{"id":9446,"date":"2010-10-22T12:40:54","date_gmt":"2010-10-22T10:40:54","guid":{"rendered":"http:\/\/www.rapportoconfidenziale.org\/?p=9446"},"modified":"2014-10-31T16:38:36","modified_gmt":"2014-10-31T15:38:36","slug":"42nd-street-forever","status":"publish","type":"post","link":"https:\/\/www.rapportoconfidenziale.org\/?p=9446","title":{"rendered":"42nd Street Forever"},"content":{"rendered":"<p class=\"MsoNormal\" style=\"text-align: justify;\"><a href=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/The-Following01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-9452\" title=\"The Following01\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/The-Following01.jpg\" alt=\"\" width=\"620\" height=\"349\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/The-Following01.jpg 620w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/The-Following01-300x168.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial; color: black;\">Prima che l\u2019ex sindaco Giuliani la ripulisse a modo suo e la consegnasse di fatto alla Disney, la Quarantaduesima strada di New York era quella in cui si trovavano le sale cinematografiche dedicate al cinema exploitation (ossia al cinema commerciale spesso a bassissimo costo creato per un pubblico alla ricerca di forti emozioni), celebrato in tempi non lontani da Quentin Tarantino e Robert Rodriguez con <em>Grindhouse<\/em>. Si trattava di un cinema povero ma estremamente vitale, scevro di ambizioni autoriali ma assolutamente non privo di valore, tanto che molte opere sono diventate nel tempo oggetti di un culto che non accenna a diminuire.<br \/>\nI trailer di questi film non si accontentavano di ammiccare, bens\u00ec erano veri e propri sunti dell\u2019opera che anticipavano, con tanto di voce off e un assaggio delle scene pi\u00f9 rappresentative.<br \/>\nLa Synapse Film ha raccolto un paio di anni fa una cinquantina di questi trailer, tutti compresi nell\u2019epoca tra gli anni \u201850 e gli \u201880, in un DVD dal titolo <em>42nd Street Forever Volume 1<\/em> facendolo seguire da un secondo volume l&#8217;anno seguente, nel 2006. Il terzo volume, <em>4nd Street Forever &#8211; Exploitation Explosion<\/em>, con i suoi 44 trailer che spaziano dall&#8217;horror alla fantascienza, dalle commedie pruriginose ai &#8220;Women in Prison&#8221;, non trascurando i film sulle arti marziali e quelli sugli animali assassini, arriva a superare i pur ottimi precedenti due. Se il quarto, <em>42nd Street Forever: Cooled By Refrigeration<\/em>, non di discosta nella formula dai capitoli precedenti, il migliore rimane il quinto, <em>42nd Street Forever Volume 5: Alamo Drafthouse Cinema<\/em>, dedicato alla sala Alamo Drafthouse di Austin, Texas. In questo, il proprietario del cinema\u00a0Alamo, Tim League, e i suoi programmisti Lars Nilsen and Zack Carlson offrono un interessante commento audio. I contenuti extra sono completati da un documentario di 30 minuti sulla sala.<br \/>\nDenominatore comune dei trailer presentati nei cinque volumi,\u00a0la fantasia e la pomposit\u00e0 nel presentare in pochi minuti film di qualit\u00e0 produttiva povera ma di grandissimo intrattenimento. Un&#8217;antologia visiva del cinema di consumo dell&#8217;epoca arricchito nel terzo volume da un opzionale commento audio di Michael Gingold (direttore della rivista Fangoria), dello storico del cinema Chris Poggiali e del direttore di AVManiacs.com Edwin Samuelson, tutti prodighi di informazioni sui film presentati e su altri che vale la pena di recuperare.<br \/>\nI cinque volumi rappresentano non solo una testimonianza della perizia nel confezionare anticipazioni talvolta pi\u00f9 intriganti del film stesso, ma anche un\u2019occasione per immergersi in una stagione, ormai perduta, in cui il cinema si rivolgeva a un pubblico desideroso di essere stupito in modo anche ingenuo e per questo disposto a sorvolare sulla povert\u00e0 di certe produzioni.