{"id":40513,"date":"2018-01-09T15:35:37","date_gmt":"2018-01-09T14:35:37","guid":{"rendered":"https:\/\/www.rapportoconfidenziale.org\/?p=40513"},"modified":"2018-01-09T17:53:45","modified_gmt":"2018-01-09T16:53:45","slug":"geneve-19-black-movie-festival-international-de-films-independants","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=40513","title":{"rendered":"Gen\u00e8ve \/\/ 19. Black Movie \u2013 Festival international de films ind\u00e9pendants"},"content":{"rendered":"<div id=\"attachment_40517\" style=\"width: 1122px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-40517\" class=\"wp-image-40517 size-full\" src=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Un-ano-sin-amor.jpg\" alt=\"\" width=\"1112\" height=\"737\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Un-ano-sin-amor.jpg 1112w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Un-ano-sin-amor-150x100.jpg 150w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Un-ano-sin-amor-300x199.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Un-ano-sin-amor-768x509.jpg 768w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Un-ano-sin-amor-1024x679.jpg 1024w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Un-ano-sin-amor-436x289.jpg 436w\" sizes=\"auto, (max-width: 1112px) 100vw, 1112px\" \/><p id=\"caption-attachment-40517\" class=\"wp-caption-text\"><em>Un a\u00f1o sin amor<\/em>, Anah\u00ed Berneri<\/p><\/div>\n<blockquote><p><strong>BLACK MOVIE<br \/>\n19\u00e8me \u00c9DITION FESTIVAL INTERNATIONAL DE FILMS IND\u00c9PENDANTS<br \/>\nGen\u00e8ve, 19-28janvier 2018<br \/>\n<a href=\"http:\/\/blackmovie.ch\/2018\/\" target=\"_blank\" rel=\"noopener\">blackmovie.ch<\/a><br \/>\n<\/strong><\/p><\/blockquote>\n<p><em>D\u00e9collage imm\u00e9diat pour les \u00e9toiles! Ev\u00e9nement culturelincontournable,la<strong> 19\u00e8me \u00e9dition<\/strong> du Festival Black Movie pr\u00e9pare une f\u00eate d\u2019une amplitude astronomique en l\u2019honneur du cin\u00e9ma ind\u00e9pendant international, \u00e0 savourer du 19 au 28 janvier 2018.<br \/>\nFort d\u2019une s\u00e9lection en provenance de <strong>30 pays<\/strong> et <strong>4 continents<\/strong> (Asie, Afrique, Am\u00e9rique Latine, Europe), le programme organis\u00e9 ensections th\u00e9matiques annonce une constellation de <strong>121 films<\/strong>, parmi lesquels <strong>3 premi\u00e8res europ\u00e9ennes<\/strong> et <strong>59 premi\u00e8res suisses<\/strong>. Le tout en compagnie de <strong>25 cin\u00e9astes<\/strong> invit\u00e9s!<\/em><\/p>\n<blockquote><p><strong>Sections et cin\u00e9astes<\/strong><\/p><\/blockquote>\n<p>Attentif depuis ses d\u00e9buts aux questions soci\u00e9tales et \u00e0 leur traitement par le cin\u00e9ma, le Festival Black Movie offre de c\u00e9l\u00e9brer cette ann\u00e9e l\u2019esth\u00e9tique queer \u00e0 travers un volet r\u00e9trospectif et un volet contemporain. Avec les 11 films de la section <strong>MAUVAIS GENRE R\u00c9TROQUEER 18+<\/strong>,l\u2019occasion sera d\u2019abord donn\u00e9e de rendre hommage \u00e0 des cin\u00e9astes pr\u00e9sent\u00e9s au festival entre 2001 et 2017. On y retrouvera entre autres <strong>Apichatpong Weerasethakul<\/strong> (<em>Tropical Malady<\/em>), <em>Royston Tan<\/em> (<em>15<\/em>), <strong>Tsai Ming-liang<\/strong> (<em>I Don\u2019t Want To Sleep Alone<\/em>), <strong>Brillante Mendoza<\/strong> (<em>Serbis<\/em>), <strong>Jo\u00e3o Pedro Rodrigues<\/strong> (<em>O Fantasma<\/em>), <strong>Anah\u00ed Berneri<\/strong> (<em>Un a\u00f1o sin amor<\/em>)&#8230; En regard, les 16 films r\u00e9cents de la section <strong>MAUVAIS GENRE 2018<\/strong>entonneront \u00e0 leur mani\u00e8re une ode salvatrice \u00e0 l\u2019\u00e9quivoque, magnifi\u00e9e notamment par les jeunes cin\u00e9astes <strong>Anucha Boonyawatana<\/strong> (<em>Malila: The Farewell Flower<\/em>), <strong>Nicol\u00e1s Videla<\/strong> (<em>El Diablo es magnifico<\/em>), <strong>Norihiro Niwatsukino<\/strong> (<em>Suffering of Ninko<\/em>), <strong>Anihita Gaznivizadeh<\/strong> (<em>They<\/em>),<strong> Gerardo Calagui<\/strong> (<em>Those Long Haired Nights<\/em>) et le programme anim\u00e9 et provocateur<em> Anim de genres<\/em>. Autant de r\u00e9ponses cr\u00e9atives et lumineuses \u00e0 l\u2019h\u00e9t\u00e9ronormativit\u00e9 grandissante et aux politiques r\u00e9trogrades du moment.