{"id":8088,"date":"2010-08-09T13:17:31","date_gmt":"2010-08-09T11:17:31","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=8088"},"modified":"2010-10-05T11:50:38","modified_gmt":"2010-10-05T09:50:38","slug":"aardvark-kitao-sakurai","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=8088","title":{"rendered":"Aardvark > Kitao Sakurai"},"content":{"rendered":"<p><a href=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/08\/Aardvark02.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-8089\" title=\"Aardvark02\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/08\/Aardvark02.jpg\" alt=\"\" width=\"620\" height=\"257\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/08\/Aardvark02.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/08\/Aardvark02-300x124.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial; color: black;\">articolo pubblicato su <a href=\"..\/?p=8951\">Rapporto Confidenziale numero28<\/a> (speciale 2010) pagg. 9-13<br \/>\nall\u2019interno di <em>RC:speciale 63\u00b0 Festival del film Locarno 4-14 | 8 | 2010<\/em><\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: Georgia; color: #333333;\"><strong><strong>Aardvark<\/strong> <\/strong><br \/>\n<span style=\"font-size: 9pt; font-family: Georgia; color: #333333;\">Kitao Sakurai | USA, Argentina &#8211; 2010 &#8211; DCP &#8211; colore &#8211; 80&#8242;<br \/>\ndi Roberto Rippa<\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial; color: black;\">Piccolo (ma solo nei mezzi), sorprendente, film di buona scrittura, \u201cAardvark\u201d inizia come racconto di costruzione di un rapporto, quello tra Larry, cieco dalla nascita e alcolista in fase di consolidamento della cura di recupero con un gruppo di Alcolisti anonimi, e Darren, istruttore che lo introduce al Jiu Jitsu.<br \/>\nPresto il film cambia registro e si trasforma in un noir che del genere trascende pi\u00f9 di una regola.<br \/>\nPartendo da una situazione reale (i personaggi principali sono realmente un cieco ex alcolista e un istruttore di Jiu jitsu ed entrambi i personaggi portano il nome dei loro interpreti), Kitao Sakurai \u2013 ex attore bambino prodigio giapponese di nascita e statunitense di adozione, attivo anche come direttore della fotografia \u2013 si basa su una sinossi di venti pagine, priva di dialoghi (scritti in corso di lavorazione lasciando spazio agli interpreti), per ondeggiare tra tono documentaristico (pi\u00f9 evidente nella prima parte) e finzione, senza che il racconto soffra mai della mutazione nel ritmo n\u00e9 nella sostanza.<br \/>\n\u201cAardvark\u201d \u00e8 una produzione sorprendente e di grande efficacia che riesce in ogni suo intento e si trasforma in un film di genere composito e ricco di profondit\u00e0.<br \/>\nUn\u2019autentica sorpresa che usa la finzione per rafforzare gli elementi reali della narrazione e che d\u00e0 l\u2019idea di come si possa ancora giocare con generi consolidati come, appunto, il noir.<br \/>\nMenzione speciale nella categoria Opera prima.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial; color: black;\"><strong>Kitao Sakurai<\/strong><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial; color: black;\">Nato a Kinugasa, Giappone, nel 1983, Sakurai \u00e8 cresciuto a Cleveland, Ohio, dove ha iniziato a lavorare come attore sin da bambino (appare in <em>Dogma<\/em> di Kevin Smith). Quando ancora \u00e8 al liceo, realizza alcuni cortometraggi che circoleranno tra vari festival. Lasciata l&#8217;universit\u00e0, si trasferisce a New York dove inizia a lavorare come scenografo prima e direttore della fotografia poi. In quest&#8217;ultimo ruolo, ha ottenuto un Gotham Award per &#8220;You Won&#8217;t Miss Me&#8221; di Ry Russo-Young. &#8220;Aardvark&#8221; \u00e8 il suo primo lungometraggio.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial; color: black;\"><strong>Aardvark <\/strong><br \/>\nUSA, Argentina &#8211; 2010 &#8211; DCP &#8211; colore &#8211; 80&#8242;<br \/>\n<em>Prima mondiale | Opera prima | Concorso Cineasti del presente | 63\u00b0 Festival del film Locarno<\/em><br \/>\nRegia, sceneggiatura: Kitao Sakurai; Fotografia: Aaron Kovalchik; Musiche: Fall on Your Sword; Montaggio: Luke Linch; Interpreti principali: Larry L. Lewis, Darren Branch, Jessica Elizabeth Cole<br \/>\nKitao Sakurai &#8211; <a href=\"http:\/\/www.kitaosakurai.com\" target=\"_blank\">sito ufficiale<\/a><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">\ufeff\ufeff<a href=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/08\/Kitao-Sakurai01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-9012\" title=\"Kitao Sakurai01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/08\/Kitao-Sakurai01.jpg\" alt=\"\" width=\"620\" height=\"413\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/08\/Kitao-Sakurai01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/08\/Kitao-Sakurai01-300x199.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p><strong><a href=\"..