<br \/>\nPer quanto riguarda il formato video, tutti i trailer sono presentati in formato 1.78:1 o 1.85:1 ottimizzato 16\/9 (alcuni appaiono un poco schiacciati) e, malgrado l\u2019ottimo lavoro fatto per ripristinare i colori originali, \u00e8 bene sapere che, trattandosi di materiali di diverse epoche e qualit\u00e0, alcuni presentano graffi e spuntinature, in realt\u00e0 un valore aggiunto per i pi\u00f9 appassionati.<br \/>\nL\u2019audio \u00e8 per tutti i volumi in Dolby Digital Mono.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 12pt; font-family: Arial; color: black;\"><strong>42nd Street Forever: Volume 1<\/strong><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 12pt; font-family: Arial; color: black;\"><strong><a href=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/42nd01Cover.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-9455\" title=\"42nd01Cover\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/42nd01Cover.jpg\" alt=\"\" width=\"300\" height=\"422\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/42nd01Cover.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/42nd01Cover-213x300.jpg 213w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><br \/>\n<\/strong><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial; color: black;\"><em>The Undertaker And His Pals<br \/>\nFlesh And Blood Show<br \/>\nWomen And Bloody Terror\/Night Of Bloody Horror<br \/>\nI Dismember Mama<br \/>\nBlood Spattered Bride<br \/>\nCorruption<br \/>\nThe Butcher Of Binbrook<br \/>\nGinger<br \/>\nItalian Stallion<br \/>\nCreampuffs <\/em>(ossia <em>Cornetti alla crema<\/em> di Sergio Martino con Edwige Fenech)<br \/>\n<em> The 3 Dimensions Of Greta<br \/>\nHard Candy<br \/>\n<a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=2663\" target=\"_self\"> The Centerfold Girls<\/a><br \/>\nPanorama Blue<br \/>\nWicked Wicked<br \/>\nTeenage Mother<br \/>\nCharlie And The Hooker<br \/>\nMatango, The Green Slime<br \/>\nDestroy All Monsters<br \/>\nThe Crippled Master<br \/>\n<a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=3865\" target=\"_self\"> Werewolves On Wheels<\/a><br \/>\nThe Pink Angels<br \/>\nThe Depraved<br \/>\nThey Call Her One Eye<br \/>\nMaid In Sweden<br \/>\nBehind Convent Walls<br \/>\nSecret Africa<br \/>\nShocking Asia<br \/>\nChappaqua<br \/>\nWelcome Home Brother Charles<br \/>\nThe 44 Specialist<\/em> (ossia il nostro <em>Mark colpisce ancora<\/em> di Stelvio Massi con Franco Gasparri)<br \/>\n<em>The Bullet Machine<br \/>\nDeath Drive<\/em> (ossia <em>Autostop rosso sangue<\/em> di Pasquale Festa Campanile con Franco Nero)<br \/>\n<em>The Raiders Of Atlantis<br \/>\nStar Crash<\/em> (di Luigi Cozzi)<br \/>\n<em>Confessions Of A Summer Camp Counsellor<br \/>\nSunset Cove<br \/>\nSuperfuzz<br \/>\nDeath Will Have Your Eyes<br \/>\nDeath Has Blue Eyes<\/em><br \/>\n<em>A Black Veil For Lisa<\/em> (<em>La morte non ha sesso<\/em> di Massimo Dallamano)<br \/>\n<em>Ironmaster<\/em> (di Umberto Lenzi)<br \/>\n<em>The Deadly Spawn<br \/>\nThe Devil\u2019s Nightmare<\/em><\/span><em> <\/em><\/p>\n<p><em> <\/em><\/p>\n<p><em> <\/em><\/p>\n<p><em> <\/em><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 12pt; font-family: Arial; color: black;\"><strong>42nd Street Forever, Vol. 2: The Deuce<\/strong><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 12pt; font-family: Arial; color: black;\"><strong><a href=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/42nd02Cover.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-9456\" title=\"42nd02Cover\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/42nd02Cover.jpg\" alt=\"\" width=\"300\" height=\"454\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/42nd02Cover.