<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_40518\" style=\"width: 792px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-40518\" class=\"wp-image-40518 size-full\" src=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Serbis.jpg\" alt=\"\" width=\"782\" height=\"520\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Serbis.jpg 782w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Serbis-150x100.jpg 150w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Serbis-300x199.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Serbis-768x511.jpg 768w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Serbis-436x290.jpg 436w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Serbis-673x449.jpg 673w\" sizes=\"auto, (max-width: 782px) 100vw, 782px\" \/><p id=\"caption-attachment-40518\" class=\"wp-caption-text\"><em>Serbis<\/em>, Brillante Mendoza<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>Dans un esprit engag\u00e9 similaire,la section <strong>LES R\u00c9SISTANTES<\/strong> et ses 9 films s\u2019int\u00e9resseront aux r\u00e9cits, fictifs ou non, de femmes qui se rebellent avec courage contre le pouvoir en place &#8211; et les hommes qui le d\u00e9tiennent. Le cin\u00e9aste <strong>Dieudo Hamadi<\/strong>, familier du festival, pr\u00e9sentera son nouveau documentaire <em>Maman Colonelle<\/em>, et son incroyable protagoniste qui se bat seule en R\u00e9publique D\u00e9mocratique du Congo contre la violence faite aux femmes et aux enfants. Ailleurs, des Alg\u00e9roises refusent de vivre cach\u00e9es comme le voudraient les bigots dans <em>Les bienheureux<\/em> de <strong>Sofia Djama<\/strong>; <strong>Gessica G\u00e9n\u00e9us<\/strong> interroge la responsabilit\u00e9 coloniale dans le d\u00e9clenchement de psychosesen Ha\u00efti avec <em>Le jour se l\u00e8vera<\/em>; une petite Zambienne essaie d\u2019\u00e9chapper \u00e0 son destin de sorci\u00e8re dans <em>I Am Not a Witch<\/em> de <strong>Rungano Nyoni<\/strong>; et les Rwandaises apprennent \u00e0 prendre le contr\u00f4le de leur plaisir intime dans<em> L\u2019eau sacr\u00e9e<\/em> de <strong>Olivier Jourdain<\/strong>.<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_40519\" style=\"width: 792px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-40519\" class=\"wp-image-40519 size-full\" src=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/I-Am-Not-a-Witch.jpg\" alt=\"\" width=\"782\" height=\"440\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/I-Am-Not-a-Witch.jpg 782w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/I-Am-Not-a-Witch-300x169.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/I-Am-Not-a-Witch-768x432.jpg 768w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/I-Am-Not-a-Witch-436x245.jpg 436w\" sizes=\"auto, (max-width: 782px) 100vw, 782px\" \/><p id=\"caption-attachment-40519\" class=\"wp-caption-text\"><em>I Am Not a Witch<\/em>, Rungano Nyoni<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>Au gr\u00e9 des autres sections, les th\u00e9matiques sont pass\u00e9es au filtre de formats et de genres divers. La filiation est d\u00e9cortiqu\u00e9e dans <strong>TOI AUSSI MON FILS<\/strong> \u00e0 travers la fiction (<em>Shuttle Life<\/em> de <strong>Tan Seng Kiat<\/strong>, <em>Hunting Season<\/em> de <strong>Natalia Garagiola<\/strong>) ou le documentaire (<em>Ce soir mon c\u0153ur bat<\/em> de<strong> R\u00e9mi Jennequin<\/strong>). La p\u00e9nibilit\u00e9 du travail est l\u2019objet du <strong>SALAIRE DE LA PEUR<\/strong>, qui propose une vir\u00e9e en compagnie des \u00abbrouteurs\u00bb d\u2019Abidjan (<em>Vivre Riche<\/em> de <strong>Jo\u00ebl Akafou<\/strong>) ou une immersion \u00e9tourdissante dans une immense usine indienne de textiles (<em>Machines<\/em> de <strong>Rahul Jain<\/strong>). Enfin, la questionbr\u00fblante de la vengeance personnelle est au centre de <strong>SYMPATHY FOR MR. VENGEANCE<\/strong>, qui alterne sans complexe la parabole (<em>Spoor<\/em> de <strong>Agnieszka Holland<\/strong>), le film de gangster (<em>The Brink<\/em> de <strong>Jonathan Li<\/strong>) ou le film d\u2019horreur (<em>Vampire Clay<\/em> de <strong>So\u00eechi Umezawa<\/strong>).<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_40520\" style=\"width: 792px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-40520\" class=\"wp-image-40520 size-full\" src=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Vivre-Riche.jpg\" alt=\"\" width=\"782\" height=\"444\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Vivre-Riche.jpg 782w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Vivre-Riche-300x170.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Vivre-Riche-768x436.jpg 768w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Vivre-Riche-436x248.jpg 436w\" sizes=\"auto, (max-width: 782px) 100vw, 782px\" \/><p id=\"caption-attachment-40520\" class=\"wp-caption-text\"><em>Vivre Riche<\/em>, Jo\u00ebl Akafou<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>Comme de coutume, la section <strong>\u00c0 SUIVRE&#8230;<\/strong> revient sur les derni\u00e8res productions de r\u00e9alisateurs qui ont compt\u00e9 et comptent toujours pour le festival. Black Movie est \u00e0 ce titre honor\u00e9 de recevoir cette ann\u00e9e pour la premi\u00e8re fois<strong> Sharunas Bartas<\/strong>, le plus connu des cin\u00e9astes lituaniens en activit\u00e9, qui pr\u00e9sentera au public genevois son long m\u00e9trage <em>Frost<\/em>, road movie humanitaire avec au casting l\u2019actrice Vanessa Paradis. \u00c0 c\u00f4t\u00e9 de cela, les spectateurs reconna\u00eetront avec bonheur au programme les noms familiers de <strong>Hong Sangsoo<\/strong> (<em>Le jour d\u2019apr\u00e8s<\/em>, in\u00e9dit en Suisse), <strong>Kiyoshi Kurosawa<\/strong> (<em>Avant que nous disparaissions<\/em>), <strong>Zhang Miaoyan<\/strong> (<em>Silent Mist<\/em>), <strong>Lucrecia Martel<\/strong> (<em>Zama<\/em>) et <strong>Sergei Loznitsa<\/strong> (<em>Une femme douce<\/em>).<\/p>\n<blockquote><p><strong>Tables rondes &amp; Petit Black Movie<\/strong><\/p><\/blockquote>\n<p>\u00c0 la suite deces nombreuses projections, <strong>5 tables rondes<\/strong> permettront de prolonger les r\u00e9flexions n\u00e9es dans les salles obscures. Ces rencontres et discussions, toutes en acc\u00e8s libre, b\u00e9n\u00e9ficieront de la pr\u00e9sence d\u2019invit\u00e9s cin\u00e9astes et de sp\u00e9cialistes vers\u00e9s dans les questions soulev\u00e9es par l\u2019esth\u00e9tique queer, l\u2019anthropologie de la mort, la violence faite aux femmes, le cin\u00e9ma au Burkina Faso ou encore les liens entre syncr\u00e9tisme et psychiatrie.<\/p>\n<p>La section <strong>PETIT BLACK MOVIE<\/strong>, sp\u00e9cifiquement d\u00e9di\u00e9e aux enfants, proposera 44 films r\u00e9partis entre 6 programmes th\u00e9matiques con\u00e7us pour les jeunes cin\u00e9philes d\u00e8s 3 ans. Animations, fictions et documentaires aborderont de fa\u00e7on ludiqueet color\u00e9e une large palette de sujets allant de l\u2019acc\u00e8s \u00e0 l\u2019\u00e9ducation \u00e0 la d\u00e9fense des animaux. En outre, le Petit Black Movie organise pour les tout petits le Mini Black Movie \u00e0 la Maison de la Cr\u00e9ativit\u00e9 de Conches, ainsi qu\u2019une s\u00e9rie de 4 ateliers sp\u00e9cialement imagin\u00e9s pour l\u2019occasion: initiation \u00e0 la r\u00e9alisation d\u2019un film d\u2019animation, sensibilisation \u00e0l\u2019importance des bruitages et de la musique au cin\u00e9ma, d\u00e9couverte d\u2019un art martial indien et pratique des m\u00e9tiers de la radio.