{"id":8193,"date":"2010-08-14T12:48:31","date_gmt":"2010-08-14T10:48:31","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=8193"},"modified":"2010-12-16T15:26:53","modified_gmt":"2010-12-16T14:26:53","slug":"reindeer-spotting-%e2%80%93-escape-from-santaland-joonas-neuvonen","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=8193","title":{"rendered":"Reindeerspotting \u2013 Escape from Santaland > Joonas Neuvonen"},"content":{"rendered":"

\"\"<\/a><\/p>\n

articolo pubblicato su Rapporto Confidenziale numero28<\/a> (speciale 2010) pagg. 72-77
\nall\u2019interno di RC:speciale 63\u00b0 Festival del film Locarno 4-14 | 8 | 2010<\/span><\/p>\n

Reindeerspotting – Escape from Santaland<\/strong>
\nJoonas Neuvonen | Finlandia – 2010 – Beta Digital – colore e b\/n – 83′
\n<\/span><\/span><\/p>\n

di Roberto Rippa<\/span><\/span>
\n <\/em><\/span><\/p>\n

“Reindeerspotting” \u00e8 un documentario su un gruppo di ragazzi dediti al consumo di varie droghe, tra leggere e pesanti, che vivono a Rovaniemi, nella Lapponia finlandese. Uno tra loro, Jani, ha perso cinque anni della sua vita e due dita a causa dei suoi creditori. Vorrebbe lasciarsi alle spalle la Lapponia e la sua vecchia vita. Una rapina in un supermercato che gli frutta 5\u2019000 Euro \u00e8 il suo passaporto per la fuga. Il documentarista Joonas Neuvonen, lo segue e filma da anni condividendo con lui la consuetudine per le droghe pesanti. Questa \u00e8 la storia di Jani. <\/em><\/span><\/p>\n

Documentario d\u2019esordio per il finlandese Joonas Neuvonen che a Rovaniemi – capoluogo della Lapponia, 10 chilometri a sud del Circolo polare artico, temperatura media +0,2\u00b0C, superficie terrestre ricoperta di neve per 183 giorni all\u2019anno – filma i suoi amici tossicodipendenti \u2013 particolarmente dediti al consumo di Subutex (sostitutivo del metadone nella cura della tossicodipendenza) \u2013 nella loro quotidianit\u00e0 fatta di consumo, furti e debiti con gli spacciatori locali.
\nNeuvonen che \u2013 come precisa un cartello all\u2019inizio del documentario \u2013 condivide al tempo del documentario le abitudini dei suoi amici, non utilizza alcun artificio (n\u00e9 musica) per sottolineare o enfatizzare la drammaticit\u00e0 di quanto mostra e non arretra di fronte ad alcuna situazione realizzando un documento profondo, sincero, reale e multidimensionale, forse il pi\u00f9 potente mai visto sull\u2019argomento, seguendo in particolare modo il suo amico Jani, da una parte totalmente dipendente dalle droghe, eroina compresa, dall\u2019altra impegnato a sognare un\u2019esistenza fatta di pochi soldi, una moglie e una piccola casa con giardino, in una costante contraddizione che lo vedr\u00e0 rinchiuso in galera a pi\u00f9 riprese e per molti anni.
\nPotente, privo di qualsivoglia morale e sincero fino all\u2019osso, \u201cReindeerspotting\u201d (che ironizza sul titolo del film di Danny Boyle, anche per fare dichiaratamente incazzare produttori e governo finlandese, ma molto, molto distante dalla sua carineria) \u00e8 un film da vedere assolutamente.
\nIn Finlandia ha avuto circolazione con divieto ai minori. Un\u2019assurdit\u00e0.<\/span><\/p>\n