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/42nd02Cover-198x300.jpg 198w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><br \/>\n<\/strong><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial; color: black;\"><em><a href=\"http:\/\/www.rapportoconfidenziale.org\/?p=5386\" target=\"_self\">Ms. 45<\/a><br \/>\nBorn Losers<br \/>\nRolling Thunder<br \/>\nDixie Dynamite<br \/>\nThe Hellcats<br \/>\nDragstrip Riot<br \/>\nStingray<br \/>\nBurnout<br \/>\nDirt<br \/>\nSavage<br \/>\nKenner<br \/>\nTick Tick Tick<br \/>\nTake a Hard Ride<br \/>\nBlack Sampson<br \/>\nThe Guy from Harlem<br \/>\nSugar Hill<br \/>\nWhen Women Had Tails<\/em> (<em>Quando le donne avevano la coda<\/em> di Pasquale Festa Campanile)<br \/>\n<em>I, A Woman<br \/>\nThe Curious Female<br \/>\nThe Babysitter<br \/>\nStreet Girls<br \/>\nCollege Girls<br \/>\nThe Pom-Pom Girls<br \/>\nHelga<br \/>\nInvitation to Ruin<br \/>\nPick-Up<br \/>\nDelinquent Schoolgirls<br \/>\nSavage Sisters<br \/>\nFemale Jungle<br \/>\nGigantis: The, Fire Monster<br \/>\nThe Giant Gila Monster<br \/>\nThe Hideous Sun Demon<br \/>\nThe Monster of Piedras Blancas<br \/>\nMurders in the Rue Morgue<br \/>\nThe Woman Eater<br \/>\nThe Dark<br \/>\nThe Evil<br \/>\nThe Evictors<br \/>\nThe Texas Chainsaw Massacre<br \/>\nRabid<\/em> (di David Cronenberg)<br \/>\n<em>The Clones<br \/>\nMission Mars<br \/>\nMister Billion<br \/>\nSpy in Your Eye<br \/>\nThe Last of the Secret Agents?<br \/>\nTrunk to Cairo<br \/>\nKiss the Girls and Make Them Die<br \/>\nAmazons of Rome<br \/>\nSamson and the Slave Queen<br \/>\nRevolt of the Slaves<br \/>\nRevenge of the Gladiators<br \/>\nShogun Assassin<br \/>\nSkatetown USA<\/em><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 12pt; font-family: Arial; color: black;\"><strong>42nd Street Forever, Vol. 3: Exploitation Explosion!<\/strong><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 12pt; font-family: Arial; color: black;\"><strong><a href=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/42nd03Cover.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-9457\" title=\"42nd03Cover\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/42nd03Cover.jpg\" alt=\"\" width=\"300\" height=\"425\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/42nd03Cover.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/42nd03Cover-211x300.jpg 211w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><br \/>\n<\/strong><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial; color: black;\"><em>Sudden Death<br \/>\nThe One-Armed Executioner<br \/>\nJaguar Lives!<br \/>\nEnter the Ninja<br \/>\nLightning Swords of Death<br \/>\nFive Fingers of Death<br \/>\nThe Stranger &amp; the Gunfighter<br \/>\nBeyond the Door<br \/>\nDemonoid<br \/>\nThe Night Child<br \/>\nDevil Times Five<br \/>\nPatrick<br \/>\nJennifer<br \/>\nPhase IV<br \/>\nThe Uncanny<br \/>\nThe Pack<br \/>\nAlligator<br \/>\nKiller Fish<br \/>\nSharks&#8217; Treasure<br \/>\nBlood Beach<br \/>\nHot T-Shirts<br \/>\nCheerleaders&#8217; Wild Weekend<br \/>\nSummer School Teachers<br \/>\nPrison Girls<br \/>\n1000 Convicts and a Woman<br \/>\nChain Gang Women<br \/>\nThe Penthouse<br \/>\nThe House by the Lake<br \/>\nNight Call Nurses<br \/>\nThe Young Nurses<br \/>\nCandy Stripe Nurses<br \/>\nThe Life and Times of Xaviera Hollander<br \/>\nThe Happy Hooker Goes Hollywood<br \/>\nSurviveGuyana &#8211; Cult of the Damned<br \/>\nSevenScorchy<br \/>\nSavage Streets<br \/>\nHigh Ballin&#8217;<br \/>\nFrom Noon &#8216;Till Three<br \/>\nLiesTattoo<\/em><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 12pt; font-family: Arial; color: black;\"><strong>42nd Street Forever, Volume 4: Cooled by Refrigeration<\/strong><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 12pt; font-family: Arial; color: black;\"><strong><a href=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/42nd04Cover.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-9458\" title=\"42nd04Cover\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/42nd04Cover.jpg\" alt=\"\" width=\"300\" height=\"422\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/42nd04Cover.