{"id":4092,"date":"2009-11-13T11:01:06","date_gmt":"2009-11-13T10:01:06","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=4092"},"modified":"2009-12-30T09:24:45","modified_gmt":"2009-12-30T08:24:45","slug":"manhatta-paul-strand","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=4092","title":{"rendered":"Manhatta > Paul Strand (1921)"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2009\/09\/cineteca.jpg\" border=\"0\" alt=\"\" width=\"620\" height=\"256\" \/><\/p>\n<p><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"480\" height=\"385\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/XS1a5hDiCWM&amp;hl=it_IT&amp;fs=1&amp;\" \/><param name=\"allowfullscreen\" value=\"true\" \/><\/object><\/p>\n<table class=\"MsoNormalTable\" style=\"width: 465pt;\" border=\"0\" cellspacing=\"10\" cellpadding=\"0\" width=\"620\">\n<tbody>\n<tr style=\"mso-yfti-irow: 0; mso-yfti-firstrow: yes; mso-yfti-lastrow: yes;\">\n<td style=\"border: medium none #ece9d8; padding: 0.75pt; width: 169.5pt; background-color: transparent;\" width=\"226\" valign=\"top\">\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><strong><span style=\"font-size: 14pt; font-family: Calibri; mso-ansi-language: EN-GB;\" lang=\"EN-GB\">Manhatta<\/span><\/strong><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-family: Calibri; mso-ansi-language: EN-GB;\" lang=\"EN-GB\"><span style=\"font-size: small;\">Regia: Paul Strand (con Charles Sheeler)<\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 8pt; font-family: Calibri; mso-ansi-language: EN-GB;\" lang=\"EN-GB\">(USA, 1921)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 8pt; font-family: Calibri; mso-ansi-language: EN-GB;\" lang=\"EN-GB\">9&#8217;41&#8221;<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 8pt; font-family: Calibri; mso-ansi-language: EN-GB;\" lang=\"EN-GB\">muto<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 8pt; font-family: Calibri;\"><span style=\"color: #3399ff; text-decoration: none; text-underline: none;\"><a href=\"http:\/\/www.youtube.com\/watch?v=XS1a5hDiCWM\" target=\"_blank\">YouTube<\/a><\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 8pt; font-family: Calibri;\">Regia: Paul Strand (con Charles Sheeler)<br \/>\nFotografia: Paul Strand (con Charles Sheeler)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: 8pt; font-family: Calibri;\">Paese: USA<br \/>\nLingua: &#8211;<br \/>\nAnno: 1921<br \/>\nDurata: 9&#8217;41&#8221;<\/span><span style=\"font-size: small;\"><span style=\"font-family: Times New Roman;\"> <\/span><\/span><\/td>\n<td style=\"background-color: transparent; border: #ece9d8; padding: 0.75pt;\" valign=\"top\">\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt; text-align: right;\" align=\"right\"><strong><em><span style=\"font-size: 10pt; font-family: Calibri;\">SINOSSI<\/span><\/em><\/strong><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt; text-align: justify;\"><em><span style=\"font-size: 10pt; font-family: Calibri;\">Manhatta<em> (noto anche come<\/em> New York the Magnificent<em>,<\/em> <em>1921) e un cortometraggio documentario che rivela New York come soggetto. Il film consiste in 65 riprese poste in sequenza senza una struttura narrativa precisa.<\/em> Manhatta <em>ha come obiettivo quello di esplorare il rapporto tra cinema e fotografia. Paul Strand lo ha diretto ma non appare nei crediti.