{"id":9254,"date":"2010-10-14T19:06:01","date_gmt":"2010-10-14T17:06:01","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=9254"},"modified":"2010-10-14T19:12:20","modified_gmt":"2010-10-14T17:12:20","slug":"views-from-the-avant-garde-nyff-2010","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=9254","title":{"rendered":"Views from the Avant-Garde (NYFF 2010)"},"content":{"rendered":"<p style=\"margin-top: 0; margin-bottom: 0\"><font face=\"Arial\" style=\"font-size: 9pt\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/avantgarde.jpg\" width=\"620\" height=\"453\"><\/font><\/p>\n<p style=\"margin-top: 0; margin-bottom: 0\"><font face=\"Arial\" style=\"font-size: 9pt\">All&#8217;interno della <a target=\"_blank\" href=\"http:\/\/www.filmlinc.com\/nyff\/2010\/\"><font color=\"#3399FF\"><span style=\"text-decoration: none\">48esima edizione del New York Film Festival 2010<\/span><\/font><\/a> (24 settembre &#8211; 10 ottobre) si \u00e8 tenuto il <a target=\"_blank\" href=\"http:\/\/www.filmlinc.com\/nyff\/2010\/views1\"><font color=\"#3399FF\"><span style=\"text-decoration: none\">14th Views from the Avant-Garde<\/span><\/font><\/a> (30 settembre &#8211; 3 ottobre) presso il Walter Reade Theater (165 W. 65 St.), sezione dedicata al cinema sperimentale e all&#8217;avanguardia curata da Mark McElhatten &amp; Gavin Smith.<br \/>\nUn programma folle e fiammeggiante composto da 18 men\u00f9&#8217; di 76 fra video e film, e due live performances. 24 ore di immagini in movimento: una selezione ricca di recuperi del passato prossimo e di opere cult.<\/p>\n<p>Questo il programma sparato sugli occhi degli spettatori presenti in sala, fra c&#8217;era <a target=\"_blank\" href=\"http:\/\/mubi.com\/notebook\/posts?author_id=129\"><font color=\"#3399FF\"><span style=\"text-decoration: none\">Ben Russell<\/span><\/font><\/a> (una delle sue opere &quot;Trypps #7 &#8211; Badlands&quot; era presente nella selezione), che ne ha dato conto per <a target=\"_blank\" href=\"http:\/\/mubi.com\/notebook\/posts\/2422\"><font color=\"#3399FF\"><span style=\"text-decoration: none\">MUBI.com<\/span><\/font><\/a> (The Auteurs) attraverso 45 scatti che riportiamo in coda a questo articolo:<\/p>\n<p style=\"margin-top: 0; margin-bottom: 0\">&nbsp;<\/p>\n<p style=\"margin-top: 0; margin-bottom: 0\">&nbsp;<\/p>\n<p><\/font><font color=\"#FFFFFF\" face=\"Georgia\" style=\"font-size: 9pt\"><span style=\"background-color: #000000\">Programs<\/span><\/font><\/p>\n<blockquote>\n<p style=\"margin-top: 0; margin-bottom: 0\"><font color=\"#666666\"><span style=\"font-size: 9pt\"><b><font face=\"Georgia\">\u00bb Pierre Cl\u00e9menti: Unreleased Reels<\/font><\/b><font face=\"Georgia\"><br \/><\/font><b><font face=\"Georgia\">\u00bb Jean-Marie Straub\u2019s Corneille-Brecht<\/font><\/b><font face=\"Georgia\"><br \/><\/font><b><font face=\"Georgia\">\u00bb Helga Fanderl \u2013 29 films in five movements<\/font><\/b><font face=\"Georgia\"><br \/><\/font><b><font face=\"Georgia\">\u00bb History is Homemade at Night: The Crazy, Beautiful World of Jeff Keen<\/font><\/b><font