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/42nd04Cover-213x300.jpg 213w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><br \/>\n<\/strong><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial; color: black;\"><em>The Syndicate: A Death in the Family<br \/>\nCombat Cops<br \/>\nIt Came Without Warning<br \/>\nNo Blade of Grass<br \/>\nYor: The Hunter from the Future<br \/>\nSimon &#8211; King of the Witches<br \/>\nThe Psychic<br \/>\nSchizoid<br \/>\nTender Flesh<br \/>\nDie Sister, Die<br \/>\nSilent Scream<br \/>\nNew Year&#8217;s Evil<br \/>\nMortuary<br \/>\nHumongous<br \/>\nEmbryo<br \/>\nThe Bogeyman<br \/>\nThe Legend of Boggy Creek<br \/>\nThe Town that Dreaded Sundown<br \/>\nGray Eagle<br \/>\nShadow of the Hawk<br \/>\nRituals<br \/>\nAmericathon<br \/>\nCan I Do It&#8230; &#8216;Till I Need Glasses?<br \/>\nDie Laughing<br \/>\nIn God We Trust<br \/>\nUndercovers Hero<br \/>\nThe Jezebels<br \/>\nFighting Mad<br \/>\nMoving Violation<br \/>\nBonnie&#8217;s Kids<br \/>\nWalking Tall Part 2<br \/>\nThe Klansman<br \/>\nMonkey Hustle<br \/>\nThe Soldier<br \/>\nBlackout<br \/>\nShout at the Devil<br \/>\narch or Die<br \/>\nHog Wild<br \/>\nThe Hard Heads<br \/>\nThe Chicken Chronicles<br \/>\nBest Friends<br \/>\nOur Winning Season<br \/>\nCoach<br \/>\nGoldengirl<\/em><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 12pt; font-family: Arial; color: black;\"><strong>42nd Street Forever Volume 5: Alamo Drafthouse Cinema<\/strong><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 12pt; font-family: Arial; color: black;\"><strong><a href=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/42nd05Cover.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-9459\" title=\"42nd05Cover\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/42nd05Cover.jpg\" alt=\"\" width=\"300\" height=\"425\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/42nd05Cover.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/42nd05Cover-211x300.jpg 211w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><br \/>\n<\/strong><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial; color: black;\"><em>Charlton Heston on Movie Ratings<\/em><br \/>\nUna tra le pi\u00f9 grandi star del cinema d&#8217;azione hollywoodiano spiega il metodo di classificazione censoria dei film.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial; color: black;\"><em>A Life of Ninja<br \/>\nSting of the Dragon Masters<br \/>\nThe Bodyguard<br \/>\nMad Monkey Kung Fu<br \/>\nWonder Women<br \/>\nLucky Seven<br \/>\nThe Shark Hunter (<em>Il cacciatore di squali<\/em> di Enzo G. Castellari)<br \/>\nBirds Do It, Bees Do It<br \/>\nLet&#8217;s Do It!<br \/>\nChatter-box<br \/>\nDanish Love Acts<br \/>\nGroup Marriage<br \/>\nViolated!<br \/>\nCaged Virgins<br \/>\nSmithfield B-B-Q Beef<br \/>\nMessage From Space<br \/>\nThe Terrornauts!<br \/>\nMind Warp<br \/>\nMegaforce<br \/>\nZebra Force<br \/>\nBlazing Battle<br \/>\nJames Tont: Operation O.N.E. (<\/em><em>James Tont: operazione U.N.O.!<\/em><em>, di Bruno Corbucci)<br \/>\n<em>International Secret Police<br \/>\nMachine Gun McCain<br \/>\nStacey<br \/>\nLightning Bolt (<em>Operazione Boldman<\/em> di Antonio Margheriti)<br \/>\nMission Thunderbolt!<br \/>\nThe Three Supermen of the West <\/em><span style=\"font-style: normal;\">(<\/span><em> <\/em><em>&#8230;e cosi divennero i 3 supermen del West <span style=\"font-style: normal;\">di Italo Martinenghi)<\/span><br \/>\n<em>Pretty Maids All in a Row<br \/>\nPutney Swope<br \/>\n&#8220;Norman&#8230;Is That You?&#8221;<br \/>\nRedneck County<br \/>\nMoonrunners<br \/>\nFlavos Shrimp Roll <span style=\"font-style: normal;\">(pubblicit\u00e0)<\/span><br \/>\nThe Fabulous World of Jules Verne<br \/>\nThe Magic Christmas Tree<br \/>\nPinocchio&#8217;s Birthday Party<br \/>\nThe Magic of the Kite<br \/>\nThe Secret of Magic Island<br \/>\nSuper Dog and Texas Schooner<br \/>\nKarzan, Master of the Jungle<br \/>\nThe Norseman<br \/>\nSorceress<br \/>\nTerror in the Wax Museum<br \/>\nThe Manson Massacre<br \/>\nThe Devil Within Her<br \/>\nSlaughterhouse Rock<\/em><\/em><\/em><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 12pt; font-family: Arial; color: black;\"><strong>42nd Street Forever: XXX-Treme Special Edition<\/strong><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 12pt; font-family: Arial; color: black;\"><strong><a href=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/42xxxCover.