Joonas Neuvonen<\/strong><\/span><\/p>\n

Joonas Neuvonen nasce a Rovaniemi, in Finlandia, nel 1979. Vive tra Edimburgo, Londra e San Francisco, dove frequenta corsi di fotografia. Tornato nella sua citt\u00e0 natale, comincia a filmare la vita dei suoi amici pi\u00f9 stretti, che finanziano la loro tossicodipendenza con furti e altri atti di delinquenza. Si trasferisce a Helsinki per studiare fotografia, grafica e regia di film documentari. Dopo un lungo lavoro di montaggio, durato cinque anni, termina nel 2010 il suo documentario d\u2019esordio, “Reindeerspotting \u2013 Escape from Santaland”.<\/span><\/p>\n

Reindeerspotting – Escape from Santaland<\/strong>
\nFinlandia – 2010 – Beta Digital – colore e b\/n – 83′
\nOpera prima | Settimana della critica | 63\u00b0 Festival del film Locarno<\/em>
\nRegia: Joonas Neuvonen; Testi: Sadri Cetinkaya, Joonas Neuvonen; Suono: P. Jyr\u00e4l\u00e4 oy; Montaggio: Sadri Cetinkaya
\n<\/span><\/p>\n

\"\"<\/a><\/em><\/p>\n

ESTRATTO DELL\u2019INTERVISTA ESCLUSIVA A JOONAS NEUVONEN E SADRI CETINKAYA<\/strong>
\na cura di Roberto Rippa<\/span><\/p>\n

Roberto Rippa: What happened when the film came out in Finland?<\/span><\/strong><\/p>\n

Joonas Neuvonen: They gave it an X rating. So that you cannot watch it if you\u2019re under 18.<\/span><\/p>\n

Roberto Rippa: This is the rating usually used for porn…<\/span><\/strong><\/p>\n

Joonas Neuvonen: Yeah, that\u2019s right! They gave it the same rating as porn.<\/span><\/p>\n

Sadri Cetinkaya: Drug movies are usually under 16.<\/span><\/p>\n

Joonas Neuvonen: Yeah, \u201cTrainspotting\u201d was 16 but maybe they saw it as pornography of needles\u2019 injection. There\u2019s injection in the veins and then pleasure coming from that. So maybe they saw it as pornography.<\/span><\/p>\n

Sadri Cetinkaya: Maybe they felt that Jani\u2019s lifestyle was so inviting that people could have started using drugs themselves.<\/span><\/p>\n

Roberto Rippa: Which is stupid because this never happens in cinema. Cinema is not a way to invite people to do things, otherwise we wouldn\u2019t have films with killers…
\nWe imagine Finland as a free spirited country. What happened in this case?<\/span><\/strong><\/p>\n

Joonas Neuvonen: The censorship department that rates films said: \u201cWell, this is a drug-positive film. It depicts drugs use in a positive way\u201d. And obviously the producers wanted the film to be seen by people under 18. Who goes to see movies? This is a huge audience so they were losing money because people 15 to 18 years old couldn\u2019t see the film. So it\u2019s a commercial thing. So they turned it around and said: \u201cThis is an educational film, you cannot take drugs\u201d. That pissed us off because we wanted to tell an individual story, we didn\u2019t want to make a film to say: \u201cLook at this guys, this is where you\u2019ll end up if you take drugs!\u201d. It only deals with people who have drug-related problems. And this is a completely different thing from people using drugs not having drug-related problems. So the film doesn\u2019t really tell anything about drugs in general, it\u2019s a personal story that says that you cannot escape from your issues. Wherever you go, they are going to follow you. Changing yourself is a long and hard work if the need comes from inside.
\nI really hated when they were trying to make it an educational film that says: \u201cNo, don\u2019t take drugs\u201d and all this bullshit.<\/span><\/p>\n

The complete interview (ITA\/ENG) is published on Rapporto Confidenziale numero28<\/a> (speciale 2010)<\/strong>. Download it free.<\/strong><\/strong><\/span><\/p>\n

La versione integrale dell\u2019intervista (ITA\/ENG) su Rapporto Confidenziale numero28<\/a> (speciale 2010)<\/strong><\/strong><\/strong><\/span><\/p>\n


\n<\/a><\/em><\/span><\/span><\/p>\n

<\/object><\/p>\n","protected":false},"excerpt":{"rendered":"

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