{"id":7396,"date":"2010-06-19T12:15:36","date_gmt":"2010-06-19T10:15:36","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=7396"},"modified":"2016-07-06T01:52:06","modified_gmt":"2016-07-05T23:52:06","slug":"speciale-mario-bava","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=7396","title":{"rendered":"speciale MARIO BAVA"},"content":{"rendered":"<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/06\/Mario-Bava.jpg\" width=\"620\" height=\"792\"><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\">&nbsp;<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\"><span style=\"font-family: Georgia; color: black\"><font size=\"4\">Della composita filmografia di Mario Bava, Rapporto Confidenziale si \u00e8 occupato in pi\u00f9 di un&#8217;occasione, a partire dal numero3 (marzo 2008).<br \/>\nL&#8217;elenco di articoli riportato qui di seguito va inteso come un lavoro in divenire:<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\">&nbsp;<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\">\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\">&nbsp;<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\"><span style=\"font-family: Georgia; background-color:#000000\"><strong><font size=\"4\" color=\"#FFFFFF\">Regia<\/font><\/strong><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\">&nbsp;<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\"><span style=\"font-family: Georgia; color: black\"><strong><a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=5940\" target=\"_self\"><font size=\"4\" color=\"#3399FF\"><span style=\"text-decoration: none\">Gli invasori<\/span><\/font><\/a><\/strong><font size=\"4\"> <span style=\"font-weight: normal;\">(1961) &#8211; (<\/span><a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=5921\" target=\"_self\"><span style=\"font-weight: normal; text-decoration:none\"><font color=\"#3399FF\">RC23<\/font><\/span><\/a><\/font><span style=\"font-weight: normal;\"><font size=\"4\"> &#8211; pag. 41)<\/font><\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\"><font face=\"Georgia\" size=\"4\"><strong style=\"font-weight: 400\"> <i>recensione<\/i> di Francesco Moriconi<\/strong><\/font><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\">&nbsp;<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\"><span style=\"font-family: Georgia; color: black\"><strong><a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=3476\" target=\"_self\"><font size=\"4\" color=\"#3399FF\"><span style=\"text-decoration: none\">I tre volti della paura<\/span><\/font><\/a><font size=\"4\"> <\/font><\/strong><font size=\"4\"><span style=\"font-weight: normal;\">(1963) &#8211; (<\/span><a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=432\" target=\"_self\"><span style=\"font-weight: normal; text-decoration:none\"><font color=\"#3399FF\">RC11<\/font><\/span><\/a><\/font><span style=\"font-weight: normal;\"><font size=\"4\"> &#8211; pag. 28)<\/font><\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\"><font face=\"Georgia\" size=\"4\"><strong style=\"font-weight: 400\"> <i>recensione<\/i> di Francesco Moriconi<\/strong><\/font><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\">&nbsp;<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\"><span style=\"font-family: Georgia; color: black\"><strong><a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=4993\" target=\"_self\"><font size=\"4\" color=\"#3399FF\"><span style=\"text-decoration: none\">Diabolik<\/span><\/font><\/a><\/strong><font size=\"4\"> <span style=\"font-weight: normal;\">(1968)<\/span> <span style=\"font-weight: normal;\">&#8211; (<\/span><a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=53\" target=\"_self\"><span style=\"font-weight: normal; text-decoration:none\"><font color=\"#3399FF\">RC03<\/font><\/span><\/a><\/font><span style=\"font-weight: normal;\"><font size=\"4\"> &#8211; pag. 49)<\/font><\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\"><font face=\"Georgia\" size=\"4\"><strong style=\"font-weight: 400\"> <i>recensione<\/i> di Alessio Galbiati<\/strong><\/font><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\">&nbsp;<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\"><span style=\"font-family: Georgia; color: black\"><strong><a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=7487\" target=\"_self\"><font size=\"4\" color=\"#3399FF\"><span style=\"text-decoration: none\">I tre volti della paura<\/span><\/font><\/a><\/strong><font size=\"4\"> <\/font> <span style=\"font-weight: normal;\"><font size=\"4\">(1970)<\/font><\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\"><font face=\"Georgia\" size=\"4\"><strong style=\"font-weight: 400\"> <i>recensione<\/i> di Francesco Moriconi<\/strong><\/font><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\">&nbsp;<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\"><span style=\"font-family: Georgia; color: black\"><strong><a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=1201\" target=\"_self\"><font size=\"4\" color=\"#3399FF\"><span style=\"text-decoration: none\">Reazione a catena<\/span><\/font><\/a><\/strong><font size=\"4\"> <\/font> <span style=\"font-weight: normal;\"><font size=\"4\">(1971)<\/font><\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\"><font face=\"Georgia\" size=\"4\"><strong style=\"font-weight: 400\"> <i>recensione<\/i> di Roberto Rippa<\/strong><\/font><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\">&nbsp;<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\"><span style=\"font-family: Georgia; background-color:#000000\"><strong><font