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-9460\" title=\"42xxxCover\" src=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/42xxxCover.jpg\" alt=\"\" width=\"300\" height=\"426\" srcset=\"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/42xxxCover.jpg 300w, https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/42xxxCover-211x300.jpg 211w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><br \/>\n<\/strong><\/span><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial; color: black;\"><span style=\"font-weight: normal;\">Interamente dedicato al cinema a luci rosse, 42nd Street Forever: XXX-Treme Special Edition presenta\u00a0una cinquantina di trailer, testimonianza di un\u2019epoca, quella delle sale porno, ormai definitivamente tramontata, soppiantata da un ventennio di home video.<br \/>\nQueste anticipazioni sono tutte di durata superiore ai due minuti e mostrano interpreti ben lontani dalle manipolazioni dovute alla chirurgia estetica cui il pubblico del genere \u00e8 ormai abituato.<\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial; color: black;\"><span style=\"font-weight: normal;\"><em>Alexandra<br \/>\nAll American Girls<br \/>\nAroused<br \/>\nBeverly Hills Cox<br \/>\nBeyond Desire<br \/>\nBlonde Ambition<br \/>\nBurlexxx<br \/>\nComing Together<br \/>\nDebbie Does &#8216;Em All<br \/>\nDebbie Does Dallas III<br \/>\nDesire<br \/>\nDevil in Miss Jones III<br \/>\nDevil in Miss Jones IV<br \/>\nDracula Erotica<br \/>\n&#8220;F&#8221;<br \/>\nFascination For Services Rendered<br \/>\nGirls on Fire<br \/>\nHeart Throbs<br \/>\nHot Blooded<br \/>\nHot Lips<br \/>\nI Want to Be Bad<br \/>\nMaking It Big<br \/>\nMatinee Idol<br \/>\nNaked Scents<br \/>\nNasty Girls<br \/>\nNothing to Hide<br \/>\nThe Oddest Couple<br \/>\nOriental Jade<br \/>\nPasage Thru Pamela<br \/>\nThe Ribald Tales of Canterbury<br \/>\nScandalous Simone<br \/>\n1001 Erotic Nights<br \/>\nSensations<br \/>\nShowgirls<br \/>\nSkin Tight<br \/>\nSupergirls Do General Hospital<br \/>\nSupergirls Do the Navy<br \/>\nSurrender in Paradise<br \/>\nTickled Pink<br \/>\nTight and Tender<br \/>\nTrashy Lady<br \/>\nUltra Flesh<\/em><\/span><em> <\/em><\/span><\/p>\n<p><strong><em><span style=\"font-weight: normal;\"> <\/span><\/em><em><strong><span style=\"font-style: normal;\">DVD<\/span><\/strong><\/em><\/strong><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial; color: black;\"><a href=\"http:\/\/www.amazon.com\/gp\/product\/B000BLI5PU?ie=UTF8&amp;tag=lamiavitanell-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=B000BLI5PU\">42nd Street Forever, Vol. 1<\/a><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial; color: black;\"><a href=\"http:\/\/www.amazon.com\/gp\/product\/B000HXDWNW?ie=UTF8&amp;tag=lamiavitanell-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=B000HXDWNW\">42nd Street Forever, Vol. 2: The Deuce<\/a><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial; color: black;\"><span style=\"font-family: Arial; font-size: 12px;\"><a href=\"http:\/\/www.amazon.com\/gp\/product\/B000XSKDPG?ie=UTF8&amp;tag=lamiavitanell-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=B000XSKDPG\">42nd Street Forever Vol. 3: Exploitation Explosion<\/a><img loading=\"lazy\" decoding=\"async\" style=\"border: medium none  ! important; margin: 0px ! important;\" src=\"http:\/\/www.assoc-amazon.com\/e\/ir?t=lamiavitanell-20&amp;l=as2&amp;o=1&amp;a=B000XSKDPG\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/><\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial; color: black;\"><a href=\"http:\/\/www.amazon.com\/gp\/product\/B001J65RD4?ie=UTF8&amp;tag=lamiavitanell-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=B001J65RD4\">42nd Street Forever Vol. 4<\/a><img loading=\"lazy\" decoding=\"async\" style=\"border: none !important; margin: 0px !important;\" src=\"http:\/\/www.assoc-amazon.com\/e\/ir?t=lamiavitanell-20&amp;l=as2&amp;o=1&amp;a=B001J65RD4\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/><\/span><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial; color: black;\"><a href=\"http:\/\/www.amazon.com\/gp\/product\/B002E2QH0Y?ie=UTF8&amp;tag=lamiavitanell-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=B002E2QH0Y\">42nd Street Forever, Vol. 5: Alamo Drafthouse Cinema<\/a><img loading=\"lazy\" decoding=\"async\" style=\"border: none !important; margin: 0px !important;\" src=\"http:\/\/www.assoc-amazon.com\/e\/ir?t=lamiavitanell-20&amp;l=as2&amp;o=1&amp;a=B002E2QH0Y\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><span style=\"font-size: 9pt; font-family: Arial; color: black;\"><span><a href=\"http:\/\/www.amazon.com\/gp\/product\/B000LC3IMO?ie=UTF8&amp;tag=lamiavitanell-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=B000LC3IMO\">42nd Street Forever: XXX-Treme Special Edition (2007)<\/a><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Prima che l\u2019ex sindaco Giuliani la ripulisse a modo suo e la consegnasse di fatto alla Disney, la Quarantaduesima strada di New York era quella in cui si trovavano le sale cinematografiche dedicate al cinema exploitation (ossia al cinema commerciale spesso a bassissimo costo creato per un pubblico alla ricerca di forti emozioni), celebrato in tempi non lontani da Quentin<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[2142],"tags":[6352,1517,1164,1516,382,2066,1163,7329],"class_list":["post-9446","post","type-post","status-publish","format-standard","hentry","category-homevideo","tag-42nd-street-forever","tag-exploitation","tag-gore","tag-grindhouse","tag-horror","tag-porno","tag-splatter","tag-trailer"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>42nd Street Forever | Rapporto Confidenziale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rapportoconfidenziale.org\/?p=9446\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"42nd Street Forever | Rapporto Confidenziale\" \/>\n<meta property=\"og:description\" content=\"Prima che l\u2019ex sindaco Giuliani la ripulisse a modo suo e la consegnasse di fatto alla Disney, la Quarantaduesima strada di New York era quella in cui si trovavano le sale cinematografiche dedicate al cinema exploitation (ossia al cinema commerciale spesso a bassissimo costo creato per un pubblico alla ricerca di forti emozioni), celebrato in tempi non lontani da Quentin\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.rapportoconfidenziale.org\/?p=9446\" \/>\n<meta property=\"og:site_name\" content=\"Rapporto Confidenziale\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/rapportoconfidenziale\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/rapportoconfidenziale\" \/>\n<meta property=\"article:published_time\" content=\"2010-10-22T10:40:54+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-31T15:38:36+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/The-Following01.jpg\" \/>\n<meta name=\"author\" content=\"Rapporto Confidenziale\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@RConfidenziale\" \/>\n<meta name=\"twitter:site\" content=\"@RConfidenziale\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Rapporto Confidenziale\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=9446#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=9446\"},\"author\":{\"name\":\"Rapporto Confidenziale\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/person\\\/1bf60340eefe8f99b9cd50688202e9d3\"},\"headline\":\"42nd Street Forever\",\"datePublished\":\"2010-10-22T10:40:54+00:00\",\"dateModified\":\"2014-10-31T15:38:36+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=9446\"},\"wordCount\":1520,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=9446#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2010\\\/10\\\/The-Following01.jpg\",\"keywords\":[\"42nd Street