<\/em><\/span><\/em><\/p>\n<p><em> <\/em><\/p>\n<p><em> <\/em><\/p>\n<p><em> <\/em><\/p>\n<p><em><\/p>\n<p style=\"font: normal normal normal 9px\/normal Arial; text-align: justify; margin: 0px;\"><em><br \/>\n<\/em><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt; text-align: right;\" align=\"right\"><span style=\"font-family: Calibri, 'Times New Roman', 'Bitstream Charter', Times, serif; font-size: small;\"><span><strong><em>INFORMAZIONI<\/em><\/strong><\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt; text-align: right;\" align=\"right\">\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt; text-align: justify;\"><span style=\"font-size: 7.5pt; font-family: Arial;\">Paul Strand, uno tra i pionieri della \u201cStreet Photography\u201d, ha, unitamente ai suoi colleghi modernisti Alfred Stieglitz e Edward Weston, contribuito a conferire alla fotografia la dignit\u00e0 di arte vera e propria. <em>Manhatta<\/em>, il suo primo film, \u00e8 stato seguito da <em>Redes<\/em> (1936, circolato negli Stati Uniti con il titolo <em>The Wave<\/em>), il documentario <em>The Plow That Broke the Plains<\/em> (1936) e il film antifascista e pro-sindacati <em>Native Land<\/em> (1942), realizzato con Leo Hurwitz.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt; text-align: right;\" align=\"right\"><span style=\"font-family: Calibri, 'Times New Roman', 'Bitstream Charter', Times, serif;\"><span style=\"font-size: xx-small;\"><em><br \/>\n<\/em><\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt; text-align: right;\" align=\"right\"><span style=\"font-family: Calibri, 'Times New Roman', 'Bitstream Charter', Times, serif;\"><span style=\"font-size: xx-small;\"><em><br \/>\n<\/em><\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt; text-align: right;\" align=\"right\"><strong><em><span style=\"font-size: 10pt; font-family: Calibri;\">RISORSE<\/span><\/em><\/strong><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt; text-align: right;\" align=\"right\"><span style=\"font-size: 8pt; font-family: Calibri;\"><a href=\"http:\/\/www.imdb.com\/title\/tt0131468\/\" target=\"_blank\">IMDb<\/a><\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt; text-align: right;\" align=\"right\"><span style=\"font-family: Calibri, 'Times New Roman', 'Bitstream Charter', Times, serif;\"><em>Paul Strand su <a href=\"http:\/\/en.wikipedia.org\/wiki\/Paul_Strand\" target=\"_blank\">Wikipedia<\/a><\/em><\/span><\/p>\n<p><\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt;\"><span style=\"font-size: small; font-family: Times New Roman;\"> <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Manhatta Regia: Paul Strand (con Charles Sheeler) (USA, 1921) 9&#8217;41&#8221; muto YouTube Regia: Paul Strand (con Charles Sheeler) Fotografia: Paul Strand (con Charles Sheeler) Paese: USA Lingua: &#8211; Anno: 1921 Durata: 9&#8217;41&#8221; SINOSSI Manhatta (noto anche come New York the Magnificent, 1921) e un cortometraggio documentario che rivela New York come soggetto. Il film consiste in 65 riprese poste in<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1710],"tags":[2358,2357,311,2359,2360,2355,2356,497],"class_list":["post-4092","post","type-post","status-publish","format-standard","hentry","category-cineteca","tag-2358","tag-charles-sheeler","tag-documentario","tag-muto","tag-national-film-preservation-board","tag-paul-strand","tag-street-photography","tag-usa"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Manhatta &gt; Paul Strand (1921) | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rapportoconfidenziale.org\/?p=4092\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Manhatta &gt; Paul Strand (1921) | Rapporto Confidenziale\" \/>\n<meta property=\"og:description\" content=\"Manhatta Regia: Paul Strand (con Charles Sheeler) (USA, 1921) 9&#8217;41&#8221; muto YouTube Regia: Paul Strand (con Charles Sheeler) Fotografia: Paul Strand (con Charles Sheeler) Paese: USA Lingua: &#8211; Anno: 1921 Durata: 9&#8217;41&#8221; SINOSSI Manhatta (noto anche come New York the Magnificent, 1921) e un cortometraggio documentario che rivela New York come soggetto. 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