face=\"Georgia\"><br \/><\/font><b><font face=\"Georgia\">\u00bb Jennifer Montgomery\u2019s The Agonal Phase<\/font><\/b><font face=\"Georgia\"><br \/><\/font><b><font face=\"Georgia\">\u00bb Phil Solomon\u2019s American Falls<\/font><\/b><font face=\"Georgia\"><br \/><\/font><b><font face=\"Georgia\">\u00bb James Benning\u2019s Ruhr<\/font><\/b><font face=\"Georgia\"><br \/><\/font><b><font face=\"Georgia\">\u00bb Mirror of Shadow and Cinders:<\/font><\/b><font face=\"Georgia\"> featuring work by Paolo Gioli, Lewis Klahr, Karen Yasinsky, Manon de Boer, Peggy Ahwesh, Dominic Angerame, Philip Widmann, Erin Espelie, &amp; Philipp Lachenmann<br \/><\/font><b><font face=\"Georgia\">\u00bb Station to Station:<\/font><\/b><font face=\"Georgia\"> featuring work by Jeanne Liotta, Fern Silva &amp; Manoel de Oliveira<br \/><\/font><b><font face=\"Georgia\">\u00bb Visibility Unknown:<\/font><\/b><font face=\"Georgia\"> featuring work by Andr\u00e9 Guerreiro Lopes, Jonathan Schwartz, Ben Russell, Vincent Grenier, J\u00fcrgen Reble, Ken Jacobs, Karl Lemieux, Paul Clipson, Emmanuel Lefrant &amp; Timoleon Wilkins<br \/><\/font><b><font face=\"Georgia\">\u00bb Since You Were Here&#8230;:<\/font><\/b><font face=\"Georgia\"> featuring work by Michael Gitlin, Norbert Shieh, Thom Andersen, Rosario Sotelo, Laida Lertxundi, Gretchen Skogerson &amp; Matt McCormick<br \/><\/font><b><font face=\"Georgia\">\u00bb Night Gallery \u2013 Turn on the High Beams I:<\/font><\/b><font face=\"Georgia\"> projection performances by Paul Clipson &amp; Bruce McClure<br \/><\/font><b><font face=\"Georgia\">\u00bb Sea Scrolls:<\/font><\/b><font face=\"Georgia\"> featuring work by Pieter Geenen, Arianne Olthaar, John Price, Mati Diop, Julie Murray, Vincent Grenier, David Gatten &amp; Rebecca Meyers<br \/><\/font><b><font face=\"Georgia\">\u00bb Landing on the Edge:<\/font><\/b><font face=\"Georgia\"> featuring work by Shambhavi Kaul, Dani Leventhal, Deborah Stratman, Fern Silva, T. Marie, April Simmons, Stephanie Barber &amp; Xav LePlae<br \/><\/font><b><font face=\"Georgia\">\u00bb S\u00e9ance:<\/font><\/b><font face=\"Georgia\"> featuring work by Stephanie Barber, Bobby Abate, Janie Geiser, David Gatten, Lewis Klahr, Erin Espelie, Tomonari Nishikawa, Fred Worden &amp; Michael Robinson<br \/><\/font><b><font face=\"Georgia\">\u00bb Song Cycle:<\/font><\/b><font face=\"Georgia\"> featuring work by Nathaniel Dorsky, Christopher Becks, Robert Beavers, Ute Aurand, David Gatten, Jonathan Schwartz, Eve Heller, Tomonari Nishikawa, Malena Szlam, Peter Herwitz, Jim Jennings<br \/><\/font><b><font face=\"Georgia\">\u00bb Fatal Attractions:<\/font><\/b><font face=\"Georgia\"> An Introduction to Black and White Magic: featuring work by Deborah Stratman, Siegfried A. Fruhauf, J.B. Mabe, Lewis Klahr, Luther Price, Alexi Manis, Janie Geiser, Milena Gierke, Pawel Wojtasik, Martin Arnold &amp; Peter Tscherkassky<br \/><\/font><b><font face=\"Georgia\">\u00bb Night Gallery \u2013 Turn on the High Beams II:<\/font><\/b><\/span><font face=\"Georgia\"><span style=\"font-size: 9pt\"> projection performances