Forever\",\"Exploitation\",\"gore\",\"Grindhouse\",\"horror\",\"Porno\",\"splatter\",\"Trailer\"],\"articleSection\":[\"HOMEVIDEO\"],\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=9446#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=9446\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=9446\",\"name\":\"42nd Street Forever | Rapporto Confidenziale\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=9446#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=9446#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2010\\\/10\\\/The-Following01.jpg\",\"datePublished\":\"2010-10-22T10:40:54+00:00\",\"dateModified\":\"2014-10-31T15:38:36+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=9446#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=9446\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=9446#primaryimage\",\"url\":\"http:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2010\\\/10\\\/The-Following01.jpg\",\"contentUrl\":\"http:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2010\\\/10\\\/The-Following01.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?p=9446#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"42nd Street Forever\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#website\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/\",\"name\":\"Rapporto Confidenziale\",\"description\":\"rivista digitale di cultura cinematografica | digital magazine about cinematic culture\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#organization\",\"name\":\"Rapporto Confidenziale\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2017\\\/09\\\/RC_logo_1_nero.png\",\"contentUrl\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/wp-content\\\/uploads\\\/2017\\\/09\\\/RC_logo_1_nero.png\",\"width\":3508,\"height\":709,\"caption\":\"Rapporto Confidenziale\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/rapportoconfidenziale\",\"https:\\\/\\\/x.com\\\/RConfidenziale\",\"https:\\\/\\\/www.instagram.com\\\/icdpavlov\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/RConfidenziale\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/#\\\/schema\\\/person\\\/1bf60340eefe8f99b9cd50688202e9d3\",\"name\":\"Rapporto Confidenziale\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g\",\"caption\":\"Rapporto Confidenziale\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/rapportoconfidenziale\"],\"url\":\"https:\\\/\\\/www.rapportoconfidenziale.org\\\/?author=6\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"42nd Street Forever | Rapporto Confidenziale","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.rapportoconfidenziale.org\/?p=9446","og_locale":"it_IT","og_type":"article","og_title":"42nd Street Forever | Rapporto Confidenziale","og_description":"Prima che l\u2019ex sindaco Giuliani la ripulisse a modo suo e la consegnasse di fatto alla Disney, la Quarantaduesima strada di New York era quella in cui si trovavano le sale cinematografiche dedicate al cinema exploitation (ossia al cinema commerciale spesso a bassissimo costo creato per un pubblico alla ricerca di forti emozioni), celebrato in tempi non lontani da Quentin","og_url":"https:\/\/www.rapportoconfidenziale.org\/?p=9446","og_site_name":"Rapporto Confidenziale","article_publisher":"https:\/\/www.facebook.com\/rapportoconfidenziale","article_author":"https:\/\/www.facebook.com\/rapportoconfidenziale","article_published_time":"2010-10-22T10:40:54+00:00","article_modified_time":"2014-10-31T15:38:36+00:00","og_image":[{"url":"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/The-Following01.jpg","type":"","width":"","height":""}],"author":"Rapporto Confidenziale","twitter_card":"summary_large_image","twitter_creator":"@RConfidenziale","twitter_site":"@RConfidenziale","twitter_misc":{"Scritto da":"Rapporto Confidenziale","Tempo di lettura stimato":"8 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=9446#article","isPartOf":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=9446"},"author":{"name":"Rapporto