<\/p>\n<blockquote><p><strong>Prix, lieux et soir\u00e9es<\/strong><\/p><\/blockquote>\n<p>Le Festival Black Movie remettra au total <strong>5 prix<\/strong>, dont le Prix Infomaniak du Public, le Prix Payot Petit Black Movie et le Prix dela Critique. Ce dernier, dot\u00e9 par le D\u00e9partement de la culture et du sport de la Ville de Gen\u00e8ve, sera attribu\u00e9 \u00e0 un film in\u00e9dit remarqu\u00e9 pour sa forme novatrice, par un jury constitu\u00e9 de <strong>Mihai Chirilov<\/strong> (Roumanie), <strong>Eul\u00e0lia Iglesias Huix<\/strong> (Espagne), <strong>Francesca Monti<\/strong> (Italie), <strong>R\u00fcdiger Suchsland<\/strong> (Allemagne) et <strong>Beth Webb<\/strong> (Royaume-Uni).<\/p>\n<p>Les s\u00e9ances du festival se tiendront aux <strong>Cin\u00e9mas du Gr\u00fctli<\/strong>, au<b>\u00a0Spoutnik<\/b>\u00a0et au <strong>Cin\u00e9lux<\/strong>, avec pour la premi\u00e8re fois cette ann\u00e9e une c\u00e9r\u00e9monie de cl\u00f4ture ouverte au public le dimanche 28 janvier \u00e0 l\u2019<strong>Alhambra<\/strong>. Les Nuits Blanches seront quant \u00e0 elles toutes organis\u00e9es dans un nouveau lieu central, le <strong>Xanadu<\/strong>, situ\u00e9 au c\u0153ur du quartier des Bains, qui verra d\u00e9filer 10 soirs durant f\u00eates musicales et paillet\u00e9es,avec entr\u00e9e libre.<\/p>\n<p>En 2018 avec Black Movie, franchissez la porte des \u00e9toiles et laissez vous happer par l\u2019\u00e9tourdissante programmation,\u00e0 la d\u00e9couverte des joyauxuniverselsdu cin\u00e9ma ind\u00e9pendant international!<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong><strong>Le cin\u00e9ma \u00e0 l\u2019infini!<\/strong><\/strong><\/p>\n<p style=\"text-align: center;\"><strong>Black Movie: 121 films sur 10 jours<\/strong><br \/>\n<strong> du 19 au 28janvier 2018<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>Programme et billetterie en ligne sur <a href=\"http:\/\/www.blackmovie.ch\" target=\"_blank\" rel=\"noopener\">www.blackmovie.ch<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-40521\" src=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Visuel_BM18_web.jpg\" alt=\"\" width=\"782\" height=\"1106\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Visuel_BM18_web.jpg 782w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Visuel_BM18_web-212x300.jpg 212w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Visuel_BM18_web-768x1086.jpg 768w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Visuel_BM18_web-724x1024.jpg 724w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Visuel_BM18_web-436x617.jpg 436w\" sizes=\"auto, (max-width: 782px) 100vw, 782px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>BLACK MOVIE 19\u00e8me \u00c9DITION FESTIVAL INTERNATIONAL DE FILMS IND\u00c9PENDANTS Gen\u00e8ve, 19-28janvier 2018 blackmovie.ch D\u00e9collage imm\u00e9diat pour les \u00e9toiles! Ev\u00e9nement culturelincontournable,la 19\u00e8me \u00e9dition du Festival Black Movie pr\u00e9pare une f\u00eate d\u2019une amplitude astronomique en l\u2019honneur du cin\u00e9ma ind\u00e9pendant international, \u00e0 savourer du 19 au 28 janvier 2018. Fort d\u2019une s\u00e9lection en provenance de 30 pays et 4 continents (Asie, Afrique, Am\u00e9rique<\/p>\n","protected":false},"author":6,"featured_media":40517,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[7],"tags":[14083,14080],"class_list":["post-40513","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festival","tag-black-movie-festival-de-films","tag-geneve"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Gen\u00e8ve \/\/ 19. Black Movie \u2013 Festival international de films ind\u00e9pendants | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rapportoconfidenziale.org\/?p=40513\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gen\u00e8ve \/\/ 19. Black Movie \u2013 Festival international de films ind\u00e9pendants | Rapporto Confidenziale\" \/>\n<meta property=\"og:description\" content=\"BLACK MOVIE 19\u00e8me \u00c9DITION FESTIVAL INTERNATIONAL DE FILMS IND\u00c9PENDANTS Gen\u00e8ve, 19-28janvier 2018 blackmovie.ch D\u00e9collage imm\u00e9diat pour les \u00e9toiles! Ev\u00e9nement culturelincontournable,la 19\u00e8me \u00e9dition du Festival Black Movie pr\u00e9pare une f\u00eate d\u2019une amplitude astronomique en l\u2019honneur du cin\u00e9ma ind\u00e9pendant international, \u00e0 savourer du 19 au 28 janvier 2018. Fort d\u2019une s\u00e9lection en provenance de 30 pays et 4 continents (Asie, Afrique, Am\u00e9rique\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.rapportoconfidenziale.org\/?p=40513\" \/>\n<meta property=\"og:site_name\" content=\"Rapporto Confidenziale\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/rapportoconfidenziale\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/rapportoconfidenziale\" \/>\n<meta property=\"article:published_time\" content=\"2018-01-09T14:35:37+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-01-09T16:53:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Un-ano-sin-amor.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1112\" \/>\n\t<meta property=\"og:image:height\" content=\"737\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Rapporto Confidenziale\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@RConfidenziale\" \/>\n<meta name=\"twitter:site\" content=\"@RConfidenziale\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Rapporto Confidenziale\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=40513#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=40513\"},\"author\":{\"name\":\"Rapporto Confidenziale\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/person\\\/1bf60340eefe8f99b9cd50688202e9d3\"},\"headline\":\"Gen\u00e8ve \\\/\\\/ 19. Black Movie \u2013 Festival international de films ind\u00e9pendants\",\"datePublished\":\"2018-01-09T14:35:37+00:00\",\"dateModified\":\"2018-01-09T16:53:45+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=40513\"},\"wordCount\":1228,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=40513#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2018\\\/01\\\/Un-ano-sin-amor.jpg\",\"keywords\":[\"Black Movie Festival de films\",\"Gen\u00e8ve\"],\"articleSection\":[\"FESTIVAL\"],\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=40513#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=40513\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=40513\",\"name\":\"Gen\u00e8ve \\\/\\\/ 19. Black Movie \u2013 Festival international de films ind\u00e9pendants | Rapporto Confidenziale\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=40513#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=40513#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2018\\\/01\\\/Un-ano-sin-amor.jpg\",\"datePublished\":\"2018-01-09T14:35:37+00:00\",\"dateModified\":\"2018-01-09T16:53:45+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=40513#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=40513\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=40513#primaryimage\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2018\\\/01\\\/Un-ano-sin-amor.jpg\",\"contentUrl\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2018\\\/01\\\/Un-ano-sin-amor.jpg\",\"width\":1112,\"height\":737},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=40513#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Gen\u00e8ve \\\/\\\/ 19. Black Movie \u2013 Festival international de films ind\u00e9pendants\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#website\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/\",\"name\":\"Rapporto Confidenziale\",\"description\":\"rivista digitale di cultura cinematografica | digital magazine about cinematic culture\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#organization\",\"name\":\"Rapporto Confidenziale\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2017\\\/09\\\/RC_logo_1_nero.png\",\"contentUrl\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2017\\\/09\\\/RC_logo_1_nero.png\",\"width\":3508,\"height\":709,\"caption\":\"Rapporto Confidenziale\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/rapportoconfidenziale\",\"https:\\\/\\\/x.com\\\/RConfidenziale\",\"https:\\\/\\\/www.instagram.com\\\/icdpavlov\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/RConfidenziale\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/person\\\/1bf60340eefe8f99b9cd50688202e9d3\",\"name\":\"Rapporto Confidenziale\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g\",\"caption\":\"Rapporto Confidenziale\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/rapportoconfidenziale\"],\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?author=6\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Gen\u00e8ve \/\/ 19. Black Movie \u2013 Festival international de films ind\u00e9pendants | Rapporto Confidenziale","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.rapportoconfidenziale.org\/?p=40513","og_locale":"it_IT","og_type":"article","og_title":"Gen\u00e8ve \/\/ 19. Black Movie \u2013 Festival international de films ind\u00e9pendants | Rapporto Confidenziale","og_description":"BLACK MOVIE 19\u00e8me \u00c9DITION FESTIVAL INTERNATIONAL DE FILMS IND\u00c9PENDANTS Gen\u00e8ve, 19-28janvier 2018 blackmovie.ch D\u00e9collage imm\u00e9diat pour les \u00e9toiles! Ev\u00e9nement culturelincontournable,la 19\u00e8me \u00e9dition du Festival Black Movie pr\u00e9pare une f\u00eate d\u2019une amplitude astronomique en l\u2019honneur du cin\u00e9ma ind\u00e9pendant international, \u00e0 savourer du 19 au 28 janvier 2018. Fort d\u2019une s\u00e9lection en provenance de 30 pays et 4 continents (Asie, Afrique, Am\u00e9rique","og_url":"https:\/\/www.rapportoconfidenziale.org\/?p=40513","og_site_name":"Rapporto Confidenziale","article_publisher":"https:\/\/www.facebook.com\/rapportoconfidenziale","article_author":"https:\/\/www.facebook.com\/rapportoconfidenziale","article_published_time":"2018-01-09T14:35:37+00:00","article_modified_time":"2018-01-09T16:53:45+00:00","og_image":[{"width":1112,"height":737,"url":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Un-ano-sin-amor.jpg","type":"image\/jpeg"}],"author":"Rapporto Confidenziale","twitter_card":"summary_large_image","twitter_creator":"@RConfidenziale","twitter_site":"@RConfidenziale","twitter_misc":{"Scritto da":"Rapporto Confidenziale","Tempo di lettura stimato":"6 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=40513#article","isPartOf":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=40513"},"author":{"name":"Rapporto Confidenziale","@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/person\/1bf60340eefe8f99b9cd50688202e9d3"},"headline":"Gen\u00e8ve \/\/ 19. Black Movie \u2013 Festival international de films ind\u00e9pendants","datePublished":"2018-01-09T14:35:37+00:00","dateModified":"2018-01-09T16:53:45+00:00","mainEntityOfPage":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=40513"},"wordCount":1228,"commentCount":0,"publisher":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#organization"},"image":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=40513#primaryimage"},"thumbnailUrl":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Un-ano-sin-amor.jpg","keywords":["Black