by Paul Clipson &amp; Bruce McClure<\/span><\/font><\/font><\/p>\n<p style=\"margin-top: 0; margin-bottom: 0\">&nbsp;<\/p>\n<\/blockquote>\n<p style=\"margin-top: 0; margin-bottom: 0\"><font face=\"Arial\" style=\"font-size: 9pt\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/VIEWS_1.jpg\" width=\"620\" height=\"607\"><\/font><\/p>\n<p style=\"margin-top: 0; margin-bottom: 0\">&nbsp;<\/p>\n<p style=\"margin-top: 0; margin-bottom: 0\" align=\"center\"><font face=\"Arial\" style=\"font-size: 9pt; font-style: italic\">* * *<\/font><\/p>\n<p style=\"margin-top: 0; margin-bottom: 0\">&nbsp;<\/p>\n<p style=\"margin-top: 0; margin-bottom: 0\"><font face=\"Arial\" style=\"font-size: 9pt\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/VIEWS_2.jpg\" width=\"620\" height=\"605\"><\/font><\/p>\n<p style=\"margin-top: 0; margin-bottom: 0\">&nbsp;<\/p>\n<p style=\"margin-top: 0; margin-bottom: 0\" align=\"center\"><font face=\"Arial\" style=\"font-size: 9pt; font-style: italic\">* * *<\/font><\/p>\n<p style=\"margin-top: 0; margin-bottom: 0\">&nbsp;<\/p>\n<p style=\"margin-top: 0; margin-bottom: 0\"><font face=\"Arial\" style=\"font-size: 9pt\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/VIEWS_3.jpg\" width=\"620\" height=\"608\"><\/font><\/p>\n<p style=\"margin-top: 0; margin-bottom: 0\">&nbsp;<\/p>\n<p style=\"margin-top: 0; margin-bottom: 0\" align=\"center\"><font face=\"Arial\" style=\"font-size: 9pt; font-style: italic\">* * *<\/font><\/p>\n<p style=\"margin-top: 0; margin-bottom: 0\">&nbsp;<\/p>\n<p style=\"margin-top: 0; margin-bottom: 0\"><font face=\"Arial\" style=\"font-size: 9pt\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/VIEWS_4.jpg\" width=\"620\" height=\"607\"><\/font><\/p>\n<p style=\"margin-top: 0; margin-bottom: 0\">&nbsp;<\/p>\n<p style=\"margin-top: 0; margin-bottom: 0\" align=\"center\"><font face=\"Arial\" style=\"font-size: 9pt; font-style: italic\">* * *<\/font><\/p>\n<p style=\"margin-top: 0; margin-bottom: 0\">&nbsp;<\/p>\n<p style=\"margin-top: 0; margin-bottom: 0\"><font face=\"Arial\" style=\"font-size: 9pt\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/VIEWS_5.jpg\" width=\"620\" height=\"606\"><\/font><\/p>\n<p style=\"margin-top: 0; margin-bottom: 0\">&nbsp;<\/p>\n<p style=\"margin-top: 0; margin-bottom: 0\"><font face=\"Arial\" style=\"font-size: 9pt\">image by Ben Russell | fonte: <a href=\"http:\/\/mubi.com\/notebook\/posts\/2422\"><font color=\"#3399FF\"><span style=\"text-decoration: none\">http:\/\/mubi.com\/notebook\/posts\/2422<\/span><\/font><\/a><\/font><\/p>\n<p style=\"margin-top: 0; margin-bottom: 0\">&nbsp;<\/p>\n<p style=\"margin-top: 0; margin-bottom: 0\">&nbsp;<\/p>\n<p style=\"margin-top: 0; margin-bottom: 0\">&nbsp;<\/p>\n<p style=\"margin-top: 0; margin-bottom: 0\">&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>All&#8217;interno della 48esima edizione del New York Film Festival 2010 (24 settembre &#8211; 10 ottobre) si \u00e8 tenuto il 14th Views from the Avant-Garde (30 settembre &#8211; 3 ottobre) presso il Walter Reade Theater (165 W. 65 St.), sezione dedicata