\/wp-content\/uploads\/2010\/08\/Aardvark01.jpg\"><\/a><\/strong><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial; color: black;\"><strong>ESTRATTO DELL\u2019INTERVISTA ESCLUSIVA A KITAO SAKURAI<br \/>\n<\/strong>a cura di Roberto Rippa<\/span><br \/>\n<strong> <\/strong><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial; color: black;\"><strong>Roberto Rippa: How did you meet Larry Lewis Jr. and Darren Branch, who play basically themselves in the film? And why did you decide to base your film on their real personas?<\/strong><\/span><strong> <\/strong><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial; color: black;\">Kitao Sakurai: I\u2019ve actually known Darren for many years. We grew up together, and I\u2019ve used him in all of the short films I directed before \u201cAardvark\u201d. I\u2019ve always been fascinated by the process of making a fictional, cinematic portrait of somebody that nevertheless feels truthful. I\u2019m interested in constructing a cinematic form that can illustrate alternate realms of reality more than a strictly documentary portrait can. Darren has always occupied this role for me.<br \/>\nSeveral years ago, after some struggles in his life, Darren discovered Jiu-Jitsu (an effective martial art style that started in Japan and was later developed in Brazil). The process of learning and ultimately teaching Jiu-Jitsu saved Darren. The last few times I visited Cleveland I went to Darren\u2019s classes, which is where I met Larry. Larry and Darren met very much how they meet in the film. The setting, circumstances, and people are the same.<br \/>\nThere was a single moment that inspired the idea for \u201cAardvark\u201d: I was walking up to the academy and saw Larry standing there. I had the odd sensation of observing him without being observed myself. At a distance, our two realities were quite far apart, but with proximity and contact our realities were essentially the same.<br \/>\nTo me it was crucial that Larry and Darren play themselves and reenact their own lives and relationships. Observing somebody without physical sight experiencing and understanding the world around him &#8211; and ACTUALLY documenting that process &#8211; was the essential statement of the film. Larry is not \u201cexceptional\u201d because he cannot see. On the contrary, Larry\u2019s absence of sight allows him to represent a universal human state of being. Larry\u2019s physical blindness is only an amplification and metaphor for our inability to fully comprehend the world around us.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial; color: black;\"><strong>Roberto Rippa: The film begins as a character study and has a documentary look. Then, all of a sudden, it turns into a noir (and a very effective one). And this doesn\u2019t change at all the rhythm of the film. How did you manage to obtain this?<\/strong><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial; color: black;\">Kitao Sakurai: The consistency of tone results from the fact that during shooting we approached all the material \u2013 real or fictional \u2013 in the same way. We treated everything as a cinematic reenactment, we never made any distinction between truth and fiction. I feel that in narrative cinema, it\u2019s the residue of the actual world that gives spice to the dish. I tried to make a film that was all about this flavor &#8211; of exposing reality through stylization.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><span style=\"font-size: 9pt; font-family: Arial; color: black;\">La versione integrale dell\u2019intervista (ITA\/ENG) su <a href=\"..\/?p=8951\">Rapporto Confidenziale numero28<\/a> (speciale 2010)<\/span><\/strong><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong><span style=\"font-size: 9pt; font-family: Arial; color: black;\"><a href=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/08\/Aardvark011.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-9001\" title=\"Aardvark02\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/08\/Aardvark011.jpg\" alt=\"\" width=\"620\" height=\"349\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/08\/Aardvark011.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/08\/Aardvark011-300x168.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><br \/>\n<\/span><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>articolo pubblicato su Rapporto Confidenziale numero28 (speciale 2010) pagg. 9-13 all\u2019interno di RC:speciale 63\u00b0 Festival del film Locarno 4-14 | 8 | 2010 Aardvark Kitao Sakurai | USA, Argentina &#8211; 2010 &#8211; DCP &#8211; colore &#8211; 80&#8242; di Roberto Rippa Piccolo (ma solo nei mezzi), sorprendente, film di buona scrittura, \u201cAardvark\u201d inizia come racconto di costruzione di un rapporto, quello<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[72,7,8],"tags":[3919,2580,1472,6067,6068,6065,6066,262,497],"class_list":["post-8088","post","type-post","status-publish","format-standard","hentry","category-critica","category-festival","category-interviste","tag-3919","tag-63-festival-internazionale-del-film-locarno","tag-argentina","tag-darren-branch","tag-jessica-elizabeth-cole","tag-kitao-sakurai","tag-larry-l-lewis","tag-roberto-rippa","tag-usa"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Aardvark &gt; 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