Movie Festival de films","Gen\u00e8ve"],"articleSection":["FESTIVAL"],"inLanguage":"it-IT","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.rapportoconfidenziale.org\/?p=40513#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=40513","url":"https:\/\/www.rapportoconfidenziale.org\/?p=40513","name":"Gen\u00e8ve \/\/ 19. Black Movie \u2013 Festival international de films ind\u00e9pendants | Rapporto Confidenziale","isPartOf":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=40513#primaryimage"},"image":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=40513#primaryimage"},"thumbnailUrl":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Un-ano-sin-amor.jpg","datePublished":"2018-01-09T14:35:37+00:00","dateModified":"2018-01-09T16:53:45+00:00","breadcrumb":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=40513#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.rapportoconfidenziale.org\/?p=40513"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=40513#primaryimage","url":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Un-ano-sin-amor.jpg","contentUrl":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Un-ano-sin-amor.jpg","width":1112,"height":737},{"@type":"BreadcrumbList","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=40513#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.rapportoconfidenziale.org\/"},{"@type":"ListItem","position":2,"name":"Gen\u00e8ve \/\/ 19. Black Movie \u2013 Festival international de films ind\u00e9pendants"}]},{"@type":"WebSite","@id":"https:\/\/www.rapportoconfidenziale.org\/#website","url":"https:\/\/www.rapportoconfidenziale.org\/","name":"Rapporto Confidenziale","description":"rivista digitale di cultura cinematografica | digital magazine about cinematic culture","publisher":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.rapportoconfidenziale.org\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.rapportoconfidenziale.org\/#organization","name":"Rapporto Confidenziale","url":"https:\/\/www.rapportoconfidenziale.org\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/logo\/image\/","url":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/09\/RC_logo_1_nero.png","contentUrl":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/09\/RC_logo_1_nero.png","width":3508,"height":709,"caption":"Rapporto Confidenziale"},"image":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/rapportoconfidenziale","https:\/\/x.com\/RConfidenziale","https:\/\/www.instagram.com\/icdpavlov\/","https:\/\/www.youtube.com\/user\/RConfidenziale"]},{"@type":"Person","@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/person\/1bf60340eefe8f99b9cd50688202e9d3","name":"Rapporto Confidenziale","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g","caption":"Rapporto Confidenziale"},"sameAs":["https:\/\/www.facebook.com\/rapportoconfidenziale"],"url":"https:\/\/www.rapportoconfidenziale.org\/?author=6"}]}},"jetpack_featured_media_url":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2018\/01\/Un-ano-sin-amor.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/posts\/40513","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=40513"}],"version-history":[{"count":0,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/posts\/40513\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/media\/40517"}],"wp:attachment":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=40513"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=40513"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=40513"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}