Confidenziale","@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/person\/1bf60340eefe8f99b9cd50688202e9d3"},"headline":"42nd Street Forever","datePublished":"2010-10-22T10:40:54+00:00","dateModified":"2014-10-31T15:38:36+00:00","mainEntityOfPage":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=9446"},"wordCount":1520,"commentCount":0,"publisher":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#organization"},"image":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=9446#primaryimage"},"thumbnailUrl":"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/The-Following01.jpg","keywords":["42nd Street Forever","Exploitation","gore","Grindhouse","horror","Porno","splatter","Trailer"],"articleSection":["HOMEVIDEO"],"inLanguage":"it-IT","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.rapportoconfidenziale.org\/?p=9446#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=9446","url":"https:\/\/www.rapportoconfidenziale.org\/?p=9446","name":"42nd Street Forever | Rapporto Confidenziale","isPartOf":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=9446#primaryimage"},"image":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=9446#primaryimage"},"thumbnailUrl":"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/The-Following01.jpg","datePublished":"2010-10-22T10:40:54+00:00","dateModified":"2014-10-31T15:38:36+00:00","breadcrumb":{"@id":"https:\/\/www.rapportoconfidenziale.org\/?p=9446#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.rapportoconfidenziale.org\/?p=9446"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=9446#primaryimage","url":"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/The-Following01.jpg","contentUrl":"http:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2010\/10\/The-Following01.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.rapportoconfidenziale.org\/?p=9446#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.rapportoconfidenziale.org\/"},{"@type":"ListItem","position":2,"name":"42nd Street Forever"}]},{"@type":"WebSite","@id":"https:\/\/www.rapportoconfidenziale.org\/#website","url":"https:\/\/www.rapportoconfidenziale.org\/","name":"Rapporto Confidenziale","description":"rivista digitale di cultura cinematografica | digital magazine about cinematic culture","publisher":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.rapportoconfidenziale.org\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.rapportoconfidenziale.org\/#organization","name":"Rapporto Confidenziale","url":"https:\/\/www.rapportoconfidenziale.org\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/logo\/image\/","url":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/09\/RC_logo_1_nero.png","contentUrl":"https:\/\/www.rapportoconfidenziale.org\/wp-content\/uploads\/2017\/09\/RC_logo_1_nero.png","width":3508,"height":709,"caption":"Rapporto Confidenziale"},"image":{"@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/rapportoconfidenziale","https:\/\/x.com\/RConfidenziale","https:\/\/www.instagram.com\/icdpavlov\/","https:\/\/www.youtube.com\/user\/RConfidenziale"]},{"@type":"Person","@id":"https:\/\/www.rapportoconfidenziale.org\/#\/schema\/person\/1bf60340eefe8f99b9cd50688202e9d3","name":"Rapporto Confidenziale","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d1e03f27aba3e626837ee1e1d254ac277051cae4f639e504c631f8773e283eb3?s=96&d=identicon&r=g","caption":"Rapporto Confidenziale"},"sameAs":["https:\/\/www.facebook.com\/rapportoconfidenziale"],"url":"https:\/\/www.rapportoconfidenziale.org\/?author=6"}]}},"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/posts\/9446","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9446"}],"version-history":[{"count":0,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=\/wp\/v2\/posts\/9446\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9446"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9446"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rapportoconfidenziale.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9446"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}