-high school della citt\u00e0 di Sayama 400 pesci rossi (goldfish),\u00a0<em>And So We Put Goldfish In The Pool<\/em> prova a comprendere i motivi di tale bislacco\u00a0gesto soffermandosi sulle quattro ragazze, sulla loro vita, sui loro sogni, sui loro desideri e su quella forza misteriosa che fa tendere loro il dito medio&#8230;<br \/>\nOttima la confezione cinematografica.<br \/>\n<em>ag<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-39038\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/06\/poster-01.jpg\" alt=\"\" width=\"450\" height=\"450\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/06\/poster-01.jpg 450w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/06\/poster-01-300x300.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/06\/poster-01-436x436.jpg 436w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong>And So We Put Goldfish In The Pool<\/strong><br \/>\n<strong> Soushite watashitachi wa p\u00fbru ni kingyo o<\/strong><br \/>\n<strong> \u305d\u3046\u3057\u3066\u79c1\u305f\u3061\u306f\u30d7\u30fc\u30eb\u306b\u91d1\u9b5a\u3092<\/strong><br \/>\n<strong>Regia, sceneggiatura:<\/strong> Makoto Nagahisa<br \/>\n<strong>Produttore esecutivo:<\/strong> Takeshi Tanaka<br \/>\n<strong>Produttore:<\/strong> Haruki Yokoyama<br \/>\n<strong>Fotografia:<\/strong> Hiroaki Takeda<br \/>\n<strong>Art Direction:<\/strong> Yukiko Kuribayashi<br \/>\n<strong>Electrician:<\/strong> Yuki Maeshima<br \/>\n<strong>Suono:<\/strong> Junnosuke Okita<br \/>\n<strong>Interpreti:<\/strong> Reina Kikuchi (Mayu), Rina Matsuyama (Tamiko), Marin Nishimoto (Ryoko), Hina Yukawa (Akane)<br \/>\n<strong>Produzione:<\/strong> Koto Production<br \/>\n<strong>Paese:<\/strong> Giappone<br \/>\n<strong>Anno:<\/strong> 2017<br \/>\n<strong>Durata:<\/strong> 28&#8242;<\/p>\n<p><a href=\"http:\/\/goldfish-pool.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">goldfish-pool.com<\/a>\u00a0\u25cf <a href=\"http:\/\/twitter.com\/goldfish_movie\" target=\"_blank\" rel=\"noopener noreferrer\">twitter<\/a>\u00a0\u25cf <a href=\"https:\/\/www.facebook.com\/%E7%9F%AD%E7%B7%A8%E6%98%A0%E7%94%BB%E3%81%9D%E3%81%86%E3%81%97%E3%81%A6%E7%A7%81%E3%81%9F%E3%81%A1%E3%81%AF%E3%83%97%E3%83%BC%E3%83%AB%E3%81%AB%E9%87%91%E9%AD%9A%E3%82%92-1490670944306503\" target=\"_blank\" rel=\"noopener noreferrer\">facebook<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gran Premio della Giuria al Sundance 2017 e gi\u00e0 disponibile online gratuitamente (prendere nota please) il cortometraggio di Makoto Nagahisa \u00e8 una interessante follia nipponica che ricorda i teen movie di Sion Sono. Tratto dalla storia (vera), avvenuta nel 2012 nella provincia di Saitama, di quattro ragazze che per gioco &#8211; e per vedere l&#8217;effetto che fa &#8211; liberarono in<\/p>\n","protected":false},"author":5,"featured_media":39037,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1710],"tags":[18080,17252,7833,68,1092,18085,18093,18086,18089,18083,18092,18090,18091,18081,283,18094,18084,18088,18087,18082],"class_list":["post-39036","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-cineteca","tag-and-so-we-put-goldfish-in-the-pool","tag-cineteca","tag-corto","tag-cortometraggio","tag-giappone","tag-haruki-yokoyama","tag-hina-yukawa","tag-hiroaki-takeda","tag-junnosuke-okita","tag-makoto-nagahisa","tag-marin-nishimoto","tag-reina-kikuchi","tag-rina-matsuyama","tag-soushite-watashitachi-wa-puru-ni-kingyo-o","tag-sundance","tag-sundance-2017","tag-takeshi-tanaka","tag-yuki-maeshima","tag-yukiko-kuribayashi","tag-18082","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Makoto Nagahisa | And So We Put Goldfish In The Pool | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rapportoconfidenziale.org\/?p=39036\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Makoto Nagahisa | And So We Put Goldfish In The Pool | Rapporto Confidenziale\" \/>\n<meta property=\"og:description\" content=\"Gran Premio della Giuria al Sundance 2017 e gi\u00e0 disponibile online gratuitamente (prendere nota please) il cortometraggio di Makoto Nagahisa \u00e8 una interessante follia nipponica che ricorda i teen movie di Sion Sono. 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