size=\"4\" color=\"#FFFFFF\">Direzione della fotografia<\/font><\/strong><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\">&nbsp;<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\"><span style=\"font-family: Georgia; color: black\"><strong><a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=7479\" target=\"_self\"><font size=\"4\" color=\"#3399FF\"><span style=\"text-decoration: none\">Le fatiche di Ercole<\/span><\/font><\/a><font size=\"4\"> <\/font> <\/strong><span style=\"font-weight: normal;\"><font size=\"4\">(regia di Piero Francisci, 1958)<\/font><\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\"><font face=\"Georgia\" size=\"4\"><strong style=\"font-weight: 400\"> <i>recensione<\/i> di Francesco Moriconi<\/strong><\/font><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\">&nbsp;<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\"><span style=\"font-family: Georgia; background-color:#000000\"><strong><font size=\"4\" color=\"#FFFFFF\">Collaborazioni<\/font><\/strong><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\">&nbsp;<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\"><span style=\"font-family: Georgia; color: black\"><a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=7282\" target=\"_self\"><strong><font size=\"4\" color=\"#3399FF\"><span style=\"text-decoration: none\">Inferno<\/span><\/font><\/strong><\/a><font size=\"4\"> <\/font> <span style=\"font-weight: normal;\"><font size=\"4\">(regia di Dario Argento, 1980)<\/font><\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\"><font face=\"Georgia\" size=\"4\"><strong style=\"font-weight: 400\"> <i>recensione<\/i> di Francesco Moriconi<\/strong><\/font><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\">&nbsp;<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\">\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\">\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\">\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\"><span style=\"font-family: Georgia; background-color:#000000\"><strong><font size=\"4\" color=\"#FFFFFF\">Libri dedicati a Mario Bava<\/font><\/strong><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\">&nbsp;<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\"><span style=\"font-family: Georgia; color: black\"><a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=4562\" target=\"_self\"><strong><font size=\"4\" color=\"#3399FF\"><span style=\"text-decoration: none\">Kill Baby Kill! Il cinema di Mario Bava<\/span><\/font><\/strong><\/a><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\"><font size=\"4\"><span style=\"font-family: Georgia\">di <\/span><\/font><span style=\"font-weight: normal; font-family:Georgia; color:black\"> <font size=\"4\">Gabriele Acerbo, Roberto Pisoni, Un mondo a parte Editore, Roma, 2007<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\">&nbsp;<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\">\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\">\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\"><span style=\"font-family: Georgia; background-color:#000000\"><strong><font size=\"4\" color=\"#FFFFFF\">Podcast<\/font><\/strong><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\">&nbsp;<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\"><span style=\"font-family: Georgia; color: black\"><strong><a href=\"http:\/\/trerose.blogspot.com\/\" target=\"_blank\"><font size=\"4\" color=\"#3399FF\"><span style=\"text-decoration: none\">Reazione a catena<\/span><\/font><\/a><\/strong><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\"><font face=\"Georgia\" size=\"4\"><strong style=\"font-weight: 400\"> by TreRose (di Francesco Moriconi con Franco Grattarola)<\/strong><\/font><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\">&nbsp;<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\">&nbsp;<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\">&nbsp;<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; margin-top:0; margin-bottom:0\">&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Della composita filmografia di Mario Bava, Rapporto Confidenziale si \u00e8 occupato in pi\u00f9 di un&#8217;occasione, a partire dal numero3 (marzo 2008). L&#8217;elenco di articoli riportato qui di seguito va inteso come un lavoro in divenire: &nbsp; &nbsp; Regia &nbsp; Gli invasori (1961) &#8211; (RC23 &#8211; pag. 41) recensione di Francesco Moriconi &nbsp; I tre volti della paura (1963) &#8211;<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[14931],"tags":[22,416,1946,1985,4193,105,5488,2742,139,1162,1941,4192,1892,2755,262,418],"class_list":["post-7396","post","type-post","status-publish","format-standard","hentry","category-materiali","tag-alessio-galbiati","tag-bay-of-blood","tag-black-sabbath","tag-diabolik","tag-erik-the-conqueror","tag-francesco-moriconi","tag-franco-grattarola","tag-gli-invasori","tag-i-tre-volti-della-paura","tag-mario-bava","tag-numero11","tag-numero23","tag-numero3","tag-reazione-a-catena","tag-roberto-rippa","tag-twitch-of-the-death-nerve"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>speciale MARIO BAVA | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rapportoconfidenziale.org\/?p=7396\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"speciale MARIO BAVA | Rapporto Confidenziale\" \/>\n<meta property=\"og:description\" content=\"&nbsp; Della composita filmografia di Mario Bava, Rapporto Confidenziale si \u00e8 occupato in pi\u00f9 di un&#8217;occasione, a partire dal numero3 (marzo 2008). 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