al cinema sperimentale e all&#8217;avanguardia curata da Mark McElhatten &amp; Gavin Smith. Un programma folle e fiammeggiante composto da 18<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[7,2137],"tags":[7783,7740,7764,7754,7722,1732,7724,7767,7773,7760,7769,7758,7761,7734,7746,7736,7776,7762,7739,7771,7721,7751,7725,7781,7729,7768,5916,7738,7726,7727,7779,7755,7741,7757,7743,7731,7744,163,7750,7730,7782,7777,7732,7720,7786,7756,7747,7784,7772,3578,7748,829,7745,7752,7785,7733,7778,7728,7735,247,7753,7774,7749,7759,7780,7723,7766,7765,7763,5875,7770,7775,7719,7742],"class_list":["post-9254","post","type-post","status-publish","format-standard","hentry","category-festival","category-immagini","tag-alexi-manis","tag-andre-guerreiro-lopes","tag-april-simmons","tag-arianne-olthaar","tag-avanguardia","tag-avant-garde","tag-ben-russell","tag-bobby-abate","tag-christopher-becks","tag-dani-leventhal","tag-david-gatten","tag-david-gatten-rebecca-meyers","tag-deborah-stratman","tag-dominic-angerame","tag-emmanuel-lefrant-timoleon-wilkins","tag-erin-espelie","tag-eve-heller","tag-fern-silva","tag-fern-silva-manoel-de-oliveira","tag-fred-worden-michael-robinson","tag-gavin-smith","tag-gretchen-skogerson-matt-mccormick","tag-helga-fanderl","tag-j-b-mabe","tag-james-benning","tag-janie-geiser","tag-jean-marie-straub","tag-jeanne-liotta","tag-jeff-keen","tag-jennifer-montgomery","tag-jim-jennings","tag-john-price","tag-jonathan-schwartz","tag-julie-murray","tag-jurgen-reble","tag-karen-yasinsky","tag-karl-lemieux","tag-ken-jacobs","tag-laida-lertxundi","tag-lewis-klahr","tag-luther-price","tag-malena-szlam","tag-manon-de-boer","tag-mark-mcelhatten","tag-martin-arnold-peter-tscherkassky","tag-mati-diop","tag-michael-gitlin","tag-milena-gierke","tag-nathaniel-dorsky","tag-new-york-film-festival","tag-norbert-shieh","tag-paolo-gioli","tag-paul-clipson","tag-paul-clipson-bruce-mcclure","tag-pawel-wojtasik","tag-peggy-ahwesh","tag-peter-herwitz","tag-phil-solomon","tag-philip-widmann","tag-pierre-clementi","tag-pieter-geenen","tag-robert-beavers","tag-rosario-sotelo","tag-shambhavi-kaul","tag-siegfried-a-fruhauf","tag-sperimentale","tag-stephanie-barber","tag-stephanie-barber-xav-leplae","tag-t-marie","tag-thom-andersen","tag-tomonari-nishikawa","tag-ute-aurand","tag-views-from-the-avant-garde","tag-vincent-grenier"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Views from the Avant-Garde (NYFF 2010) | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rapportoconfidenziale.org\/?p=9254\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Views from the Avant-Garde (NYFF 2010) | Rapporto Confidenziale\" \/>\n<meta property=\"og:description\" content=\"All&#8217;interno della 48esima edizione del New York Film Festival 2010 (24 settembre &#8211; 10 ottobre) si \u00e8 tenuto il 14th Views from the Avant-Garde (30 settembre &#8211; 3 ottobre) presso il Walter Reade Theater (165 W. 65 St.), sezione dedicata al cinema sperimentale e all&#8217;avanguardia curata da Mark McElhatten &amp; Gavin Smith. 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