{"id":39559,"date":"2017-08-16T16:12:14","date_gmt":"2017-08-16T14:12:14","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=39559"},"modified":"2017-08-16T16:13:03","modified_gmt":"2017-08-16T14:13:03","slug":"dean-hurley-anthology-resource-vol-1-%e2%96%b3%e2%96%b3","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=39559","title":{"rendered":"Dean Hurley | Anthology Resource Vol. 1: \u25b3\u25b3"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/08\/Anthology_Resource_Vol1-Dean_Hurley-cover.jpg\" alt=\"\" width=\"1112\" height=\"741\" class=\"aligncenter size-full wp-image-39560\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/08\/Anthology_Resource_Vol1-Dean_Hurley-cover.jpg 1112w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/08\/Anthology_Resource_Vol1-Dean_Hurley-cover-150x100.jpg 150w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/08\/Anthology_Resource_Vol1-Dean_Hurley-cover-300x200.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/08\/Anthology_Resource_Vol1-Dean_Hurley-cover-768x512.jpg 768w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/08\/Anthology_Resource_Vol1-Dean_Hurley-cover-1024x682.jpg 1024w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/08\/Anthology_Resource_Vol1-Dean_Hurley-cover-436x291.jpg 436w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/08\/Anthology_Resource_Vol1-Dean_Hurley-cover-673x449.jpg 673w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/08\/Anthology_Resource_Vol1-Dean_Hurley-cover-950x633.jpg 950w\" sizes=\"auto, (max-width: 1112px) 100vw, 1112px\" \/><br \/>\nIn <em>Twin Peaks: The Return<\/em> la musica e il suono hanno un ruolo fondamentale, non solo e non soltanto per i concerti live al Roadhouse che chiudono ogni episodio, ma soprattutto perch\u00e9 ogni interstizio di questa nuova surrealt\u00e0 lynchiana \u00e8 abitato da suoni (lo stesso David Lynch firma il sound design di ogni episodio) e melodie capaci di rendere unica questa esperienza televisiva cos\u00ec insolita e dirompente nella sua vena avanguardista. <strong>Anthology Resource Vol. 1: \u25b3\u25b3<\/strong> presenta il lavoro di supervisore sonoro e musicale compiuto da <strong>Dean Hurley<\/strong> per la terza stagione della serie e contiene tutti i suoi contributi musicali originali cos\u00ec caratterizzanti per le atmosfere complessive di questo ritorno a Twin Peaks.<\/p>\n<p>Negli ultimi dodici anni Hurley ha lavorato presso l&#8217;Asymmetrical Studio di David Lynch su una miriade di progetti cinematografici, pubblicitari e musicali. Oltre alla sua supervisione sonora e musicale per <em>Inland Empire<\/em> e <em>Twin Peaks: The Return<\/em>, Hurley ha scritto e prodotto quattro LP con l&#8217;artista di Missoula: <em>The Air is on Fire<\/em> (2007), <em>This Train<\/em> (2011), <em>Crazy Clown Time<\/em> (2011) e <em>The Big Dream<\/em> (2013). La produzione musicale curata da Hurley comprende artisti come Lykke Li, <a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=27558\">Dirty Beaches<\/a>, Zola Jesus e The Veils. Oltre a questo \u00e8 stato anche batterista della band Trouble, con Alex Zhang Hungtai dei Dirty Beaches, e con Riley Lynch si \u00e8 esibito al Roadhouse nella quinta puntata di <em>Twin Peaks: The Return.<\/em><\/p>\n<p>&nbsp;<\/p>\n<blockquote><p><strong>Anthology Resource Vol. 1: \u25b3\u25b3<\/strong><br \/>\nby Dean Hurley<br \/>\nSacred Bones Records, 2017<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><iframe style=\"border: 0; width: 700px; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2716159141\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=small\/transparent=true\/\" seamless><a href=\"http:\/\/deanhurley.bandcamp.com\/album\/anthology-resource-vol-1\">Anthology Resource Vol. 1: \u25b3\u25b3 by Dean Hurley<\/a><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In Twin Peaks: The Return la musica e il suono hanno un ruolo fondamentale, non solo e non soltanto per i concerti live al Roadhouse che chiudono ogni episodio, ma soprattutto perch\u00e9 ogni interstizio di questa nuova surrealt\u00e0 lynchiana \u00e8 abitato da suoni (lo stesso David Lynch firma il sound design di ogni episodio) e melodie capaci di rendere unica<\/p>\n","protected":false},"author":5,"featured_media":39560,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17495],"tags":[18281,18283,843,18282,4870,17987,12954,11791,18280],"class_list":["post-39559","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musica","tag-anthology-resource-vol-1-","tag-asymmetrical-studio","tag-david-lynch","tag-dean-hurley","tag-musica","tag-sacred-bones-records","tag-sound-design","tag-twin-peaks","tag-twin-peaks-the-return"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Dean Hurley | Anthology Resource Vol. 1: \u25b3\u25b3 | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rapportoconfidenziale.org\/?p=39559\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dean Hurley | Anthology Resource Vol. 1: \u25b3\u25b3 | Rapporto Confidenziale\" \/>\n<meta property=\"og:description\" content=\"In Twin Peaks: The Return la musica e il suono hanno un ruolo fondamentale, non solo e non soltanto per i concerti live al Roadhouse che chiudono ogni episodio, ma soprattutto perch\u00e9 ogni interstizio di questa nuova surrealt\u00e0 lynchiana \u00e8 abitato da suoni (lo stesso David Lynch firma il sound design di ogni episodio) e melodie capaci di rendere unica\" \/>\n<meta property=\"og:url\" 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